africa

Softcover. London/Berkeley, James Currey/University of California, 1989, Softcover, 422 pages, despite a quarter century of "nation building," most African states are still driven by ethnic particularism--commonly known as "tribalism." The stubborn persistence of tribal ideologies despite the profound changes associated with modernization has puzzled scholars and African leaders alike. The bloody hostilities between the tribally-oriented Zulu Inkhata movement and supporters of the African National Congress are but the most recent example of tribalism's tenacity. The studies in this volume offer a new historical model for the growth and endurance of such ideologies in southern Africa. Name on front fly leaf, underlining to Introduction, otherwise clean.

Hardcover. Evanston IL, Northwestern University Press, 1959-1963, Book: Very Good, Dust Jacket: None, Four hardcover volumes: Vol. 1, East Africa November 1889 to December 1890, 432 pages. Vol. 2, East Africa December 1890 to December 1891, 481 pages. Vol. 3, East Africa January 1892 to August 1892, 454 pages. Vol. 4, Nigeria 1894-5 and 1898, 444 pages. Black-and-white illustrations and maps; Bindings vary: Vols. 1, 3 and 4 are matching green cloth with gilt lettering on spine. Vol. 2 is terra-cotta cloth with a black clorh spine. Previous owner'e signature in 1 and #. Otherwise clean and tight set.

Softcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 317 pages, b&w illustrations. Translated from the Dutch by Diane Webb. "Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were 'the envy of some, the fear of others, and the wonder of all their neighbours'. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on three continents." Clean copy.

Softcover. NY, Penguin Books, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 363 pages. Despite ceaseless conflict between different classes and cities, Holland's rise to power was almost miraculously rapid. In a few short years a tiny country gained control of territory from Indonesia to the West Indies, from South Africa to South America. In this marvelously evocative book Professor Boxer recaptures the scenes of adventure and dissipation in the four corners of the earth , the up surge in the arts and sciences, and the sad decoines from the ' Golden Century' to the 'Periwig Period'. Few stories could be as rich and colorful, yet it was largely inspired by the ' grave and sober people of Holland', the Calvinist merchants of Amsterdam who forged a nation based on ' gain and godliness'. Such were the people whom Rembrandt painted, who debated policies of apartheid or assimilation, who founded factories and forts. The Dutch Seaborne empire offers a portrait of them all, as they made their spectacular entrance into the modern world. Clean copy.

Hardcover. London, Edward Arnold, 2nd pr., 1905, Book: Fair, Dust Jacket: None, Hardcover, original blue cloth covers worn with faded gilt lettering. Frontis. missing, hinges cracked, B&w photos, folding maps present. An account of the British territories in East Africa, intended as a guide for prospective colonisers, and future developers. Topics discussed include the physical geography, native peoples such as the Swahilis, the Masai, Somalis, and Nandi, vegetations and animals, slavery, the Uganda railway and more. Sir Charles Eliot was a British colonial administrator and commissioner for the Protectorate of British East Africa, now Kenya.

Hardcover. Boston, Little, Brown and Company, 1st US, 1943, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers lettered in gold with black letterbox, 322 pages. Contains speeches throughout 1942. This year was a low point of the war, full of setbacks and disappointments across the globe for the British. Throughout the year Churchill's speeches conveyed sober, resolved, and eloquent defiance - with of course an occasional sparkle of Churchillian wit, even in the dark hours of the war. The title of this volume comes from Churchill's 10 November 1942 speech at the Lord Mayor's Day Luncheon in London at a time when fortune finally favored the British with victories in North Africa: "The Germans have received back again that measure of fire and steel which they have so often meted out to others. Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning." Light marking to front endpapers.

Hardcover. Milwaukee WI, Backbeat Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with spiral binding, 304 pages. The Fiddle Handbook is a treasure trove of information spanning the whole range of fiddle playing. It looks in detail at the most commonly played styles among today's fiddlers. From America, there's old time, bluegrass, Cajun, Western swing, country, blues, rock, klezmer, and jazz, while from the British Isles there's Irish, Scottish, and English. There is also a quick romp through Eastern Europe and beyond, from the spike fiddles of Africa and Asia to the Chinese Erhu, the fabulous Indian Sarangi, and the mysterious Norwegian Hardingfele. A wealth of musical examples - ornaments, bowing patterns, scales, modes, exercises and complete tunes - are faithfully reproduced on the accompanying CDs, to give you a taste of each style. Clean copy.

Hardcover. Chicago, University of Chicago Press , 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 280 pages. Preface by Geoff Dyer. Essay by David Van Reybrouck. Includes 20 color plates and 80 halftones. Still in publisher's shrinkwrap. The First World War presents a startlingly different perspective, one based on rare glass plate photographs, that reveals the war with previously unseen, even uncanny, clarity.Scanned from the original plates, with scratches and other flaws expertly removed, these oversized reproductions offer a wealth of unusual moments, including scenes of men in training, pictures of African colonial troops on the Western front, landscapes of astonishing destruction, and postmortem portraits of Belgian soldiers killed in action. Readers previously familiar with only black-and-white or sepia-toned prints of the hostilities will be riveted by the book's many authentic color photographs, products of the early autochrome method. From children playing war games to a wrenching deathbed visit, these images are extraordinary not only for their subject matter, but also for the wide range of emotions they evoke.

Hardcover. NY, Prentice Hall, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Describes the author's experiences traveling through Africa, meeting and talking with warriors, activists, and poachers. 334 pages, clean copy.

Hardcover. NY, Scholastic, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Those shackles didn't rob us of being black, son, they robbed us of being human."This is the story of one family. A family whose history saw its first ancestor captured, shackled, and brought to this country from Africa. A family who can still see remnants of the shackles that held some of its members captive -- even today. It is a story of pride, determination, struggle, and love. And of the piece of the land that holds them together throughout it all. Clean copy.

Hardcover. NY, Pantheon, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A magisterial achievement: part biography, part history, part moral meditation on the resurrection of torture as an instrument of political power in the twentieth century, The Good Listener tells the story of Helen Bamber, a good but complex woman now in her seventies, who has spent her life battling to bring the dark side of history into the light. In almost every situation in our century where mankind has demonstrated its capacity to intensify evil--during the Nazi Holocaust, in Algeria, Chile, Africa, the USSR, and Israel, as well as in postwar Britain and Germany--Bamber has served as a witness, an expert, or a reproach, as well as a repository of our collective memory of debasement. Her father, a Polish Jew, had been so obsessed by the Fascist threat that he would read to Helen from Goebbels' speeches, teaching her how corrupting and manipulative language can be. She went to Bergen-Belsen after World War II had ended, and upon her return to London she dedicated herself to caring for the young survivors of the camp. So began Bamber's brave devotion to the grim and dangerous task of undoing the work of the torturer--culminating, after her participation as a central force in Amnesty International, in her establishment in England of the Foundation for the Care of Victims of Torture. Because Bamber's uncanny openness to others has been one of her great skills, Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1981, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 258 pages. Examines the unique religious brotherhoods of Morocco, tracing their origins to two saints from the late 17th and early 18th centuries, Sidi Ali ben Hamdush and Sidi Ahmed Dghughi. Known for their dramatic and sometimes controversial rituals, such as trance dances and acts of self-mutilation, the Hamadsha are healers who address spiritual and psychogenic ailments through symbolic and therapeutic practices. Their activities, deeply rooted in the Moroccan cult of saints, reflect a complex interplay of Islamic mysticism, local traditions, and social dynamics. Through these rituals, the Hamadsha incorporate patients into their brotherhoods, providing them with new roles and a symbolic framework to articulate and resolve personal and societal tensions. Drawing on extensive fieldwork, historical analysis, and psychoanalytic perspectives, this study explores the Hamadsha's history, their organizational structure, and their relationship with Moroccan culture and religion. It examines the saints' tombs as focal points of veneration, the social dynamics of the brotherhoods, and their therapeutic methods, including pilgrimages and trance dances. Clean copy.

Hardcover. NY, Harcourt, Brace and Company, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 115 pages illustrated in b&w line by Enrico Arno. This entertaining collection of twenty-one folk tales from the Ashanti people of Ghana in West Africa takes its title from the wild 'dance' the spider Anansi performed when he tried to hide some burning hot beans under his hat. Clean copy.

Hardcover. NY, William Morrow, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, light gray boards with a blue cloth spine, 268 pages. The author's passionate concern for Africa and for the human spirit is evident in this portrait of the "First People" of southern Africa, the Bushmen. Van der Post describes his desert travels, the splendid landscape and wildlife, and his encounters with the Bushman, an elusive culture. Drawings by Maurice Wilson. SIGNED BY VAN DER POST on the front fly leaf. No dust jacket, Clean copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, glossy illustrated boards with blue cloth spine, 101 pages. Many color illustrations bybH.B. Vestal with accompanying text. Clean, bright copy. No dust jacket.

Hardcover. NY, Stewart, Tabori & Chang, 1st thus, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. A special illustrated edition of this travel classic first published in the early 1940s. The author describes growing up in an Africa that no longer exists, training and breeding race horses, flying mail to Sudan, and being the first woman to fly the Atlantic from east to west. This edition with 75 duo tone photographs. Clean copy.

Softcover. NY, Red Sea Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 321 pages. This book tells the story about an African Jewish community known as the Beta Israel that used to live in the northern part of Ethiopia. They were repatriated to Israel in many waves with the aid of the Israeli government and the Jewish Diaspora. The Beta Israel had struggled and faced hardships in order to live out their destiny which was to migrate to the Promised Land. However, their struggle did not stop there. They have had to struggle again to overcome unexpected and new challenges after their long anticipated migration. The book is organized around these two issues. The early chapters of the book describe the quest for Beta Israel identity within Ethiopia and explore their origins. The discussion on this topic is based on mainly textual analyses of previous works on the Beta Israel. It outlines their history and explores their origins. It examines whether the different types of oppressive Ethiopian regimes have contributed to their decision to leave for the Promised Land. It sketches the socio-economic background of the twentieth-century Aliyah, and briefly analyses the impact of the political upheavals in Ethiopia between 1974 and 1991 when the Derg, the post Haile Selassie military regime, was in power.

Softcover. London, September Publishing, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 302 pages. A uniquely vivid and wickedly funny memoir of growing up ambitious, creative and sometimes hungry in Malawi, by the award-winning conceptual artist. Clean copy.

Hardcover. NY, Abrams Books for Young Readers, 2nd pr., Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Artist Alex Beard brings to life an African savanna filled with humor and misunderstandings.When Bird mixes up something Turtle says, he accidentally starts a rumor about the watering hole drying up. One misunderstanding leads to another, with animals making their own hilarious assumptions. No one is hearing anything right, and soon the animals are in an uproar from one end of the jungle to the other. Elephant is trumpeting, Croc is snapping, and the Flamingos are fleeing! Beards story will have every child wondering if peace can ever be restored in the animal kingdom. No dust jacket, clean copy.

Hardcover. London, Routledge & Kegan Paul, reprint, 1951, Book: Very Good, Dust Jacket: None, Hardcover, yellow-orange cloth with stamped gilt lettering. One of the earliest and most comprehensive ethnographical studies of the Khoisan peoples. The interior contents (xi + 450 pp.) are clean, complete, and securely bound. These contents include two rear fold-out maps and 16 b&w plates. Owner's name inside front cover otherwise clean.

Hardcover. Berkeley, University Of California Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 278 pages. History of the Pedi's struggle to keep the land that belonged to them in South Africa. Clean copy.

Hardcover. London, John Murray, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 227 pages. "In North Africa, between the Sahara and the Mediterranean, [are] four...States...Libya, Morocco, Tunisia, and Algeria. Together they form what the Arabs call 'The Maghrib', and Sir Geoffrey Furlonge calls 'The Lands of Barbary'." Black and white photographic plates.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. Yarbrough weaves a beautiful story in picture-book format about the role of music in the lives of Africans and shows how it was transformed on American and Caribbean soil. The tale revolves around a "Roots of Rhythm and Blues" concert attended by a sister and brother and their parents, great grandmother, and elderly neighbor. At the park, the father tells his children about slavery and the "culture baggage" the slaves carried with them from Africa. With a compelling delivery that echoes the rhythmic chanting of the griot, the man speaks about concepts such as spirit power and the tree of life that at first are hard for his young son to grasp. The performance begins with a song of praise for the strength and endurance of a transplanted people. By the end, the youngsters understand more about their heritage and the role spirituals played and continue to play in it. Geter's pencil-and-charcoal illustrations are richly imaginative, evoking images of Africa, slavery, roots, and soaring trees. Clean copy.

Softcover. Silver Spring MD, Picture This Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 140 pages in color. Edited and restored by the artist's grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, and an Afterword by comics columnist Ed Catto. Lost Art Books launches the initial volume in a new series devoted to under-appreciated illustrator and comic artist Kreigh Collins (1908-74), collecting for the first time his syndicated Sunday strip, Mitzi McCoy, in its entirety. Kreigh Collins (1908-74) had a wanderlust, fueled by an itinerant childhood, that led to a lifetime of adventures, whether it was leaving his humble midwestern roots to study the masters in the Louvre and hone his craft painting on the banks of the Seine or getting knifed in Morocco while boating and painting his way through North Africa. But equally strong was the draw of his adopted home in Michigan, which is where he launched and set his first syndicated newspaper strip, Mitzi McCoy, in 1948. It didn't take long, though, for wanderlust to strike again, rendering Mitzi but a precursor to Collins' eventual 20-year run on the picaresque adventure comic, Kevin the Bold. Lost Art Books celebrates these beautiful beginnings with this first-ever complete collection of Collins' Mitzi McCoy. Drawn as well as scripted by Collins, Mitzi McCoy showcased the artist's skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip's ensemble cast rotated in and out of the spotlight, taking turns as protagonists in the dozen story arcs collected in this volume.