american west

Hardcover. Syracuse NY, Syracuse University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 142 pages, b&w illustrations. In 1950, future Hall of Famer Earl Lloyd became the first African American to play in a National Basketball Association game. A warm and gracious man, widely loved and respected, Lloyd has lived what he describes as an 'incredible journey' and has spent eighty years gathering passionate lessons from that experience. He was born in Virginia, a state he describes as 'the cradle of segregation', only sixty-two years after the end of the Civil War. Nicknamed 'Moonfixer' in college, Lloyd led West Virginia State to two CIAA Conference and Tournament Championships and was named All-American twice. One of three African Americans to enter the NBA at that time, Lloyd played seven games for the Washington Capitals before the team folded. He joined the Syracuse Nationals for six seasons and later played for the Detroit Pistons before he retired in 1961. Throughout his career, he quietly endured the overwhelming slights and exclusions that went with being black in America. Yet he has also lived to see basketball - a demonstration of art, power, and pride - become the black national pastime and to witness the inauguration of Barack Obama. In a series of extraordinary conversations with Sean Kirst, Lloyd reveals his fierce determination to succeed, his frustration with the plight of many young black men, and his sincere desire for the nation to achieve true equality among its citizens. CLEAN COPY.

Hardcover. NY, Pegasus Books, 1st, 2020, Hardcover in a bright dust jacket, 242 pages. A finely wrought coming-of-age memoir about the author's relationship with her beloved grandfather Joe Simon, cartoonist and co-creator of Captain America. In the 1990s, Megan Margulies's Upper West Side neighborhood was marked by addicts shooting up in subway stations, frequent burglaries, and the "Wild Man of 96th Street," who set fires under cars and heaved rocks through stained glass church windows. The world inside her parents' tiny one-bedroom apartment was hardly a respite, with a family of five-including some loud personalities-eventually occupying the 550-square-foot space. Salvation arrived in the form of her spirited grandfather, Daddy Joe, whose midtown studio became a second home to Megan. There, he listened to her woes, fed her Hungry Man frozen dinners, and simply let her be. His living room may have been dominated by the drawing table, notes, and doodles that marked him as Joe Simon the cartoonist. But for Megan, he was always Daddy Joe: an escape from her increasingly hectic home, a nonjudgmental voice whose sense of humor was as dry as his farfel, and a steady presence in a world that felt off balance. Evoking New York City both in the 1980s and '90s and during the Golden Age of comics in the 1930s and '40s, My Captain America flashes back from Megan's story to chart the life and career of Rochester-native Joe Simon, from his early days retouching publicity photos and doing spot art for magazines, to his partnership with Jack Kirby at Timely Comics (the forerunner of Marvel Comics), which resulted in the creation of beloved characters like Captain America, the Boy Commandos, and Fighting American. My Captain America offers a tender and sharply observed account of Megan's life with Daddy Joe-and an intimate portrait of the creative genius who gave us one of the most enduring superheroes of all time.

Hardcover. Westport CT, Greenwood Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 249 pages. This bibliography includes more than 1,100 entries from books, journals, newspaper articles, and dissertations concerning North American Indian basketry. More general cultural works with some information on basketry are also included, and the materials date from early ethnographic work in the late 19th and early 20th centuries to 1987. . . . The introduction offers a good overview of research in Native American basketry, and although the annotations vary greatly in thoroughness and length, they are generally useful. Bookplate on inside front cover. Otherwise a clean, bright copy.

Hardcover. Flagstaff, Arizona, Northland Press, 2nd pr., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 98 pages. INSCRIBED BY PERCEVAL with personal note to previous owner from him and his wife. Cover shows very light wear and soiling. Internally clean. Beautiful color and black & white sketches of Navajos and Arizona landscape. With a descriptive text by Clay Lockett.

Hardcover. New Haven CT, Yale University Press , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap. Exhibition catalog for a show organized by the Amon Carter Museum of American Art, Fort Worth, Texas, and the Saint Louis Art Museum, St. Louis, Mo. Concentrates on Bingham?'s images inspired by the waterborne traffic on the Mississippi and Missouri rivers? in his lifetime, the great highways of the American frontier?and the men who worked on the river's? flatboats and rafts. 11-14" x 10-3/4", 199 numbered pages. A detailed academic analysis of Bingham's work, with numerous color plates and photos of his drawings.

Hardcover. Lincoln NE, University of Nebraska Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 391 pages, b&w illustrations. An excellent study of a military commander who transformed the American Frontier and the West. Based on a wide range of sources, including materials only recently made available to researchers, this first complete, carefully documented biography of Miles skillfully delineates the brilliant, abrasive, and controversial tactician whose career in many respects epitomized the story of the Old Army. Nelson A. Miles was probably the best Indian fighter produced by the U.S. Army between 1865 and 1890, figuring prominently in some of the most famous and significant conflicts between whites and Native Americans. This carefully documented biography of Miles skillfully delineates the brilliant, abrasive, and controversial tactician whose career in many respects epitomized the story of the Old Army. Clean copy.

Hardcover. NY, Random House, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, color illustrations by the Dillons. SIGNED BY THE DILLONS on title page.This gorgeous picture book by Newbery Honor winner Patricia C. McKissack and two-time Caldecott Medal-winning husband-and-wife team Leo and Diane Dillon is sure to become a treasured keepsake for African American families. Set in West Africa, this a lyrical story-in-verse is about a young black boy who is kidnapped and sold into slavery, and his father who is left behind to mourn the loss of his son. Here's a beautiful, powerful, truly unforgettable story about family, memory, and freedom.

Hardcover. NY, Random House, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, color illustrations by the Dillons. SIGNED BY THE DILLONS on title page.This gorgeous picture book by Newbery Honor winner Patricia C. McKissack and two-time Caldecott Medal-winning husband-and-wife team Leo and Diane Dillon is sure to become a treasured keepsake for African American families. Set in West Africa, this a lyrical story-in-verse is about a young black boy who is kidnapped and sold into slavery, and his father who is left behind to mourn the loss of his son. Here's a beautiful, powerful, truly unforgettable story about family, memory, and freedom.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 176 pages. Adrian Tomine's illustrations and comics have been appearing for more than a decade in the pages (and on the cover) of The New Yorker. Instantly recognizable for their deceptively simple and evocative style, these images have garnered the attention of The New Yorker's readership and the approbation of such venerable institutions as the Art Directors Club and American Illustration.New York Drawings is a loving homage to the city that Tomine, a West Coast transplant, has called home for the past seven years. This lavish, beautifully designed volume collects every cover, comic, and illustration that he has produced for The New Yorker to date, along with an assortment of other rare and uncollected illustrations and sketches inspired by the city. Complete with notes and annotations by the author, New York Drawings will also feature a new introductory comic focusing on Tomine's experiences as a New York illustrator.

Softcover. Chicago, University of Chicago Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 253 pages. Friedrich Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from important thinkers outside of the Anglo-American philosophical traditions as well. Bringing together thirteen internationally renowned scholars, this is the first collection of essays to address the connection between Nietzsche's ideas and philosphies in India, China, and Japan. The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh.

Hardcover. Minneapolis, Milkweed Editions, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 252 pages. Some color photos. When National Geographic Adventurers of the Year Amy and Dave Freeman marry, they set out on an unusual honeymoon: a three-year, 12,000-mile journey across North America. From Alaska's Inside Passage to Florida's Key West, they traverse the continent by kayak, canoe, dogsled, and skis, encountering wildlife, sublime landscapes, and harrowing challenges.Along the way, the Freemans also bear witness to environmental degradation and climate change--from plastic-covered beaches to forest fires to retreating glaciers. And as they engage with Native and rural communities most impacted by the changes resulting from modern industrial society and meet individuals and organizations dedicated to protecting the natural world, their adventure deepens in ways they never imagined. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, color photos. Terry Falke's wry, lyrical photographs center on the terrain of the American Southwest and the ubiquity of humanity s imprint on it. The images in Observations in an Occupied Wilderness both honor and subvert the grand tradition of western landscape photography, conveying the bleak splendor of the land and Falke's sheer love of looking. Gorgeous, sardonic, and playful, Falke's work emphasizes beauty and incongruity, and is as much about human nature as it is about the land. Shot with a large-format camera, the resultant images are personal and provocative, raising as many questions than they answer. This remarkable debut monograph is a shrewd exploration of our last wild places.

Boston , Little, Brown and Company , reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 303 pages. clean, tight copy. decorative tint on top edge. INSCRIBED BY AUTHOR, light foxing on edges.

Hardcover. Norman, OK, University of Oklahoma Press, new, 1962, Book: Very Good, Dust Jacket: Good, Hardcover, 234 pages, b&w illustrations. Light green top edge. Edge wear, light rubbing to dust jacket, spine faded. Else a clean, tight copy.

Hardcover. New York , Viking, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR. 434 pages, b&w photographs. Light edge wear to dust jacket; else a very clean, tight copy.

Exhausted man resting with eager boy hikers, art by John Clymer. 10 x 13.5", very good. Mailing label. Clymer first studied art through an Art Instruction School correspondence course. Then he attended the Vancouver School of Art and the Ontario College of Art and Design's summer school. He spent eight years illustrating for Canadian magazines. He moved to Connecticut and studied under N.C. Wyeth and Harvey Dunn. He established his career as an illustrator for American magazines, including Argosy, The Saturday Evening Post, Woman's Day and Field and Stream. Clymer created over eighty covers for The Saturday Evening Post. In 1976, Clymer received the Prix de West from the Academy of Western Art. His oils and charcoal drawings earned him awards from the Cowboy Artists of America. He was named Western Artist of the Year by the National Wildlife Art Collectors Society.

Hardcover. Hartford CT, Hartford Publishing Co., 1st, 1869, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering and design, embossed rules to covers. 524 pages. Detailed records of travel between the Mississippi River and the Pacific coast on the newly completed transcontinental railroad. Includes much information on the Mormons, Salt Lake City, Indians, gold mining, etc. 12 engraved plates and one map. Bookplate on inside front cover, light fading to spine gilt. Solid, clean copy.

Hardcover. Lathem, New York, British American Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Insight Editions, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. A stunning collection of photographs from Frank Stefanko featuring the Godmother of Punk herself, iconic musician and author Patti Smith."There I was sitting in a booth at the co-op of Glassboro State College, a bucolic school in the farmlands of South Jersey. . . Suddenly, the double doors of the co-op swung open and standing there in the vacuum created was an incredible apparition, a vision in a white leather coat with long, jet-black hair flowing down her back. She moseyed in like the bad guy walking into a saloon in an old western movie. This was the first time I set eyes on Patti Smith, and I was captivated."So begins Frank Stefanko's wonderfully personal photographic tale of his friendship and artistic collaboration with Patti Smith. Stefanko's photographs and his warm, personal recollections show us an amazing young woman, long before she became Patti Smith, the cultural icon. Through images and words, we follow her search for a unique voice--from the early days of the Chelsea Hotel to spoken word at the St. Mark's Poetry Project to the release of her seminal album, Horses, and so much more.

Hardcover. Westport CT, Greenwood Press, reprint, 1981, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 210 pages. Professor Dunn presents an account of the making of the Japanese peace treaty. He discusses the international environment from the outbreak of World War II to 1950, the San Francisco conference of September 1951 and the security arrangements which the United States helped to create in the Pacific and Asian area. Originally published in 1963 by Princeton. Name on front fly leaf, otherwise clean.

Hardcover. Urbana IL, University of Illinois Press, 1st revised, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 410 pages. The book that re-established Peckinpah's reputation--now thoroughly revised and updated! When critics hailed the 1995 re-release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Peckinpah: The Western Films first appeared in 1980, when the director's reputation was at low ebb. The book helped lead a generation of readers and filmgoers to a full and enduring appreciation of Peckinpah's landmark films, locating his work in the central tradition of American art that goes all the way back to Emerson, Hawthorne, and Melville. In addition to a new section on the personal significance of The Wild Bunch to Peckinpah, Seydor has added to this expanded, revised edition a complete account of the successful, but troubled, efforts to get a fully authorized director's cut released. He describes how an initial NC-17 rating of the film by the Motion Picture Association of America's ratings board nearly aborted the entire project. He also adds a great wealth of newly discovered biographical detail that has surfaced since the director's death and includes a new chapter on Noon Wine, credited with bringing Peckinpah's television work to a fitting resolution and preparing his way for The Wild Bunch.This edition stands alone in offering full treatment of all versions of Peckinpah's Westerns. It also includes discussion of all fourteen episodes of Peckinpah's television series, The Westerner, and a full description of the versions of Pat Garrett and Billy the Kid now (or formerly) in circulation, including an argument that the label "director's cut" on the version in release by Turner is misleading. Additionally, the book's final chapter has been substantially rewritten and now includes new information about Peckinpah's background and sources.

Hardcover. Richmind VA, Dietz Press, 1st, 1959, Book: Good, Dust Jacket: None, Hardcover, 219 pages. Ex-library copy with usual stamps and marks. No dust jacket. Tan cloth covers with gilt stamping.Primarily covers the era of the early American fur trader, as typified by the white trader and the Indian beaver hunter. Clean, tight copy.

Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Color and b/w illustrations throughout. Gilt titles to spine and front cover. Red fabric covered. Some age wear to dust jacket, otherwise very clean copy, bright pages. Previous owner signature on front flyleaf. Published to accompany an exhibition. From the front flap: "The photographs are presented to the greatest advantage in full-color plates and stunning tritone and duotone black-and-white reproductions. The 22 essays by leading historians, novelists, journalists, and environmentalists trace the shifting perceptions of the arid lands of the American West from a wide range of literary and scholarly perspectives.