american west

Hardcover. NY, Simon and Schuster, 1st, 1948, Book: Good, Dust Jacket: None, Hardcover in glossy pictorial boards. Fifty-two stories and rhymes inspired by the myth of the Old West, illustrated by the Swedish-American illustrator who remains best-known for his work on the Walt Disney movie Snow White and the Seven Dwarfs. A Giant Golden Book, 9-3/4 by 13 inches. 96 pages. First edition (4th printing, with code "D195195" on the inside front cover). There is a child's name on the blank page opposite the title page. NOTE: the spine cover has chipped away exposing the staple paper binding otherwise the pages are fresh and bright and the binding is tight.

Hardcover. College Station TX, Texas A & M University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages, b&w photos. The show traveled in West Texas, Kansas, Oklahoma and Eastern Colorado from 1920 to 1945. Clean copy in a bright dust jacket.

Hardcover. Lubbock TX, Texas Tech University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, 132 b&w photos by J. Marcus Weekley. Documents the dance hall culture across the state.

Hardcover. Fort Worth, Tex., Amon Carter Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages. High quality production in this well-illustrated look at Charles M. Russell"s art-filled letters. Published by world renowned Amon Carter Museum of Art, Fort Worth, Texas. Includes reproduction of letter, with envelope, addressed to "Young Boy" tucked inside pocket on rear board. Like new in publisher's shrink-wrap.

Hardcover. NY, Doubleday, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The discovery of gold by a team of Mormon mill workers in 1848 sparked a frenzy that shook the world. People swarmed to California from as far as China and Australia. They came from England and France, from Ireland and Chile, leaving behind their families and everything they owned in the hope of making their fortunes in the new world. They came by ship and overland, braving Tierra del Fuego and the pestilences of Panama, lured by the promise of gold. In a spellbinding narrative that spans several continents, Brands brings the fervour and excitement of the gold rush vividly to life. The Age of Gold is narrative history at its best -- the astonishing tale of one of the most extraordinary speculative frenzies in history, told by a master historian. 547 pages, clean copy.

Hardcover. Boston, New York Graphic Society, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright Surveys the work of 131 contemporary artists, lavishly illustrated. 100 color, and 297 black and white plates. Bibliography, index. Clean, bright copy.

Hardcover. New York, William Morrow & Co, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor shelfwear to dust jacket. This beautiful book is a spectacular overview of McCarthy's exciting Western work, presenting colorful paintings from his fine art career. Color illustrations throughout.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 177 pages. Postma draws on primary sources and current historical scholarship to offer secondary readers and researchers a comprehensive and well-written history. He covers the entire Atlantic slave trade era, from the 1400s to the final abolition of chattel slavery in the New World in 1888. The focus is on Africa and the entire New World. While he describes the many horrors of the Middle Passage, he also examines how the slave trade contributed to the development of the modern international economy. The last chapters discuss the efforts to abolish the slave trade and its legacy. Throughout, Postma documents the sources that support his discussion and conclusions. Chapter notes are supplemented by an extensive annotated bibliography that includes books, articles, films, and electronic resources. The volume concludes with biographical sketches of important people and excerpts from primary documents written by enslaved Africans and white officials. The black-and-white reproductions of period illustrations add little to the text. Clean copy.

Hardcover. New York, Golden Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 61 pages. Color illustrations by Gene Biggs. Clean copy.

Softcover. Norman OK, University of Oklahoma Press , reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. After nearly 200,000 African-American soldiers fought in the Civil War, Congress enacted legislation to authorize regiments of cavalry and infantry for service in the West. The Ninth and Tenth cavalries won fame as "buffalo soldiers" in the Indian wars, nearly overshadowing the critical support role of the Twenty-fourth and Twenty-fifth infantries. Now Arlen L. Fowler brings to light the story of African-American infantry service from 1869 to 1891 in Texas, Indian Territory, the Dakotas, Montana, and Arizona.

Hardcover. Norman OK, University of Oklahoma Press, Revised Ed., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 319 pages. B&w illustrations. A well-researched and authoritative study of 'negro' soldiers who wished to remain in the United States Army following the Civil War. They were eventually organized into the Ninth and Tenth Cavalry Regiments their service in controlling Indians on the Great Plains during the next twenty years was as invaluable as it was unpraised. With Bibliography and Index. Clean copy.

Hardcover. Westholme Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 374 pages, b&w illustrations. Bright, clean. INSCRIBED BY AUTHOR on title page. "Early in the afternoon of May 22, 1856, ardent pro-slavery Congressman Preston S. Brooks of South Carolina strode into the United States Senate Chamber in Washington, D.C., and began beating renowned anti-slavery Senator Charles Sumner with a cane until it splintered and the helpless Massachusetts senator lay unconscious and covered in blood. One of the most shocking and provocative events in American history, the caning convinced each side that the gulf between them was unbridgeable and that they could no longer discuss their vast differences of opinion regarding slavery on any reasonable level."

Hardcover. NY, William Morrow, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 245 pages, b&w illustrations. Only a few dozen T206 Wagners are known to still exist, having been released in limited numbers just after the turn of the twentieth century. Most, with their creases and stains, look like they've been around for nearly one hundred years. But one -- The Card --appears to have defied the travails of time. Its sharp corners and still-crisp portrait make it the single-most famous -- and most desired -- baseball card on the planet, valued today at more than two million dollars. It has transformed a simple hobby into a billion-dollar industry that is at times as lawless as the Wild West. Everything about The Card, which has made men wealthy as well as poisoned lifelong relationships, is fraught with controversy -- from its uncertain origins to the nagging possibility that it might not be exactly as it seems. In this intriguing, eye-opening, and groundbreaking look at a uniquely American obsession, award-winning investigative reporters Michael O'Keeffe and Teri Thompson follow The Card's trail from a Florida flea market to the hands of the world's most prominent collectors.

Hardcover. Washington DC, Counterpoint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 642 pages. Hailed in 1849 as "a new department in the literature of civilization," the slave narrative forms the foundation of the African American literary tradition. From the late-eighteenth-century narratives by Africans who endured the harrowing Middle Passage, through the classic American fugitive slave narratives of the mid-nineteenth century, slave narratives have provided some of the most graphic and damning documentary evidence of the horrors of slavery. Riveting, passionate, and politically charged, the slave narrative blends personal memory and rhetorical attacks on slavery to create powerful literature and propaganda.The Civitas Anthology presents the seven classic antislavery narratives of the antebellum period in their entirety: The History of Mary Prince, a West Indian Slave , the first slave narrative published by a woman in the Americas; The Confessions of Nat Turner , written when Turner was asked to record his motivation for leading the bloodiest slave revolt in U.S. history; The Narrative of the Life of Frederick Douglass , an international bestseller and the first narrative to fashion the male fugitive slave into an African American cultural hero; The Narrative of William W. Brown , an account that explored with unprecedented realism the slave's survival ethic and the art of the slave trickster; The Narrative of the Life of Henry Bibb , the story of the struggles of the most memorable family man among the classic slave narrators; Running a Thousand Miles for Freedom , a gripping chronicle of one of the most daring and celebrated slave escapes ever recorded; and Incidents in the Life of Slave Girl , a dramatic text that exposed the sexual abuse of female slaves and pioneered the image of the fugitive slave woman as an articulate resister and survivor.Born out of lives of unparalleled suffering, the slave narrative captures all the bravery, drama, and hope that characterized the African American struggle against slavery. From these beginnings came some of the most influential novels in American literature, for the works of writers such as Harriet Beecher Stowe, Mark Twain, and Toni Morrison owe much of their power and social resonance to the slave narrative tradition. The Civitas Anthology gathers the most important narratives in this tradition into one volume for the first time, an indispensable resource for scholars, students, and general readers. Clean copy.

Hardcover. NY, Metropolitan Museum of Art/ The Viking Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. In addition to being one of the preeminent American photographers of the late 19th and early 20th centuries, Alfred Stieglitz was an avid collector of the works of other photographers. From 1894-1910, he collected over 650 prints from a variety of photographers. He donated 400 of these to the Metropolitan Museum of Art in 1939, and the balance was given in a bequest to the museum in 1949. Photographers included in the collection include Edward Steichen, Gertrude Kasebier, Baron de Meyer, Ansel Adams, Eliot Porter, and Julia Margaret Cameron. This substantial volume was produced by Weston Naef, who was Associate Curator of Prints and Photographs at The Metropolitan Museum of Art. It includes a black-and-white reproduction of all the photographs in the Stieglitz Collection, some full-page and many in smaller size. It also includes details about, and portraits and signatures of each of the painters. Small closed tears to dust jacket, otherwise a clean, bright copy.

Hardcover. London, Hard Case Crime, 1st thus, 2012, Book: Very Good, Dust Jacket: None, Hardcover, colorful dust jacket with a retro-style illustration by Gregory Manchess. The year is 1977, and America is finally getting over the nightmares of Watergate and Vietnam and the national hangover that was the 1960s. But not everyone is ready to let it go. Not aging comedian Koo Davis, friend to generals and presidents and veteran of countless USO tours to buck up American troops in the field. And not the five remaining members of the self-proclaimed People's Revolutionary Army, who've decided that kidnapping Koo Davis would be the perfect way to bring their cause back to life. Like new.

Hardcover. Baton Rouge LA, Louisiana State University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 360 pages, b&w illustrations. Following the American Civil War, many former Confederates fled their southern homeland. Some left the United States, some moved to the western territories. Still others moved north to northeastern and midwestern towns and cities, believing that northern economic and educational opportunities offered the quickest means of rebuilding shattered fortunes and lives. Sutherland provides a detailed and illuminating account of the contributions these displaced southerners made to the financial, literary, artistic, and political life of the nation. Very nice copy.

Hardcover. NY, Prestel, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with yellow band, 248 pages. This beautiful book focuses on the distinctive and expressive power of Jackson Pollock's figurative paintings, drawings, and prints; a rarely studied aspect of his artistic career. Jackson Pollock's name has become synonymous with the abstract drip paintings that he famously created on the floor of his studio. Before these paintings, from the 1930s to the late 1940s, Pollock created figurative works, studying at one time under the painter Thomas Hart Benton and with the Mexican muralists Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros. Pollock took up figuration again after his famous drip paintings. This book starts with the early decades and also treats Pollock's re-adoption of the figuration after his renowned abstract paintings. The Figurative Pollock features 100 paintings and works on paper. From rolling landscapes to experiments in non-Western totemic painting to sketches and drawings fueled by Jungian analysis, the enormous range of Pollock's early and late work is presented here. Brimming with confidence and a sense of freedom, distinct yet so easily related to Pollock's most famous oeuvre, these works contribute to an understanding of how the artist found his voice.

Softcover. New Haven / Washington DC, Yale University Art Gallery/National Gallery of Art, 1984, Book: Very Good, Dust Jacket: None, Softcver, pictorial wraps, 312 pages. This is the catalog for an exhibition at Yale University Art Gallery, 1984, consisting of 43 folding screens designed by European and American artists from about 1870 to the present were on view. The exhibition was organized by Michael Komanecky of Yale University and by Virginia Butera. Mild sunning to edges of wrappers otherwise clean, tight copy.

Hardcover. NY, Grosset and Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers in a worn, chipped dust jacket. Previous owner's name on front fly leaf. 4 b&w illustrations by C.M. Relyea. James Oliver Curwood (1878 - 1927) was an American action-adventure writer and conservationist. His books were often based on adventures set in the Yukon or Alaska and ranked among the top-ten best sellers in the United States in the early 1920s.

Hardcover. NY, Alfred A Knopf, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 324 pages plus index. Illustrated with 17 halftone reproductions from various sources and with line drawings by Nick Eggenhofer. A comprehensive history of the slaughter of the buffalo, the battles between the hunters and Indians. Also tells of the buffalo hunting for sport by Washington Irving and the Russian Prince Alexis. Describes Buffalo Bill's killing buffaloes to feed the men who were building a railroad across the plains. Most of the book, however chronicles the hide hunters who swarmed over the ranges in 1871 and reduced the herds of nearly forty million buffaloes to fewer than one-thousand, taking the hides and leaving the meat to rot. Bookplate on inside front cover, otherwise clean.

Hardcover. NY, McGraw Hill, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The American Trails Series, edited by A.B. Guthrie, Jr. 383 pages, includes a two-page map. This book offers an account of the route between Siberia and Alaska that continues southward along the Rockies all the way to Mexico and beyond. Cushman details the stories of the many groups who have traversed parts of the route from prehistoric peoples to Native Americans, Spanish explorers, fur traders, cowboys, and whiskey runners of the Prohibition era. A clean and pristine copy of the first printing,

Hardcover. Boston, Ginn and Company, reprint, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with silver lettering, 525 pages with index. B&w maps, illustrations. A historical interpretation of the semi-arid Short grass Country, the so called Cattle Kingdom. A well written book with a long chapter on the cattle industry. Copyright page states 1931, but titles listed in front date to 1937. Name on front fly leaf, mild musty odor.