american philosophy

Hardcover. Philadelphia, The American Philosophical Society, reprint, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 579 pages. B&w photographs. Previous owner's inscription on front flyleaf. Light foxing to top edge. Wear, chipping to dust jacket. A nice, clean copy.

Hardcover. NY, Whitney Museum of Art/Abrams, 1st, 1992, Hardcover in a bright dust jacket, 187 pages. Published to accompany a 1992-93 exhibition held at the Whitney Museum of American Art, New York, this book deals with the full scope of Agnes Martin's art. It includes essays that place her work in the context of American and European 20th-century art and culture. Agnes Martin's paintings, constructions, and works on paper provide a link between the chromatic abstraction of artists such as Mark Rothko and Barnett Newman, her generational and ideological peers, and the Minimalist vocabulary of the 1960s. This book reproduces works made between 1957 and 1967, and better-known paintings and constructions created since 1974. A selection of Martin's writings reveals the spiritual philosophy that sustains her painting. Clean copy.

Hardcover. NY, Doubleday, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 314 pages. Black boards, red dust jacket with graphic illustration.

Softcover. NY, Universe Publishing, 2nd pr., 2006, Book: Very Good, Dust Jacket: None, Softcover, 272 pages illustrated in color and b&w. The first book to capture the philosophy and spirit behind the work of Charles and Ray Eames, An Eames Primer offers an in-depth look at the couple's prolific legacy--one that has placed them among the most important American designers of the twentieth century. Those who know one or two aspects of the Eameses' work are often surprised to learn just how far and vast their range extended. Yet throughout their myriad works, from architecture and furniture to exhibition and design and filmmaking, their core philosphy prevails. An Eames Primer is the first book to illuminate this seamless connection.Author Eames Demetrios explores the rich energy of the Eameses' world from a unique perspective, informed by his close relationship with Charles and Ray. He shares personal anecdotes, previously unpublished photos, and his extensive interviews with former friends and colleagues of the Eameses to make connections between the Eameses' influential philosophy and their widely admired work. For those unacquainted with the designers, the stories behind the design process will inform, entertain, and inspire, while readers with an extensive knowledge of the Eameses' work gain a deeper level of understanding their process.

Hardcover. NY, Reagan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Through striking illustrations and stunning photographs, Bohemian Modern explores the unique structural and interior designs that have put California's ultra-chic Silver Lake neighborhood at the forefront of a new style phenomenon. One of the country's most renowned modernist architects, Barbara Bestor has fully embraced and perfected Silver Lake's "bohemian modern" style: a practical philosophy that is Californian in origin but achievable anywhere. It is a look that favors raw, authentic materials, brilliant colors, creative space planning, and a natural flow between indoors and outdoors. The results, as Bohemian Modern presents, are striking: a flawlessly restored Neutra house decorated with both whimsy and restraint, a rooftop constructed for viewing the stars, a lavish outdoor garden delicately integrated into the surrounding architecture, a double-sided bookcase that soars three stories and serves as a functional art installation...there is no limit to the creativity and beauty of Silver Lake style.

Softcover. Evanston IL, Northwestern University , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 325 pages. Devoted to the most important American Continental philosopher of his generation and one of the discipline's founding fathers, and featuring some of the field's most distinguished luminaries, this anthology constitutes a critical document in Continental philosophy, reflecting its recent history, its present state, and its debt to Calvin Schrag. Taking up themes central to Schrag's own philosophical concerns, these essays refer throughout to his salient "interventions" in the dialogue of late twentieth-century thought characterized as "postmodernity." In doing so, all contributors address, implicitly or directly, the question of philosophy's role and responsibility, or "task." The volume begins with an overview of this task and of Schrag's contributions to it, written from the perspective of a resolute defender of the phenomenological tradition that Schrag's work has extended and reconfigured. Clean copy.

Softcover. Cambridge, UK, Cambridge University Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 400 pages. Softcover. B/w illustrations. Very good condition, clean inside and out. Binding tight.

Hardcover. NY, Columbia University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 379 pages. As religious leaders, ministers are often assumed to embody the faith of the institution they represent. As cultural symbols, they reflect subtle changes in society and belief-specifically people's perception of God and the evolving role of the church. For more than forty years, Douglas Alan Walrath has tracked changing patterns of belief and church participation in American society, and his research has revealed a particularly fascinating trend: portrayals of ministers in American fiction mirror changing perceptions of the Protestant church and a Protestant God. From the novels of Harriet Beecher Stowe, who portrays ministers as faithful Calvinists, to the works of Herman Melville, who challenges Calvinism to its very core, Walrath considers a variety of fictional ministers, including Garrison Keillor's Lake Woebegon Lutherans and Gail Godwin's women clergy. He identifies a range of types: religious misfits, harsh Puritans, incorrigible scoundrels, secular businessmen, perpetrators of oppression, victims of belief, prudent believers, phony preachers, reactionaries, and social activists. He concludes with the modern legacy of nineteenth- and early-twentieth-century images of ministers, which highlights the ongoing challenges that skepticism, secularization, and science have brought to today's religious leaders and fictional counterparts. Clean copy.

Softcover. Albany NY, State University of New York Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Engaging the Philosophical Contributions of Calvin O. Schrag. Softcover, 214 pages. Providing developments and advancements concerning the thought of Calvin O. Schrag, this book includes the first full-length interview with the American continental philosopher and covers his long and illustrative philosophical contribution to thinking about the consequences of communication. The influence of Schrag's work is significant and broad, and these nine thought-provoking pieces by leading scholars whose work has been influenced by his philosophy presents the best contemporary thought on communicative praxis. Encompassing questions of democracy, the public and private spheres, and relations inside organizational structures, to questions of giving and ethics, rhetoric and narrative, suffering and love, this is a wellspring of insight and provocation for both those already familiar with Schrag's work and those seeking a keen invitation to his many critical reflections. Clean, bright copy.

Softcover. Liverpool Univeristy Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, pages. In 1916 Thomas Wallis founded a new practice, Wallis, Gilbert & Partner, primarily to collaborate with an American company in the design of factories to be constructed of reinforced concrete. Designing factories was not then popular among architects and many manufacturers regarded the employment of an architect a wanton extravagance. Wallis's move could be seen as a reckless gamble, but his and his partners' subsequent achievements suggest that his choice had been well considered; some of the best known inter-war industrial building - Firestone, Hoover, The Gramophone Company, Glaxo Laboratories - were their work. In Form and Fancy, Dr Skinner looks first at the biographical background of Wallis, at the history and organisation of the partnership he founded, and at the many factors that contributed to its reputation in the inter-war years. She then offers a perspective on architectural thought and activity in that period, and of the attitudes and influences on factory design. Designs by the partnership for over one hundred factories and factory buildings have been discovered and at the core of the book is a third chapter which analyses and assesses them. Dr Skinner concludes with an evaluation of the design philosophy of Wallis, Gilbert & Partners, the aim of which was to contribute to the successful pursuit of business by the companies that commissioned them.

Softcover. Cambridge UK, Cambridge University Press, 1st pbk, 2018, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. Hegel's The Phenomenology of Spirit (1807) is one of the most influential texts in the history of modern philosophy. In it, Hegel proposed an arresting and novel picture of the relation of mind to world and of people to each other. Like Kant before him, Hegel offered up a systematic account of the nature of knowledge, the influence of society and history on claims to knowledge, and the social character of human agency itself. A bold new understanding of what, after Hegel, came to be called 'subjectivity' arose from this work, and it was instrumental in the formation of later philosophies, such as existentialism, Marxism, and American pragmatism, each of which reacted to Hegel's radical claims in different ways. This edition offers a new translation, an introduction, and glossaries to assist readers' understanding of this central text, and will be essential for scholars and students of Hegel. Clean copy.

Softcover. Cambridge UK, Cambridge University Press, 1st pbk, 2018, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. Hegel's The Phenomenology of Spirit (1807) is one of the most influential texts in the history of modern philosophy. In it, Hegel proposed an arresting and novel picture of the relation of mind to world and of people to each other. Like Kant before him, Hegel offered up a systematic account of the nature of knowledge, the influence of society and history on claims to knowledge, and the social character of human agency itself. A bold new understanding of what, after Hegel, came to be called 'subjectivity' arose from this work, and it was instrumental in the formation of later philosophies, such as existentialism, Marxism, and American pragmatism, each of which reacted to Hegel's radical claims in different ways. This edition offers a new translation, an introduction, and glossaries to assist readers' understanding of this central text, and will be essential for scholars and students of Hegel. Clean copy.

Hardcover. New York, German Library of Information, 1st, 1940, Book: Good, Dust Jacket: None, 127 pages. Hardcover. B/w illustrations throughout. Former library book with labels/stamps/attachments expected. Photographs by the author. Decorated cover boards. Pages and covers have some tanning from age. This volume, intended for American students, interprets the social, economic, hygenic, aesthetic and ethical significance of the German forest, presenting not merely facts but also the philosophy of German Forestry.

Hardcover. Santa Cruz, CA, Flesk Publications, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. Harvey Dunn was one of twentieth century America's most powerful illustrators, painters and teachers. This comprehensive volume covers a major portion of his illustrations and paintings for the first time. Content includes illustration art, pioneer and western works, and his powerful World War I pieces inspired by his battlefield sketches. Also included are the rarely seen nudes, portraits, and murals. Paintings from museums and private collections showcase the full range of this talented American artist. For this book, many original paintings were tracked down and re-photographed in order to reintroduce the work of this important artist. Until now, most of Dunn's paintings and illustrations have been unavailable to the public in their original form. Locations of pictures in public collections are listed, as are the original publication dates and places. Additionally, a section is devoted to the artist's working and teaching methods. Also included is a reprinting of Dunn's "An Evening in the Classroom," compiled from notes made during critiques, passing on his inspirational teaching philosophy. A comprehensive list of Dunn's students with sample art is included as well.

Hardcover. Minneapolis, University of Minnesota, 2nd pr., 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 197 pages. Professor Noble examines the basic philosophy and writing of six American historians, George Bancroft, Frederick Jackson, Charles A. Beard, Carl Becker, Vernon Louis Parrington, and Daniel J. Boorstin, and finds in them a common tradition which he calls anti-historical. He argues that this viewpoint is founded in the frontier interpretation of American history, that American historians have served as the chief political theorists and theologians of this country since 1830, and that their writings can be interpreted as Jeremiads designed to preserve a national covenant with nature. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 337 pages. America's criminal justice system is broken. The United States punishes at a higher per capita rate than any other country in the world. In the last twenty years, incarceration rates have risen 500 percent. Sentences are harsh, prisons are overcrowded, life inside is dangerous, and rehabilitation programs are ineffective. Police and prosecutors operate in the dark shadows of the legal process--sometimes resigning themselves to the status quo, sometimes turning a profit from it. The courts define punishment as "time served," but that hardly begins to explain the suffering of prisoners. Looking not only to court records but to works of philosophy, history, and literature for illumination, Robert Ferguson, a distinguished law professor, diagnoses all parts of a now massive, out-of-control punishment regime. He reveals the veiled pleasure behind the impulse to punish (which confuses our thinking about the purpose of punishment), explains why over time all punishment regimes impose greater levels of punishment than originally intended, and traces a disturbing gap between our ability to quantify pain and the precision with which penalties are handed down. Clean copy.

Hardcover. Philadelphia PA, United Lutheran Publication House, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, 355 pages, b&w illustration. Dark green cloth with gilt design, lettering.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket, 500 pages. "The Ecclesiastical History of New England from the First Planting in the Year 1620, unto the Year of Our Lord 1698." With reproductions of the title-pages from the 1702 edition. Edited by Kenneth B. Murdock, with the assistance of Elizabeth W. Miller. Clean copy.

Hardcover. New Haven CT, Yale University Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color plates. Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.

Hardcover. NY, William Lewer, 1st, 1838, Book: Very Good, Dust Jacket: None, Hardcover, bound in 3/4 leather with marbled boards, black calf spine labels with gilt lettering, 396 pages, American Edition noted on title page; its London parent, "The Metropolitan: A monthly journal of literature, science, and the fine arts" was a London monthly journal established by Thomas Campbell in 1831 and continued, under various editors, until 1850. Clean bright copy.

Softcover. Chicago, University of Chicago Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 253 pages. Friedrich Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from important thinkers outside of the Anglo-American philosophical traditions as well. Bringing together thirteen internationally renowned scholars, this is the first collection of essays to address the connection between Nietzsche's ideas and philosphies in India, China, and Japan. The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh.

Softcover. Hanover NH, Wesleyan University Press, 3rd pr., 1987, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 343 pages. The focus of this book is the secular cultures of pagan Greece and imperial Rome, and the religious cultures of Judaism and Christianity which, in turn, grew from and influenced them and the modern world. For Momigliano, religion, secular ideology, and politics live in and illuminate the present. Brings together nineteen essays written over five years from sources such as The New York Review of Books, The American Scholar, and the Annali della Scuola Normale Superiore di Pisa. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Jim Thorpe rose to world fame as a mythic talent who excelled at every sport. He won gold medals in the decathlon and pentathlon at the 1912 Stockholm Olympics, was an All-American football player at the Carlisle Indian School, the star of the first class of the Pro Football Hall of Fame, and played major league baseball for John McGraw's New York Giants. Even in a golden age of sports celebrities, he was one of a kind. But despite his colossal skills, Thorpe's life was a struggle against the odds. As a member of the Sac and Fox Nation, he encountered duplicitous authorities who turned away from him when their reputations were at risk. At Carlisle, he dealt with the racist assimilationist philosophy "Kill the Indian, Save the Man." His gold medals were unfairly rescinded because he had played minor league baseball. His later life was troubled by alcohol, broken marriages, and financial distress. He roamed from state to state and took bit parts in Hollywood, but even the film of his own life failed to improve his fortunes. But for all his travails, Thorpe did not succumb. The man survived, complications and all, and so did the myth. Clean, like new.