architecture design

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, The Spoils of the Park. In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system--the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform.

Hardcover. NY, The Monacelli Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. Debate and banter between the irascible Philip Johnson and the equally articulate and opinionated Robert A. M. Stern generates a provocative combination of astute commentary and personal observation on the state of architecture in the twentieth century. Philip Johnson's multifaceted career as an architect, curator, and collector extended from the early 1920s to his death in 2005. Captivated by the work of the European modernists Gropius, Le Corbusier, and Mies van der Rohe, Johnson assembled the seminal exhibition "Modern Architecture--International Exhibition" at the Museum of Modern Art in 1932. Among his most notable achievements are the famous Glass House in Connecticut, designed for his own use, and the Seagram Building in New York, in association with Mies van der Rohe.Recognized as the dean of American architecture, Johnson had a profound influence on the next generation of architects, including Robert A. M. Stern. Stern has conducted a series of ten interviews with Johnson, each covering a decade of his life, that provide an illuminating assessment of a significant period of American architecture. No dj issued.

Softcover. Boston, Shambhala, 1st, 1981, Softcover, 160 pages. The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns--ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made--by the dynamic union of opposites--as demonstrated by the spirals that move in opposite directions in the growth of a plant.

Softcover. Albany NY, Mount Ida Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, B&w photos and plans; 11" - 13" tall; 160 pages. Traces the history of Roosevelt?s long-forgotten retreat near Hyde Park? from the president?'s original drawings for the modest, two-bedroom cottage to its recent preservation by the Open Space Institute, the Franklin and Eleanor Roosevelt Institute and the National Park Service. Examines Top Cottage as a symbol of Roosevelt?s love of the Hudson Valley and as one of the country?s first barrier-free buildings. Top Cottage joins Thomas Jefferson?s Monticello and Poplar Forest as the only homes designed by a U. S. President while in office. Clean copy.

Hardcover. NY, Chartwell, 2000, Book: N, Hardcover, 448 pages. Virtually every structure that Wright built is represented in this extensive survey of his life's work. His genius at architectural design enable him to work out extremely complex buildings in his head and translate them on to paper in a matter of hours, as the famous story of his design presentation of Falling Water illustrates. His work continues to draw great admiration and interest to this day. His often tempestuous and sometimes tragic life and career are given full coverage in this book. Hundreds of photos, both archival and recent chart his amazing work and influence on all who followed. This concise consideration of Wright's life and work not only offers new insights into the character of this complex, powerful and at all times confident personality, but also the architectural legacy he left behind and which exists to this day in the vast number of homes and public buildings photographed mainly by the author himself.

Hardcover. NY, Arco Publishing , 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover. Profusely illustrated throughout, some color. 244 pages. A visual survey of much of Adam's work, provides ample material for a critical appraisal of the development of Adam as architect and designer.

Hardcover. NY, Parents Magazine Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Wonderful introduction to different styles of architecture. Illustrated in color by Devlin. Related notes & articles to various landmark houses laid-in. Dust jacket price clipped. Clean copy.

Hardcover. Structure/Links International, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, color plates throughout. The best projects in the design of country houses around the world are profiled in this architectural and design book. Each project has been selected on the basis of its innovation in the field, making this a highly useful sourcebook for architects, designers, and students of architecture who are looking for creative directions in the design of contemporary country homes. All steps of the design process, from conception to construction, are exhaustively documented and include technical information and commentary contributed by the architects themselves.

Hardcover. NY, Rizzoli, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 304 pages, illustrated in color and b&w throughout. Spotless and tight copy. American architect Morris Lapidus is best known as the designer of glamorous postwar resort hotels in Florida, such as the Fontainebleau (1954) and the Eden Roc (1955) in Miami Beach, and the Americana in Bal Harbour (1956). Yet in a remarkable sixty-year career that began in 1926, he designed more than 500 retail stores, hotels, apartment complexes, and stage sets that captured the popular spirit and changing face of Main Street America in the twentieth century.

Softcover. Cambridge MA, MIT Press, 1st pbk, 1970, Book: Very Good, Dust Jacket: None, Softcover, yellow card wraps with b&w designs and black lettering. 287 pages with 55 b/w line drawings and 96 b/w plates. The first publication in English that gives a general survey of the development of the inner structure of the town from a dual point of view: that of the function of the square in the life of the community and that of its conception in purely aesthetic terms. Zucker shows a continuous development from Greece and Rome, through the Middle Ages and Renaissance, to the creative heights of the 17th and 18th centuries, periods which he considers the culmination of this development. The concluding chapter surveys the role of the square in early American life. Clean copy.

Hardcover. NY, Dodd, Mead & Co., reprint, 1902, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with elaborate gilt decoration to front cover and spine, top edge gilt. Design by Alice Cordelia Morse. 317 pages with 48 b&w plates. Selections from Dickens, Hugo, Ruskin, and many others. Originally published in 1898. Hinges cracked, Small ownership sticker to front fly leaf, otherwise a clean, tight copy.

Hardcover. NY, McGraw-Hill, 4th pr., 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 241 pages illustrated in b&w. Foreword by Charles A. Blessing. Voluminously illustrated by the author with drawings and plans. Bibliography. Index. This book traces the history of urban design to date. The monograph has become a classic.

Softcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: None, 264 pages. Softcover. A very clean, unmarked copy with minor foxing to textblock edges. Color photographs throughout.

Softcover. Cambridge MA, The MIT Press, 1st, 1997, Book: N, Softcover, 119 pages. Ultimately, Viewing Olmsted is a savvy and thought-provoking, yet diminutive picture book. The collaboration of three brilliant photographers under the sponsorship of the Canadian Centre for Architecture, it guides the reader down three highly personal, present day tours of legendary parks designed by Olmsted, the patron saint of American landscape architecture. Happily, though, its readers are left to intellectually fend for themselves as to meanings or implications of Frederick Olmsted's work, genius, and lasting influence as the man who designed such famous spaces as Central Park. Academics and artists will appreciate the fresh visual perspectives offered on the man's legacy, the sometimes soothing, sometimes haunting nature-by-design retreats for the urban soul. Those with more than a passing interest in the ways in which man interacts with his `natural' surroundings will appreciate vistas evocative of place rather than time. To the authors' credit, the book raises more questions than it answers, and is of a scale to fit neatly into a travel case. Far from definitive, the book is, nevertheless, a must have for architects, landscape architects, photographers, and Olmsted aficionados.

Hardcover. New Haven CT, Yale University Press, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Two volume set. 575 pages, 63 b&w illustrations. Latrobe (1764-1820), English-born architect of the United States Capitol under Jefferson, Madison, and Monroe, set the course for a vast amount of nineteenth-century American architecture with such works as the Capitol, the Bank of Pennsylvania, and the Baltimore Cathedral. A pioneering engineer as well, he designed the nation"s first comprehensive steam-powered waterworks in Philadelphia. Latrobe combined his professional concerns with an astonishing range of other interests and an acutely ob- servant eye. His papers form one of the finest existing literary and pictorial descriptions of the young republic.

Softcover. Cambridge MA, Lincoln Institute of Land Policy, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 152 pages illustrated in color. A richly illustrated book by landscape architect Julie Campoli and aerial photographer Alex S. MacLean helps planners, designers, public officials, and citizens better understand how residential density can help save energy, dollars, and the environment. Name on front fly leaf, otherwise clean.

Hardcover. Cambridge MA, MIT Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A colorful account of Le Corbusier's love affair with the automobile, his vision of the ideal vehicle, and his tireless promotion of a design that industry never embraced. Le Corbusier, who famously called a house "a machine for living," was fascinated-even obsessed-by another kind of machine, the automobile. His writings were strewn with references to autos: "If houses were built industrially, mass-produced like chassis, an aesthetic would be formed with surprising precision," he wrote in Toward an Architecture (1923). In his "white phase" of the twenties and thirties, he insisted that his buildings photographed with a modern automobile in the foreground. Le Corbusier moved beyond the theoretical in 1936, entering (with his cousin Pierre Jeanneret) an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier's energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. This book is the first to tell the full and true story of Le Corbusier's adventure in automobile design. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier's architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright. He provides abundant images, including many pages of Le Corbusier's sketches and plans for the Voiture Minimum, and reprints Le Corbusier's letters seeking a manufacturer. Le Corbusier's design is often said to have been the inspiration for Volkswagen's enduringly popular Beetle; the architect himself implied as much, claiming that his design for the 1936 competition originated in 1928, before the Beetle. Amado Lorenzo, after extensive examination of archival and source materials, disproves this; the influence may have gone the other way. Although many critics considered the Voiture Minimum a footnote in Le Corbusier's career, Le Corbusier did not. This book, lavishly illustrated and exhaustively documented, restores Le Corbusier's automobile to the main text.

Hardcover. New York, The Monacelli Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 268 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The fresh, clean taste of New York's water is legendary. Less well known is the fascinating story of the massive program of exploration and construction that was required to achieve such purity. The story of that monumental undertaking is told in Water-Works and illustrated with an astonishing archive of drawings and photographs documenting the design and construction of dams, reservoirs, aqueducts, and tunnels. This complex system brings millions of gallons of water to the city every day from rivers many hundreds of miles away.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.

Hardcover. Milan IT, Edizioni L'archivolto (Acc), 1st, 2008, Book: Very Good, Hardcover, 187 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Although relatively short-lived, store window displays are a vital constituent of the daily scenery of today's cities, and offer an important outlet for disciplinary cross-pollination. Store-window design always involves defining a specific message that is conveyed using an array of means, including architecture and set-design, advertising and graphics, multimedia, and at times fine art, with the aim of firing the buyer's imagination while also transmitting a clear brand identity.

Hardcover. NY, Rizzoli], 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 303 pages, color illustrations throughout. The first book from award-winning interior design and architecture firm Workshop/APD with projects ranging from sleek Manhattan apartments to Shingle Style getaways. Since its founding by Andrew Kotchen and Matt Berman, Workshop/APD has perfected a unique amalgam of traditional warmth and contemporary simplicity. All of their projects, whether a modern yet cozy Manhattan pied-a-terre or a surprisingly streamlined Shingle Style compound in Nantucket, strike an exquisite balance between architectural brilliance and decorative expressiveness. The architecture and interior design Workshop/APD represent a cleanly tailored and brightly hued modernity, with all the embellishments of refined and luxurious decoration. In every project, high tech and hand finishing are applied to exquisite details and fine materials and finishes, resulting in one-of-a-kind designs that are meticulously crafted, inviting, and intentional. Clean. bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Farrar, Straus and Giroux, 3rd pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. Wendy Lesser's You Say to Brick: The Life of Louis Kahn is a major exploration of the architect's life and work. Kahn, perhaps more than any other twentieth-century American architect, was a "public" architect. Rather than focusing on corporate commissions, he devoted himself to designing research facilities, government centers, museums, libraries, and other structures that would serve the public good. But this warm, captivating person, beloved by students and admired by colleagues, was also a secretive man hiding under a series of masks.

Hardcover. Koln GR, Taschen, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Huge hardcover volume in cardboard case with handle. Covering her complete works to date, and all of her exciting new work from Dubai to Guangzhou. This massive monograph clearly demonstrates the progression of Hadid's career - including not only buildings but also furniture and interior designs - with in-depth texts, spectacular photos, and her own drawings. DOMESTIC SHIPPING ONLY.