art design

Hardcover. Boston, MA, C. E. Goodspeed & Co , Revised, 1918, Book: Very Good, Dust Jacket: None, New Edition, Illustrated with three volumes. 391+403+418 pages. 174 b&w full-page illustrations. Ruff cut paper edges. Dark green cloth, some bumps to corners. No dust jackets as issued. Light edge wear, otherwise a very nice, tight set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Assouline , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 196 pages. From the motel in Psycho and the bachelor pad in Rear Window to the blonde elegance of Tippi Hedren and Grace Kelly, this is the first book about Hitchcock to explore the great director's style, art direction, and use of fashion. Hitchcock's images reveal an aesthetic as vivid as his suspenseful subject matter. Jean-Pierre Dufreigne explores the world of Hitchcock, examining the director's unique atmospheric sensibilities. Featuring many of the actors, set and costume designers, cameramen, composers, and title creators from Hitchcock's inner circle, this stylistic study ends with a catalogue raisonne of Sir Alfred's entire oeuvre. Well illustrated in color and b&w. Clean copy.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. Buffalo NY, Firefly Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, pages illustrated in color and b&w. Hollywood Fashion explores the art and legacy of the cinematic costume designer, starting with the birth of the modern motion picture industry on a prime piece of California real estate known as Hollywood. Readers will discover how film clothing evolved from actors selecting items from their home wardrobes to outfits customized for their roles -- everything from suits of armor to ball gowns to office attire to lingerie, all created by a studio designer and a dedicated staff of costumers.

Hardcover. New York Graphic Society, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, illustrated in color, black & white. Describes the art of filmmaking and includes discussions with the creators of film--producers, directors, designers, technicians, and the stars.

Hardcover. Seattle WA, Laughing Elephant, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Beloved Swedish artists Carl and Karin Larsson made their home a living testament to their aesthetics. They designed, built and decorated the furniture, wove and embroidered all the textiles, and painted the walls of the lovely cottage where they and their children lived in great happiness. The Larssons inspired a uniquely Scandinavian design style that was, and is, hugely influential. Carl's paintings captured the beauty and happiness of their home, and these illustrate this volume. Welleran Poltarnees' text considers the truths of home and family, and the resultant book is a loving testimony to the transformative powers of art and love. 26 pages in color, clean copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Limited to 1300 copies in English, this being #521. Two volumes in a slipcase with a label. Dark blue cloth covers, top edge gilt, spines with maroon and gilt design. Vol. 1: The Paintings, 446 pages with 208 b&w plates, 19 b&w text illustrations and tipped-in b&w photo of Daumier by Nadar as frontispiece. Vol. 2: The Watercolours and Drawings, 619 pages with 325 b&w plates(most with multiple images), 31 text illustrations, tipped-in errata slip. Previous owner's signature on front fly leaf of volume 1, otherwise clean, tight set. Slipcase is very good with some rubbing to blue cloth.

Softcover. New York, Faber & Faber, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 229 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Andrzej Klimowski has already produced two intriguing graphic novels that have combined his skill as a poster designer with his exceptional narrative gifts. Both were stories without words. In his third novel, which alternates text and pictures, he has become more ambitious.

Softcover. NY, Feral House, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover. 224 pages. The book Horizontal Collaboration encompasses the Jazz Age, Depression, World War and Occupation, and Liberation. It concludes with the shuttering of the licensed brothels in 1946, which some Parisian intellectuals thought was the final "destruction of French civilization". The term "Horizontal Collaboration" refers to the sexual liaisons between French civilians and German occupiers from 1940 to 1944. These were extremely widespread and included both individual wartime relationships in addition to prostitution. As Allied armies swept across the French countryside, thousands of young women?and some men?were savagely punished by the authorities or by vigilante crowds, becoming a source of deep national shame. Author Gordon redefines the pejorative term to mean something much broader: French men and women "horizontally collaborated" to overcome all social obstacles, divisions, and regulations. These obstacles include married and unmarried couples, straights and homosexuals, foreigners and locals, gun-toting soldiers and their vanquished subjects. The natural yearning for sexual pleasure equally corrupted all cohabitating partners. Clean copy in publisher's shrinkwrap.

Softcover. Boston, The Horn Book, 1970, Book: Very Good, Dust Jacket: None, Softcover, stapled, b&w illustrations. Reviews of current children's book, articles on their creators, publisher's ads. Articles include: Virginia Lee Burton's Dynamic Sense of Design (Conclusion) by Lee Kingman, Confessions of an Old Story-teller by Kornei Chukovsky. 111 pages. Light stamp to cover, interior bright and clean.

Hardcover. New York, Skira Rizzoli, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, color and b&w images. Like new in publisher's shrink-wrap. This book is the definitive celebration of the extraordinary photographic career of Horst P. Horst (1906 - 99). One of Vogue's most prolific and creative contributors, Horst worked in Paris and New York, photographing fashions by leading designers and making portraits of the century's stars. His important work made outside the realms of fashion photography is also included here. Horst excelled at nude studies and still-life photography, fusing Hellenic and Surrealist motifs and drawing inspiration from artists such as Salvador Dali.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 56 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Shocking pink--hot pink, as it is called today--was the signature color of Elsa Schiaparelli (1890-1973) and perhaps her greatest contribution to the fashion world. Schiaparelli was one of the most innovative designers in the early 20th century. Many design elements that are taken for granted today she created and brought to the forefront of fashion. She is credited with many firsts: trompe l'oeil sweaters with collars and bows knitted in; wedge heels; shoulder bags; and even the concept of a runway show for presenting collections. Hot Pink explores Schiaparelli's childhood in Rome, her introduction to high fashion in Paris, and her swift rise to success collaborating with surrealist and cubist artists like Salvador Dali and Jean Cocteau. The book includes an author's note, a list of museums and websites where you can find Schiaparelli's fashions, endnotes, a bibliography, and an index.

Hardcover. NY, Simon & Schuster , 5th Ed., 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue glossy boards with gilt lettering, beige cloth spine, 319 pages. No dust jacket. Lavishly illustrated with color, black and white photographs. Many rooms illustrated were by well-known interior designers and belonged to the rich and famous of the 1940s. Valuable reference for movie or live theatre sets featuring interiors in the 50's, whether traditional or modern. Clean, bright copy.

Hardcover. US, Thames & Hudson Ltd, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. From its founding in 1875, the firm of Liberty has been a byword for high-quality design. Arthur Lasenby Liberty, its founder, set out to transform the appearance of dress and interior decoration; that sense of energy and excitement remains integral to the house, making Liberty a world-recognized name. This account and celebration is divided into chronological sections. It begins with the early emporium and ends with a survey of the institution's influence on post-war aesthetics and design. The Arts and Crafts Movement found Liberty's associated with leading craftsmen-designers. After World War I its textiles continued the famous lines of prints. Now, in keeping with its role as innovator, the firm continues to commission designers and to promote both traditional and avant-garde furniture and artifacts. This history of a unique enterprise reflects in microcosm major developments in taste from the late 19th-century to the present.

Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008-09-15, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.

Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.

Hardcover. NY, Henry T. Williams, 1st, 1875, Hardcover in faded purple boards with gold lettering and trim on spine. 300 pages plus ads in rear. Contains numerous black-and white illustrations of decorative objects to make at home. Published in 1875, the book gives a vivid glimpse of woman's work from another era. Previous owners signature on blank prelim page, otherwise clean.

Hardcover. NY, Monacelli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Driving the glossy shelter magazines -- Architectural Digest, House and Garden, and many more -- is an enduring fascination with other people's lives and houses. But the pristine photographs in these publications do not represent reality. In his "Households" series, artist and architect Mark Robbins has invented the "flip side" of interior design magazines: a compelling series of photographs of actual people in actual homes. A young family at a writers retreat, a gay couple in a Long Island beach house, a husband and wife in a family compound, a single parent in a city apartment: Robbins has photographed residents and environments that comment on contemporary life and relationships. Robbins's design and photography work, which bridges the fields of art and architecture, has long focused on the complex social and political forces that contribute to the built environment. The thoughtfully arranged compositions reinforce, undermine, and even confuse stereotypes; the collection as a whole comments on present-day customs and ways of life in all their complexity.

Hardcover. Seattle, WA, Fantagraphics, Reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In addition to being one of the seven, original Zap Comix contributors, Robert Williams's influence on alternative art is immeasurable. From his endeavors to broaden the possibilities for young artists to gain exposure sprang the well-known art chronicle, Juxtapoz magazine.

Softcover. NY, Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. The designers at San Francisco-based design firm Cahan & Associates, in their hunger for fresh ideas, find inspiration in the most unexpected places, such as an oddly sculptural piece of discarded metal in the alley near their office, or a conversation with an elaborately tattooed bicycle messenger. From these eclectic ingredients the office serves up in-your-face graphics that are exceptional for their visceral impact yet still convey the strategic thinking behind each piece. The firm's working methods, involving extensive exploration, collaborations, and play, are documented in this monograph through interviews with founder Bill Cahan, clients, and vendors; writings by colleagues; photo essays; proposals to clients that were accepted and rejected; and finished pieces, providing a portrait of a firm for whom process is just as important as product. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, fine in fine dust jacket. (10 1/2" X 12 1/4"). Color and b&w illustrations throughout. In celebration of the thirtieth anniversary of the Summer of Love, the Rock and Roll Hall of Fame and Museum has launched a major exhibition examining how rock & roll came of age in the late Sixties and influenced everything from fashion and art to politics and literature. I Want to Take You Higher expands on that exhibit, showcasing the infamous icons of the era - from John Lennon's Sgt. Pepper uniform to Janis Joplin's hand-painted Porsche. A host of revealing new interviews offer never-before-published tales from the land of psychedelic wonder. Country Joe McDonald, Allen Ginsberg, Grace Slick, Mickey Hart, Donovan, Bob Weir and members of the influential bands Big Brother and the Holding Company, Quicksilver Messenger Service, Moby Grape and many others contribute fresh perspectives on now-legendary events. I Want to Take You Higher also features posters, paraphernalia and an illustrated time line (just in case you forgot), as well as classic and previously unpublished images from the greatest rock photographers of the era: Jim Marshall, Baron Wolman, Robert Whitaker, Michael Cooper, Herb Greene, Bob Seidemann and others. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, The Stratford Company, 1st, 1931, Book: Very Good, Dust Jacket: Good, Hardcover, 295 pages, with black & white illustrations throughout, foreword by Richardson Wright, gilt top edge and relevant 1930 article from Horticulture Magazine laid-in. Dust jacket has corner and spine chip with some edge fade, previous owner's signature on title page, otherwise, very clean and tight.

Hardcover. Milan, A. Mondadori, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.

Hardcover. London, Hutchinson & Co., 1st, 1920, Book: Good, Dust Jacket: None, Hardcover, 267 pages. Minor spine edge wear. Cover corners lightly bent. Front cover lightly curved. Front and back flyleaf yellowed. Crease on frontispiece. Spotting throughout index, half title page, full title page and book edges. Otherwise, a clean and tight copy.