art drawing

Hardcover. NY, Maurizio Martino, 3rd pr, 1996, Book: Very Good, Dust Jacket: None, Hardcover, 359 pages, b&w illustrations throughout. German text. Red covers w/ gilt lettering on spine. A very clean, tight copy. A reprint of the 1955 edition published by Galerie St.Etienne, New York.

Hardcover. NY, Thomas Yoseloff, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, lightly soiled dust jacket. 64 pages. + 97 b&w plates. Introductory essay, Selected bibliography. Bookplate on inside front cover, otherwise clean.

Hardcover. New York, Harry N. Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages, illustrated throughout with 504 illustrations, including 242 plates in full color. Heavy oversized book. Light edgewear and faint tanning to dust jacket, else a clean, tight copy. A definitive survey of the life and work of the Paul Ce+a7zanne follwows the evolution of his art from drawing school in the 1860s to his death in 1906, providing more than six hundred reproductions of drawings, watercolors, paintings, and sketchbook pages that demonstrate his masterful artistic style.

Hardcover. New York, Harry N. Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages, illustrated throughout with 504 illustrations, including 242 plates in full color. Heavy oversized book. Light edgewear and faint tanning to dust jacket, else a clean, tight copy. A definitive survey of the life and work of the Paul Cezanne follows the evolution of his art from drawing school in the 1860s to his death in 1906, providing more than six hundred reproductions of drawings, watercolors, paintings, and sketchbook pages that demonstrate his masterful artistic style. DOMESTIC SHIPPING ONLY.

Hardcover. France, Diffusion Glenat, 1st, N/A, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Sunfading to dust jacket spine. An otherwise very clean, unmarked copy. SIGNED AND INSCRIBED BY AUTHOR ON FRONT FLYLEAF.

Hardcover. New York, Random House, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 382 pages, b&w illustrations. Like new in a bright dust jacket. In this first biography of the great cartoonist, written with exclusive access to Addams's intimates and his private papers, we finally meet the man behind the famed cartoons and circling rumors. Here is his surprising childhood in New Jersey, the cartoon that offended the Nazis, the friend whose early death Addams long mourned. Here are his wives, the stories behind his most famous-and some of his most private-cartoons, and the Addams whom even his closest friends didn't know. With wit, humor, poignancy, and insight-enhanced by rare family photographs, classic and previously unpublished cartoons, and private drawings-Linda H. Davis paints an engaging and endearing portrait of a marvelous American original.

Hardcover. New York, Random House, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 382 pages, b&w illustrations. Like new in a bright dust jacket. In this first biography of the great cartoonist, written with exclusive access to Addams's intimates and his private papers, we finally meet the man behind the famed cartoons and circling rumors. Here is his surprising childhood in New Jersey, the cartoon that offended the Nazis, the friend whose early death Addams long mourned. Here are his wives, the stories behind his most famous-and some of his most private-cartoons, and the Addams whom even his closest friends didn't know. With wit, humor, poignancy, and insight-enhanced by rare family photographs, classic and previously unpublished cartoons, and private drawings-Linda H. Davis paints an engaging and endearing portrait of a marvelous American original.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Hardcover. SUNY Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 768 pages. The personal journals of Charles Burchfield reveal the unique vision and approach to life that established him as America's preeminent watercolorist and painter of nature. When he died in 1967 at the age of seventy-three, Burchfield had filled sixty-seven bound notebooks with his personal entries, comprising some 10,000 pages. He included sketches, doodles, quotations, clippings, weather notes, and other marginalia and insertions offering a rare glimpse into the artist's life. Presented here in book form, the edited journals are organized thematically. The editor's introductions place each section in biographical and art historial context. The material is annotated and informed by the previously unpublished archives of the Burchfield Art Center, and complemented by 41 color plates of Burchfield's paintings and 131 black and white illustrations. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, New York Graphic Society , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 162 pages. Green cloth cover with gilt lettering to cover and spine, illustrated dust jacket, 90 tritone and 78 duotone illustrations, companion copy to "Charles Sheeler: Paintings and Drawings." Light wear to dust jacket; otherwise a tight, clean copy.

Hardcover. New York, Abrams, Revised Ed., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, illustrated throughout with 80 plates in full color and numerous illustrations in b&w. Clean, unmarked copy with only minor wear to dust jacket. The author, Frederic G. Renner, was a good friend of the artist, and devoted nearly 35 years to collecting and studying Russelliana.

Hardcover. Atlanta, GA, University of Georgia Press, 1st, 1945, Book: Good, Dust Jacket: Good, Written by fresco painter Jean Charlot on the subject of 3 particular murals he painted during his year as artist-in-residence at the University of Georgia. 222 pages, illustrated with 178 (mostly black/white, few color) plates. Introduction by Lamar Dodd and photography by Eugene Payor. Cloth bound book is in good condition, some light stains on the cover, a few pages stick. Dust jacket shows slight edge wear.

Hardcover. NY, Bloomsbury, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 284 pages, color illustrations. Winfred Rembert grew up in a family of Georgia field laborers and joined the Civil Rights Movement as a teenager. He was arrested after fleeing a demonstration, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. During that time he met the undaunted Patsy, who would become his wife. Years later, at the age of fifty-one and with Patsys encouragement, he started drawing and painting scenes from his youth using leather tooling skills he learned in prison. Chasing Me to My Grave presents Remberts breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert calls forth vibrant scenes of Black life on Cuthbert, Georgias Hamilton Avenue, where he first glimpsed the possibility of a life outside the cotton field. Pulitzer Prize sticker on dj. Foreword by Bryan Stevenson. Clean copy.

Hardcover. NY, Random House, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 341 pages. First printing as indicated (per Random House protocol) by the stated "First Edition," with a number line ending in 2. Preface by Alice Waters. Notable for the artist Wayne Thiebaud's pen and ink drawings as well as his color art on the dust jacket. Clean copy with light fading to dj spine.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 108 pages. "Minnesota-based Chris Larson examines the relationship between humans and machines. In recent works, the artist has used his prodigious woodworking skills to depict large objects colliding--a spaceship nearly flattening a wooden barn, for example, about which Larson has remarked, "I wouldn't go and say this is about this church that was blown up in the 30s. I wouldn't say this is about, like, invading Iraq or some planes crashing into buildings. It's just--there's a lot of two worlds colliding right now, and it doesn't seem like they're colliding real well." Another constructed collision shows the General E. Lee (the 1969 Dodge Charger made famous by the 1970s television show The Dukes of Hazzard) crashing into Unabomber Ted Kaczynski's Montana cabin. This publication features a new film, as well as recent sculpture, drawing and photographic works, evidencing what critic Ken Johnson has termed "a promisingly strange and baroque imagination."

Hardcover. New York, National Gallery of Art/Harry N. Abrams, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, tight copy with mniior wear to edges. Color photos throughout. Christo and Jeanne-Claude have created some of the most visually breathtaking works of the twentieth century. From early wrapped objects to monumental outdoor projects such as The Umbrellas, Japan-U.S.A., 1984-91 and Wrapped Reichstag, Berlin, 1971-95, the artists have used fabric - wrapped, draped, and folded over, around, and through natural and constructed forms - to transcend the traditional bounds of painting, drawing, sculpture, and architecture.This volume spanning forty years of Christo and Jeanne-Claude's remarkable career accompanies an exhibition at the National Gallery of Art of sixty-one works from the collection of Dorothy and Herbert Voqel, whose relationship with the artists dates to 1971. The wonderful breadth of works presented in color and discussed here includes several early packages, models for large-scale public works, preparatory drawings and collages for projects in urban and rural sites, and photographs of the completed projects.

Hardcover. NY, Museum of Modern Art , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. This volume, the most comprehensive assessment of Chuck Close's work yet published, accompanied a mid-career retrospective exhibition that opened at The Museum of Modern Art, New York, on February 25, 1998. A leading figure in the New York art world since the early 1970s, Close has recently concentrated on portraits of his artist friends and colleagues, characterized by colorful patterning and vivid brushwork. Subjects include Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Kiki Smith, Lucas Samaras, and Lorna Simpson. Here, more than 90 paintings, prints, drawings, and photographs are reproduced, along with details and comparative illustrations.

Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket and plastic covering in very good condition. Brown cloth book marred a little by flakes of yellow paint on back cover. 274 pages, 379 illustrations (20 tipped-in color).

Hardcover. London/NY, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. 378 illustrations, including many hand-mounted color plates. Catalogue raisonne of drawings and prints from 1958 to 1960. Folio. Brown cloth, gilt lettering to spine. A very clean, crisp and attractive copy in near fine condition. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London/NY, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. 378 illustrations, including many hand-mounted color plates. Catalogue raisonne of drawings and prints from 1958 to 1960. Folio. Brown cloth, gilt lettering to spine. A very clean, crisp and attractive copy in excellent condition. Small ownership sticker on front fly leaf. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Pasadena, CA, Pasadena Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 135 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Light shelf-wear, scratching, and edge-wear on covers. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work.

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Softcover. Stockholm, Sweden, Moderna Museet, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, text in Swedish and English. Illustrated white cover in excellent condition. Minor rubbing on back cover. Clean, crisp pages with beautiful illustrations throughout. Tight binding. Very minor wear on cover corners.