art drawing

Softcover. NY, Hirschl & Adler Galleries, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in color and b&w. 6 color, 32 b&w plates, frontispiece. Showcases select artwork by Edward Hopper. With an essay by Douglas Dreishpoon. Many of these works were included in a traveling exhibition entitled "Edward Hopper: The Early Years", and held Mar. 14 to Apr. 18, 1987. The exhibition checklist cites 81 pieces, and about 40 are shown here. Clean copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, 67 illustrations (13 color). Catalogue of 106 paintings, watercolors, etchings and drawings, with notes on selected works. Essay by Peter Schjeldahl. Includes a collection of drawings, forming the basis of the exhibition, bequeathed by the artist's widow Jo Hopper to her friend Mrs. Mary R. Schiffenhaus. Clean, bright copy.

Hardcover. NY, W.W Norton/Whitney Museum, 7th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Hopper is generally considered the major twentieth-century realist. Such paintings as House by the Railroad, Early Sunday Morning, and Nighthawks seem to embody the very character of our time. Yet few people have penetrated the mask of Hopper's public image. Here, Gail Levin has gone beyond the standard evaluations of the man and his work to investigate the authentic identity of the artist and the way his personality informed his art. She has uncovered aspects of Hopper's life (and even unknown works) that provide the first comprehensive view of the artists early development. The fascinating and often poignant story of Hopper's long struggle for recognition gives new insight into his later pessimism. A complex man is revealed, introspective and intellectual, yet romantic, illuminating the many levels of meaning in the paintings of his maturity. In addition to Hopper's watercolors and oil paintings, there are study drawings for his major works and documentary photographs illuminating all phases of his life. 280 color and 220 black-and-white illustrations.

Hardcover. Cambridge, Belknap/Harvard University Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 109 pages. INSCRIBED BY AUTHOR on front endpaper. Illustrated with black & white reproductions of drawings and paintings by Edward Lear. Dust jacket has small closed tear on front bottom edge. Dust jacket protected with clear plastic cover. Clean, tight copy.

Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Over 100 drawings and paintings in black & white and color, many of which are published for the first time in this book.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. Owings Mills, Stemmer House Publishers, Inc., 1st, 1979, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover. Illustrated black and white woodprints and full color drawings. Clean unmarked text. Illustrated dust jacket with moderate edgewear. Unclipped.

Hardcover. Owings Mills, Stemmer House Publishers, Inc., 1st, 1979, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover. Illustrated black and white woodprints and full color drawings. Clean unmarked text. Illustrated dust jacket with moderate edgewear, short closed tears. Unclipped.

Hardcover. London, Adam & Charles Black, 1st, 1941, Book: Very Good, Dust Jacket: Good, Hardcover, illustrated with black & white drawings, color paintings by Calthrop. 463 pages. Dust jacket with edgewear. chunk gone from spine top, corners.

New York, Putnam, 1st, 1926, Book: Very Good, Dust Jacket: None, Blue cloth hardcover, 289 pages. Illustrated with b&w drawings. Cover has light edgewear. Clean copy.

Hardcover. Boston, James R. Osgood, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, 63 b&w drawings by Du Maurier of upper class Victorians in England, previously published in Punch. Green cloth covers with beveled edges. All edges gilt.

Hardcover. Kerber, 1st, 2008, Book: Very Good, Hardcover, 144 pages. Painter Francesco Clemente once said of Eric Fischl, "If life is what happens to you as you make other plans, then 'life' is Eric Fischl's subject matter." Though Fischl is best known for his figurative paintings, this monograph presents a 2007 series of 13 sculptures and corresponding large-format gouache works. Cast in polyester and resin, the life-sized, three-dimensional nudes enter into tense dialogue with the drawings, depicting the same element of human struggle that we find in Fischl's paintings. Naked bodies without context or reference, engaged in no specific narrative, offer any number of possible interpretations. They allow the viewer to indulge in careful observation, daring us to penetrate the surface patina of the sculptures to see if anything lies beneath. A special section includes a complete catalogue raisonee of the sculptural work from 1975 through 2007.

Hardcover. Kopenhagen, Forlaget Nytteboger, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, paper covered boards with red pattern, in a matching cardboard slipcase. Features 100 drawings of couples in various embraces by Hansen, 3 in color. Limited text in Norwegian/Swedish. No dust jacket. Spine lightly nicked, otherwise very good.

Hardcover. Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Erwin Blumenfeld (1897-1969) was born into a Jewish family in Berlin. In 1941, after being interned in a concentration camp, he left Europe for the United States, where he eventually became a citizen; during the 40s and 50s, he was to make his name here as one of the most sought-after fashion photographers in the world. But most people are unfamiliar with Blumenfeld's early work, the often bitingly satiric Dada photomontages and collages he produced between 1916 and 1933. This book, put together by Helen Adkins, renowned expert on the Berlin Dada movement, is the first to provide a study and a survey of these early works. Blumenfeld did not intend for these works to be shown publicly, as they were primarily personal gifts to his friends and acquaintance, or were enclosed in love letters to his fiancee. Nonetheless, they were conceived in the Dada spirit (Blumenfeld established the Dutch branch of Dada in 1918) and belong to its story. Approximately 100 works--including many previously unpublished, which Adkins discovered in the artist's family archives and in other public and private collections--are examined within the context of Blumenfeld's life, photographs, drawings and literary works.

Softcover. Paris, Editions Hazan, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 273 pages. Like new in publisher's shrink-wrap. This landmark publication broadens our understanding of Blumenfeld's innovations, reuniting all the media used by the artist throughout his long career: drawing, photography, photomontage, and collage. The motifs of his experimental, sometimes overtly political, black-and-white photographs appear alongside numerous self-portraits and celebrity portraits, as well as the fashion photographs for which he is most known. Presenting some 150 images, this book provides a fresh understanding of Blumenfeld's photography for the commercial worlds of fashion and advertising.

Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.

Softcover. Venice, Danish Pavilion, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages illustrated in b&w. An exhibition catalog for The Venice Biennale 1982, essay by Oystein Hjort. Clean copy.

Hardcover. Clarkson N. Potter, inc, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 236 pages. b&w and color illustrations and photographs. Red cloth spine. Dust jacket edgewear, otherwise in good shape. Everett Shinn (1876 - 1953) was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," who protested the restrictive exhibition policies of the powerful, conservative National Academy of Design. He is best known for his robust paintings of urban life in New York and London, a hallmark of Ashcan art, and for his theater and residential murals and interior-design projects. His style varied considerably over the years, from gritty and realistic to decorative and rococo.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, 528 pages. Hardcover with no dust jacket. Sunfading to spine. Otherwise a very clean, unmarked copy with only minor edgewear. Over 500 comic strips published between 1956 through 1966. SIGNED BY JULES FEIFFER ON HALF TITLE PAGE.

Hardcover. NY, Dodd Mead, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Black & white Illustrations by author. Dust jacket with edgewear, chips, otherwise very good. A noted artist-illustrator presents a pictorial gallery of the men and women of the American frontier West in pencil drawings: the cowboy, rancher, stagecoach bandit, marshal, riverboat captain, vaquero, peddler, gunsmith, mountain man, wagon cook, missionary, etc.

Softcover. Mineola, NY, Dover Publications, 1st, 2019, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This original compilation features more than 80 color plates selected from two of Phillips' early collections, A Gallery of Girls and A Young Man's Fancy, in addition to images from other sources. An Introduction by illustrator and graphic designer Scott M. Fischer provides a modern appraisal and speaks to Phillips' lasting influence. Students of illustration, graphic design, and advertising as well as fans of 1920s fashion will appreciate this collection of striking works by a Golden Age designer-illustrator.