art drawing

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Softcover. Los Angeles, The 3-D Zone, 1st, 1989, Book: Good, Dust Jacket: None, Rare comic book, stapled softcover. Comics are drawings only, with no text. 3-D glasses are still attached to inside, as issued. Book has slight shelf wear on spine side. 64 pages. Mild waviness to pages.

Softcover. Berkeley CA, The Print Mint, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 8.25 x 10.75", 52 pages, including semi-glossy color cardstock covers, and b/w interior. An anthology comic. Cover art by Robert Crumb. Frosty the Snowman and His Friends, script and art by Robert Crumb; Frosty and friends plot to throw bombs disguised as snowballs at the "Rockerfella" mansion. Fun City In Ba'Dan, script by William Burroughs, art by S. Clay Wilson. As the Mind Reels, script and art by Art Spiegelman; a surreal soap opera. Dollboy, script and art by Bill Griffith; A ventriloquist's dummy is kidnapped. Stalin bio by Spain Rodriguez. The Adventures of Don Carlos Balmori, script and art by Kim Deitch; the story of a Mexican hoaxer. Saddle-stapled wraps.

Hardcover. New York, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 144 pages, b&w and color illustrations throughout. Light edge wear, fading to dust jacket. Previous price written on front dust jacket flap. Else a very clean, tight copy.

Softcover. Anchorage Museum of History and Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 58 pages. Illustrated from photographs, plans, and drawings .In original white self-wrappers. Chipperfield's proposal for the Anchorage Museum's addition, completed in 2010. Includes examples of Chipperfield's other museum work, his statement on "Presence" and essays by others on the building process. Clean copy.

Softcover. Princeton, New Jersey, Princeton University Press, 1998, Book: Very Good, Dust Jacket: None, Softcover. Historical and biographical volume on the architect Frank Lloyd Wright. 544 pages. Includes drawings, notes, and writings by Frank Lloyd Wright. Near fine condition; book is still in shrinkwrap that has some tears near the spine and on some corners.

Hardcover. London, Country Life, 1st, 1922, Book: Very Good, Dust Jacket: None, Two volumes complete, large folio (15" X 12"). 344 and 361 pages plus 100 appendix and index pages. pale green cloth with gilt lettering and design, top edge gilt. Color frontispiece in Volume II, profusely illustrated with about 700 b&w illustrations, plans and drawings. Clean, bright set. First edition of Arthur T. Bolton's monumental monograph on the architecture of Robert (1728-1792) and James Adam (1732-1794), two Scottish brothers who were renowned neoclassical architects, interior and furniture designers.

Softcover. Columbus, OH, Columbus Museum of Art, 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, 74 pages. B&W photos and plates throughout. Rubbing, soiling, and light edgewear to wrapper. Otherwise a tight and crisp copy.

Softcover. NY, Albright-Knox Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, This solid, authoritative presentation of Gorky's pivotal art of the 1940s accompanies an exhibit of paintings and drawings showing this year at the National Gallery in Washington, D.C., as well as Buffalo and Fort Worth. Biographical and art-historical essays by Auping, a Modern Art Museum of Fort Worth curator, as well as Dore Ashton and Matthew Spender summarize the critical consensus of Gorky, placing him between Surrealism and Abstract Expressionism in the development of 20th-century art. Excellent reproductions of the paintings and drawings in the show are supplemented by close-ups from several paintings, photographs of Gorky, and selections from Gorky's letters. While not a comprehensive or groundbreaking work, this volume is an excellent summary of or introduction to Gorky for both general and informed lay readers. Clean copy.

Hardcover. NY, E.P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages. 100 plates (3 tipped-in color plates), including 37 examples by American artists. Survey of the art of the First World War by Allied artists from the United States, Canada, Great Britain, France and the Netherlands, including paintings, drawings, sculpture, lithographs, and posters. Works by Maxfield Parrish, George Luks, George Bellows, Harvey Dunn, Paul Manship, Mahonri Young, William Orpen, C.R.W. Nevinson, James McBey, Paul Nash, G. Spencer Pryse, Edmund Dulac, Wyndham Lewis, Frank Brangwyn, Th.A. Steinlen, and others. Bibliography, p. 285-288. Handsome production, with decorations designed by Frederick W. Goudy and printed by William E. Rudge. Dark green boards with black cloth spine, bright gilt lettering on cover and spine. Previous owner's bookplate inside front cover, light corner wear, mild bump to top of rear board.

Softcover. New Haven, CT, Yale University Art Gallery, 1st, 1985, Book: Good, Dust Jacket: None, Exhibition catalog. 172 pages, illustrated throughout in b&w. Blue pictorial stiff wrappers. Covers slightly sunned and lightly worn around the edges. Writings in ink on front cover. Nice, tight copy.

Charlottesville VA, University of Virginia, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog illustrated in color, 266 pages. The Kluge-Ruhe Collections, now held by the University of Virginia in Charlottesville, is one of the largest and best-documented collections of Australian Aboriginal art outside Australia. Art from the Land focuses on the desert region and Arnhem Land, drawing on the many fine works in the collection and on the authors' detailed knowledge of the artists and their communities to illustrate the unique and complex nature of Australian Aboriginal artistic expression. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. Boston, Massachusetts, Little, Brown, and Company, na, 1900, Book: Good, Dust Jacket: None, Biography of American artist William Morris Hunt. 219 pages with 16 black/white plates of Hunt's paintings. Cloth bound book is in good condition, some marks on the cover and corners slightly bumped. Some pages still uncut. Previous owner's name and date written in ink inside the cover.

Hardcover. Toronto, McClelland & Stewart, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, A fully illustrated, stylish look back at the story behind a Canadian design icon. With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography,The Art of Clairtone is a candid and in-depth look at the company's skyrocketing success and sensational collapse.

Hardcover. New York, Abrams ComicArts, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Throughout his 25-year career, alternative cartoonist/screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times-bestselling creator. It includes all of Clowes's best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art.

Hardcover. San Francisco, Chronicle Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Features concept art from the making of the film, including character studies and sculpture, color scripts, storyboards and more, alongside interviews and with the film's artists about the making of this adventurous animated film. 159 pages.

Hardcover. Berkeley CA, University of California Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Light soil on dust jacket covers. Clean, tight copy. Pictures throughout.

Hardcover. London, The Library Association, 1st, 1970, Book: Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Black and white illustrations throughout. Ex-Lib with usually markings and stamping on end papers, copyright, etc. Light edgewear to cover boards, fray on spine and corners, otherwise good copy.

Hardcover. New York, Taschen, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 546 pages, illustrated in color. Pin-up art, defined as drawings or paintings of pretty girls that stop short of frank nudity, was produced between 1920 and 1970, and much of it was discarded by publishers and calendar companies after printing. In this title, each chapter contains period calendars, vintage prints, and original model photos, documenting the artists' creative process. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Hyperion/Disney Editions, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. Light wear to edges of dust jacket, else like new. Beautiful & quite lavish book on the making of the Disney full length animated feature. Illustrated with 400 color & b&w drawings, sketches & artwork including an acetate overlay & storyboards.

Hardcover. New York , Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, 91 illustrations in color and b&w. In a bright, clean dust jacket. Introduction by John A Williams. "The numerous large illustrations of Bearden's drawings, paintings, and collages from 1940 to the present, give depth to this portrait of an unusually fine American artist." 91 illustrations of the artist's work, including 46 in full color: one four-page spread over two folding pages, and one folding two-page spread. Chronology. List of exhibitions. Bibliography. Silver-blocked blue-cloth-covered boards with facsimile signature on front board. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color, b&w illustrations. THE ART OF S. CLAY WILSON is the long-awaited career retrospective of the most extreme of the Zap cartoonists of the late 1960s. A self-described "graphic agoraphobe," Wilson draws manically dense scenes of lurid mayhem that rank among the seminal works of underground, counterculture American art. It's all here, from the classic chronicles of the Checkered Demon to salacious stories about the pirates, prostitutes, and poets that inhabit Wilson's divinely depraved world.The definitive collection of the art of legendary Zap comic artist S. Clay Wilson.Features 200 full-color images, including new work and previously unpublished prints commissioned for private collections.Introduction by R. Crumb touts Wilson's role as one of the originators of underground comix."Wilson was the strongest, most original artist of my generation that I had yet met. . . . There was something very familiar about the drawings, yet something entirely new, never before seen! It looked like folk art, like old-time tattoos, like some high school hotrodder's notebook drawings. They were rough, crazy, coarse, deeply American."

Hardcover. New Haven, Yale University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Clean, bright copy with similar dust jacket. 243 plates, mainly in color, charts. Contains many little-known works of art from the First Fleet landing in New South Wales in 1788, and from the early years of settlement. Chronology, Bibliography. Size: 13 3/4" x 10".

Softcover. New York, Dover , reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover. 557 pages, b&w illustrations. Light edge wear, creases to wrappers. Else a clean, tight copy.