art exhibition

Hardcover. Graphis Inc., 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages in color. Graphis Poster 2024 takes you on an enriching journey through diverse regional influences and examples of creative excellence. It delves into a wide variety of themes, spanning concerts, environmental and social issues, cinema, theater, arts, dance, exhibitions, and much more, all distilled into powerful and captivating poster designs. Still in publisher's shrinkwrap.

Softcover. Zurich, Graphis Press, 1st, 1986, Book: Very Good, Dust Jacket: None, 84 pages. English, German and French text. B&w and color illustrations. Very good. International graphic design magazine based out of Switzerland. No longer in print. Cover illustration by Andrzej Dudzinski. In Graphis magazine Issue 242, you'll find articles on: IBM--Design, Business & Education, by Steven Heller; Fourth Colorado International Invitational Poster Exhibition, by Philip E. Risbeck, Fort Collins, Colorado; Conception and Design of the USA Annual Reports 1983/84, by Richard A. Lewis, New York.

Softcover. NY, Metropolitan Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 238 pages. Illustrated profusely in b&w and 16 plates in color. An exhibition sponsored by the government of the Republic of Greece and the Musee du Louvre. Metalwork, bronze, clay, marble: all manner of objects 4th millennium B.C. to 4th century B.C.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Softcover. New York, Harry N. Abrams, 1st, 1980, Book: Very Good, Dust Jacket: None, 96 pages, 84 plates, 33 in color. Softcover exhibition catalog in tight, clean condition.

Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.

Softcover. Athens, Blurb Inc., Reprint, 2010, Book: Very Good, Dust Jacket: None, 384 pages. Softcover printed to accompany the exhibition by the same title, appearing in multiple venues, including, Ruby Green Gallery, Nashville TN May - June 2003 and Athens Institute for Contemporary Art, Athens GA, August - September 2010. Bright, full page, full color photographs throughout. Clean, unmarked copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Softcover. New York, WMAA/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Full color illustrations. Shallow crease at bottom right corner of front cover. Clean, unmarked copy. Goodman's book, with essays by Clement Greenberg and Irving Sandler and the artist's own statements, provides an excellent introduction to the life and work of the man frequently called the dean of the New York School of Abstract Expressionism.

Softcover. Belgium, Ludion , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, color illustrations throughout. Clean copy.

Hardcover. New York, Monacelli Press , 1st, 2012, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover without dust jacket. Extensive b&w and color photography throughout. Illustrated end papers and fly leafs. Includes extensive bibliography and chronology. Clean, tight copy. In early October 1959, thirty-two-year-old Allan Kaprow presented a performance piece entitled "18 Happenings in 6 Parts." This unique conjunction of visual, aural, and physical events, performed for an intimate art world audience by his friends and colleagues, would change the course of art history. The genre of artwork that evolved from this debut would become known as Happenings. This new volume provides a comprehensive look at this revolutionary art form. Prepared in conjunction with an exhibition at the Pace Gallery in New York, it focuses on the years that saw the movement's birth in New York and Provincetown, Mass., and the artists who made the genre a legend: Red Grooms, Allan Kaprow, Robert Whitman, Jim Dine, Claes Oldenburg, Simone Forti, Carolee Schneemann. Together, they created a new and outrageous art form with an "anything goes" attitude, one whose influence is still felt within the contemporary art world.

Softcover. San Francisco, Stephen Wirtz Gallery, 1st, 1978, Book: Very Good, Softcover, plastic comb binding, Soft white and color illustrated wraps with gray and black lettering. Color plates. Interior pages printed on thick, gray paper. Includes text by Stephen Wirtz. INSCRIBED BY THE ARTIST on the inside cover. Created to announce the exhibition "Harold Paris: The 26 Days of John Little", held from February 7 through March 8, 1978 at Stephen Wirtz Gallery in San Francisco, CA. Clean, bright copy.

Softcover. Old Lyme. CT, Florence Griswold Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w illustrations, 29 color plates, illustrated tissue guard. Light wear to wrapper corners. Else a very clean, tight copy. A book examining the life and work of an artist noted for his joie de vivre and for his versatility as an artist from winter views of New England to undersea paintings of the Bahamas. 89 pages, 29 color & 40 b/w illustrations with unique color frontispiece on vellum.

Hardcover. NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages, illustrated throughout in color. Illustrated, laminated boards, no dust jacket issued. Clean, tight copy. This is a beutifully produced catalog of a NY retrospective for the Australian/British/American painter Hayley Lever (1876-1958). His painting also crossed boundaries including elements of Impressionism, Post-Impressionism & Tonalism. Perhaps it was this refusal to sit in one box that accounts for his being so nearly forgotten. There are many lovely pictures here, mostly of St Ives & the coasts of New England.

Softcover. New York, Metropolitan Museum of Art, First Edition, 1993, Book: Very Good, Dust Jacket: None, Softcover published to accompany the exhibition, Church's Great Picture, The Heart of the Andes, held at the Metropolitan Museum of Art, October 5, 1993 - January 2, 1994. Clean, bright copy.

Softcover. NY, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, 36 pages illustrated in b&w. Printed card wrappers, staple bound. Exhibition shown from March to May 1970. Architect Hector Guimard is the best-known representative of the French Art Nouveau style of the late nineteenth and early twentieth centuries. Clean copy.

Softcover. NY, Andre Emmerich Gallery, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Includes 16 full page color illustrations printed on glossy card stock; black and white photograph of Frankenthaler on verso of title page. Catalog for exhibition held Nov. 30 - Dec. 31, 1983. Clean copy.

Softcover. Houston TX, Janie C. Lee Gallery, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in light tan wrappers. 10 color plates, 16 pages. For an exhibition November-December 1980. Clean copy.

Softcover. NY, Andre Emmerich Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 28 pages, 14 color plates, gives sizes and medium for each. Exhibition catalog for October 4 - November 3, 1984. Clean copy.

Hardcover. Steidl, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. In 1878, the Photographic Times claimed that ten minutes provided sufficient exposure for photographing a landscape. Six years earlier, an English immigrant to the West Coast named Eadweard Muybridge, going by the commercial name of Helios, had already pushed photography far in the opposite direction: not to soak up time into pictures, but to divide time with the quickest exposures then imaginable. In 1872, the tycoon Leland Stanford had commissioned Muybridge to photograph his horse, Occident, to determine whether it ever lifted all four hooves off the ground at once. In proving that this was indeed the case, Muybridge achieved a five-hundredth-of-a-second exposure, and so began an anatomy of motion-in humans, horses, birds-that exploded the possibilities of photography and ultimately led to the development of the motion picture. Helios: Eadweard Muybridge in a Time of Change offers an opportunity to trace the life and art of the great photographer. In the wake of a wave of recent scholarship and renewed interest, it pitches his entire body of work against the backdrop of one of the most transformative periods of American and European history. Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.

Hardcover. Munich, Prestel Verlag, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover published to accompany the exhibition William Wegman - Hello Nature, at Bowdoin College Museum of Art, Brunswick, July 13 - October 21 2012. Features works by Wegman, Kevin Salatino, Padgett Powell, Diana Tuite. Full color, full page illustrations throughout. Dust jacket in very good condition. Clean, unmarked copy.

Softcover. The Hague, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, exhibition catalog for the sculptor's work at the XVIII Venice Biennale, b&w illustrations. A conversation with the artist by Reinhard Niedermeier. Light fading to pink wrappers. Text in Italian and English. SIGNED BY VISCH on inside rear cover with his address and pnone number.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with price-clipped dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.