art exhibition

Hardcover. New York, Rizzoli/Gagosian Gallery , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 156 pages, profusely illustrated in color and b&w. Designed by Dan Miller Design. With a biography and exhibition history. This is the elegantly produced, copiously illustrated hardbound catalogue published in conjunction with Los Angeles-based sculptor Robert Therrien's elaborate 2008 Gagosian Gallery New York installation.

Softcover. NY, Howard Scott/M-13 Gallery, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 20 pages featuring 6 new works by the artist reproduced in color. Essay by Carter Ratcliff. Clean copy.

Softcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 202 pages. color and b&w illustrations. Italian couturier Roberto Capucci (b. 1930) is revered by contemporary fashion designers for his innovative silhouettes and masterful use of color and materials. Capucci refers to his creations as "studies in form," and draws inspiration from a multitude of sources, including art, architecture, and nature. This beautifully illustrated book, the companion to the first exhibition of Capucci's work in the United States, examines his career from the 1950s to the present in the context of the rise of Italian fashion.

Hardcover. NY, Museum of Modern Art, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth, 143 pages, color frontis., b&w plates. A pioneering exhibition, with essay and catalogue by James Thrall Soby and Dorothy C. Miller. The exhibition checklist cites 213 works by 121 artists, and nearly all are names you would recognize. More than 100 pieces are pictured here. One of 7500 copies. Clean copy.

Hardcover. New York, Metropolitan Museum of Art, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket,110 pages, illustrated in color and b&w. Exhibition catalog bound in black cloth covers, gilt lettering on spine. Clean.

Softcover. Museo de Arte Contempaneo de Monterrey, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Numerous full page b&w photographs. Essay by Elena Poniatowska. Text in English and Spanish. Translated by John Page. Early 1900s portraits by a Mexican photographer in Guanajuato. Mild shelf wear, clean copy.

Softcover. NY, Pamela Auchincloss Gallery , 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. 11 color plates. Exhibition catalog, essay by Pamela Auchincloss. Clean.

Softcover. Paris, Centre Pompidou, 1st, 2003, Book: Very Good, Dust Jacket: None, 80 pages. Softcover. Text in French and English. Illustrated with full color photographs. Slight darkening along cover edges. Clean, tight copy.

Softcover. Washington D.C., National Gallery of Art Washington, 1st, 1982, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. National Gallery of Art publications from exhibition laid in. Color and b/w illustrations throughout. In beautiful condition. Wrapper bright and excellent. Pages clean, binding good. Catalogue to accompany exhibition held from February 7, 1991-May 9, 1982.

Softcover. Montclair, NJ, Montclair Art Museum, 1st, 2005, Book: Very Good, Dust Jacket: None, Paperback. 90 pages, color and b&w illustrations. An exhibition catalog, not published in hardcover.

Hardcover. Hatje Cantz, 1st, 2010, Book: Very Good, Hardcover, 208 pages. Between 1961 and 1968, at the height of the Pop art movement, Roy Lichtenstein (1923-1997) created about 50 large black-and-white drawings. Not only was their imagery, culled from consumer culture, entirely new--baked potatoes, ads for foot medication and BB Guns--but so was their treatment, which drew on the rudimentary character of cheaply printed commercial drawings. Conceived independently from Lichtenstein's paintings, these drawings recast illustrations from newspaper ads and comic books into works of keen visual intensity, curiously echoing the clean-edge aesthetic of 1960s geometric abstraction. "Drawing is the basis of my art," Lichtenstein later affirmed; "It is where my thinking takes place." Published for an exhibition at the Morgan Library in New York, this richly illustrated publication offers 120 color illustrations, plus essays on Lichtenstein's technique and on his little-known 1967 Aspen project, in which the artist transformed a room into a black-and-white cartoon drawing.

Hardcover. NY, Thames & Hudson, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oversize format. 408 pages with 534 color illustrations. Rudolph de Harak (1924-2002) is one of the most influential graphic designers of the mid-twentieth century. This beautifully produced, comprehensive monograph is devoted to this fascinating and significant figure and provides an in-depth account of de Harak's life and work.From his early years in Los Angeles to his success as a design consultant and educator in New York City, de Harak brought inventiveness to everything he designed, from record covers to book jackets, from furniture to exhibitions. De Harak's work was influenced by early modernist masters, such as Will Burtin, Gyorgy Kepes, Alvin Lustig, and Max Bill, as well as by the rigor, simplicity, and rationalism of the International Style, Abstract Expressionism, Op Art, and Pop Art. Organized chronologically into six chapters that cover de Harak's life and career, each supported by sidebars on the designers, architects, and art movements that have influenced his work, Rudolph de Harak Graphic Designer documents de Harak's pioneering and prolific fifty-year career in graphic, experiential, industrial, and furniture design for a wide range of clients, including the Metropolitan Museum of Art, Cummins engine company, McGraw Hill publishing, and many others. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Before there was Martha Stewart, there was Russel Wright (1904-1976), the great mid-century modern American designer who pioneered the concept of "easier living" for the middle class, a uniquely American lifestyle that was gracious but contemporary and informal. Yet despite Wright's enormous influence, there has been no major survey of his work until now. This handsome volume-which accompanies an exhibition at Cooper-Hewitt, National Design Museum in New York City-showcases more than 125 of Wright's best designs for inexpensive, mass-produced dinnerware, textiles, and furniture. As the flurry of Wright auction activity on Ebay shows, there is a thriving collectors' market for his designs. 125 illustrations, 65 in full color, 176 pages, 71/2 x 10".

Softcover. New York, Morgan & Morgan, Reprint, 2007, Book: Very Good, Dust Jacket: None, 206 pages. Softcover. A clean, unmarked copy. Light foxing to top edge of textblock. Black and white photographs throughout.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Softcover. London, Fischer Fine Art Limited, 1st, 1978, Book: Very Good, Dust Jacket: None, Small format softcover, 40 pages illustrated in b&w and color, one fold-out color plate. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 172 pages. Hailed by Ansel Adams as "the greatest photographer of the nude," Ruth Bernhard is an icon in the photographic world. As told by Ruth in countless conversations with close friend and biographer Margaretta Mitchell, this thoughtful, illustrated memoir is a true tribute to the legendary artist. Reminiscent of a personal scrapbook, the engaging text is adorned with an abundance of fascinating memorabilia and nostalgic snapshots. Woven throughout is correspondence between Ruth and her mentor Edward Weston, as well as interviews with friends, colleagues, students, and her long-time printer. Also included is a special section entitled "Workshop," which surveys Ruth's acclaimed teaching methods. Coinciding with an exhibition in honor of Ruth's 95th birthday, Ruth Bernhard: Between Life and Art is a beautiful celebration of an extraordinary woman.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages. Hailed by Ansel Adams as "the greatest photographer of the nude," Ruth Bernhard is an icon in the photographic world. As told by Ruth in countless conversations with close friend and biographer Margaretta Mitchell, this thoughtful, illustrated memoir is a true tribute to the legendary artist. Reminiscent of a personal scrapbook, the engaging text is adorned with an abundance of fascinating memorabilia and nostalgic snapshots. Woven throughout is correspondence between Ruth and her mentor Edward Weston, as well as interviews with friends, colleagues, students, and her long-time printer. Also included is a special section entitled "Workshop," which surveys Ruth's acclaimed teaching methods. Coinciding with an exhibition in honor of Ruth's 95th birthday, Ruth Bernhard: Between Life and Art is a beautiful celebration of an extraordinary woman.

Hardcover. New York, Abrams Image, 1st, 2010, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with no dust jacket. Light foxing to top edge of textblock. Rubbing to rear. An otherwise very clean, unmarked copy with only minor edgewear. Revealing an unprecedented, intimate look at Ryan Adams and his band the Cardinals through the evocative photography of lead guitarist, Neal Casal. An intensely personal collection of 200 photographs, Casal has captured the exhilaration of the stage and studio while sometimes exposing the solitary aspects of the creative process and life on the road. With an introduction by Ryan Adams and an afterword by legendary musician Phil Lesh, this collection will be revered by fans and is the official documentation of the beloved band.

Softcover. Los Angeles, UCLA Fowler Museum , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in bright wrappers, 446 pages. This abundantly illustrated anthology brings together 16 essays by scholars, artists, and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the 10 major Vodou divinities, the paintings of Hector Hyppolite, the multimedia pieces of Pierrot Barra, sequined bottles and sequined flags, and the work of the Brooklyn Priestess Mama Lola. Like new. DOMESTIC SHIPPING ONLY.

Hardcover. Milan/London, Skira/Thames & Hudson, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. This book is the catalogue of an exhibition that took place at the Shanghai Museum of Contemporary Art (29 March-7 May 2008) to celebrate the eighty-year anniversary of the company. Photographs, sketches, and drawings explore design processes and showcase shoes, handbags, and accessories --a magnificent selection of fashion works embodying social and cultural changes over time. Illustrated with b&w and color photos. Includes bibliography and three essays.

Softcover. Gottingen, Steidl, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover. Extensive color photographs by Sam Taylor-Wood throughout. Clean, unmarked copy with only minor wear to dust jacket. Published on the occasion of the exhibition Sam Taylor-Wood, Hayward Gallery, London 25 April - 21 June 2002.

Softcover. Denver, Denver Art Museum, 1st, 1981, Book: Very Good, Dust Jacket: None, 112 pages, 95 color plates. Softcover exhibition catalog. Clean, tight copy.

Softcover. Beirut, Plan Bey, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 24 pages. Color plates. Limited to 300 copies. Lebanese artist, critic and poet Samir Sayegh is a pioneer of modernism in the Arab world. Often uniting ornamentation with calligraphic script, he has developed a distinctive practice. This catalog is printed in offset in three Pantone colors on special Fabriano Ingres laid finished drawing paper with Japanese hand binding. Clean copy.