art exhibition

Hardcover. Zurich, Scheidegger and Spiess, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 210 pages, 164 color and 76 b/w illustrations. Le Corbusier (1887-1965) is one the most influential architects of the twentieth century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914-1973). Their collaboration on Le Corbusier's pavilion for the 1937 Paris World Exhibition sparked Jorn's lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier started working in the visual arts and began to move from a rational, technological approach to architecture towards a more poetic, materialist approach. Published in collaboration with the Museum Jorn, Silkeborg, What Moves Us? focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect's change of direction and subsequently takes readers through his influence on the young artist. The book's distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn's later critique of Le Corbusier. Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanization and consider Le Corbusier alongside the Danish architect Jorn Oberg Utzon and the Aarhus Brutalism movement.

Hardcover. New York, Hudson Hills Press, 1st, January 25, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages with 60 color and 117 b&w plates. Still wrapped in plastic. Oversized. A bright, beautiful copy. This comprehensive book brings together nearly two hundred illustrations from Ore, The Inland Printer, The Chap-Book, Collier's Weekly, and other periodicals, books advertisements, and ephemera. Adding to the volume's reference value are an extensive list of Bradley's published works, bibliography, lists of public collections and exhibitions, and an appendix reprinting his "Primer of Ornament and Design," including previously unpublished material.

Hardcover. New York, NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 151 pages, illustrated throughout with plates in full color. Illustrated boards, no dust jacket issued. Light wear to edges of spine, else a clean, tight copy.

Softcover. NY, Whitney Museum of American Art, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 306 pages, b&w and color illustrations throughout, b&w frontispiece. Light edge wear, rubbing to wrappers. Else a very clean, tight copy.

Hardcover. Washington DC, National Gallery /Yale University, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 231 pages, numerous color and bw plates. Catalogue of a de Kooning exhibition, organized by the National Gallery in association with the Tate Gallery and the Metropolitan Museum of Art. This illustrated survey of de Kooning's paintings covers the period from 1938 through 1986. The catalogue, by curator Prather, is preceded by two critical essays: Sylvester's "Flesh Was the Reason" and Shiff's "Water and Lipstick: De Kooning in Transition." 12'' x 9.75''. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven, CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor edgewear. 84 color prints. A tight copy. Willem de Kooning is a masterful painter whose huge canvases are charged with enormous energy. The publication of this beautiful book, which presents eighty of de Kooning's finest paintings and painted works on paper from the early 1940s to the 1980s. Organized thematically and chronologically, the book focuses on de Kooning's most noteworthy and original painted achievements.

Hardcover. NY, Museum of Modern Art, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright yellow dust jacket with fading to spine. 170 pages, 16 color, 99 b&w illustrations. One of the standard exhibitions on this artist. Great plates, lengthy bibliography and list of exhibitions, index. Main essay written by Thomas B. Hess. Clean copy.

Softcover. Seattle WA, Frye Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 108 pages in color. Catalogue of an exhibition held at Frye Art Museum, Seattle, WA, 2002. Firm binding, clean inside copy. *** A major exhibition devoted to the American painter William Beckman, one of the leading exponents of the Realist "school." A figurative artist, he leans heavily upon classical tradition. The nude portraits can be sometimes jarring. Less well-known are his scenes of rural America, with farms and silos. *** "William Beckman (b. 1942) paints himself, loved ones, and the land he has lived upon, creating edgy portraits and landscapes. His subjects, whether mother or lover, are delivered to the viewer with gripping details, without embelishment. He creates his figurative art using a unique method. He applies paint, then shaves of layer after layer from the surface with a razor, repainting and polishing the canvas to create lustrous, absorbing images. His realism is stripped of sentiment, his idealized portraits scrupulously rendered, and his expansive tracts of Minnesota farmland theatrically scaled. Each painting is epic in significance and matter-of-fact at the same ime. This is the first book that offers a comprehensive view of Beckman's art and career.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. SIGNED AND INSCRIBED TO FRAN BULL BY WILLIAM CHRISTENBERRY. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Softcover. Fort Worth, Amon Carter Museum , 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of William M. Harnett's still-life paintings. 334 pages; 223 illustrations, including 52 in full color. Edited by Doreen Bolger, Marc Simpson, and John Wilmerding. Light scratching to covers, else a tight, clean copy.

Softcover. Boston MA, Boston Museum of Fine Arts, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, mostly b&w ilustrations, 5 color plates. Exhibition catalog, introduction by Theodore Stebbins, Jr.Related clippings, reviews laid in.

Softcover. Philadelphia, Pa. , Pennsylvania Academy of the Fine Arts, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 211 pages, illustrated throughout in color and b&w. Pictorial gray stiff wrappers. Light wear and rubbing to edges and spine, lower front corner dog-eared, else a very nice, tight copy.

Softcover. Stony Brook, N.Y., Museums at Stony Brook, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 96 pages, illustrated throughout in color and b&w. Some wear and sun-fade to spine and covers, else a clean, tight copy.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.

Softcover. Burlington VT, The Wascowmium, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, color illustrations. Essay by Mark Waskow. INSCRIBED BY MCGARRELL on the title page. Clean copy.

Softcover. Princeton, N.J., Princeton University Press, 1st, June 1990, Book: Very Good, Dust Jacket: None, Softcover, 77 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. A catalog published on the occasion of the eponymous exhibition at The Art Museum, Princeton University, and the Wadsworth Atheneum in 1990. Appendix, bibliography, exhibition catalogue, chronology. Foreword by Allen Rosenbaum, 12 color plates and numerous other illustrations and photographs. ; Oblong 4to 11" - 13".

Hardcover. Washington DC/New Haven CT, National Gallery of Art/Yale University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 259 pages, hardcover with dust jacket. First major survey of Homer's watercolor career, part of a celebration of the 150th anniversary of Winslow Homer's birth. Mild rubbing to dust jacket. Color and black-and-white illustrations throughout. Unmarked. Bright and clean. A tight copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 106 bw repros. Essay by John Wilmerding. Catalog, prepared by Elaine Evans Dee, lists 106 works. Includes Drawings, Oils, Etching and Wood Engraving. The vast majority of these drawings were found in Homer's studio after his death and given to the Cooper-Hewitt.

Softcover. NY, Kouros Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, color plates, b&w illustrations. Essay by David Pagel. Clean copy.

Hardcover. New Haven, Yale University Art Gallery, 1st, 2015, Book: Very Good, Dust Jacket: None, New Haven, Connecticut Yale University Art Gallery 2015 Hardcover, illustrated photographic boards with white lettering. 140 pages with bw photos throughout. Published in conjunction with the exhibition Donald Blumberg Photographs: Selections from the Master Sets at Yale University Art Gallery, August to November 2015. With an introduction by Jock Reynolds. "Words and Images from the American Media gathers over 162 images that Donald Blumberg has photographed directly from newspapers and television screens since the 1960s.

Hardcover. New York, Glitterati Inc, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white photographs throughout.

Softcover. NY, Elrick-Manley Fine Art, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, color plates. Many artists represented: Hopper, Leger, Hockney, Matisse, others. Clean copy.