biography illustrated

Hardcover. New York, Little, Brown and Company, 5th printing, 2011, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. INSCRIBED BY PATRICK MCDONNELL WITH DRAWING OF A MONKEY OPPOSITE TITLE PAGE. Full color illustrations. Minimal wear. Clean, tight copy. Caldectt Honor Book. McDonnell is creator of internationally syndicated comic strip Mutt & has won many awards. This is the inspiring story of the young girl who would grow up to be Dr. Jane Goodall.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering on spine, 439 pages, illustrated with 108 black & white halftones. A critical study of this key figure and the works of his contemporaries-including Borelli, Swammerdam, Redi, and Ruysch-opens a wonderful window onto the scientific and medical worlds of the seventeenth century. A clean, bright copy lacking the dust jacket.

Hardcover. NY, D. Appleton & Company, 1st US, 1894, Book: Very Good, Dust Jacket: None, Hardcovers, Three volumes complete, blue cloth hardcovers with gilt titles and oval decorations on the front covers. Gilt titles and decorations on the spines. Top edges gilt. Volume I: 421 pages, [4] pages advertisements, Volume II: 484 pages, [8] pages advertisements, Volume III: 541 pages, [2] pages advertisements. Illustrated with frontispieces in the three volumes. Illustrations and folding facsimile autographs and manuscripts. Previous owner's inscriptions written on inside front cover of Vol. 1, Otherwise a bright, clean set. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harry N. Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor wear. Selected and translated by Olga Davydoff Dax. Color illustrations by the author throughout. Mariamna Davydoff, the Russian lady who wrote and illustrated this memoir of her life before the Revolution, was born in 1871 into a large, aristocratic family whose ancestors can he traced back to the eleventh century. After fleeing Russia in 1919, she eventually settled in Brittany with a sister and there reproduced, from memory, albums of detailed text and watcrcolors that had been abandoned in Russia and were later destroyed by the Bolsheviks. The result is a unique, first-hand account of a way of life that we have previously known almost exclusively through the works of Tolstoy, Turgenev, Chekhov, and a few other writers of the late nineteenth century.

Hardcover. New York, McGraw-Hill , 1st, 1957, Book: Very Good, Dust Jacket: None, 547 pages. Hardcover. SIGNED BY AUTHOR 0N PRELIMINARY PAGE. Previous owners bookplate on inside front cover. Illustrated with 8 pages of black & white photographs. Related article laid-in. No dust jacket. Clean, tight copy.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.

Softcover. Chicago, Terra Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, with 72 illustrations, 52 in color. Light edge wear to wrappers, else a very clean, tight copy. These monotypes are presented by Cecily Langdale in this book which was published in 1984. It contains a brief Biography of the artist that describes his influences, travels and contacts, and a general discussion about Monotypes which summarises their chronology, style and technique. These two essays are illustrated by 28 b/w figures. The monotypes are then presented, in colour, with commentaries on each by Langdale that integrate factual information and artistic significance. Addenda include a further 3 monotypes by the artist and there is a Bibliography of relevant publications. Prendergast executed his last monotypes in 1901-02, probably because of his increased interest on the complexities of oil painting techniques that he continued to explore for the remainder of his life. For anyone unfamiliar with monotypes, the information provided by Langdale is extremely useful to enable a full appreciation of the works presented in this book. The artist used oil paint in the preparation of his monotypes and may have used a spoon to transfer the images onto the Japanese tissue support.

Softcover. Greensburg PA, privately printed, 1st, 1913, Book: Very Good, Dust Jacket: None, Softcover, octavo, 25 pages, sparsely illustrated in b&w. Book near fine with mild general shelfwear to wrap, stapled binding tight, text clean and unmarked. Includes a b/w sketch by John Trumbull.

Hardcover. New Rochelle, Arlington House, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 554 pages. Illustrated with black & white photographs. Moderate foxing to edges. An important reference book on this legend of the big band era. Clean, tight copy.

Hardcover. Schirmer Reference, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 271 pages. The last decade of Mozart's short but amazingly prolific career counts as one of the most remarkable periods--truly golden years--in the history of Western music. Richly illustrated with contemporary paintings and engravings and authoritatively written, this book provides a vivid account of the composer's life in the European music capital, Vienna, from 1781 to 1791. Clean copy.

Hardcover. NY, Farrar Straus Giroux, 1st US, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 598 pages, b&w and color illustrations. In 1827 the young Edward Lear (1812-1888) began to draw 'for bread and cheese'; later he became a renowned wildlife and landscape artist and, later still, the author of the famous limericks and songs. Reproducing many of his paintings and drawings, Jenny Uglow's critically acclaimed biography describes Lear the artist, traveler, writer of nonsense verse and self-appointed exile, and aims to discover 'how the layers are laid down, how they overlap and twist like strata' in a strange contradictory life of art and nonsense. Clean copy.

Hardcover. London , Royal Academy of Arts, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. 206 pages. Contains color illustrations of Edvard Munch's artwork. Dust jacket with small bump to rear corner. Otherwise very good.

Hardcover. London, Patrick Hardy, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 48 pages Illustrated with Ardizzone Christmas Cards in black/brown/blue & white. Very nice, clean condition. Hardbound, dust jacket.

Hardcover. NY, Boni And Liveright, Ltd. Ed., 1928, Book: Good, Dust Jacket: None, Hardcover, black cloth, top edge gilt. Limited Edition. Number 569 of 650 copies. Facsimile signature of Duncan on front free endpaper. This book was published posthumously on the basis of Duncan's handwritten text and illustrated with 24 black and white photographs of her (two by Arnold Genthe). As one of the great free spirits of the early 20th century, Duncan's account of her life was as uninhibited as her career. This is one of the "presentation copies" published as a limited edition for authors and other friends of Boni and Liveright. Red leather label missing from spine, bookplate inside front cover, light wear to beveled covers.

Hardcover. NY, Viking, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 970 pages illustrated with color, b&w illustrations. Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career, from growing up in Brooklyn to her first star-making appearances in New York nightclubs to her breakout performance in Funny Girl on stage and winning the Oscar for that performance on film. Then came a long string of successes in every medium in the years that followed. The book is, like Barbra herself, frank, funny, opinionated, and charming. She recounts her early struggles to become an actress, eventually turning to singing to earn a living; the recording of some of her acclaimed albums; the years of effort involved in making Yentl; her direction of The Prince of Tides; her friendships with figures ranging from Marlon Brando to Madeleine Albright; her political advocacy; and the fulfillment she's found in her marriage to James Brolin. Clean copy.

Hardcover. NY, Bonanza Books, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 335 pages, gilt-stamped maroon cloth. Profusely illustrated in color and b&w. Unabridged and still the best biography/bibliography/oeuvre catalogue on this American master illustrator and painter. Includes all modes of work: books, periodicals, newspapers, posters, calendars, advertisements, etc. Clean copy.

Hardcover. M Q Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 383 pages, SIGNED BY AUTHOR on title page, profusely illustrated throughout with photographs and illustrations by the author. Light dust jacket corner wear, remainder line on top edge, otherwise, spotless and bright copy.

Hardcover. New York, Harry N. Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Black and white photographs throughout. Clean, toght copy with only light edge wear to dut jacket and cover boards.

Hardcover. NY, The Open Field, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Born in Cold War Czechoslovakia, Paulina Porizkova rose to prominence as a model, appearing on her first Sports Illustrated Swimsuit Issue cover in 1984. As the face of Estee Lauder in 1989, she was one of the highest-paid models in the world. When she was cast in the music video for the song "Drive" by The Cars, it was love at first sight for her and frontman Ric Ocasek. He was forty at the time, and Porizkova was nineteen. The decades to come would bring marriage, motherhood, a budding writing career; and later sadness, loneliness, isolation, and eventually divorce. Following her ex-husband's death--and the revelation of a deep betrayal--Porizkova stunned fans with her fierce vulnerability and disarming honesty as she let the whole world share in her experience of being a woman who must start over. Remainder dot to bottom edge otherwise like new,

Hardcover. Paris, Editions Hazan, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826-1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer's numerous achievements.

Hardcover. Paris, Editions Hazan, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826-1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer's numerous achievements.

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A 5-year-old Tomie worries over the health of his baby sister, learns to read in one weekend (with a pilfered schoolbook), and helps his father pave the new driveway (to a too-fine polish!). In the spirit of his earlier memoirs, the Newbery Honor-winning 26 Fairmount Avenue and Here We All Are, author Tomie dePaola recounts the (mostly) serene days between the end of kindergarten and the beginning of first grade. Clean copy.