biography illustrated

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 95 pages, illustrated with 45 color plates. Like new in publisher's shrinkwrap. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. ISBN 0-97127772-3-0 Published by the Long Beach Museum of Art Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches 96 page plus cover / 51 color plates.

Chicago, Triumph Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 388 pages illustrated with b&w and color photos. The autobiography of one of hockey's first rebels and a beloved member of the "Big Bad Bruins," this book shares how Derek Sanderson's ferocious style helped lead the team to two Stanley Cup victories in the early 1970s. Living life in the fast lane, Sanderson grew his hair long, developed a serious drinking problem, and eventually found himself out of the league and prowling the streets for his next drink. In this autobiography, Sanderson comes clean on his life in hockey, the demons that threatened to consume him, and the strength and courage it took to fight his way back. Clean copy.

Hardcover. Oxford, Clarendon Press, 1st, 1912, Book: Very Good, Dust Jacket: None, 319 pages, illustrated with 2 portrait plates and a diagram. Gilt ruled brick-red cloth with gilt lettering on spine. Edited by Atkinson. Bright, tight copy.

Hardcover. Los Angeles, Vidal Sassoon Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover. Illustrated with black & white photographs. Original receipt from Vidal Sassoon Shop in London, England laid-in. Book has damp odor. Light foxing to edges. Light wear.

Hardcover. Zurich, Verlag Scheidegger and Spiess, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 182 pages. Illustrated in b&w and some color. An account by art historian and controversial author Catherine Millet of a highly personal encounter with the artist s celebrated paintings and self-reflective writings. One of the first studies of the notoriously idiosyncratic artist s essays, this revolutionary book reveals all the narcissism, anxiety, and visual genius of the most famous and infamous of the surrealists. In a bright dust jacket.

Hardcover. New York, Harper & Brothers, 1st, 1945, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Illustrations by Feodor Rojankovsky, minor corner and edge wear, previous owner's inscription on front fly leaf. Tight copy.

Hardcover. New York, E. P. Dutton & Co., 1st US, 1941, Book: Good, Dust Jacket: None, Hardcover, 352 pages. Translated from Russian by Malcolm Burr. Cloth covers, blue stamped titles, 3 b&w illustrated maps, blue top edge stain. Rubbing and light soiling to covers, spine lightly cocked, previous owner's bookplate and signature to front endpapers, light foxing and discoloration to endpapers, discoloration to page block ends; otherwise, a neat, tight copy of a scare book.

Softcover. NY, Harper Design, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 308 pages. Eleanor Dwight delivers the definitive biography of Diana Vreeland, the twentieth century's most influential fashion editor. Lavishly illustrated with exclusive photographs and personal materials from the legendary style maker's private collection, and featuring a new preface from Vogue's Andre LeonTalley, Diana Vreeland is an indispensible look at a grand dame of great couture. Lavishly illustrated with more than three hundred drawings and photographs, many by the best fashion photographers of the time: Louise Dahl-Wolfe, Irving Penn, Cecil Beaton, and Brassai. Here, too, are the trendsetters, artists, models, and celebrities with whom Vreeland worked and played, including Coco Chanel, Yves Saint Laurent, Hubert de Givenchy, Oscar de la Renta, Elsie de Wolfe, Andy Warhol, Truman Capote, and Jacqueline Kennedy.

Hardcover. England, Antiques Collectrors Club, reprint, 1981, Book: Very Good, Dust Jacket: Good, 520 pages. Hardcover with dust jacket. Ex-Lib with usually stamps and markings on end papers, front fly leaf and spine. Faded dust jacket spine. Black and white illustrations throughout. Tight copy.

Hardcover. New York, Hyperion Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages, illustrated in color and b&w. A complete visual history of the rock group. The Doors are rock royalty. Jim Morrison, Ray Manzarek, Robby Krieger, and John Densmore reinvented rock 'n' roll in the 60s, and their influence can be felt even today. Now, for the first time, the living members of the band are opening up their personal archives to their fans, telling their story in their own words. This book is filled with untold anecdotes and never-before-seen photos from their private collections. Fans can learn first-hand what really went on in America's most enigmatic and mythical band.

Hardcover. Berkeley CA, University of California Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated with 237 b&w photos. Much has already been written about early motion picture pioneers like D.W. Griffith, Mary Pickford and Charlie Chaplin, but their invaluable partner, Douglas Fairbanks, Sr has been overlooked and neglected - until now. With this very attractive and professional book, author Jeffrey Vance has given due credit to one of early cinema's most brilliant stars and dynamic personalities who not only had true star power but was a driving force behind the scenes as well. Often remembered these days only for his successful 1920s costume adventure dramas such as "The Mark of Zorro", "Robin Hood" and "The Three Musketeers" to name a few, Douglas Fairbanks had a varied, interesting and successful career well before this period, and also contributed greatly to the development of Hollywood. He was one of the founders of United Artists, he and wife Mary Pickford were the first `golden couple' of Hollywood who established Beverley Hills as the suburb of movie stars;

Hardcover. NY, Continuum, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 301 pages, b&w illustrations. Light edgewear to dust jacket, else a clean, tight copy. Celebrates one of the most influential authors and artists of the 20th century: Theodor Seuss Geisel, best known as 'Dr. Seuss'. Dr Seuss's ascendance from children's author to American icon confirms that his cultural significance rests not just with the beginning reader, but with the scholar, the artist, and the poet.Seuss's Beginner Books(starting with The Cat in the Hat in 1957) have obscured the enormous range of his contributions to American literature. Similarly his art, unfairly overlooked because it appears in children's books, cartoons, and commercials, actually covers a range of styles, including Surrealism, Art Nouveau, and Cubism. Bringing to light the adult perspective behind the children's writer, Philip Nel examines Seuss's lesser-known works, such as the 'adult book' The Seven Lady Godivas (1939), and the live-action musical The 5,000 Fingers of Dr. T (1953). The book also features the most comprehensive Seuss bibliography ever produced, documenting his prodigious output.

Hardcover. NY, Harper, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages. Drawing Blood is Molly's personal memoir of her career so far, her struggles to be recognized as an artist, the people she's met and her political world view. It's unusual for a young artist (b. 1983) to write a memoir so young but her life has been crammed with experiences that make this a meaningful, thought provoking book. Some people will undoubtedly be horrified that Molly chose to work in the adult indiustry to fund her early career but in naughties NYC that was, perhaps, the only way a struggling, working class, female artist could maker her way without a wealthy patron. Molly gives vivid descriptions of strip clubs, burlesque dancers, artists, protests, and a lifestyle that many can only imagine. The characters leap off the page illustrated by a vivid written style that draws in words as well as Molly makes art. The book has been described as an unflattering mirror held up to conventional middle-class lives.

Hardcover. NY, Scholastic Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.

Hardcover. NY, E.P. Dutton, 1st US, 1962, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. Black & white line drawings by Shepard. Black & white photo on frontispiece. Blue cloth binding with gold spine lettering. English artist Shepard's (1879-1976) life story from 1890 on, a sequel to Drawn from Memory. The famed illustrator of the Winnie-the-Poo stories tells his story, with many vignettes of Milne and his books. Clean, bright copy, no dust jacket.

Hardcover. NY, Lippincott , 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover. Light edgewear to dust jacket. The illustrator of Winnie the Pooh recalls his London childhood.

Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.

Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.

Hardcover. Cleveland, Collins, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages. Illustrated with full color photographs and art by Tasha Tudor. Dust jacket worn with Short closed tears along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. Long before there was The Onion and Comedy Central news shows, there was the National Lampoon, setting the bar in comedy impossibly high!

Hardcover. New York, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, color illustrations throughout, illustrated end papers. Light edge wear to dust jacket. Light foxing to end papers. Else a very clean, tight copy. Rien Poorvliet was a Dutch artist and writer of incomparable talent. He was rightly considered a national treasure in the Netherlands, and his death was a national tragedy. Most of his books are free-ranging collections of his superior drawings and paintings interspersed with cursive text narrative about the subject at hand. This book happens to be an account of his life, family, pets, love of animals, culture and country as he experienced it - past, and (at the time) present in the Netherlands. His artwork is extremely expressive and entertaining - he was a master draftsman, and the work ranges from very spontaneous pencil, charcoal, and conte drawings, along with watercolor, and well-finished oil paintings which provide a wonderful visual story of the man's life.

Softcover. Freeport ME, The Bond Wheelwright Co., 1st pbk, 1974, Book: Very Good, Dust Jacket: None, Softcover, red wrappers, 128 pages with b&w plates, perfect binding, complete list of drawings by artist, profusely illustrated with large b&w plates, foreword by Erwin D. Canham, biography by Natalie Sturges Butler. Rubbing to covers, price stamp to blank title page. Light rubbing to covers.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Hardcover. New York, Watson-Guptill Publications, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 87 pages, illustrated throughout in color and b&w. Gray cloth with gilt titles to front and spine. Pictorial dust jacket, slight wear to edges, closed tear to front cover, Upper edge of spine worn and torn, else a very nice, tight copy.