biography

Hardcover. NY, Back Stage Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Foreword by Frank Rich. Henderson (curator of the White Barn Theater Museum in Westport, Connecticut, she's lectured and written extensively on theater), using the substantial archive of his writings, has assembled a suitable tribute to one of America's most influential creators of theater design. The book proceeds chronologically through Mielziner's life and long career, richly supplemented with photos and high quality color reproductions of the designer's watercolor and pencil drawings, and excerpts from his writings. He designed the original sets for A Streetcar Named Desire, Death of a Salesman, and Carousel and operas such as Don Giovanni. NOTE: While this book is bright and clean, it has a light musty odor.

Hardcover. New York, McGraw-Hill , 1st, 1957, Book: Very Good, Dust Jacket: None, 547 pages. Hardcover. SIGNED BY AUTHOR 0N PRELIMINARY PAGE. Previous owners bookplate on inside front cover. Illustrated with 8 pages of black & white photographs. Related article laid-in. No dust jacket. Clean, tight copy.

Hardcover. NY, Birch Lane Press, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 407 pages, b&w photos. A biography of Mike Tyson traces the mismanagement of his career, his stormy marriage to actress Robin Givens, and his adventures with Donald Trump in an expose that portrays a man grappling with the burdens of fame and fortune. Illingworth does an exceptional job summarizing the life of Mike Tyson. Almost everything on Tyson is covered. From his troubled youth to his rise to stardom, and ultimately, his downfall; the shocking knock out loss to James "Buster" Douglas and later, his rape conviction of a beauty pageant. Illingworth also exposes the business side of Tyson's career. The contracts, the deals with ABC and HBO, the multi-million dollar figures, the lawsuits, etc... Other subjects include Tyson's self-destructive lifestyle, his marriage and divorce to Givens, and his conflicts with Don King. Clean copy.

Softcover. Stanford CA, Stanford University Press, 1st pbk, 1990, Book: Very Good, Dust Jacket: None, Softcover, 530 pages. Books about thinkers require a kind of unity that their thought may not possess. This cautionary statement is especially applicable to Mikhail Bakhtin, whose intellectual development displays a diversity of insights that cannot be easily integrated or accurately described in terms of a single overriding concern. Clean, bright copy, as new.

Softcover. Jackson MS, University Press of Mississippi, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 312 pages. In this collection of more than a dozen interviews one of the giants of American comic strips talks about his life and his craft. The years spanning 1937 to 1986, when the interviews were conducted, embrace almost all of Caniff's career as he was producing the legendary Terry and the Pirates and his post-World War II masterpiece Steve Canyon. In long talks with such comics luminaries as Jules Feiffer and Will Eisner, Caniff (1907-1988) discusses his signature chiaroscuro style, his passion for realism in every detail, and his relationships with such other cartooning greats as Al Capp (Li'l Abner), Noel Sickles (Scorchy Smith), and Alex Raymond (Flash Gordon) As Caniff speaks earnestly about his art, his techniques, and his intentions, he discloses his inspirations. He based his characters on real persons and his material on contemporary politics and military issues. He gives candid opinions about the effects of the marketplace, business, and sales upon his art. "I would have created Blondie if I'd known that I could have sold it, you can be damn sure." He notes that the cause for terminating his association with Terry and the Pirates and his creation of Steve Canyon was neither lack of interest nor censorship but the opportunity to exert full creative control over his work.

Softcover. Seattle WA, University of Washington Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. A biography of the celebrated documentary photographer, Milton Rogovin, and catalogue that accompanied an exhibition at the Center for Creative Photography, Tucson, in 2006. Rogovin (1909-2011) was an optometrist in Buffalo, NY, who turned to photography as a means of expression when he was discredited -- and thereafter lost his business -- by the HUAC committee in 1952. For the rest of his life he documented the lives of the working class around the world. Photographs by Milton Rogovin; text by Melanie Anne Herzog; foreword by Douglas R. Nickel; afterword by Catherine Linder Spencer. 176 pages; 126 duo-toned b&w plates + 21 text illustrations; 9 x 11 inches. Bibliography.

Hardcover. NY, Simon & Schuster , 11th pr., 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Alexander King, one of the first editors of Life magazine, a collaborator on plays with Clare Booth Luce, and a book illustrator, tells, among other things, of undergoing four "cures" for drug addiction in a ten-year period. Dedicated nonconformist King describes his life and those around him with irony and humor. Paper tanning, clean copy.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.

Hardcover. NY, Simon & Schuster, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in orange, yellow and white, 474 pages. The memoirs of a major American playwright, Pulitzer Prize winner for Street Scene. Clean copy.

Hardcover. London, Jonathan Cape, 1st, 1955, Book: Very Good, Dust Jacket: Good, 205 pages. Hardcover with dust jacket. Darkening around edges of dust jacket, light wear on cloth cover boards, light soil on dust jacket, now protected in plastic. Previous owner's signature on end paper. Tight copy.

Hardcover. NY, Viking Press , 3rd pr., 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. The misadventures of the author, W. C. Fields, John Barrymore and John Decker in attempting to write the biography of the colorful Hollywood character, Sadakichi Hartmann. Clean copy.

Hardcover. NY, McGraw-Hill Book Co., 1st, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Clean copy.

Hardcover. NY, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. When the French designer Christian Dior presented his first collection in Paris in 1947, he changed fashion forever. Dior's "New Look" created a striking, romantic vision of femininity, luxury, and grace, making him-and his last name-famous overnight. One woman informed Dior's vision more than any other: his sister, Catherine, a Resistance fighter, concentration camp survivor, and cultivator of rose gardens who inspired Dior's most beloved fragrance, Miss Dior. Yet the story of Catherine's remarkable life-so different from her famous brother's-has never been told, until now. Drawing on the Dior archives and extensive research, Justine Picardie's Miss Dior is the long-overdue restoration of Catherine Dior's life. The siblings' stories are profoundly intertwined: in Occupied France, as Christian honed his couture skills, Catherine dedicated herself to the Resistance, ultimately being captured by the Gestapo and sent to Ravensbruck, the only Nazi camp solely for women. Seeking to trace Catherine's story as well as her influence on her brother, Picardie traveled to the significant places of Catherine's life, including Les Rhumbs, the Dior family villa with its magnificent gardens; the House of Dior in Paris; and La Colle Noire, Christian's chateau that he bequeathed to his sister. Remainder dot top edge.

Hardcover. Essex, Pequot Press, First Edition, 1971, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover. Gray cloth boards with gilt titles to spine. Black & white illustrations throughout. Frontis illustration, The Harpist, A Portrait of Miss Florence by Alphonse Jonghers, tipped-in & in full color. Dust jacket with same full color image on bright blue background. Dj has age related wear to edges. Clean, unmarked. A nice copy.

Hardcover. NY, St Martin's Press, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The riveting biography of comedian, director, actor and writer Elaine May, one of America's greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: "Miss May does not exist." Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be. Remainder dot to top edge. otherwise like new.

Hardcover. NY, Harper & Brothers, 1st, 1858, Book: Fair, Dust Jacket: None, Hardcover, embossed brown cloth with gilt lettering on spine, now faded. Livingstone describes his missionary activities and travels in South Africa from 1841 to 1853 and his first major expedition, the Trans-Africa journey of 1853-56. Livingstone also gives an accurate account of the tsetse fly and of the disease produced in cattle following its bite. Frontispiece portrait, 732 pages, [4]pp ads, 2 folding maps by Arrowsmith at the rear, 1 double page wood engraving, 1 folding diagram, many wood engraved text illustrations. Fair condition only with worn, rubbed covers, cloth split along spine edges. Interior pages clean with tight binding.

Hardcover. NY/Cambridge MA, The Architectural History Foundation/The MIT Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This is the first complete biography of the inimitable society architect Addison Mizner, whose Spanish Revival buildings created a new style of resort architecture for Palm Beach and south Florida during the boom years of the 1920s. Clean copy.

Hardcover. NY, Bobbs-Merrill, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 529 pages. Material for this novel based on the life of Amedeo Modigliani is based on letters, family papers and interviews with the Modigliani family by the author. Clean copy.

Softcover. Secaucus NJ, Citadel Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 208 pages, many b&w illustrations. Clean, bright copy.

Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Thomas Molesworth, were he alive today, would be both proud and amazed at the influence his Shoshone Furniture Company and the Cody artists' colony he inspired would have on his old hometown and the Western Design movement seventy-two years after he started producing furniture. Based on nearly two decades of buying, selling, pursuing, and researching Molesworth furniture, Terry Winchell has created a definitive book that covers all spectrums of Molesworth's work, including the influence of the other artists who made his style unique, as well as stylistically and financially successful. The fact that Molesworth's furniture career spanned thirty-plus years speaks for itself. An excellent guide for collectors of Molesworth's work, this book is also an invaluable resource for fans of the Western Design movement.

Hardcover. NY, Brewer & Warren, 1st US, 1930, Book: Good, Dust Jacket: None, Hardcover, marbled boards with green cloth spine, 494 pages. A scholarly biography of the great French dramatist, b&w illustrations. Light shelf wear. Top of spine has some fading/sunning, no markings.

Softcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. Contributions by David B. returns with his second long story for Mome, the 30-page "Veiled Prophet"; R. Kikuo Johnson delivers a four-page biography of pioneering wildlife artist John James Audubon; Jeffrey Brown asks, "What Were They Thinking?"; Martin Cendreda traces a lifetime of regret in "La Brea Woman"; Sophie Crumb tells a true story of young love and heroin addiction in "Melanie & Billy"; Jonathan Bennett, the subject of this issue's feature interview, explores the concept of memory in "I Remember Crowning"; Paul Hornschemeier (Mother, Come Home) returns with "Life With Mr. Dangerous"; plus more all-new stories from Gabrielle Bell, Anders Nilsen, David Heatley, John Pham, and Kurt Wolfgang.

Softcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. Contributions by David B. returns with his second long story for Mome, the 30-page "Veiled Prophet"; R. Kikuo Johnson delivers a four-page biography of pioneering wildlife artist John James Audubon; Jeffrey Brown asks, "What Were They Thinking?"; Martin Cendreda traces a lifetime of regret in "La Brea Woman"; Sophie Crumb tells a true story of young love and heroin addiction in "Melanie & Billy"; Jonathan Bennett, the subject of this issue's feature interview, explores the concept of memory in "I Remember Crowning"; Paul Hornschemeier (Mother, Come Home) returns with "Life With Mr. Dangerous"; plus more all-new stories from Gabrielle Bell, Anders Nilsen, David Heatley, John Pham, and Kurt Wolfgang.

Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.