black studies

Softcover. Philadelphia, Lippincott, 1st pbk., 1973, Book: Very Good, Dust Jacket: None, Softcover, 258 pages. A study of various black, chicano, Chinese and other ethnic neighborhoods in various American cities. (Circa 1973) Clean copy.

Hardcover. NY, Robert M. McBride, 2nd pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, floral decorated boards, black cloth spine, paper title labels, lacking dust jacket. American playwright, Green won the Pulitzer in 1927 for In Abraham's Bosom. 317 pages, top edge stained red. A clean, bright copy.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 408 pages, color illustrations, In this provocative and resonant autobiography, world-renowned artist and feminist icon Judy Chicago reflects on her extraordinary life and career. Judy Chicago is America's most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty-nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project. She designed the monumental installation for Dior's 2020 Paris couture show and, in 2019, established the Judy Chicago Portal, which will help to accomplish her lifelong goal of overcoming the erasure that has eclipsed the achievements of so many women. The Flowering is her vivid and revealing autobiography, fully illustrated with photographs of her work, as well as never-before-published personal images and a foreword by Gloria Steinem. Black remainder line on bottom edge, otherwise clean and bright.

Softcover. Philadelphia, J B Lippincott, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 103 pages. Edited by Harold M Hyman. Clean copy.

Softcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 139 pages. How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery. Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate. Clean copy.

Softcover. Cambridge MA, Harvard University Press, 3rd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 541 pages. It wasn't all black or white. It wasn't a vogue. It wasn't a failure. By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States. What has been missing from literary histories of the time is a broader sense of the intellectual context of the Harlem Renaissance, and Hutchinson supplies that here: Boas's anthropology, Park's sociology, various strands of pragmatism and cultural nationalism--ideas that shaped the New Negro movement and the literary field, where the movement flourished. Hutchinson tracks the resulting transformation of literary institutions and organizations in the 1920s, offering a detailed account of the journals and presses, black and white, that published the work of the "New Negroes." This cultural excavation discredits bedrock assumptions about the motives of white interest in the renaissance, and about black relationships to white intellectuals of the period. Clean copy.

Hardcover. NY, powerHouse, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Established in 1866, the Ku Klux Klan still remains one of America's most secretive organizations. New York photojournalist Anthony Karen first transcended that secrecy several years ago when he got the opportunity to photograph a KKK cross-lighting ceremony. Since then, Karen has been documenting Klan organizations throughout the country. In The Invisible Empire: Ku Klux Klan, those photographs are compiled to form an absorbing document of one of the most notorious groups in history. Taken with unrestricted access, Karen's images bring us deep inside America's most private white nationalist organizations. Beginning with a brief introduction into the history of the Klan, the book provides detailed visual accounts of modern-day Klan life, including candid shots of rallies, individual portraits of Klansmen and women, as well as a look at the naturalization process for new members. Presented in intimate profiles are: a functioning Klan ministry, a group that has merged National Socialism with Klan ideologies, and a 58-year-old seamstress who makes custom Klan robes, among others. Accompanied by quotations from the late Dale Fox, Imperial Wizard of The Brotherhood of the Klans, The Invisible Empire: Ku Klux Klan offers an unprecedented glimpse into the shadowy society and its mysterious inner workings.

Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From the Pulitzer Prize-winning biographer John Matteson, an account of the "Susan Sontag" of nineteenth-century America.A brilliant writer and a fiery social critic, Margaret Fuller (1810-1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley's newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller's longing to become ever better, reflected by the changing lives she led. 28 black-and-white illustrations. Smallbump to top corner otherwise like new.

Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.

Hardcover. Ann Arbor MI, UMI Research Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black and red, 355 pages. Illustrations, maps, bibliography, index. Some light pencil markings to about 20 pages.

Softcover. NY, Simon and Schuster, 1st, 1964, Softcover, 96 pages, illustrated wraps. A documentation and moving tribute to the Civil Rights activists of the 1960s, many b&w photographs by Danny Lyons. Stated First Printing. Wrappers have creases, rubbing. Previous owner's name on front fly leaf. Otherwise clean. Light tanning to pages.

Softcover. Cleveland OH, The Society for American Baseball Research (SABR), 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 382 pages. Based on the field's most prolific, imaginative, and best-known scholars, this ultimate reference work on the Negro Leagues includes a complete register of all the players--3,400 names, with positions and teams from before the turn of the century into the 1950s--annual rosters, in-depth histories, and more than 75 original photographs.

Hardcover. New York, Scalo Publishers, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 142 pages. Hardcover with dust jacket. Light foxing and discoloration on edges of pages, otherwise clean, unmarked copy with only minor wear to dust jacket. Red boards with black lettering to the spine. Heavily illustrated throughout with full page black and white photographs, color photographs and many textual photographs. A lovingly composed collection of photographs that celebrate "gender euphoria".

Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 386 pages. The first narrative history of the Civil War told by the very people it freed. Groundbreaking, compelling, and poignant, The Slaves' War delivers an unprecedented vision of the nation's bloodiest conflict. An acclaimed historian of nineteenth-century and African-American history, Andrew Ward gives us the first narrative of the Civil War told from the perspective of those whose destiny it decided. Woven together from hundreds of interviews, diaries, letters, and memoirs, here is the Civil War as seen from not only battlefields, capitals, and camps, but also slave quarters, kitchens, roadsides, farms, towns, and swamps. Speaking in a quintessentially American language of wit, candor, and biblical power, army cooks and launderers, runaways, teamsters, and gravediggers bring the war to vivid life. From slaves' theories about the causes of the war to their frank assessments of such major figures as Lincoln, Davis, Lee, and Grant; from their searing memories of the carnage of battle to their often startling attitudes toward masters and liberators alike; and from their initial jubilation at the Yankee invasion of the slave South to the crushing disappointment of freedom's promise unfulfilled, The Slaves' War is a transformative and engrossing vision of America's Second Revolution. Clean copy.

Hardcover. NY, Grove Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages, in a lightly worn and price-clipped dust jacket. A novel by the African American poet and essayist set in the American South.

Hardcover. New York , Dial Books, 10th pr., 1994, Book: Very Good, Dust Jacket: Very Good, 151 pages. Hardcover with dust jacket. Color, B&W illustrations by Jerry Pinkney. Tight copy. A retelling of the Afro-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies.

Hardcover. NY, Wiley, 2nd pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The long-awaited, untold, inside story of the rise of the legendary actor, singer, scholar, and activist. The first volume of this major biography breaks new ground. The greatest scholar-athlete-performing artist in U.S. history, Paul Robeson was one of the most compelling figures of the twentieth century.Now his son, Paul Robeson Jr., traces the dramatic arc of his rise to fame, painting a definitive picture of Paul Robeson's formative years. His father was an escaped slave; his mother, a descendent of freedmen; and his wife, the brilliant and ambitious Eslanda Cardozo Goode. With a law degree from Columbia University; a professional football career; title roles in Eugene O'Neill's plays and in Shakespeare's Othello; and a concert career in America and Europe, Robeson dominated his era. 383 pages, b&w illustrations. Clean copy.

Softcover. NY, Prentice Hall, 1st pbk, 1970, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Revealing and disturbing study of the racist ideas and fantasies of southern whites after the Civil War and examines their racial fantasies and the social and psychological roots of those fantasies. He reveals how a complex set of anxieties and repressions in Southern life led whites to need "Negro" Inferiority." Name on title page otherwise clean.

Hardcover. NY, Farrar Straus Giroux, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 530 pages, b&w illustrations. The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I-and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today. Remainder mark on top edhge, otherwise clean.

Softcover. NY, Harcourt Brace Jovanovich, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations, 416 pages. Presents Black history in America as a force of strong resistance to racism and slavery rather than accommodation and discusses the people and events of this struggle. Clean copy.

Softcover. Lincoln NE, Bison Books/University of Nebraska, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, b&w illustrations. Through in-depth interviews with players, their families, coaches, teammates, and league officials, Ron Thomas tells the largely untold story of what basketball was really like for the first Black NBA players, including recent Hall of Fame inductee Earl Lloyd, early superstars such as Maurice Stokes and Bill Russell, and the league's first black coaches. They Cleared the Lane is both informative and entertaining, full of anecdotes and little-known history. Not all the stories have happy endings, but this unfortunate truth only emphasizes how much we have gained from the accomplishments of these pioneer athletes.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.