black

Hardcover. Homewood, Illinois, Richard D. Irwin, Inc., 1st, 1961, Book: Very Good, Dust Jacket: Good, 545 pages. Reprints of 18 articles approaching marketing issues from a mathematical viewpoint. Dark blue cloth covers, light blue spine, black & gilt titles, illustrated dust jacket with mylar protective covering, numerous b&w diagrams, charts and graphs. Dust jacket discolored at edges and spine, chipping to edges, small half-inch chunk from bottom front right corner, though dust jacket still very neat with mylar covering, clean boards, pages crisp and unmarked; a very neat, tight copy.

Hardcover. Middletown, Connecticut, Wesleyan University Press, reprint, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Biography and critical analysis of American painter and portraitist Mather Brown. 297 pages illustrated with 9 full-color plates and 160 other black/white reproductions of paintings. Book is in near fine condition, very slight bumping at the ends of the spine. Dust jacket shows some rubbing and edge wear.

Softcover. New York, E. P. Dutton, Reprint, 1978, Book: Very Good, Dust Jacket: None, 199 pages. Softcover. Black & white illustrations throughout. Covers in very good condition with light toning to rear cover. Clean, unmarked copy.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. NY, Guggenheim Museum, 1st, 2002, Book: Very Good, Hardcover First Edition SIGNED on title page by Matthew Barney. With essays by Nancy Spector and Neville Wakefield. Text in English. Published on the occasion of the exhibitions in Cologne, Paris and New York, 2002 - 2003. Cremaster Cycle is the definitive guide for 'The Cremaster Cycle', the Matthew Barney's epic five-part film series. The book is filled with hundreds of Barney's fantastical images which use the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five 'Cremaster' films, while Neville Wakefield's 'Cremaster Glossary' illuminates the films most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films, the book features related sculptures, photographs, drawings and storyboards. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published. 530 pages. 32,2x23,5x6,2 cm Hardcover with plastic dust jacket with green and black cover title . Clean, as new. DOMESTIC SHIPPING ONLY.

Hardcover. London, Macmillan & Co., 1st , 1922, Book: Good, Dust Jacket: None, Hardcover, 8 color (frontispiece with tissue guard), and black & white illustrations by Edmund J. Sullivan. 103 pages. Spine fade. Silver lettering, decorated front cover. Browning to pages. Front paste down separated from front flyleaf. Previous owner's bookplate on front pastedown.

Hardcover. London, Pandora, 3rd pr., 1993, Book: Good, Dust Jacket: Good, 211 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor wear to dust jacket edges. Pages have darkening on edges. A tight copy. Black and white pictures in center.

Hardcover. Boston, Ticknor and Fields, 1st, 1867, Book: Very Good, Dust Jacket: None, Hardcover. Non-Paginated. Black & white illustrations by W.J. Hennessy. Foxing to pages. Previous owners inscription on front endpaper. Title and decoration of girl raking in gilt on front cover and spine.

Hardcover. New York, George Braziller, 1st, 1987, Book: Near Fine, Dust Jacket: None, Hardcover, 44 pages of watercolors. Beautiful large sketchbook illustrating the works of the great Maurice Prendegrast. In association with the Metropolitan Museum of Art in New York where the Lehman Prendegrast collection resides. As new in original slipcase. Half white cloth binding over black leatherette boards. This sketchbook, kept primarily between 1895 and 1897, is an exquisite example of the working technique of a great American artist. In it, Prendergast experiments with pattern, shadow, and foliage, using the beautiful Boston Public Garden as his studio. The 88 pages of watercolors, pen and ink, and pencil drawings focus on the colorfully dressed women and children in the park, with glimpses of Victorian Boston outside. The sketchbook reproduced here in facsimile and handsomely boxed recalls his years of study in Paris, yet foreshadows his bold mature style.

Hardcover. Saint Louis, Saint Louis Art Museum/Prestel-Verlag, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, 482 pages. Hardcover with dust jacket. illustrated throughout with 297 plates in full color and black & white. Light wear. Clean, tight copy.

Hardcover. New York , Baker & Taylor, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in gilt, top edge gilt. Previous owner's signature on front fly leaf. Black & white illustrations by Fletcher Ransom. Light wear to covers.

Hardcover. NY, Pace Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Square quarto, in gray card stock covers stamped in silver and black, 87 pages, color illustrations. Issued in conjunction with several 2013 exhibitions of unique map-based art created by American artist Maya Lin. With essays by Robert Storr and William Fox. Clean copy.

Hardcover. Chicago IL, A. C. McClurg & Co, unknown , 1902, Book: Good, Dust Jacket: None, Hardcover. Black & white plate illustrations by Troy and Margaret Kinney. 219 pages. Green cover with white lettering and illustration. "14" written in white pen on spine. Spine slightly cocked. Edgewear, corners bumped. Soiling and rubbing . Previous owner's signature front end paper.

Hardcover. Auburn, WA, Brigham Young University, 1st, 1974, Book: Very Good, Dust Jacket: Good, 237 pages. Hardcover. Illustrated with full color and black & white examples of paintings by Maynard Dixon. Faint damp smell. Small areas of abrasion to front cover of dust jacket, minor staining along bottom edge of jacket - jacket now protected with clear plastic cover. Clean, unmarked pages.

Hardcover. NY, Bobbs Merrill, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover. Covers with light wear. Previous owner's signature on front fly leaf. Black & white illustrations, color label art by Alice Barber Stephens.

Hardcover. New York, Dial Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardbound with dust jacket. Black & white illustrations by Robert Weaver. Edgewear. Dust jacket with light soiling.

Hardcover. NY, George Braziller, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 288 pages. Chapters include Semiology and Architecture by Charles Jencks, Meaning into Architecture by Geoffrey Broadbent and 'La Dimension Amoureuse' in Architecture by George Baird, The Time House or Argument for an Existential Dwelling by Martin Pawley. Packed with black and white reproductions of unusual buildings. Mild edgewear to dust jacket, clean copy.

Hardcover. New York, John Day Company, 1st, 1928, Book: Very Good, Dust Jacket: None, 177 pages. Boards illustrated with duotone illustration, black cloth binding, b&w illustrations by Covarrubias. Spine lightly cocked, light edgewear to covers, previous owner's signature to front endpaper, pages crisp and unmarked; overall, a very clean, tight copy.

Hardcover. New York, Simon & Schuster, First Edition, 2014, Book: Very Good, Dust Jacket: Very Good, 370 pages. Hardcover. Red & black cloth boards with gilt titles to spine. Dust jacket with light marginal wear to edges. Clean & unmarked copy.

Hardcover. Philadelphia, University of Pennsylvania Press, First Edition, 1993, Book: Very Good, Dust Jacket: Very Good, 249 pages. Hardcover. Grey cloth covered boards with white titles to spine. Dust jacket with light, marginal wear, now protected with a plastic sleeve. Black & white illustrations, tight binding, clean & unmarked pages throughout.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering on spine, 439 pages, illustrated with 108 black & white halftones. A critical study of this key figure and the works of his contemporaries-including Borelli, Swammerdam, Redi, and Ruysch-opens a wonderful window onto the scientific and medical worlds of the seventeenth century. A clean, bright copy lacking the dust jacket.

Softcover. Santa Rose CA, Black Sparrow Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. INSCRIBED BY WAKOSKI on the title page to author and teacher Paul Christensen, Clean copy.