Hardcover. NY, C.M. Saxton & Company, 1st, 1857, Book: Good, Dust Jacket: None, Hardcover, 340 pages+ 2 pages of ads at rear. Worn and soiled brown leather boards with "Presented by the Vermont State Agricultural Society" stamped in gilt on front board. Marbled endpapers. Black spine label with gilt lettering. Many illustrations. Traces the pedigree of the Morgan horse from the original Justin Morgan with hints for breeding, breaking and general use and management. Front hinge cracked, interior clean, binding tight.
Hardcover. Santa Fe, Twin Palms, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Illustrated with 127 black & white medical photographs. Content focuses on the unusual - not for the timid. Red remainder mark on bottom edge at spine. Dust jacket in clear plastic protective cover. Clean, bright copy.
Softcover. New York , Ruth Orkin Photo Archive, 1st, 1999, Book: Very Good, Dust Jacket: None, 46 pages, softcover. Interview of Engel by Julia Van Haaften. Includes numerous black and white images. Like the other great photographers who made so-called "street photography" the most important genre of the medium, Morris Engel's snapshots of life on the streets have endured and outlasted all hyped-up, media-culture fads. Morris Engel was a prominent member of The Photo League, and was Navy photographer during the Second World War.
Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.
Hardcover. Paris, Collection Neuf, 1st, 1955, Book: Very Good, Dust Jacket: None, 163 pages, black & white photographs throughout, French text, tan cloth board. No dust jacket.
Hardcover. New York, Baker and Taylor, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering, b&w illustration on cover pastedown, 220 pages. Black & white illustrated. Previous owners stamp on inside front cover.
Hardcover. NY, David McKay Company, 1st US, 1959, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. Autobiography of Britain's noted forensic examiner, highlighting his work in Egypt before & after WWI, work as professor of forensic medicine at Edinburgh University, & court battles with the renowned Sir Bernard Spilsbury. Foreword by Erle Stanley Gardner (Perry Mason author). In 318 pgs + Index, with lots of black & white crime scene photos. Orig. published in Britain, this is the FIRST AMERICAN EDITION, same year (1959). Clean copy.
Softcover. Akron, OH, Saafield Publishing Co., 1st, 1929, Book: Very Good, Dust Jacket: None, 16 pages. Booklet with light edgewear to paper wrappers. Illustrated color/Black and white plates by Fern Bissell Peat. Square 12mo. Very good, scarce.
Hardcover. New York, Harper & Brothers, 1st, 1948, Book: Good, Dust Jacket: Good, 93 pages. Hardcover with dust jacket. Black and white photographs throughout. Light fraying to covers. Dust jacket shows chipping and small tears.
Hardcover. London, The Bodley Head, 1st thus, 1929, Book: Good, Dust Jacket: Very Good, Hardcover, octavo, black cloth covered boards with elaborate gilt decoration, title and spine titles. 291 pages. Uncut edges. With twelve full page engravings, capitals and decorations by Frank C. Pape. The cover and spine gilt is bright. Clean copy.
Hardcover. NY, Dodd Mead, 1st thus, 1929, Book: Good, Dust Jacket: Very Good, Hardcover, octavo, black cloth covered boards with elaborate gilt decoration, title and spine titles. 291 pages. Uncut edges. With twelve full page engravings, capitals and decorations by Frank C. Pape. In a black paper dust jacket with light gray decoration, light edgewear. The cover gilt is bright but there is moderate flecking/discoloration to the black cloth in areas. Endpapers have some tanning, interior is clean and bright.
Hardcover. Philadelphia, J.B. Lippincott, 2nd, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 88 pages. 3 color illustrations by Maria L. Kirk. Black & white pen drawings by Edmund H. Garrett. Back gutter cracked from hinge. Cloth covers with black illustration and lettering on front and spine.
Hardcover. New York, Viking Press, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, 46 pages. Illustrated with black & white drawings by William Pene Du Bois. Clean, tight copy. No dust jacket.
Softcover. Los Angeles, Sotheby, Parke-Bernet, 1971, Book: Very Good, Dust Jacket: None, Softcover, 274 pages. Sale catalog of public auction, Feb. 1971; black & white photos, including stills from shows and movies. Mild wear to wrappers, otherwise tight and clean.
Hardcover. New York, Doubleday, Doran & Co., 1st, 1935, Book: Good, Dust Jacket: None, Hardbound, 100 pages. Numerous black & white photographs. Corners bumped & edgeworn. Soiling, scratches to covers. Lots of photos, and text describing the process of making movies in the 1930s, aimed at young readers.
Softcover. San Diego, Harcourt Brace,, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 839 pages, contains two glossy black and white plates sections. This major work, the result of years of careful study and analysis, places Wolfgang Amadeus Mozart's life and music in the context of the intellectual, political and artistic currents of eighteenth-century Europe. The result is a fresh interpretation of Mozart's genius, as Robert Gutman shows the great composer in a new light. With an informed and sensitive handling, Mozart emerges as an affectionate and generous man with family and friends, self-deprecating, witty, and winsome but also an austere moralist, incisive and purposeful. The major genres in which Mozart worked-chamber music, liturgical, theater and keyboard compositions, concertos, operas, symphonies, and oratorios-are unfolded to reveal a man of luminous intellect. Mozart is an extraordinary portrait of a man and his times and a brilliant distillation of musical thought.
Hardcover. London, Chapman & Hall, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, publisher's red and black marble-patterned cloth, lettered in gilt to spine. A collection of eleven short stories, some of which became inspirations for his novels. Frontispiece illustration of man falling off a bicycle, by Thomas Derrick. Clean, square copy.
Hardcover. NY, Junior Literary Guild, reprint, 1942, Book: Very Good, Dust Jacket: None, 69 pages. Hardcover with illustrated cloth, no dust jacket. Color and black & white illustrations by Dorothy P. Lathrop. Shows some wear and age.
Hardcover. Boston, Houghton Mifflin, 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, 64 pages. Illustrated with color, black & white drawings by Albert Rutherston. Previous owner's inscription on half-title page. Foxing, browning to front pages. Cloth cover with minor stains, soil.
Hardcover. Boston, Little Brown, reprint, 1943, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth decorated in black and white, 139 pages, illustrated by Robert Lawson in two-colors and b&w. Short inscription on front fly leaf, otherwise clean. No dust jacket.
Hardcover. NY, Harper and Bros., 1st thus, 1915, Book: Very Good, Dust Jacket: None, 117 pages. Hardcover with no dust jacket. Black and white drawings by J.M. Conde. A Hollow Tree Story. Cover label illustration in color by Conde. ( balloon is also misspelled with one L) previous owner's inscription front fly leaf.
Hardcover. London, Thomas Nelson and Sons, reprint, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages. Color frontispiece, black & white illustrations by L.R. Brightwell. Dust jacket with light soil otherwise very good. Originally published in 1933.
Hardcover. NY, Harper and Bros., 1st thus, 1915, Book: Very Good, Dust Jacket: None, 117 pages. Hardcover with no dust jacket. Black and white drawings by J. M. Conde. A Hollow Tree Story. Cover label illustrated in color by Conde. Sharp copy.
Hardcover. NY, Viking Press, 2nd pr., 1943, Book: Good, Dust Jacket: None, Hardcover, paper over boards with white and black lettering over color illustration of young girl having tea with a squirrel. Tan cloth over spine. Edges, corners show wear. No