black

Softcover. NY, Harcourt Brace Jovanovich, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations, 416 pages. Presents Black history in America as a force of strong resistance to racism and slavery rather than accommodation and discusses the people and events of this struggle. Clean copy.

Hardcover. New York, Dutton, 1st, 1926, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages. Illustrated with black & white drawings by Don Herold. Light wear to covers. Clean, tight copy.

Hardcover. NY, George H. Doran, 2nd pr., 1924, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering and decoration, 302 pages. Early American edition ("B" on copyright and no publisher's colophon). Interconnected short stories, and basis for a 1931 film of the same name, directed by Louis Mercanton. "The author calls his book 'a tapestry of the fortunes, follies, adventures, gallantries of a certain lovely lady and her friends and companions in this tale.' ... Mischievousness, then, is the delicate and all-important ingredient in this account of some fashionables of Mayfair." A collection of interconnected short stories (a few with fantasy/horror elements), it was published in England in 1923, a year before Arlen's sensational best-seller "The Green Hat," which vaulted him to international fame and fortune. Lacks dust jacket, name on front fly leaf, otherwise clean.

Hardcover. New York, Hawthorn, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. SIGNED BY AUTHOR on title page. Illustrated with black & white photographs. Clean, tight copy.

Softcover. Lincoln NE, Bison Books/University of Nebraska, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, b&w illustrations. Through in-depth interviews with players, their families, coaches, teammates, and league officials, Ron Thomas tells the largely untold story of what basketball was really like for the first Black NBA players, including recent Hall of Fame inductee Earl Lloyd, early superstars such as Maurice Stokes and Bill Russell, and the league's first black coaches. They Cleared the Lane is both informative and entertaining, full of anecdotes and little-known history. Not all the stories have happy endings, but this unfortunate truth only emphasizes how much we have gained from the accomplishments of these pioneer athletes.

Hardcover. NY, Random House, 2nd pr., 1948, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in black with title and moose face on front. 40 pages illustrated in 3-colors by Seuss. Later issue, with the 7-line copyright notice. No dust jacket. Light wear to edges, corners of cover. Owner's name on front fly leaf, otherwise clean. The story of a moose who was too hospitable for his own good told in humorous verse.

Hardcover. NY, Random House, reprint, 1948, Book: Good, Dust Jacket: Good, Hardcover in an edgeworn and chipped dust jacket with 2.95 price on flap, blue cloth covers stamped in black with title and moose face on front. 40 pages illustrated in 3-colors by Seuss. Later issue, with the 7-line copyright notice. The story of a moose who was too hospitable for his own good told in humorous verse.

Hardcover. NY, Otto Penzler, 1st hardcover, 1994, Book: Very Good, Dust Jacket: Very Good, 1st hardcover edition of book, first published as paperback in 1966. Black boards with gilt titles to spine, color illustrated dust jacket.

Hardcover. NY, Viking Press, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, 44 pages. Color illustrations by Don Freeman. Green cloth with black monkey on cover, spine lettering in pink and black. Minor corner wear.

Hardcover. NY, Henry Holt, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by John O'Brien. Clean, tight copy.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.

Hardcover. Cambridge MA, Mythology Co., 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, dark maroon cloth covers stamped in black, 279 pages. B&w plates, a little damp-staining limited to title page and frontispiece. SIGNED BY AUTHOR on the front fly leaf. A history of the ritzy Newport area in it's heyday. Not a common title.

Softcover. Huntington NY, Heckscher Museum, 1st, 1995, Book: Good, Dust Jacket: None, Softcover,143 pages, illustrated throughout in color and b&w. Binding is cracked on page 62. Minor wear to wrappers. Neat, clean copy. This book was published in conjunction with the exhibition The Art of Thomas Anshultz, organized by Randall C. Griffith, Guest Curator; Heckscher Museum, Huntington, New York. The exhibition was on view from September 3rd through November 20, 1994. The book contains the monograph Thomas Anshultz Artist and Teacher, 28 color plates, and numerous black and white reproductions of art from throughout Anshultz's career.

Hardcover. Washington, D.C., Smithsonian Institution Press, rep, 1993, Book: Very Good, Dust Jacket: Very Good, Catalogue of the works of Thomas Eakins. Includes 49 large color plates with accompanying black/white and color illustrations and notes for each. Also contains reproductions of Eakins's lesser-known black/white photographs and biographical text about the artist. Very good condition; cloth bound book has virtually no flaws, dust jacket has few small tears near the edges.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Benton (1889-1975) is a painter shrouded in paradox and misapprehension. Though pigeonholed as a regionalist chronicler of the Midwest, many of his finest on-site pictures are of Southern blacks and poor whites. Remembered best are his folksy rural scenes and aggressively three-dimensional murals, but the public tends to forget that he ran through the gamut of modernist styles (he was Jackson Pollock's teacher) and that his brilliant abstract color experiments ally him with the modernist movement. Some of Benton's crowded murals of the 1930s reflect his leftist sympathies, yet critics reviled him as politically conservative. These contradictions are illuminated in this catalogue of a touring exhibition curated by Adams. The text stands on its own as a wholly engaging biography, offering an unbuttoned look at a pugnacious, often reckless, artist who valiantly sought to preserve a rural America that was vanishing before his eyes. Clean copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, bright green cloth with gilt and black stamping, 548 pages. Illustrated from photographs, facsimiles, plates. Study of Jefferson's mind based on contributions of "French thinkers" on his political philosophy. Inscription on inside front cover, otherwise a clean, tight copy.

Hardcover. New York, Macmillan, 1st, 1942, Book: Good, Dust Jacket: None, Hardcover. 72 pages. Black & white illustrations by C. W. Anderson. Cover has light edgewear.

NY, Doubleday, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Black & white illustrations by Leonard Weisgard. Previous owner's signature front fly leaf. An unusual and unforgettable Christmas story set aboard a freighter bound for South America. Three companions -- a boy, a goat and a dog -- meet Domingo, a burro, and spend Christmas below the Equator.

Hardcover. New York, Harper and Brothers, 1st Ed, 1956, Book: Very Good, Dust Jacket: Fair, Unpaginated; color illustrations by Garth Williams throughout. Full-color cover with black-cloth binding, exhibits some edgewear. Bookplate on front endpaper and some pencil marks. Interior text clean. Dust jacket has edgewear, damp wrinkling, as well as soiling around edges, unclipped, but with adhesive marks from tape on top edges. Otherwise, clean copy.

Hardcover. Boston, D. Lothrop Co., 1st, 1889, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with a bright gilt, black and red design. Illustrated with 31 b&w drawings by F. O. Small. Small, previous owner's inscription to front fly leaf (dated 1891). Rosalind, Marjory, and Ida are the three eldest children of Col. And Mrs. Peel, who are off in India with their younger children. The Three Little Maids live with a governess back in England and this is their tale.

Hardcover. NY, Blue Ribbon Books, 1st, 1933, Book: Very Good, Dust Jacket: Fair, Hardcover, illustrated boards, in a fair dust jacket with chipping, closed tears. Original $1 price still on front flap. Previous owner's inscription on half title page otherwise clean and tight. Illustrated throughout in color and black and white.

Hardcover. Boston, Dana Estes, reprint, 1897, Book: Very Good, Dust Jacket: None, Hardcover, 244 pages. Yellow pictorial cloth, minor rubbing. Black & white illustrations by Ethelred Barry. Title page states Eighth Thousand. Clean.

Hardcover. Ipswitch UK, Limited Editions Club, 1st thus, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Horizontal quarto (10-7/8" x 9") in a three-piece binding of linen sides printed in a pattern of scarlet, slate, and yellow vertical stripes with a shelfback of ochre buckram stamped in gold leaf; 224 pages. Introduction by Stella Gibbons. Designed by John Lewis and printed by W. S. Cowell Ltd. Illustrated by John Griffiths with 2 double-spread color drawings and numerous black-and-white part-page and marginal sketches. Copy #1370 of 2000 SIGNED by the artist on the colophon page. Clean, bright copy.