building design

Hardcover. NY, The Monacelli Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages. Debate and banter between the irascible Philip Johnson and the equally articulate and opinionated Robert A. M. Stern generates a provocative combination of astute commentary and personal observation on the state of architecture in the twentieth century. Philip Johnson's multifaceted career as an architect, curator, and collector extended from the early 1920s to his death in 2005. Captivated by the work of the European modernists Gropius, Le Corbusier, and Mies van der Rohe, Johnson assembled the seminal exhibition "Modern Architecture--International Exhibition" at the Museum of Modern Art in 1932. Among his most notable achievements are the famous Glass House in Connecticut, designed for his own use, and the Seagram Building in New York, in association with Mies van der Rohe.Recognized as the dean of American architecture, Johnson had a profound influence on the next generation of architects, including Robert A. M. Stern. Stern has conducted a series of ten interviews with Johnson, each covering a decade of his life, that provide an illuminating assessment of a significant period of American architecture. No dj issued.

Softcover. Albany NY, Mount Ida Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, B&w photos and plans; 11" - 13" tall; 160 pages. Traces the history of Roosevelt?s long-forgotten retreat near Hyde Park? from the president?'s original drawings for the modest, two-bedroom cottage to its recent preservation by the Open Space Institute, the Franklin and Eleanor Roosevelt Institute and the National Park Service. Examines Top Cottage as a symbol of Roosevelt?s love of the Hudson Valley and as one of the country?s first barrier-free buildings. Top Cottage joins Thomas Jefferson?s Monticello and Poplar Forest as the only homes designed by a U. S. President while in office. Clean copy.

Hardcover. NY, Chartwell, 2000, Book: N, Hardcover, 448 pages. Virtually every structure that Wright built is represented in this extensive survey of his life's work. His genius at architectural design enable him to work out extremely complex buildings in his head and translate them on to paper in a matter of hours, as the famous story of his design presentation of Falling Water illustrates. His work continues to draw great admiration and interest to this day. His often tempestuous and sometimes tragic life and career are given full coverage in this book. Hundreds of photos, both archival and recent chart his amazing work and influence on all who followed. This concise consideration of Wright's life and work not only offers new insights into the character of this complex, powerful and at all times confident personality, but also the architectural legacy he left behind and which exists to this day in the vast number of homes and public buildings photographed mainly by the author himself.

Hardcover. NY, Arco Publishing , 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover. Profusely illustrated throughout, some color. 244 pages. A visual survey of much of Adam's work, provides ample material for a critical appraisal of the development of Adam as architect and designer.

Hardcover. NY, Parents Magazine Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Wonderful introduction to different styles of architecture. Illustrated in color by Devlin. Related notes & articles to various landmark houses laid-in. Dust jacket price clipped. Clean copy.

Hardcover. Structure/Links International, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, color plates throughout. The best projects in the design of country houses around the world are profiled in this architectural and design book. Each project has been selected on the basis of its innovation in the field, making this a highly useful sourcebook for architects, designers, and students of architecture who are looking for creative directions in the design of contemporary country homes. All steps of the design process, from conception to construction, are exhaustively documented and include technical information and commentary contributed by the architects themselves.

Hardcover. NY, Dodd, Mead & Co., reprint, 1902, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with elaborate gilt decoration to front cover and spine, top edge gilt. Design by Alice Cordelia Morse. 317 pages with 48 b&w plates. Selections from Dickens, Hugo, Ruskin, and many others. Originally published in 1898. Hinges cracked, Small ownership sticker to front fly leaf, otherwise a clean, tight copy.

Hardcover. Cambridge MA, MIT Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A colorful account of Le Corbusier's love affair with the automobile, his vision of the ideal vehicle, and his tireless promotion of a design that industry never embraced. Le Corbusier, who famously called a house "a machine for living," was fascinated-even obsessed-by another kind of machine, the automobile. His writings were strewn with references to autos: "If houses were built industrially, mass-produced like chassis, an aesthetic would be formed with surprising precision," he wrote in Toward an Architecture (1923). In his "white phase" of the twenties and thirties, he insisted that his buildings photographed with a modern automobile in the foreground. Le Corbusier moved beyond the theoretical in 1936, entering (with his cousin Pierre Jeanneret) an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier's energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. This book is the first to tell the full and true story of Le Corbusier's adventure in automobile design. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier's architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright. He provides abundant images, including many pages of Le Corbusier's sketches and plans for the Voiture Minimum, and reprints Le Corbusier's letters seeking a manufacturer. Le Corbusier's design is often said to have been the inspiration for Volkswagen's enduringly popular Beetle; the architect himself implied as much, claiming that his design for the 1936 competition originated in 1928, before the Beetle. Amado Lorenzo, after extensive examination of archival and source materials, disproves this; the influence may have gone the other way. Although many critics considered the Voiture Minimum a footnote in Le Corbusier's career, Le Corbusier did not. This book, lavishly illustrated and exhaustively documented, restores Le Corbusier's automobile to the main text.

Hardcover. NY, Dutton Caliber, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 324 pages, b&w illustrations. When the P-51 Mustang began tearing across European skies in early 1944, the Allies had been losing the air war for years. Staggering numbers of bomber crews, both British and American, had been shot down and killed thanks to the Luftwaffe's superior fighter force. Not only did the air war appear grim, but any landing of troops in France was impossible while German fighters hunted overhead. But behind the scenes, a team of visionaries had begun to design a bold new type of airplane, one that could outrun and outmaneuver Germany's best. Wings of War is the incredible true story of the P-51 Mustang fighter and the unlikely crew of designers, engineers, test pilots, and army officers who brought it from the drafting table to the skies over World War II. This is hardly a straightforward tale of building an airplane--for years, the team was stymied by corruption within the defense industry and stonewalled by the Army Air Forces, who failed to understand the Mustang's potential. But when squadrons of Mustangs were finally unleashed over Hitler's empire, the Luftwaffe was decimated within months, clearing the skies for D-Day. Clean copy.

Softcover. Sydney AU, Sydney Wooden Boat School, 1st pbk., 2019, Book: Very Good, Dust Jacket: None, Softcover, 218 pages, illustrated in color and b&w. In an extensive career Ian Hugh Smith has built over 80 boats and taught hundreds of first-timers the skills they need to build their own boats through the Sydney Wooden Boat School. A series of manuals on different methods of construction grew out of the different courses in the School, and now in retirement Ian has combined these manuals into one edition as well as adding some new work. The manuals cover Building a Traditional Clinker Dinghy, Epoxy Strip Planking, Plywood Clinker Construction and Building the Whiting Skiff. There is an extensive new section on Carvel Planking, and an article on choosing a putt-putt launch to restore. There is also a guide to the different methods of construction available and how you should choose which method to use, as well as choosing the design to build. All of the information embodies Ian's extensive experience in the field and distils the information you need to build your own wooden boat. Clean copy.

Hardcover. NY, Rizzoli], 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 303 pages, color illustrations throughout. The first book from award-winning interior design and architecture firm Workshop/APD with projects ranging from sleek Manhattan apartments to Shingle Style getaways. Since its founding by Andrew Kotchen and Matt Berman, Workshop/APD has perfected a unique amalgam of traditional warmth and contemporary simplicity. All of their projects, whether a modern yet cozy Manhattan pied-a-terre or a surprisingly streamlined Shingle Style compound in Nantucket, strike an exquisite balance between architectural brilliance and decorative expressiveness. The architecture and interior design Workshop/APD represent a cleanly tailored and brightly hued modernity, with all the embellishments of refined and luxurious decoration. In every project, high tech and hand finishing are applied to exquisite details and fine materials and finishes, resulting in one-of-a-kind designs that are meticulously crafted, inviting, and intentional. Clean. bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York , Duo Press LLC, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. New York City has never been more whimsical than in this visual narrative that uses wire-art sculptures to explore the Big Apple. Everything starts with a paper clip that unfolds to create some of New York's most famous symbols, including the Statue of Liberty, the Brooklyn Bridge, and the Empire State Building. A lively text accompanies the striking visuals, and six pages of information chronicle everything needed to know about the included attractions and landmarks. SIGNED by author and illustrator on front fly leaf.

Hardcover. Koln GR, Taschen, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Huge hardcover volume in cardboard case with handle. Covering her complete works to date, and all of her exciting new work from Dubai to Guangzhou. This massive monograph clearly demonstrates the progression of Hadid's career - including not only buildings but also furniture and interior designs - with in-depth texts, spectacular photos, and her own drawings. DOMESTIC SHIPPING ONLY.