Hardcover. NY, McGraw-Hill, 3rd pr., 1917, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 153 pages. First Edition, 3rd impression, b&w illustrations throughout. Designed to be used with or without the guidance of a teacher, the book is divided into three parts: Part I: Introduction - Covers essential tools, materials, and techniques necessary for mechanical drawing, including geometric constructions and the use of conventional lines. Part II: Examples and Problems - Provides a range of practical problems arranged by difficulty, covering projections, developments, intersections, isometric drawings, and machine details. Part III: Tables - Contains useful tables and general information frequently referenced by draftsmen, such as standard sizes for bolts, nuts, screws, and keys. Clean, tight copy.
Softcover. New York, Monacelli Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 183 pages, illustrated in color and b&w.Since 1988, New York-based architect Michael Bell has created a series of projects and essays that explore architectural and urban design for California, New York, and Texas -- the three most populous regions of the United States and, coincidentally, the three states in which he has lived and practiced. The first monograph on the architect, Michael Bell: Space Replaces Us; Essays and Projects on the City, includes both design work and writings.Bell has organized and designed two important installations, both of which include his work: "Endspace: Michael Bell and Hans Hofmann," at the University Art Museum, Berkeley, and "16 Houses: Owning a House in the City," at DiverseWorks in Houston, which featured his seminal Glass House @ 2 Degrees. Other projects included are an urban renewal scheme for a huge site in Far Rockaway, New York, and a series of residential projects, including the Ghent House, a modernist glass house currently under construction in upstate New York. Complementing the design projects are three major essays: "Having Heard Mathematics: The Topologies of Boxing," "Eyes in the Heat: RSE," and "New York City."
Softcover. Princeton Architectural Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 234 pages, color illustrations. David Miller and Robert Hull created the Pacific Northwest style which is energy-conscious, structural expressive and uses local materials. This book has 29 projects. Miller/Hull's energy-conscious designs combine with a love of local materials and structural expressiveness to define the essence of the Pacific Northwest style. Here, where climate plays such a critical role, each Miller/Hull building responds with simple but inventive forms, straightforward plans, sensible siting, and careful detailing. Miller/Hull is the only comprehensive monograph of the architects' practice, which spans civic buildings, office and retail structures, educational and institutional projects, and their award-winning houses. Clean copy.
Softcover. Englewood Cliffs, Prentice-Hall, Inc., 2nd Ed., 1987, Book: Very Good, Dust Jacket: None, 431 pages. Softcover. Tight copy. Profusely illustrated with black & white photographs & architectural illustrations. One interior section includes full page, full color photographs. Clean, bright copy.
Hardcover. Thomas Jefferson Foundation, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 80 pages. Each year approximately 500,000 people journey up the winding, narrow road from Charlottesville, Virginia, to visit Monticello, the home of Thomas Jefferson. In 1990 a team of architects from the Historic American Buildings Survey (HABS) made this same journey to record Jefferson's residence inside and out. Monticello in Measured Drawings presents HABS' unique set of plan, elevations, sections, and details of the house as it was actually built. They expose many of Monticello's behind-the-scenes mysteries. Seeral reveal the house's complex facade, while others details the relationship of individual floors and the fascinating array of architectural elements found throughout the house.
Hardcover. NY, Clarkson Potter, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages illustrated with color and b&w photographs by Pildas. text by Lucinda Smith. Dust jacket with minor edgewear, price-clipped. Commemorating the vanishing architecture of classic film theatres with a foreword by King Vidor and chapters on: The Movie Palaces / The Survivors / Notes on the Theatres. With an Index of the Theatres.
Hardcover. Editorial Gustavo Gili, SA, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 191 pages. Hardcover. Color and b/w illustrations throughout. Previous owners initials on upper right endpapers. front dust cover has former bookstore price tag residue. Very clean inside and out. In excellent condition. A collection of houses in which the 'residents-cum-creators' have devoted all of their ingenuity, energy and determination into constructing what they perceive to be the ideal domestic universe. They include Ludwig II of Bavaria's Linderhof, the Cesar Manrique Villa in Lanzarote, Salvador Dali's villa in Spain, Edward James' villa in Mexico, Grandma Prisbrey's Bottle Village, Ian Hamilton Finlay's Little Sparta, Alex Jordan's house on the rock and William Randolph Hearst's Xanadu.
Softcover. New York , Watson-Guptill, 1st, 1999, Book: Very Good, Dust Jacket: None, Square 4to, stiff pictorial wrappers. 228 pages, over 400 color photographs and b/w plans and drawings.
Hardcover. New York , Watson-Guptill/Whitney, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 208 pages. Large Hardcover. Color photos. Text by Richard Lewis Rees. Near fine dust jacket. Bright, tight and clean. A variety of houses are explained and described in detail by the actual architects and interior designers. This is an extensively illustrated work with more than 350 full color photographs, construction plans, and architectural and distribution drawings displaying the diverse locations in a technical way.
Hardcover. New York, W. W. Norton & Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 223 pages, illustrated in color and b&w. What Pennsylvania Station was, is, and might be in the future, through knowledgeable text and excellent pictures and drawings. A good read for those who want a detailed look at one of New York City's most famous architectural treasures, how it was lost, and how it might be reborn once again. The section on its rebirth in the Farley Post Office building was written before work was delayed on the project. Clean copy.
Hardcover. New York, Rizzoli, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. B&w and color illustrations throughout. Text and photos tells the stories behind the numerous homes and public buildings of Newport R.I. Brand new copy, still in original shrink wrapping. In mint condition.
Hardcover. Prestel, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 566 pages. "Norman Foster Works 3" focuses on projects realised from the mid-1980s to the early 1990s, including Stansted Airport outside London, Bilbao's subway system, and the Millennium Tower in Tokyo. This volume examines each project in depth, featuring numerous photographs, original sketches and computer-generated drawings. From airports to underground transit stations, from museums to office towers, every building designed by Foster and Partners is a study in the synthesis of a structure's individual elements: its foundation and use, the quality of its materials, and its relation to the skyline or cityscape. Students of architecture, professionals in the field, and enthusiasts of Foster's work will find much to inspire and educate them in this substantial and attractive volume. DOMESTIC SHIPPING ONLY.
Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Off the Grid confronts the ecological and cultural problems associated with the way we get and use energy, and explains how it is possible to live in a beautifully designed home using much less--no matter where your home is located. Our homes are connected by a nearly invisible grid of infrastructure that binds us together. It is a system of electrical poles, wire, substations, hydroelectric dams, telecommunication towers, and water extraction and sewage systems. From within this system we work, play, and raise families. We have also created one of the greatest environmental challenges known to modern civilization. The signs of our impact upon the world can be recognized in the reports of environmental changes occurring across the earth, and they can also be seen in the growing failures of the energy grids across the world as the current system is stressed beyond its capacity. Off the Grid beautifully illustrates that this is not just a concept for rural living; examples of homes that are "off the grid" to varying degrees are found in New York City; Ontario, Canada; Stuttgart, Germany; Belmont, California; Pipe Creek, Texas; Clyde Park, Montana; Twin Lakes, Minnesota; Laytonville, California; Venice, California; and New South Wales, Australia.
1968, Book: Very Good, Color art by Martin of brick building with window framing white flowers in pot. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1969, Book: Very Good, Color art of blazing summer sun melting New York skyscrapers. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1966, Book: Very Good, Color art of American flag flying from white building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1965, Book: Very Good, Color art of construction site with workers in deep hole. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1967, Book: Very Good, Color art of house under construction against green foliage by Getz, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1962, Book: Very Good, Color design of New York skyline made with newspaper apartment ads. 8 3/4 X 12", very good. Faint crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Davidson of hundreds of buildings with small patches of greenery. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1963, Book: Very Good, Color art by Dunn of cars on Park Avenue with Pan Am building in background. 8 3/4 X 12", very good. Faint crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Martin of sailboat models in window of seaside building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Saxon of high-rise building under construction. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1966, Book: Very Good, Color art by Mahood of advertising grafitti on side of a building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.