business

Hardcover. Cambridge MA, MIT Press], 2nd pr., 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 261 pages. The story of how diesel engines and gas turbines, used to power cargo ships and jet airplanes, made today's globally integrated economy possible. Clean copy.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, slate blue boards with black cloth spine with gilt lettering, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Front hinge cracked, small stamped name to endpapers, otherwise clean.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Internally clean, cloth spine has wear, chipping to top and bottom otherwise very good.

Hardcover. Chapel Hill NC, University of North Carolina, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 363 pages. In examining the founding of New England towns during the seventeenth century, John Frederick Martin investigates an old subject with fresh insight. Whereas most historians emphasize communalism and absence of commerce in the seventeenth century, Martin demonstrates that colonists sought profits in town-founding, that town founders used business corporations to organize themselves into landholding bodies, and that multiple and absentee landholding was common.In reviewing some sixty towns and the activities of one hundred town founders, Martin finds that many town residents were excluded from owning common lands and from voting. It was not until the end of the seventeenth century, when proprietors separated from towns, that town institutions emerged as fully public entities for the first time. Name on front endpaper, otherwise clean.

Softcover. London, Hard Case Crime, 1st thus, 2017, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Robert McGinnis. Memphis, 1975. "Raunchy" doesn't begin to describe Max Climer's magazine, Climax, or his all-hours strip club, or his planned video empire. Evangelists, feminists, and local watchdog groups all want him out of business. But someone wants more than that, and has hired a killer to end Max's career permanently. Only another hit man--the ruthless professional known as Quarry can keep Climer from becoming a casualty in the Sexual Revolution. Like new.

Softcover. London, Hard Case Crime, 1st thus, 2015, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Robert McGinnis. Quarry is a pro in the murder business. When the man he works for becomes a target himself, Quarry is sent South to remove a traitor in the ranks. But in this wide-open city--with sin everywhere, and betrayal around every corner--Quarry must make the most dangerous choice of his deadly career: who to kill? Like new.

Softcover. London, Hard Case Crime, 1st thus, 2015, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Robert McGinnis. When the man he worked for abruptly exits the business, Quarry finds himself in the crosshairs as a rival tries to take over. But what does Quarry have that the new man wants? And how did the beautiful blonde in the swimming pool become a target? Like new.

Softcover. London, Hard Case Crime, 1st thus, 2015, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Robert McGinnis. When the man he worked for abruptly exits the business, Quarry finds himself in the crosshairs as a rival tries to take over. But what does Quarry have that the new man wants? And how did the beautiful blonde in the swimming pool become a target? Like new.

Hardcover. NY, Browndeer Press/Harcourt, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. No dust jacket. Color illustrations by Emily Arnold McCully. Monsieur Lapin and Monsieur Blanc own the Spinach Main, a restaurant in the south of France famous for its fresh vegetables and excellent cuisine. Business is good until the day Monsieur Reynard, the fox, walks in. "Such tasty patrons--I mean portions," he says. "I plan to eat here often." The restaurant empties. What can Monsieur Lapin and Monsieur Blanc do? They have given up their pirate ways and are now rabbits of peace, but the fox is not easily discouraged. Clean copy.

Softcover. NY, Rizzoli, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, illustrated in color. Celebrating the culture and design of the railroad from its beginnings in the Industrial Revolution through its 20th-century heyday, Railroad is a loving tribute to the unique aesthetic of trains. With hundreds of archival and contemporary photographs, it examines the glamorous early days, when train travel meant sumptuous, luxurious interiors with formal black-tie dining cars and private sleeping-suite cabins, up to the present with the sleek, streamlined design and record-breaking speeds of modern trains around the globe. Touching on every aspect of railroad design, from the interiors and exteriors of the trains, to railroad stations, signage, and trestles and tunnels, Railroad also abounds in such train ephemera as tickets, conductor uniforms, timetables, and advertisements, and is sprinkled with trivia and anecdotes illuminating railroading's colorful history. As both harbinger of modern engineering and nostalgic symbol of an earlier age, the railroad continues to exert a fascination over all those interested in travel, engineering, and design. Clean, bright copy.

Hardcover. New York, State University of New York, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages, illustrated throughout. Dust jacket edge wear and fade, minor rub, otherwise, very clean and tight copy.Here at long last is the study of the life and paintings of Ralph Earl, the colorful eighteenth-century American artist whose pictures hang in the great galleries but about whom relatively little has appeared in print. A pioneer landscapist in a day when portraiture was the vogue, a Tory in Revolutionary New England, he nevertheless captured the stance and spirit of the new nation in the first decades after the Revolution. He portrayed the merchants and civic leaders of the time, often with their families, in their homes, orchards, business establishments--and the result is a record of post-Revolutionary American dress, design, and decoration as well as face and figure. Professor Goodrich has tracked down and assembled forty-one of Earl's paintings for this book, providing the first opportunity of viewing the artist's work as a body. The pictures range from a youthful re-creation of the Battle of Concord, through portraits done in England (whence he fled during the Revolution and which enabled him to absorb the techniques of the great eighteenth-century English portraitists), to his invaluable paintings of General von Steuben, Mrs. Alexander Hamilton, and other figures in the young United States.

Hardcover. NY, Library of America, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 1199 pages, ribbon marker. In Raymond Chandler's hands, the pulp crime story became a haunting mystery of power and corruption, set against a modern cityscape both lyrical and violent. Now Chandler joins the authoritative Library of America series in a comprehensive two-volume set displaying all the facets of his brilliant talent. In his first novel, The Big Sleep (1939), the classic private eye finds his full-fledged form as Philip Marlowe: at once tough, independent, brash, disillusioned, and sensitive--and man of weary honor threading his way (in Chandler's phrase) "down these mean streets" among blackmailers, pornographers, and murderers for hire.In Farewell, My Lovely (1940), Chandler's personal favorite among his novels, Marlowe's search for a missing woman leads him from shanties and honky-tonks to the highest reaches of power, encountering an array of richly drawn characters. The High Window (1942), about a rare coin that becomes a catalyst by which a hushed-up crime comes back to haunt a wealthy family, is partly a humorous burlesque of pulp fiction. All three novels show Chandler at a peak of verbal inventiveness and storytelling drive. Stories and Early Novels also includes every classic noir story from the 1930s that Chandler did not later incorporate into a novel--thirteen in all, among them such classics as "Red Wind," "Finger Man," The King in Yellow," and "Trouble Is My Business." Drawn from the pages of Black Mask and Dime Detective, these stories show how Chandler adapted the violent conventions of the pulp magazine--with their brisk exposition and rapid-fire dialogue--to his own emerging vision of twentieth-century America. Clean copy.

Hardcover. NY, Doubleday & Company, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with black cloth spine. 469 pages. INSCRIBED BY NIZER on half-title page. Business card of Ben Bodne, owner of the Algonquin Hotel, stapled to title page. Otherwise a clean, tight copy. No dust jacket.

Hardcover. London, Thomas Nelson, 1st , no date (1949), Book: Good, Dust Jacket: None, Hardcover, orange cloth with mild soil, gilt lettering on spine. INSCRIBED BY BOWEN and dated September 1954 on front fly leaf. Color frontis, B&W drawings by L. R. Brightwell. The adventures of a large angora rabbit named Sultan when he escapes from his life in "Show" business.

Hardcover. NY, Arcade, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, 221 pages. Hardcover. B&w photographs throughout. Red gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. Follows the rise and fall of Iraqi-born Jewish brothers from London, Charles and Maurice Saatchi, who created some of the most memorable ad campaigns of the 1970s and 1980s, and then in 1994 were ousted from their firm by an American shareholder revolt.

Softcover. Louisville KY, Cole Brothers Circus, 1st, 1949, Book: Very Good, Dust Jacket: None, softcover, 20 page circus promotional brochure. 16 pages with 60 b&w photographs featuring behind the scenes circus activity- setting up the big top, loading the train, daily life of performers, etc. Light edgewear.

Hardcover. NY, St. Martin's Press , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, uclipped dust jacket. A moving and evocative look inside the world of rock and roll follows Laurie Moss as she leaves her native Texas in 1994 seeking stardom in California, where she struggles against the rampant sexism and cruelty of the music business.

Softcover. Cambridge MA, Belknap Press / Harvard, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 760 pages. Representing ten years of research into the history of the managerial business system, this book concentrates on patterns of growth and competitiveness in the United States, Germany, and Great Britain, tracing the evolution of large firms into multinational giants and orienting the late twentieth century's most important developments. Clean,bright copy.

Hardcover. Lyons Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 142 pages illustrated in color. For many children of the sixties, the gift of a Schwinn was a ticket to freedom, a chance to feel the wind on their face and the steady rotation of rubber at their feet. The Schwinn took many through their childhood adventures, with memories filled of after school, free-range bike rides around the neighborhood with friends, the late afternoon sun shining off of the gleaming painted frame and stainless steel fenders. The 1960s and 70s saw a boom of Schwinn Sting-Rays, which appealed to young riders who had to have the hottest 'muscle' bike in town, and sold like hotcakes to parents everywhere scrambling to get the best Christmas present ever for their kids. From its early years dominating the youth market with Sting-Rays to the teen-friendly Varsity and Continental models to its most recent parent-friendly iterations of the Easy-Steer and Roadster Trikes, the Schwinn weaves itself through 120 years of American history. Clean, bright copy.

Hardcover. London, Phaidon Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 272 pages. Color illustrations throughout, very clean and tight copy. American adman and image-maker George Lois (b. 1931) was a leader of the Creative Revolution of the 1960s and is the mind behind an astonishing array of branding campaigns and unforgettable magazine covers during his fifty-year career. Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued.

Hardcover. Athens GA, University of Georgia Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages. This work tells how the first generation of Protestant fundamentalists embraced the modern business and entertainment techniques of marketing, advertising, drama, film, radio, and publishing to spread the gospel. Clean copy.

Hardcover. NY, Scribner, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Color and b&w illustrations. Clean copy.

Hardcover. NY., Norton, 1st , 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 399 pages. SIGNED BY BAXTER on title page. Remainder mark to bottom edge, else a very nice, tight copy. When assistant city manager Wyatt Palmer enters into a shady business deal he faces consequences that have a profound impact on him and those around him, including brother Cyril, lover Alyse, and mother Jeanne.