california

Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.

Hardcover. NY, Alfred A. Knopf, 4th pr., 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 361 pages, color frontis, preface, list of b&w illustrations and maps, prologue, 1. Beaver and Mountain Men; 2. Jedediah Strong Smith: From the Big Lake to the Sea; 3. Kedediah Strong Smith: The End of the Long Trail; 4. To Santa Fe and Beyond; 5. Perils of the Wilderness: The Wanderings of James Ohio Pattie; 6. "Joaquin Yong" and the Men of Taos; 7. From Santa Fe to California; 8. Joseph Reddeford Walker: To the "Extreme End of the Great West; 9. Partisans versus Mountain Men; epilogue, bibliographical notes, index. Minor edgewear to dust jacket. Clean copy.

Hardcover. New York/London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, 165 color and b$w images. Like new in publisher's shrink-wrap. Equal parts glamour and cataclysm, sunshine and noir, few cities have provoked visual representation as insistently as LA. This Side of Paradise explores the synergistic relationship between the city and photography from the mid-nineteenth century to the present through the key themes of landscape and the body. Beautifully illustrated throughout, including images by Carleton Watkins, Edward Weston, Louise Dahl-Wolfe, Garry Winogrand, Ed Ruscha, Dennis Hopper, Herb Ritts, John Baldessari, Catherine Opie and many others.

Hardcover. London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, Color and b&w images throughout by various photographers. In publisher's shrinkwrap.

Softcover. Durham NC, Duke University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 284 pages, color and b&w illustrations.Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade's soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade's imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano's Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and "The Village at Hiddenbrooke," a California housing development inspired by Kinkade's paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade's art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade's significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk., 1990, Book: Very Good, Dust Jacket: None, Softcover, 273 pages, b&w illustrations. The first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of "contact" with our "modern" world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures. Clean copy.

Hardcover. Berkeley CA, University of California Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Reissue of Burke's long out-of-print experimental novel, originally published in 1931. With a new Foreword by Burke for this edition. Clean copy.

Softcover. NJ, Rutgers University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Metis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era.

Softcover. Berkeley CA, University of California Press, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Softcover, 421 pages, b&w illustrations. Located only blocks from Tokyo's glittering Ginza, Tsukiji-the world's largest marketplace for seafood-is a prominent landmark, well known but little understood by most Tokyoites: a supplier for countless fishmongers and sushi chefs, and a popular and fascinating destination for foreign tourists. Early every morning, the worlds of hi-tech and pre-tech trade noisily converge as tens of thousands of tons of seafood from every ocean of the world quickly change hands. Clean, bright copy.

Hardcover. Berkeley/Los Angeles, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 225 pages, illustrated in b&w. In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark considers the genre and compositional style of cartoons produced by major Hollywood animation studios, including Warner Bros., MGM, Lantz, and the Fleischers. Tunes for 'Toons discusses several well-known cartoons in detail, including What's Opera, Doc?, the 1957 Warner Bros. parody of Wagner and opera that is one of the most popular cartoons ever created.

Hardcover. Solana Beach, CA, Santa Monica Press LLC, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A very clean, unmarked copy. Color and black & white photographs throughout.

Hardcover. Gottingen, Steidl, 1st, 2013, Book: Very Good, Dust Jacket: None, Five Volumes, 1,244 pages. 4to, clothbound, with tipped in photos on front of each book, handmade slipcase. Gottingen, Steidl, 2013. Limited edition of 2000 copies. The works in this this beautifully printed set presents hundreds of Abbott's outstanding but largely unknown images, many for the first time. They date from her return to New York from Paris in 1929, where she had worked as Man Ray's assistant, created an archive of Atget's work, and developed her own career as a photographer. The images here range from her earliest photographs in New York City, the American south, lumberjacks in California's High Sierra Mountains, and the sophisticated bohemia of Greenwich Village. Volume I: New York - Early Work, 1929-1931 Volume II: The American Scene, 1930-1935 Volume III: Deep Woods, 1943 and 1967 Volume IV: Greenwich Village, 1935-1950 Volume V: U.S. 1, USA. NOTE: DOMESTIC SHIPPING ONLY.

Softcover. Berkeley, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 536 pages. Illustrated in color and black-and-white. A landmark study of California's visual arts and poetry, 1925 to 1975, Utopia and Dissent demonstrates the profound influence this regional culture had on American art and thought. Bookselle's label on rear cover, wrinkle to page 513, otherwise clean, very good.

Softcover. New York , Abbeville Press Publishers, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 166 pages, illustrated throughout in b&w. Light edge wear to pictorial stiff wrappers. Clean, tight copy.

Hardcover. Berkeley CA, University of California, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 275 pages, b&w photos. In a bright, unclipped dust jacket. Lawyer, educator, novelist, radio and television scriptwriter, film director and screenwriter, wartime intelligence operative, and full-time radical romantic, Abraham Lincoln Polonsky was blacklisted in Hollywood for refusing to be an informer. This biography helps us understand the relationship between art and politics in American culture.

Softcover. Berkeley CA, University of California Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 316 pages. Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish philosopher and cultural and literary critic. Richard Wolin's book remains among the clearest and most insightful introductions to Benjamin's writings, offering a philosophically rich exposition of his complex relationship to Adorno, Brecht, Jewish Messianism, and Western Marxism. Wolin provides nuanced interpretations of Benjamin's widely studied writings on Baudelaire, historiography, and art in the age of mechanical reproduction. In a new Introduction written especially for this edition, Wolin discusses the unfinished Arcades Project, as well as recent tendencies in the reception of Benjamin's work and the relevance of his ideas to contemporary debates about modernity and postmodernity. Clean, bright copy.

Hardcover. New York, Rizzoli, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover with illustrated dust jacket. 358 pages. Like new in publisher's shrink-wrap. The most comprehensive and deluxe monograph on Wayne Thiebaud, a celebrated and active American artist, spanning the length of his career, from the mid-1950s to the present. Wayne Thiebaud is one of the world's most popular and respected painters. Born in 1920, he has lived for most of his life in Sacramento, with much of his youth spent in Long Beach; Southern California, in particular Laguna Beach, remains an area of great sentimentality. For this book he has selected the works himself, an act of autobiography in a sense. At age 94, he looked back over his life and his work, rich with breakthroughs in painting and masterful individuality. This deluxe volume, with more than 200 illustrations, covers Thiebaud's career as a painter and draftsman from 1959 to 2014. It features many of the still lifes of pies, cakes, desserts, candies, and other objects--lusciously painted, brightly colored, perfectly composed, and gently comic--for which he is best known. Such works brought national recognition in 1962 with a seminal exhibition at the Allan Stone Gallery in New York, attracting rave reviews and, to the discomfort of the artist himself, leading critics to see him as part of the Pop Art movement. The other artistic genres that he cultivated most avidly since then are landscape and cityscape, with special interests in the Sacramento River valley and San Francisco. New essays by a wide range of writers give a fresh perspective on his life and work.

Softcover. Berkeley CA, University of California Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 284 pages, b&w illustrations. Written with uncommon grace and clarity, this extremely engaging ethnography analyzes female agency, gendered violence, and transactional sex in contemporary Papua New Guinea. Focusing on Huli "passenger women," (women who accept money for sex) Wayward Women explores the socio-economic factors that push women into the practice of transactional sex, and asks how these transactions might be an expression of resistance, or even revenge. Challenging conventional understandings of "prostitution" and "sex work," Holly Wardlow contextualizes the actions and intentions of passenger women in a rich analysis of kinship, bridewealth, marriage, and exchange, revealing the ways in which these robust social institutions are transformed by an encompassing capitalist economy. Many passenger women assert that they have been treated "olsem maket" (like market goods) by their husbands and natal kin, and they respond by fleeing home and defiantly appropriating their sexuality for their own purposes. Clean copy.

NY, Henry Holt, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. When sixteen-year-old Brent Bishop inadvertently causes the death of a young woman, he is sent on an unusual journey of repentance, building wind toys across the land. In his most ambitious novel to date, Newbery winner Paul Fleischman traces Brent's healing pilgrimage from Washington State to California, Florida, and Maine, and describes the many lives set into new motion by the ingenious creations Brent leaves behind. Clean copy.

Hardcover. Berkeley, California University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, 164 pages. Hardcover. Illustrated with full color and black & white photographs. Dust jacket with light wear. Clean tight copy.

Hardcover. Wine Country Trucks Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 146 pages, color photos throughout. For decades, trucks have played a crucial role in the Wine Country of Northern California. This volume offers these old timers a chance to tell their lifelong tales. A large concentration of wineries and businesses from Napa and Sonoma counties have a rusted relic or a restored classic truck parked somewhere on their property. Sixty of these timeless treasures are featured with over 150 magnificent photos and fascinating stories of America's yesteryear. Several were props in movies. One entered the Great Race and drove across the country on America's back roads. Another was a local moonshine runner. Clean copy, no dust jacket.

Hardcover. New York, Hudson Hills Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 182 pages, 62 color plates (including 9 gatefolds) and 150 illustrations in b&w and duotone. Monograph of Edward Ruscha, icon of the funky, laid-back world of Californian modern art. Yellow cloth, gilt lettering and unfortunate, but small ink-stains to spine. Pictorial dust jacket with light wear and some sun-fading to spine. Overall a very neat, clean, tight copy.

Hardcover. Boston, Little, Brown Books for Young Readers , 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages. An exuberant introduction to the wonders of our country shows Izzy and her little sister Jo rowing down the Mississippi, eating pies at the Kentucky State Fair, marveling at Niagara Falls and the California sequoias, and much more.

Hardcover. Los Angeles, Dawson's Book Shop, 1st Ltd. Ed., 1986, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt decoration, 422 pages. SIGNED BY ZWINGER ON TITLE PAGE. Black & white illustrations. Limited to 500 copies. Clean, tight copy.