Hardcover. NY, Young Scott Books, 1st, 1969, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. B&w drawings by Edward Gorey, dj w/ edgewear, closed tear at folds, chip on rear panel. Tight copy.
Hardcover. Garden City, Doubleday , 1st, 1967, Book: Very Good, Dust Jacket: None, Non-Paginated. Boards. Illustrated in color by Tomi Ungerer. Clean, tight copy.
Hardcover. NY, Doubleday & Co., 1st, 1967, Book: Good, Dust Jacket: None, Color illust. by Tomi Ungerer. Ex-lib with end paper residue & markings internallly VG. A scarce Ungerer title.
New York, Orchard Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 31 pages. Color illustrations by Ted Lewin.A hard-working doorman loves his job at the front of a big city apartment house, where he is especially dedicated to the elderly and young residents there, until the sad day when he is no longer there to greet his friends. The highlight of this affectionate tribute to a New York City doorman is Lewin's lifelike art. With nearly photographic clarity, his watercolors depict the comings and goings of an apartment house's residents and the daily routine of their beloved doorman, John. Setting the story in his own Upper West Side building, first-time children's author Grimm shapes a poignant portrait.
Hardcover. NY, Books of Wonder, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Dorothy and the Wizard in Oz was the fourth Oz adventure. First published in 1908, it has captured the imaginations of young readers and listeners for four generations. This deluxe gift edition faithfully reproduces the rare first edition, including all sixteen color plates and all fifty black-and-white illustrations by John R. Neill, as well as the original colorful endpapers. Afterword by Peter Glassman.
Hardcover. NY, Simon & Schuster, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover, illustrated in color by Bruce Ingman. Clen, tight copy.
Hardcover. NY, Grosset and Dunlap, ist US, 1937, Book: Good, Dust Jacket: None, Hardcover, pictorial boards, illustrated in color by the author. Text in French and English. Light overall wear about the edges. A sweet shepherdess has an adventure which transports her a wild jungle. She wins over the animals with her love and they refuse to be separated from her. Charming art work. Short tear to paper at spine. Originally published in 1934 in France. A solid, clean copy.
Hardcover. New York , Knopf Books for Young Readers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, Doubleday Doran, 2nd pr., 1928, Book: Very Good, Dust Jacket: Good, Hardcover. Color frontispiece, black & white illustrations by Maginel Wright Barney. Dust jacket with light edgewear, soil. A Newbery Honor Book for 1927 set in 1820s Nantucket.
Hardcover. NY/Tokyo, Weatherhill, 3rd pr., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Delightful illustrations depict the imaginative and illogical world of a fantasy circus where the musicians' instruments are matchsticks and kitchenware, and fierce lions turn into wooden toys.
Hardcover. Boston, David R. Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 32 pages illustrated in b&w by the author. Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.
Hardcover. Boston, David R. Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 32 pages illustrated in b&w by the author. Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.
Hardcover. Boston , Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations by the author. Light edgewear to dust jacket.Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.
Hardcover. NY, Continuum, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 301 pages, b&w illustrations. Light edgewear to dust jacket, else a clean, tight copy. Celebrates one of the most influential authors and artists of the 20th century: Theodor Seuss Geisel, best known as 'Dr. Seuss'. Dr Seuss's ascendance from children's author to American icon confirms that his cultural significance rests not just with the beginning reader, but with the scholar, the artist, and the poet.Seuss's Beginner Books(starting with The Cat in the Hat in 1957) have obscured the enormous range of his contributions to American literature. Similarly his art, unfairly overlooked because it appears in children's books, cartoons, and commercials, actually covers a range of styles, including Surrealism, Art Nouveau, and Cubism. Bringing to light the adult perspective behind the children's writer, Philip Nel examines Seuss's lesser-known works, such as the 'adult book' The Seven Lady Godivas (1939), and the live-action musical The 5,000 Fingers of Dr. T (1953). The book also features the most comprehensive Seuss bibliography ever produced, documenting his prodigious output.
Hardcover. Kansas City, Andrews McMeel Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Everyone who grew up entertained, provoked, and enlightened by Dr. Seuss books will love this big, color-saturated volume covering 70 years of published and private art by the master of smart, loopy fun. Here are examples of Theodor Geisel's clever, now ironic advertising work, including a rambunctious campaign for Flit, an insecticide containing DDT. Geisel's political cartoons and magazine illustrations are animated by his phenomenal gift for line and color, mischievous humor, and humanitarian values. It is thrilling, too, to see the original drawings for Green Eggs and Ham and other Seuss classics. But the big discoveries in this bountiful and redefining volume are his "Midnight Paintings," surreal watercolors, oils, and acrylics featuring tiny figures in a vast, labyrinthine world, and private versions of his expressive characters, especially the Cat, his alternate identity. Geisel's vibrant, trippy, hilarious, and poignant art plays on Hieronymus Bosch, M. C. Escher, and Persian miniatures. Every creature, plant, architectural marvel, object, and landscape is wriggling, leaping, flying, arcing, tilting, and rolling. When he dives into abstraction, he plunges into a deep chromatic sea, while his taxidermic sculptures prove just how real his sweet and goofy invented critters were to him. Spectacular reproductions and excellent, if episodic, commentary map Geisel's exuberant, world-altering artistic journey on what he would call "long wiggled roads" into "weirdish wild space."
Hardcover. NY, HarperFestival, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. 13 pages. Paper-engineered with all lift-flaps undamaged. A romp among spooky friends on the way to finding Dracula on his birthday. Color illustrations by Jonathan Lambert. Clean copy.
Hardcover. New York, Simon & Schuster/Paula Wiseman Books, 1st, 2014-09-16, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket. A wordless picture book celebrates the power of art and imagination. A little boy reads about Africa and then creates his own adventures with his pencils and paints. Wordless books require readers to slow down and read the pictures, and careful children will see beyond the main storyline by looking at the whole illustration. Why is the boy in bed and not outside? The inhaler and bottle of medicine on the side table are hints. But binoculars and an umbrella on the other side of the table tell them that he is not always bedridden. As he draws, he falls deeply into the rich world of his imaginary Africa. First he draws an elephant, and then he rides away on it. He paints zebras, has a sandwich for lunch, records a giraffe stampede and shares one of his many other sandwiches with the gorillas. After a hair-raising encounter with an aggressive rhino, the little artist shares his pencils and food with other primates, who return the favor and sketch him. Colon's signature scratched-watercolor technique adds richness and emotion to this warm story, but it's the framing scenes at beginning and end that really sparkle here. Simple line-and-color washes put the young man at the center of the story and help readers identify with him.
Hardcover. NY, Scholastic Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.
Hardcover. NY, E.P. Dutton, 1st US, 1962, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. Black & white line drawings by Shepard. Black & white photo on frontispiece. Blue cloth binding with gold spine lettering. English artist Shepard's (1879-1976) life story from 1890 on, a sequel to Drawn from Memory. The famed illustrator of the Winnie-the-Poo stories tells his story, with many vignettes of Milne and his books. Clean, bright copy, no dust jacket.
Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.