children literature

Hardcover. London, Frederick Warne, Revised Ed., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 173 pages. Illustrated with 8 color and 30 b&w plates. Although Beatrix Potter is known and loved by generations of children brought up on "Peter Rabbit" and others, her life began in great joylessness and solitude. Drawing was her once fascination and her creative genius was able to flourish in the loneliness and isolation of her early years. Despite the fame that her skill was later to bring, she nevertheless preferred to maintain her privacy and hide behind the persona of a Lakeland farmer. Margaret's Lane biography recounts, with reference to letters and photographs, Beatrix Potter's sad childhood, her struggle for independence, her ill-fated love affair and happy marriage. Clean copy.

Hardcover. London, Jonathan Cape, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Frontiepiece photograph of the author as Lord Beaconsfield. 392 pages. Autobiography dealing with the author's life up to the mid 1930s. He was the brother of A E Housman, and was well-known in his own right as a writer of plays, as well as being active in the women's suffrage campaign and in the pacifist movement. A prolific writer with around a hundred published works to his name, Housman's output eventually covered all kinds of literature from socialist and pacifist pamphlets to children's stories. He wrote an autobiography, The Unexpected Years (1937), which, despite his record of controversial writing, said little about his homosexuality, the practice of which was then illegal. Mild shelf wear. Clean copy.

Hardcover. London, Methuen, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 256 pages illustrated in color and b&w. Ernest Howard Shepard was an English artist and book illustrator, best remembered for his charming illustrations of the beloved anthropomorphic animals in The Wind in the Willows and Winnie-the-Pooh. This fascinating study of Shepard, detailing his childhood, education and artistic development, is richly illustrated throughout with his works. Clean copy.

Softcover. NY, Oxford University Press, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Dr. Seuss's infectious rhymes, fanciful creatures, and roundabout plots not only changed the way children read but imagined the world. And to Think That I Saw It On Mulberry Street, Green Eggs and Ham,The Cat and the Hat, these and other classics have sold hundreds of millions of copies and entertained children and adults for decades.fter graduating from Dartmouth, Theodor Geisel used his talents as an ad-man, political provocateur, and social satirist, gradually but irrevocably turning to children's books. Theodor Geisel tells the unlikely story of this remarkable transformation. In this compact and engrossing biography, Donald Pease reveals the evolution of Dr. Seuss's creative persona while offering an honest appraisal of his life. The book also features many of Dr. Seuss's lesser-known illustrations, including college drawings, insecticide ads, and wartime political cartoons--all of which offer a glimpse of his early artistic style and the visual origins of the more famous creatures that later populated his children's books.As Pease traces the full arc of Dr. Seuss's prolific career, he combines close textual readings of many of Dr. Seuss's works with a unique look at their genesis to shed new light on the enduring legacy of America's favorite children's book author.

Hardcover. New York, Doubleday, 1t, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout.

Hardcover. New York, Doubleday, 1t, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout.

Hardcover. New York, N.Y., Carlton Press, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 287 pages, b&w illustrations. INSCRIBED BY AUTHOR on front end paper. Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. New York, Macmillan, 1st, 1933, Book: Very Good, Dust Jacket: None, 161 pages. Blue cloth hardcover. Black & white illustrations by Marguerite Davis. Short stories selected by the Literature Committee of the Association for Childhood Education. Previous owners bookplate on inside front cover. Light foxing to foredge. Clean, tight copy.

NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uphill with Archie is a beautifully written and deeply involving look at the life and the world of the great literary icon, poet Archibald MacLeish, by his youngest son. Partly an homage, partly an attempt to come to terms with the man (and the legend), Uphill with Archie speaks to all sons and daughters who have never completely resolved their feelings about powerful parents. Young William MacLeish grew up both captivated and cowed by the fame of a father who won Pulitzer Prizes for his poetry and comparable honors for his work as a lawyer, playwright, teacher, and government official. William's mother, Ada, began her marriage as a successful concert singer in Paris but later felt compelled to give up her art for her family. When Archie was working for Henry Luce and Fortune magazine, his younger children, watched over by a governess, stayed with their grandfather in Connecticut. But it is of the time spent with his family at Uphill Farm, a beautiful old house above a Massachusetts hilltown, that MacLeish has his fondest and most telling memories: "Archie and Ada gave me great gifts: music, the sound of the language beautifully spoken, the draw of knowledge, the arts of humor," William writes. "I learned to perform for them, and in time found myself addicted to getting a nice tan from Archie's sun. And the more I bathed in his light, the harder I found it to go looking for my own."

Hardcover. Watertown, Charlesbridge, 1st, 2010, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover. Black & white woodcut illustrations by Michael McCurdy. Bright, clean copy.No dust jacket

Hardcover. Watertown, MA, Charlesbridge, reprint , 2010, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated. Extensive b&w woodcut illustrations throughout. Gilt titles on spine and cover. Color illustration on front cover. Clean, unmarked copy.

Hardcover. Watertown, MA, Charlesbridge, reprint , 2010, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated. Extensive b&w woodcut illustrations throughout. Gilt titles on spine and cover. Color illustration on front cover. Clean, unmarked copy.

Hardcover. Watertown, MA, Charlesbridge, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated. Extensive b&w woodcut illustrations throughout. Gilt titles on spine and cover. Color illustration on front cover. Clean, unmarked copy.

New York, Viking Press, 1st, 1937, Book: Good, Dust Jacket: None, Hardcover, red cloth cover, leaping stag embossed on front. 94 pages. Black & white illustrations by Seredy. Previous owner's signatures on front end paper. Slight discoloration to edges of pages. Water stain to covers. Faded spine.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.

Hardcover. New York, Viking, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Full color illustrations by Don Freeman. Tan cloth. Dust jacket with tape repaired chipping at top of spine. Clean, tight copy.

Hardcover. NY, HarperCollins, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 48 pages illustrated in color by Aliki. With her characteristically sprightly words and pictures, Aliki brings Shakespeare's life, times, and legacy to life in this highly acclaimed information-packed treasury that is truly for readers of all ages. This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 6 to 8. It's a fun way to learn to read and as a supplement for activity books for children From Hamlet to Romeo and Juliet to A Midsummer Night's Dream, Shakespeare's celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare's world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 93 pages, with illustrations. Spotless and tight copy. Light foxing to top edge.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 93 pages. Hardcover with dust jacket. With illustrations. Spotless and tight copy.

Softcover. Canada, Prince Edward Island Heritage Foundation, 1st, 1974, Book: Very Good, Dust Jacket: None, 229 pages, Softcover with light wear to wrappers. b&w photographs, bibliography. Clean, tight copy.

Hardcover. Munich, Hirmer, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 240 pages. Ylla (1911-1955) devoted herself exclusively to animal portraiture at a time when no one had thought of only photographing animals. Driven by her symbiotic relationship with animals, she created a new genre in animal photography: the expression and personality in animals. Ylla: The Birth of Modern Animal Photography recounts the eventful odyssey of a "New Woman" par excellence, fearless and knowing no limits. She was part of artists' circles in Belgrade and Paris, however during WW II she fled to New York via Marseille where she started her career again from square one. Originally taking beguiling photos in her studio and zoos, Ylla finally traveled to Africa and India where she died in a tragic accident during a water buffalo race. Her Animals in Africa and Animals in India are some of the first books on the subject. Ylla also introduced photography to children's literature. Her books The Sleepy Little Lion and Two Little Bears are juvenile classics. This book details her remarkable life and work.

Hardcover. NY, Harper and Row, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, edgeworn dust jacket with $4.50 flap price, 0966 code on bottom of front flap. White cloth, gilt decorations border/front cover. 90 pages. A collection of short works from the from the winner of the 1978 Nobel Prize in Literature. Includes illustrations by Maurice Sendak. Small hole to spine of dust jacket, otherwise clean.