circus

Hardcover. Garden City NY, Garden City Publishing, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, squarish book about 10 by 11 inches with unnumbered pages. Bound in pictorial boards with a red cloth spine. Based on the Disney animated feature film. Color illustrated end papers (Same for front and rear). Illustrated throughout in color & black/white by the Disney artists. Hinges cracked, mild soil to covers, a tear to last page about 5" long. no loss of paper. No markings.

Hardcover. Garden City NY, Garden City Publishing, 1st, Book: Good, Dust Jacket: None, Hardcover, red cloth spine with illustrated boards. Unpaginated (50 pages) illustrated in color & b/w throughout with preliminary sketches and actual scenes of the movie. The title page spread has a long, closed tear on the left side. The book's cardboard edges show wear. Previous owner's name on front fly leaf.

Hardcover. Seattle, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 302 pages. Black and white comic strips, light edgewear to spine edges, otherwise clean, tight copy. This climactic book of Gottfredson serials also finds Mickey plagued by Uncle Gudger, the one-man circus-and Gilhooley, the pitiless king of the leprechauns! Floyd Gottfredson and co-writer Bill Walsh infect Mouseton with the super-hi-tech of the Sputnik era.

Art Intitute of Chicago/Yale University Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 251 pages illustrated in color. The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself--and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, The Baker & Taylor Company, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, green cloth pictorially stamped and titled in gilt. 302 pages, top edge gilt. Nostalgic picture of a boy's childhood in the 1900s. School, Goin' fishin," baseball and the circus are all part of this story with line drawings by Frederic Dorr Steele. Mild shelf wear, spine slightly cocked. Clean.

Hardcover. NY, Viking, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 480 pages. In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing--if occasionally entertaining--poor white trash. "When you turn an election into a three-ring circus, there's always a chance that the dancing bear will win," says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg.The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as "waste people," "offals," "rubbish," "lazy lubbers," and "crackers." By the 1850s, the downtrodden included so-called "clay eaters" and "sandhillers," known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds.

Hardcover. NY, Lothrop, Lee & Shepard, 1sr, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Come and enjoy the sequence of hilarious events that is set in motion when Mike holds one end of a rope for a clown at a circus. This imaginatively illustrated book is complete with tattooed man, acrobatic ladies and roaring lion." Clean copy.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.

Hardcover. NY, Simon & Schuster, 2nd pr., 1932, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering and design on front cover, 244 pages, b&w illustrations. The author of Bring 'Em Back Alive relates more tales of collecting and transporting wild animals for zoos and circuses. Includes tigers, elephants, spitting cobras, black leopard, miniature deer and much more, mostly done in India and Borneo. Clean copy. Mild shelfwear, clean copy.

Hardcover. NY, Rinehart & Company, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 344 pages illustrated with b&w drawings by the author. Clean copy.

Hardcover. NY, Doubleday, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Color illustrations by Ray Cruz. Shows minor wear, otherwise nice condition. Hardbound, dust jacket.