dance

Hardcover. NY, Delacorte Press, 5th pr., 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with $5.95 on flap with the number 8021 underneath it, and the number 0369 on the bottom rear flap, indicating a true first edition jacket. Stated fifth printing June 1969. Light blue boards, gold and red titles on spine, gold facsimile signature on front board. There is tanning and light soil to the dust jacket. No markings. Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber's son turned draftee turned optometrist turned alien abductee.

Hardcover. NY, Harper and Row, 1st US, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and yellowing dust jacket. Tromp Kramer, Africaner police detective, and Mickey Zondi, Bantu police sergeant, in Trekkersburg, South Africa, are featured in this fourth detective novel by McClure. Exotic dancer Eve?'s sensual act features a five-foot royal python. When she is discovered in her dressing room dead of strangulation, her dancing partner turns out to be the murder weapon.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY SHULEVITZ on title page. In a sleepy sleepy house everything is so sleepy - until music drifts in through an open window. Chairs begin to rock, dishes begin to dance, and a sleepy boy opens his eyes to the revelry of the once-sleepy house. Then, softly, the music drifts out, and everything is sleepy sleepy once more. With his soothing text and gentle, whimsical illustrations, Uri Shulevitz has created the ultimate sleepy sleepy bedtime story. So Sleepy Story was a 2006 New York Times Book Review Best Illustrated Book of the Year.

Hardcover. New York , Farrar, Straus and Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY SHULEVITZ on title page. In a sleepy sleepy house everything is so sleepy - until music drifts in through an open window. Chairs begin to rock, dishes begin to dance, and a sleepy boy opens his eyes to the revelry of the once-sleepy house. Then, softly, the music drifts out, and everything is sleepy sleepy once more. With his soothing text and gentle, whimsical illustrations, Uri Shulevitz has created the ultimate sleepy sleepy bedtime story. So Sleepy Story was a 2006 New York Times Book Review Best Illustrated Book of the Year.

Hardcover. NY, Henry Holt , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 386 pages,b&w illustrations. They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. Todd S. Purdum's portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and young lovers wherever they are. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 60 pages. Hardcover with dust jacket. SIGNED ON TITLE PAGE. Clean, tight copy.

Hardcover. NY, Metro Books , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages illustrated in color and b&w. A pictorial history of the Broadway musical. Light edgewear to dust jacket. Clean copy.

NY, Metro Books , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,178 pages illustrated in color and b&w. A pictorial history of the Broadway musical. Clean copy.

Hardcover. NY, Rizzoli, 1st, 1990, Book: Very Good, Hardcover, 191 pages. Hardcover. Dust jacket unclipped. Color illustrations throughout. Ginn, a New Zealander who spent three years traveling through the regions covered here, depicts in photographs and explains in brief captions dance traditions in her own country, Australia, the Solomon Islands, India, Burma, Thailand, Nepal and Indonesia. Dust jacket has a touch of moisture damage to back. Otherwise clean inside and out. DOMESTIC SHIPPING ONLY.

Hardcover. London, Hutchinson's Books for Young People, 1st, unkn., Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with clipped dust jacket. Illustrations by C. Gifford Ambler. Dust jacket shows minor wear, covers good. Internally, previous owner's name on front fly leaf. tight copy.

Softcover. Atglen PA, Schiffer Books, 2008, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, b&w photos throughout. Here are the ladies who pioneered and perfected the art of titillating performance in the 1950s, as captured by famous female photographer and pin-up girl Bunny Yeager. Celebrities shown include Dixie Evans, Blaze Starr, Bonnie Bell, Michelle Toots LAmour, and Kitten DeVille, and Lana Loy. These women practiced the art of teasing with varying and increasing degrees of nudity, and were billed under many monikers, including stripper, exotic or erotic dancer, burlesque queen, and stripteuse. Though most strip clubs have abandoned the delayed gratification of teasing in recent decades, the art of striptease is undergoing revival. Yeagers images embody the mix of sultry and playful that characterized the art during the 1950s. Here famous subjects pose in the spotlight amidst smoky nightclubs, as well as at home or relaxing on the beach. If you love women, youll love this journey back into the era of the 1950s.

Hardcover. New York , North-South Books, 1st US, 2002, Book: Very Good, Dust Jacket: Good, Hardcover, 24 pages illustrated in color by Lisbeth Zwerger, Dust jacket tanning at edges, price-clipped. Otherwise very good, clean.

Softcover. NY, Picador/Farrar Straus Giroux, 1st US, 2022, Book: Very Good, Dust Jacket: None, Softcover, 398 pages, Illustrated in color and b&w. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts-streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight. Jenny Uglow's Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war. Remainder dot to top edge otherwise like new.

New York, Harcourt Brace, 1st, 1939, Book: Good, Dust Jacket: Good, Hardbound, light blue cloth stamped in black. 155 pages. Top front cover with slight bend. Black & white illustrations by Reginald Birch. Dust jacket fair only with fading, chipping, tears. Brodart cover. The story of an Irish lad and his tin whistle that makes an old cow dance, complete with a Fairy Queen, Celtic humor and a happy ending. No markings.

Hardcover. Lubbock TX, Texas Tech University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, 132 b&w photos by J. Marcus Weekley. Documents the dance hall culture across the state.

Hardcover. London, Palazzo Editions, reprint, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages. Illustrated in color by Robert Ingpen. The 1926 translation is by Carol Della Chiesa. Award-winning illustrator Robert Ingpen captures the rascally Pinocchio and his extraordinary escapades as never before, breathing new excitement into this enchanting classic. The tale of how the old woodcarver Geppetto made a disobedient puppet boy that could talk, dance and turn somersaults has been a much-loved story since it was first written more than 130 years ago. The Adventures of Pinocchio first appeared in 1881 as a series in a children's newspaper. Since then, readers young and old have delighted in Collodi's fantastic fairy-tale world, in which anything can happen and excitement waits round every corner. Clean copy.

Hardcover. Cambridge MA, Barefoot Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 96 pages. SIGNED BY BOTH AUTHORS on a tipped-in bookplate on the front fly leaf. Lovely color illustrations by Rebecca Guay. Let yourself be drawn into the magical world of the dance with this sumptuous anthology. Love, laughter, betrayal, adventure and tragedy intertwine to create stories that will reach deep into the heart and dreams of the reader. The story of "The Sleeping Beauty" will whisk you away to the thorny castle where Princess Aurora awaits her prince; the comedy and confusion of "Coppelia" will delight you, and the magical adventures of Clara in "The Nutcracker" will entrance you. Featuring a brief history of classical ballet, as well as historical details of each dance, composition, choreography and early performances, this book will captivate anyone with a love of this awe-inspiring art.

Softcover. San Francisco, Chronicle, 1st, 1994, Softcover in a cardboard slipcase, 448 pages. The sensual curve of the shoulder, the disturbing line of a scar, the magnetic pull of a lashed eye -- since the birth of photography, images of the human body have attracted, disturbed, fascinated, and obsessed us. The body has been scrutinized by medical and anatomical photographers; it has been celebrated by photographers of sport and dance; it has inspired a long tradition of photographing the nude; and it has been depicted in phantasmagoric terms. In this rich, involving archive of over 360 duotone and color images culled from worldwide collections, renowned photo curator William A. Ewing has compiled the most comprehensive and arresting visual survey ever published of the human form. From nineteenth-century erotica to the politicized images of the 1990s, The Body offers an exciting, elegantly packaged, provocative record of the camera's infatuation with the human figure.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 187 pages. Written with Busby Berkeley. Foreward by Ruby Keeler. With more than 250 photographs. "The life and works of the Wizard of Oz of the Thirties and Forties with a complete filmography of his meticulously ordered fantasy world." Clean copy.

Hardcover. Boston, New York Graphic Society, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 187 pages. Written with Busby Berkeley. Foreward by Ruby Keeler. With more than 250 photographs. "The life and works of the Wizard of Oz of the Thirties and Forties with a complete filmography of his meticulously ordered fantasy world."

Softcover. UK, Cambridge University Press, 1st pbk, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 352 pages. A groundbreaking study of cultural life during a turbulent and formative decade in contemporary China, this book seeks to explode several myths about the Cultural Revolution (officially 1966-1976). Through national and local examination of the full range of cultural forms (film, operas, dance, other stage arts, music, fine arts, literature, and even architecture), Clark argues against characterizing this decade as one of chaos and destruction. Rather, he finds that innovation and creativity, promotion of participation in cultural production, and a vigorous promotion of the modern were all typical of the Cultural Revolution. Using a range of previously little-used materials, Clark forces us to fundamentally reassess our understanding of the Cultural Revolution, a period which he sees as the product of innovation in conflict with the effort by political leaders to enforce a top-down modernity. Clean copy.

Softcover. Sausalito CA, Point Inc , 1st, 1978, Book: Very Good, Dust Jacket: None, 144 pages. Paperback Magazine. Very Good+,144 pages. Contributors: Michael McClure, Gregory Corso, David Brower, David Meltzer; Peter Coyote, Wavy Gravy. 40 pages of strips by R. Crumb (Little Joe, Mr. Nostalgia, Modern Dance Workshop and The Final Solution). 8 pages by Dan O'Neill.

Hardcover. Philadelphia, Chilton Book Co, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 176 pages, profusely illustrated in b&w. Clean copy.

Hardcover. NY, Schirmer Books , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Photographs from the thirties and forties show dancers in their roles, composers, set and costume designers, and other performers.