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Hardcover. Greenwich CT, New York Graphic Society, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers in a worn, chipped dust jacket. Menotti's own narrative version of his opera of the same name. The full color and b/w drawings are based on the set designs for the Metropolitan Opera's production. Photo of both author and illustrator appear on rear of jacket.

Hardcover. NY, Da Capo Press, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright yellow price-clipped dust jacket. Frontis portrait, 174 plates. All of the best drawings from Beardsley's later period, including the illustrations for "The Yellow Book", "The Savoy" and "The Rape of the Lock". Reprinted from the second London edition of 1911. Previous owner's initials on front fly leaf, otherwise clean.

Softcover. Silver Spring MD, Picture This Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 140 pages in color. Edited and restored by the artist's grandson, Brian E. Collins, with an introduction by Eisner Award-winning author Frank M. Young, and an Afterword by comics columnist Ed Catto. Lost Art Books launches the initial volume in a new series devoted to under-appreciated illustrator and comic artist Kreigh Collins (1908-74), collecting for the first time his syndicated Sunday strip, Mitzi McCoy, in its entirety. Kreigh Collins (1908-74) had a wanderlust, fueled by an itinerant childhood, that led to a lifetime of adventures, whether it was leaving his humble midwestern roots to study the masters in the Louvre and hone his craft painting on the banks of the Seine or getting knifed in Morocco while boating and painting his way through North Africa. But equally strong was the draw of his adopted home in Michigan, which is where he launched and set his first syndicated newspaper strip, Mitzi McCoy, in 1948. It didn't take long, though, for wanderlust to strike again, rendering Mitzi but a precursor to Collins' eventual 20-year run on the picaresque adventure comic, Kevin the Bold. Lost Art Books celebrates these beautiful beginnings with this first-ever complete collection of Collins' Mitzi McCoy. Drawn as well as scripted by Collins, Mitzi McCoy showcased the artist's skill as an illustrator and storyteller. His picturesque landscapes, lovely character designs, and thrilling action sequences brimmed with detail and charm, and the strip's ensemble cast rotated in and out of the spotlight, taking turns as protagonists in the dozen story arcs collected in this volume.

Softcover. NY, Thames & Hudson, 1st pbk., 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 304 pages. Profusely illustrated in b&w. Piranesi has a powerful appeal for our time. His brilliance as a graphic artist, his transformation of the European vision of Classical antiquity, and his themes of fantasy have been the focus of considerable study in recent years. But though these aspects are important for an appreciation of Piranesi's visual significance, they have tended to obscure other factors essential for a complete understanding of his unique achievement. In this copiously illustrated study, John Wilton-Ely - one of the world's foremost authorities on Piranesi - offers a full reappraisal of the complex personality of an astonishingly versatile artist. His book covers every aspect of Piranesi's life and work, emphasizing especially his importance as a pioneer of Roman archaeology, the high quality of his technical illustrations, and his role in the great Graeco-Roman debate of the 1760s. The author brings to life the Enlightenment world of the artist's ideas - fundamentally bound up with the birth of Neo-Classicism - and the search for an appropriately modern form of expression; and he shows the practical and influential form taken by these ideas in Piranesi's architectural projects, his designs for furniture and decorative schemes and his imaginative restoration of antiquities. Clean copy.

Hardcover. Philadelphia, Running Press, 3rd pr., 2002, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with cover label. 64 pages in color. Christopher Wormell's magnificent, color-drenched linoleum-block illustrations grace this alphabet book, so handsomely designed it's sure to appeal to discriminating adults as well as to children. The award-winning British artist, whose previous work An Alphabet of Animals took the top graphics prize at the 1990 Bologna Children's Book Fair, has created all new artwork for his latest interpretation of the alphabet, featuring glorious images of animals from armadillo to zorilla (a skunklike creature). Clean copy.

NY, Watson-Guptill , 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Folio, unpaginated. Profusely illustrated with nearly 900 advertisements, designs, photographs etc. Hardcover, bound in original cloth with dustjacket. In excellent condition. No markings. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harper and Brothers, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, in original beige cloth with pictorial design to cover and title to spine in black. Classic humorous cartoons by the celebrated graphic illustrator. The author's 3rd book. 224 pages, 350 drawings, states first edition on copyright page. Mild darkening of spine. Otherwise a clean, very good copy.

Softcover. NY, Crowell/Alskog, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. This is one of a series of eight books on various aspects of photography. They were published in the mid Seventies and have a great deal of good information and diagram some of the shots featured in the book. This book is one of the best of the eight and that is saying something as they are all good. Sadly Art Kane committed suicide five or six years after this book came out, so it is now a retrospective of most of his work. This is an overview of some of Kane's most defining work at the height of the 60's culture wars, some pieces have gone on to define a generation. Fully illustrated in b/w & color with full page descriptions of techniques involved.

Softcover. NY, Owl/Henry Holt, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, color illustrations. The magical qualities of three-dimensional and moving books have universal appeal. The Pop-Up Book offers a clear and practical guide to the pop-up papercrafts for all levels of artist, from home hobbyists to professional graphic designers and architects. Illustrated with specially commissioned photography, it includes specific projects with easy-to-follow steps, general techniques for greater personal experimentation and creativity, and a gallery of designs created by some of today's best pop-up artists for an inspirational finish. Clean copy.

Hardcover. Hermes Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Music inspired, science fiction and fantasy combined in a way that revolutionized poster art of the Psychedelic 1960's-era. Famous for his rock posters, The Psychedelic Rock Art of Carl Lundgren, a Detroit, Michigan based artist, showcases his posters which were as important to the Detroit Music and Art history as were the music legends themselves; The Who, Jefferson Airplane and Pink Floyd to name a few. The book's forward is written by Mitch Ryder, who was lead vocalist of a Detroit 1960's rock group The Detroit Wheels. The introduction is by Russ Gibb, a former radio personality and rock promoter from Dearborn, Michigan, who played a major role in the late sixties/early seventiesMotor City music scene.

Hardcover. Insight Editions, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 16 pages. Born from shadow and mystery, Will Eisner's deathless hero returns in a recreation of The Spirit's final two issues. Coinciding with Frank Miller's upcoming Spirit movie, Will Eisner's The Spirit: A Pop-Up Graphic Novel spins a noir tale of blackmail, murder, and espionage innovatively crafted into seven full-color pop-up spreads. Reborn, The Spirit breaks out of the conventional comic book frame, animating the vigor and dynamism of Eisner's original vision. Designed by renowned paper engineer Bruce Foster (creator of The Pop-up Book of Celebrity Meltdowns and designer of the Caldecott nominated Little Red Riding Hood) Will Eisner's The Spirit: A Pop-Up Graphic Novel comes alive with expansive panoramic cityscapes, three-dimensional action sequence pop-outs, frame-by-frame expanding mini-booklets, and scene change pullouts. Re-colored and ingeniously renovated, the novel design animates the vigorous action of the Spirit's final exploits with an inventiveness merited by Eisner's original imagination. From the noir aficionado to the comic zealot, fans will celebrate this renaissance of Eisner's masterpiece, heralding the interactive ingenuity of a new format for sequential art.

Hardcover. UK, Pi Global Publishing Limited, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, Drawn from Opie''s unrivalled collection, this scrapbook illustrates song sheets, magazine covers, comic postcards, fashion and food, games, propaganda posters and a wealth of British wartime ephemera whose very survival is remarkable. Due to size (10 1/2 X 15"), DOMESTIC SHIPPING ONLY.

Softcover. Woodstok VT, The Woodstock Foundation, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, b&w illustrations. SIGNED BY JANE AND WILL CURTIS on the front fly leaf. This work was published in observance of the 100th anniversary of Marsh's death in 1882. It graphically portrays the many-faceted career of this extraordinarily versatile Vermonter. Marsh is best known for his pioneering environmental study, Man and Nature, which was first published in 1864. Marsh was a lawyer, linguist, businessman, farmer, designer, Congressman, and diplomat (he was Minister to Turkey and to the newly-united Kingdom of Italy, where he spent the last twenty-one years of his life, a tour of duty unprecedented in American diplomacy). In Congress he supported creating of the Smithsonian Institution.

Softcover. New York, Viking Studio, 1st, 1998, Book: Very Good, Dust Jacket: None, 129 pages, color illustrations. Features 40 of the designers posters for the Lincoln Center. Large softcover, clean, bright copy.

Softcover. NY, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Why did Frankie say "Relax"? Did anyone really want to hurt Boy George? And why didn't anybody walk in L.A.? This Ain't No Disco can't answer all these head-scratchers, but it does bring the New Wave era back with page after totally awesome page of 300 of the best album covers. This rad collection includes covers from the late 1970s to the mid-'80s and will have true believers of a certain generation totally spazzing. New Wave was defined as much by style, fashion, and graphic design as the music itself witness the ruffled cuffs and heavy makeup of the New Romantics, the skinny ties and peg-pants of the neo-Mods, and the unsettling robotic personae of Devo and Gary Numan. Bursting with wild hairstyles, futuristic typography, pastel shapes, and outlandish clothing, these are the album covers that defined an era and continue to influence music and fashion styles today. A nostalgic trek with a mental soundtrack, This Ain't No Disco will inspire readers to don those rubber bracelets once again and proclaim, "Let's dance this mess around!"

NY, ADC, 1st, 198, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. No markings. Index, b/w & some color illustrations. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Salt Lake City, Gibbs Smith, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 160 pages, illustrated in color and b&w. Trailer Travel showcases the rich visual history of America's enduring fascination with life on the road. Beautifully reproduced color and black-and-white images culled from public archives and the private collections of passionate trailerites vividly document the travel trailer?s storied past. This engaging volume offers a look at motor-camping trips in the early 1900s, the unparalleled innovations in trailer design during the thirties, rare and unique trailer models and interiors, and an extensive array of bold and graphic promotional material, literature, and postcards that illustrate the undeniable attraction of living on wheels.

Hardcover. Mark Batty, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. A fresh perspective on movie posters, comparing posters from different countries that promote the same film. The emphasis is on famous movies: Citizen Kane, The Third Man, Sunset Boulevard, The 400 Blows, La Dolce Vita, The Birds, Dr. Strangelove, My Fair Lady, Chinatown, Annie Hall, etc. In the case of each film, posters are presented in brilliant color, or black and white as the case may be, from various countries showing the varying ways that artists sought to promote the film.

Hardcover. Taschen, 1st, 1013, Book: Very Good, Dust Jacket: Very Good, hardcover, 336 pages. At the height of the Jazz Age, when Prohibition was turning ordinary citizens into criminals and ordinary criminals into celebrities, America's true crime detective magazines were born. True Detective came first in 1924, and by 1934, when the Great Depression had produced colorful outlaws like Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, and John Dillinger, the magazines were so popular cops and robbers alike vied to see themselves on the pages. Even FBI boss J. Edgar Hoover wrote regularly for what came to be called the "Dickbooks," referring to a popular slang term for a detective. As the decades rolled on, the magazines went through a curious metamorphosis, however. When liquor was once more legal, the Depression over and all the flashy criminals dead or imprisoned, the "detectives" turned to sin to make sales. Sexy bad girls in tight sweaters, slit skirts, and stiletto heels adorned every cover. Cover lines shouted "I Was a Girl Burglar-For Kicks," "Sex Habits of Women Killers," "Bride of Sin!," "She Played Me for a Sucker," and most succinctly, "Bad Woman."True Crime Detective Magazines follows the evolution and devolution of this distinctly American genre from 1924 to 1969. Hundreds of covers and interior images from dozens of magazine titles tell the story, not just of the "detectives," but also of America's attitudes towards sex, sin, crime, and punishment over five decades. With texts by magazine collector Eric Godtland, George Hagenauer, and True Detective editor Marc Gerald, True Crime Detective Magazines is an informative and entertaining look at one of the strangest publishing niches of all time.

Hardcover. New York, Reinhold, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 270 pages. Illustrated with full color and black & white examples of fine book design. Clean, tight copy.

Hardcover. NY, W. W. Norton, 2nd Ed., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. Since its first publication in 1987, this book has become a standard reference work for typographers, designers and students alike. This new edition includes an examination of the latest technological developments in design and composition of type, and introduces the work of some of the more recent designers to have made their mark in the 20th century. Profiles of a new generation of typographers working in the latter half of the 20th century, such as Matthew Carter, Sumner Stone and others, bring the book up to date. Working with entirely different tools than their predecessors, they reflect the new typography in varying degrees. Filmsetting and digital typesetting have brought new opportunities - as well as new disciplines. Clean copy.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 374 pages. This beautifully typeset and illustrated book offers a singular collection of 35 in-depth articles on typography and the printing arts, from the earliest type design techniques to the latest in digital typeface and design development. Originally printed in Matrix, the renowned and highly respected journal of the printing arts, the articles cover a number of individual typefaces, techniques of making type using both historical and contemporary means, and arguments for the continuing use of obsolete printing technologies. Here too are detailed examinations of book design, ornamentation, and mathematical and other non-Latin typography.

Hardcover. Gloucester MA, Rockport Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated throughout in color. Light edgewear to dust jacket, else a clean, tight copy. Work from a diverse pantheon of internationally known designers captures the fluidity, the sensitivity and the art of designing with type. These stylists and practitioners of typographic virtuosity provide a range o work which has individuality, attitude and graphic flair. Collectively they demonstrate the power of type in contemporary design.