Hardcover. Philadelphia, PA, John S. Lettell, 1837, Book: Good, Dust Jacket: None, Hardcover. 394 pages. Marbled covers with calf spine and corners. Raised bands and red label with gold lettering on spine. Previous owner's stamp on title-page. Previous owner's signature on front end paper. Light foxing to a few pages. Rubbing to covers. Ex-library with usual markings and stamping. Edgewear. Corners bumped.
Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.
Hardcover. NY, Holt, Rinehart & Winston, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, library edition, NOT EX-LIB. Stated First Edition.
Hardcover. Chapel Hill NC, University of North Carolina, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 363 pages. In examining the founding of New England towns during the seventeenth century, John Frederick Martin investigates an old subject with fresh insight. Whereas most historians emphasize communalism and absence of commerce in the seventeenth century, Martin demonstrates that colonists sought profits in town-founding, that town founders used business corporations to organize themselves into landholding bodies, and that multiple and absentee landholding was common.In reviewing some sixty towns and the activities of one hundred town founders, Martin finds that many town residents were excluded from owning common lands and from voting. It was not until the end of the seventeenth century, when proprietors separated from towns, that town institutions emerged as fully public entities for the first time. Name on front endpaper, otherwise clean.
Softcover. London, W. Stewart & Co., 1st, 1881, Book: Fair, Dust Jacket: None, Scarce. 76 pages plus index, b&w illustrations. Covered in brown protective paper wrapper. Previous owner's signature inside original front cover. Top right corner torn from original title page; bottom right corners missing from index pages. Original rear wrapper missing. Else pages clean and tight.
Hardcover. NY, Columbia University Press, 2nd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped with gilt title. 243 pages. Clean, bright copy. No dust jacket.
Hardcover. New York, Rizzoli, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,160 pages. Folio. gray cloth, spine stamped in gilt. Richly illustrated with 172 illustrations, 50 in full color. First monograph of this American-born artist who has lived most of his life in England. Includes a catalogue of all his work up until 1985.R.B. Kitaj (1932-2007) is one of the most intriguing 20th century artists. Born into a Russo-Jewish family near Cleveland, Ohio, 17-year old Kitaj spent 5 years at sea aboard a Norwegian freighter. He went on to study art in New York and Vienna. A Royal College of Art stipend made him move to London where he became a celebrated artist. Curating The Human Clay, a 1976 show of figurative contemporary British artists, he coined the term "School of London" for the artistic circle around Francis Bacon, Frank Auerbach, Lucian Freud, and Leon Kossoff. In 1991 he was elected a member of the Royal Academy, one of only three American painters to be thus honored in the history of the institution. A major 1994 retrospective at London's Tate Gallery failed to produce Kitaj's international breakthrough, but was unanimously panned by British critics instead. This, and the unexpected death of his wife Sandra, induced his increasingly paranoid perspective. Embittered he returned to the USA and settled in Los Angeles, where he finally took his own life in 2007. Kitaj left behind a manuscript unmatched among 20th-century artist autobiographies -- Confessions of an Old Jewish Painter. Eloquently describing his vices and sufferings, it stands in the traditions of both St. Augustine and Thomas de Quincey. Now published for the first time, it is a sensation, from both a literary and art historical point of view.
hardcover. London, Turnberry Consulting , reprint, 2013, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Extensive color and b&w photographs throughout. Silver gilt titles on spine. Includes extensive glossary. Like new in publisher's shrink-wrap.
Hardcover. Philadelphia, PA, George W. Jacobs & Company, 1st Edition, 1924, Book: Very Good, Dust Jacket: Fair, 334 pages. Hardcover. Color frontispiece and b/w illustrations throughout. Previous owner's bookplate, stamp, and pencil markings on front endpapers. Some pages untrimmed. Blue leather cover boards, gilt title on spine and front cover boards with two color decoration. Boards are excellent. Dust jacket has agewear, but present. binding very good. Pages and edges have some tanning. Top edge dyed. Dr. Gordon brings an artist's eye as well as the knowledge of a historian to the beautiful city of London and her historic landmarks.
Hardcover. London, Smith Elder & Co., 3rd Ed., 1836, Book: Very Good, Dust Jacket: None, Hardcover, brown calf covers with embossed design, black leather spine label with gilt lettering, gilt-decorated raised bands. Title page states Third Edition. Clean, bright copy. If we used Fine as a condition (we don't), this volume would qualify.
Hardcover. London, Smith Elder & Co., 2nd Ed., 1836, Book: Very Good, Dust Jacket: None, Hardcover, 3/4 black calf with marbled boards, spine with leather labels, gilt lettering, raised bands. Title page states Second Edition. Previous owner's name in pencil on front fly leaf, otherwise clean. If we used Fine as a condition (we don't), this volume would qualify.
Hardcover. Surrey UK, Ashgate Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 165 pages. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. B&w, color illustrations.
Softcover. Oxford UK, Cambridge University Press, reprint, 2013, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Examines the reception of Socinian ideas in England, providing a rereading of political and ecclesiastical developments during the English Revolution. Light pencil marking to 10 pages, otherwise clean.
Hardcover. UK, Cambridge University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 277 pages. Rivers examines the rise of Anglican moral religion during the period 1660-1780, and the reactions against it. Series Editor(s): Erskine-Hill, Howard; Richetti, John. Series: Cambridge Studies in Eighteenth-Century English Literature & Thought. Volume 1 ONLY. Name, date on front fly leaf.
Hardcover. NY, Harper and Row, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 269 pages. 'Weber's famous study of the 'affinity' between the rise of rational bourgeois capitalism in England and Calvinist-Puritanism has for almost a century stirred up a cloud of dust and misunderstanding. Toward the end of settling some of the dust no one has previously made such an acute analysis of pre-revolutionary England as has David Little. On the one hand, he has applied and extended Weber's method, especially in the sphere of the law-monopoly and corporation law-thus filling a gap in these studies. He has also delineated the sharply conflicting conceptions of social order and of legitimation. On the the other hand, Little has given an invaluable critical survey of the extensive literature of Weber's thesis. This is a landmark in the study of the complex and varying relations between religion and society.' -James Luther Adams, Harvard Divinity School. Clean copy.
Hardcover. Boston, Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant-garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London's Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. Rhythms of Modern Life examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley's introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists.
Hardcover. London, Raphael Tuck & Sons, 1st, Book: Very Good, Dust Jacket: None, Hardcover. 94 pages. Brown cloth covers, beveled edges, gilt titles to spine and front cover, lovely gilt pictorial to front, patterned endpapers, all edges gilt, 10 full-page color plates (1 plate torn in half) and numerous b&w illustrated figures, by Frances Brundage and M. Bowley. Previous owner's bookplate to front endpaper, light edgewear to covers, endpapers lightly discolored with age, chipping and tear to first plate, half of 9th color plate torn off, a few pages separate from page block.
Hardcover. London, St. Bartholomew's Hospital, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 423 pages, b&w illustrations. Published to commemorate the 850th anniversary of the founding of St Barts with two chapters devoted specifically to the development of the Medical College. A comprehensive history of London's oldest Hospital now a centre of excellence for cancer and cardiac care part of the NHS in Central London. Notation and small stamp to front endpapers, otherwise clean.
Hardcover. Philadelphia, Carey and Hart, 1st, 1843-46, Book: Good, Dust Jacket: None, Five volumes bound into one, 537 total pages. Half leather with marbled boards, edgeworn. All first American editions. The final book's full title: The Military Operations at Cabul, Which Ended in the Retreat and Destruction of the British Army, January 1842. With a Journal of Imprisonment in Afghanistan. Condition good with some browning and foxing to paper. Front inner hinge repaired with tape.
Hardcover. New York, Burt Franklin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages, b&w illustrations. Maroon covers w/ gilt lettering on spine. A very clean, tight copy in great condition.
Hardcover. London, Andre Deutsch, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering on spine somewhat faded. 256 pages, b&w illustrations. INSCRIBED BY BILL HUGHES, Special Branch, New Scotland Yard, to John Isham, American serviceman who served there in the 1940s. Otherwise a clean, tight copy.
Hardcover. Mohr Siebeck, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 654 pages, b&w illustrations. Light shelf-wear to dust jacket, previous owner's stamp on front end paper. Faint foxing to top edge, otherwise a clean, tight copy.
Hardcover. London , Selden Society/ Bernard Quaritch, 1st, 1908, Book: Very Good, Dust Jacket: None, 181 pages plus 55 preliminary pages. Text in English and Latin. Blue cloth covers, gilt lettering on spine, top edge gilt. A clean, tight copy.