Hardcover. Boston, Houghton Mifflin , 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 206 pages. Name on front fly leaf otherwise clean.
Hardcover. NY, Harper and Row, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket, 355 pages, b&w illustrations. Offers the general reader the complete history of Norman Sicily--"from the first day, in 1016, when a party of Norman pilgrims was accosted in the shrine of the Archangel Michael on Monte Gargano, to the last, a hundred and seventy-eight years later, when the brightest crown of the Mediterranean passed to one of the blackest of the German Emperors." The present volume covers the first hundred and fourteen of those years and is a history of struggles, intrigues, sieges, and insurrections, dominated by the sons and grandsons of Tancred de Hauteville and, above all, by the "gigantic blond buccaneer," Robert Guiscard, one of the most incredible men of the Middle Ages. The Other Conquest is an excellent book distinguished by its Horatian ability to delight as well as teach. Lord Norwich does not pretend to have unearthed any new material or to have put forward any startlingly original conclusions, but he has succeeded admirably in explaining "how the Normans got to Sicily in the first place, what sort of country they made of it, and how they managed to imbue it with a culture at once so beautiful and so unique." Clean copy.
Hardcover. NY, St. Martin's Press, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. A look at Britain in the period before the Battle of Britain - a world of gas masks, blackouts, rationing, evacuations and warnings about what to do if a German parachutist lands on your doorstep - a time when it was an offence to leave a car parked without disabling it and when signpost were torn down to confuse the enemy.
Hardcover. Salem MA, Marine Research Society, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, large paper edition, dark blue cloth with moire pattern, leather label on spine with gilt lettering. One of 84 numbered large paper copies with additional print of William Burges' view of Boston harbor on fine paper as a second frontispiece. 394 pages with approximately 50 b&w plates and maps. Contains accounts of the beginnings of English piracy and the famed pirates Dixey Bull, John Rhodes, Thomas Pound, William Kidd, John Quelch, Samuel Bellamy, John Phillips, and Henry Morgan, among others. Minor wear to corners, top of spine. Light scatch to front cover. No markings.
Hardcover. Chicago, University of Chicago Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages. The drama is the most social of the arts, depending upon physical space, audience, and social factors for its existence. It is no surprise, therefore, that the most successful criticism approaches theater the way Barber and Mullaney do: as historical artifact. Barber is the better known, having authored the classic Shakespeare's Festive Comedy (1959); the present volume is based on his papers and examines three early Elizabethan tragedies"Tamburlaine" and "Dr. Faustus" by Marlowe and "The Spanish Tragedy" by Kyd. Particularly interested in locating these plays in the unstable religious atmosphere of the late 16th century, Barber ably demonstrates his understanding of the social, historical, and economic factors that defined the era. Mullaney takes the novel approach of examining the theater in light of London topography; the title thus refers to the physical location of the playhouses as well as the social importance of the theater. Mullaney points out that the prejudice that forced the great theaters of the age to operate outside the city walls encouraged a drama that was radical and iconoclastichence its greatness. Mullaney's argument is fascinating and thought-provoking, convincingly presented. Clean copy.
Hardcover. London, Macmillan, 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcovers. Vol. 1: 586 pages. Vol. 2: 625 pages. Bright blue cloth covers with gilt lettering. An important historical work, including chapters on the Middlesex elections of 1768-69 (the first great platform campaign), the economy agitation, the legal position of the platform, the French Revolution agitation, Roman Catholic Emancipation, the Reform Bill, Chartism, the Anti-Corn Law League, accounts of notable libel and sedition trials, etc. Clean copies with light shelf wear.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 721 pages, many b&w illustrations, come color. John Brewster's landmark book shows us how British artists, amateurs, entrepeneurs, and audiences created a culture that is still celebrated for its wit and brilliance. Light notations to five pages, otherwise clean.
Softcover. Cambridge UK, Cambridge University Press, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. This study provides a comprehensive reinterpretation of the meaning of Locke's political thought. John Dunn restores Locke's ideas to their exact context, and so stresses the historical question of what Locke in the Two Treatises of Government was intending to claim. By adopting this approach, he reveals the predominantly theological character of all Locke's thinking about politics and provides a convincing analysis of the development of Locke's thought. In a polemical concluding section, John Dunn argues that liberal and Marxist interpretations of Locke's politics have failed to grasp his meaning. Locke emerges as not merely a contributor to the development of English constitutional thought, or as a reflector of socio-economic change in seventeenth-century England, but as essentially a Calvinist natural theologian. Name on front fly leaf, otherwise clean.
Hardcover. Omohundro Institute/University of North Carolina Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 349 pages. In an examination of transatlantic Puritanism from 1570 to 1638, Theodore Dwight Bozeman analyzes the quest for purity through sanctification. The word "Puritan," he says, accurately depicts a major and often obsessive trait of the English late Reformation. He argues forcefully for the various movements in England and New England termed 'antinomianism' to be seen as sustained protests against and deliberate alternatives to this great and defining Puritan achievement in practical divinity.
Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.
Hardcover. NY, Harper and Brothers, 1st, 1892, Book: Very Good, Dust Jacket: None, Two matching hardcover volumes, light gray cloth covers, gilt titles on spine, top edge gilt. 509, 588 pages. These books explore the lives of Puritans in Holland, England, and America during the 17th century. It provides a detailed account of the Puritan migration to America and their impact on American history. The book also discusses the religious and political factors that led to the Puritan migration, their beliefs, and their way of life. The author provides a comprehensive overview of the Puritan community in each of the three countries, highlighting their struggles, successes, and contributions to the development of America. The book is a valuable resource for anyone interested in American history, Puritanism, and the early settlement of America. Name and date on front fly leafs, otherwise clean. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.
Hardcover. NY, Simon & Schuster, BC Ed., 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 254 pages. Published in England as "A Wrinkle in the Skin." A post-apocalyptic science fiction novel, the story of a natural catastrophe that wipes out 10,000 years of human history overnight...and what happens to a man who searches this shattered world for his lost daughter.
Hardcover. London, Edward Arnold, reprint, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, maroon cloth with lightly worn dust jacket. St. Martin's Press the US distributor has put their sticker at the bottom of the spine on the jacket.
Softcover. NY, Harper Torchbooks, reprint, 1966, Book: Very Good, Dust Jacket: None, Softcover, 302 pages. This book presents the historical setting of the industrial revolution in a form suitable for the general reader. It seeks to explain why 18th-century England was the theatre of the great series of mechanical inventions that caused the revolution, and what were the great social changes that preceded, accompanied and followed it. Clean copy.
Softcover. NY, Oxford University Press, reprint, 2001, Softcover, 442 pages. The barristers were the most powerful and prosperous professional group in early modern England. This book systematically examines the barrister's working life during a half-century of rapid growth and structural change within the legal profession. Prest analyzes patterns of professional recruitment, training, and mobility and explores the participation of barristers in the cultural, religious, and political life of Elizabethan and early Stuart England. Remainder lines to bottom edge. Clean copy.
Hardcover. Leicester University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 262 pages, b&w photographs. Minor shelf wear to dust jacket. Else a very clean, tight copy.
Hardcover. NY, Knopf, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 393 pages plus a 16 page index. With eight pages of illustrations and a frontispiece. Clean copy.
Hardcover. New Haven CT, Yale University Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 410 pages, b&w illustrations. This book is about the first comprehensive and serious account of an important group of prehistoric monuments in the stone Circles of The British Isles. Aubrey Burl, author provides a hypothetical chronological framework for the circle, examining in particular their possible astronomical function. Special attention is paid to Stonehenge and Avebury, the two best known and most spectacular rings. Clean copy. Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. Boston, Atlantic-Little, Brown Company, 5th pr., 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. SIGNED BY MORISON on the front fly leaf. 81 pages, b&w illustrations. Chapters include "The Indians," "The European Discovery," "Mount Desert as a Landmark," "The New England Settlement Begins," "The People of Mount Desert," "The Rusticators," "Yachting," etc. Clean copy.
Softcover. New Haven CT, Yale University Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 654 pages, b&w illustrations. This major revisionist account of the pre-Reformation Church recreates lay people's experience of religion in 15th-century England. Eamon Duffy shows that late mediaeval Catholicism was neither decadent nor decayed, but was a strong and vigorous tradition, and that the Reformation represented a violent rupture from a popular and theologically respectable religious system. Clean copy.
London, Rupert Hart-Davis, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 292 pages. Maps on the endpapers. Black and white illustrations by Timothy Birdsall. A illustrated guide to the major theatres in London along with a brief history of each. No dust jacket. A bright, clean copy.
Hardcover. Boston, David R. Godine, 1st, 2009, Hardcover, 192 pages. The photography of Angus McBean encompasses more than three decades of the history of British theater. His work includes most of the memorable productions of the Old Vic Company and of what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet and operetta at Sadler's Wells; and West End productions of plays and musicals both old and new -- hundreds of productions in all. He was the favorite photographer of Vivien Leigh, Laurence Olivier, and Edith Evans, and he photographed countless plays starring John Gielgud, Ralph Richardson, and Alec Guinness, not to mention younger stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. In fact, McBean photographed virtually every great actor of his era, perhaps the most brilliant years in the annals of British theater. His studio was active and eclectic; among his patrons were not only actors, singers, and dancers, but also playwrights, producers, composers, artists, and writers. In his early career, McBean had been a pioneer of surrealist photography, with a highly popular series of "surrealized" portraits that appeared in The Sketch, and, later, of montage and multiple-exposure photography in a long-running series for The Tatler. In 1969, McBean approached Harvard University to initiate the sale of his collection, and in the following year his archive of glass plate negatives, index prints, and programs, together with the copyrights, became a part of the Harvard Theatre Collection, where it remains the most often-requested collection of visual material. The photographs in this book, selected and captioned by the archive's curator, Fredric Woodbridge Wilson, have been carefully reproduced from the original negatives.
Softcover. NY, Doubleday Anchor Book, 1st US, 1968, Book: Very Good, Dust Jacket: None, Softcover, 298 pages. First published in 1917 and long regarded as a classic of English social history. Preface by Asa Briggs. Clean, bright copy.
 "The Origins of Political Stability: England 1675-1725 by: Plumb, J. H.")
 "The Other Conquest: The Norman Conquest of Sicily in the 11th Century by: John Julius Norwich")
 "The Phoney War --A None-To-Reverent Account of Britain's Home Front 1939-1940 by: Turner, E. S.")
 "The Pirates Of The New England Coast 1630-1730 by: Dow, George Francis; Edmonds, John Henry")
 "The Place in Legal History of Sir William Shareshull; Chief Justice of the King's Bench; 1350-1361; A Study of Judicial & Administrative Methods in the Reign of Edward III by:")
 "The Place of the Stage: License, Play, and Power in Renaissance England by: Mullaney, Steven")
 "The Platform Its Rise and Progress (Two Volumes) by: Henry Jephson")
 "The Pleasures of the Imagination: English Culture in the Eighteenth Century by: Brewer, John")
 "The Political Thought of John Locke: An Historical Account of the Argument of the 'Two Treatises of Government' by: Dunn, John/John Locke")
 "The Precisianist Strain Disciplinary Religion & Antinomian Backlash in Puritanism to 1638 by: Bozeman, Theodore Dwight")
 "THE PRINTS OF THOMAS MORAN. In the Thomas Gilcrease Institute of American History and Art Tulsa, Oklahoma by: Morand, Anne & Friese, Nancy")
 "The Puritan in Holland, England, and America. An introduction in American History. Two volumes. by: Douglas Campbell")
 "The Ragged Edge by: John Christopher")
 "The Rise of Modern Industry by: Hammond, J. L. and Barbara")
 "The Rise of the Barristers: A Social History of the English Bar, 1590-1640 by: Prest, Wilfrid R.")
 "The Royal Dockyards during the Revolutionary and Napoleonic Wars by: Morriss, Roger")
 "The Royal George 1819-1904: the life of H.R.H. Prince George, Duke of Cambridge by: Giles St. Aubyn")
 "The Stone Circles of the British Isles by: Aubrey Burl")
 "The Story of Mount Desert Island (SIGNED COPY) by: Samuel Eliot Morison")
 "The Stripping of the Altars: Traditional Religion in England, 1400-1580 by: Duffy, Eamon")
 "The Theatres of London by: Raymond Mander and Joe Mitchenson")
 "The Theatrical World of Angus McBean: Photographs from the Harvard University Theatre Collection by: Fredric Woodbridge Wilson and Richard Traubner")
 "The Town Labourer by: J.L. and Barbara Hammond")