england illustrated

Hardcover. NY, Harper & Brothers, 1st, 1903, Book: Very Good, Dust Jacket: None, Hardcover, green clith with gilt titles on front and spine, 340 pages. Illustrated with several photographs, top edge gilt. Essays on the literary and political figures of the 1860s, including Charles Dickens, W. M. Thackery, Thomas Carlyle, Alfred Tennyson, Richard Owen, Richard Cobden, John Bright, Sir Stafford Northcote, Sir Richard Burton, Lady Burton, J.A. Blake, Sir Patrick O"Brien, Lady Russell, Lord John Russell, Garibaldi, Robert Keeley, John Arthur Roebuck, Lord Clarence Paget, Thorold Rogers, and Goldwin Smith. Justin McCarthy (1830 ? 1912) was an Irish nationalist, a Liberal historian, a novelist and a politician. He was a Member of Parliament from 1879 to 1900 in the House of Commons of the United Kingdom of Great Britain and Ireland and an ardent proponent of Irish Home Rule. He is perhaps best remembered for his five volume work--A History of Our Own Times which covers the Victorian Era from Queen Victoria"s accession to her Diamond Jubilee.

Hardcover. NY, Longmans, Green & Co., 1st, 1933, Book: Good, Dust Jacket: None, Hardbound, 278 pages. Illustrated by John Gincano. Previous owner's signature front endpaper. Heavy soiling to spine and edges of covers. Fade marks. Book covers a bit warped. Corners a bit bumped. Small chunk missing from p. 117, and tears to surrounding pages, but no harm to text. The book tells of the author's family immigrating from England to New York and then to Iowa and their lives on the Iowa prairie.

Hardcover. London, Hodder & Stoughton, 1st, N.D., Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. White lightly soiled covers with blue and silver lettering. Light foxing on piliminary pages. Featuring stories and poems by the likes of J.M. Barrie, Algernon Blackwood, and Rudyard Kipling, & illustrations by Walt Disney Studio, Paul Bloomfield, A.P. Payne, Sylvia Salisbury, A.H. Watson, H.S. Foxwell, etc, this book was printed as part of a charitable drive for the Princess Elizabeth (now Queen Elizabeth II) of York Hospital For Children

Hardcover. London, Thomas Nelson and Sons, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages in a bright dust jacket with minor edgewear. 267 B&W photos of artists, studios, art dealers, art educators; 101 color plates of artworks. This is a densely illustrated look at the early 1960s art scene in London, with visits to 81 painters and sculptors (including Henry Moore, Barbara Hepworth, Grahm Sutherland, Francis Bacon, R.B. Kitai, David Hockney, Bridget Riley). There are treks to art schools and places where art is sold. A large heavy volume which may require extra postage. Previous owner's inscription on front fly leaf otherwise clean.

Hardcover. New York, Rizzoli, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,160 pages. Folio. gray cloth, spine stamped in gilt. Richly illustrated with 172 illustrations, 50 in full color. First monograph of this American-born artist who has lived most of his life in England. Includes a catalogue of all his work up until 1985.R.B. Kitaj (1932-2007) is one of the most intriguing 20th century artists. Born into a Russo-Jewish family near Cleveland, Ohio, 17-year old Kitaj spent 5 years at sea aboard a Norwegian freighter. He went on to study art in New York and Vienna. A Royal College of Art stipend made him move to London where he became a celebrated artist. Curating The Human Clay, a 1976 show of figurative contemporary British artists, he coined the term "School of London" for the artistic circle around Francis Bacon, Frank Auerbach, Lucian Freud, and Leon Kossoff. In 1991 he was elected a member of the Royal Academy, one of only three American painters to be thus honored in the history of the institution. A major 1994 retrospective at London's Tate Gallery failed to produce Kitaj's international breakthrough, but was unanimously panned by British critics instead. This, and the unexpected death of his wife Sandra, induced his increasingly paranoid perspective. Embittered he returned to the USA and settled in Los Angeles, where he finally took his own life in 2007. Kitaj left behind a manuscript unmatched among 20th-century artist autobiographies -- Confessions of an Old Jewish Painter. Eloquently describing his vices and sufferings, it stands in the traditions of both St. Augustine and Thomas de Quincey. Now published for the first time, it is a sensation, from both a literary and art historical point of view.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. Shelburne, Vermont, New England Press, 1st, 1993, Book: Near Fine, Dust Jacket: Very Good, 349 pages. Volume I covers Addison Railroad to the Hardwick & Woodbury Railroad, 27 railroads in all. Red cloth covers, gilt titles to spine, dust jacket illustrate with color watercolor by Laura Brown, textured decorated endpapers, profusely illustrated with b&w plates. Stapled notes on Addison Railroad included. Very slight rubbing to dust jacket, clean covers, crisp, unmarked pages; a beautiful neat, tight copy in great condition.

Hardcover. New York, State University of New York, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages, illustrated throughout. Dust jacket edge wear and fade, minor rub, otherwise, very clean and tight copy.Here at long last is the study of the life and paintings of Ralph Earl, the colorful eighteenth-century American artist whose pictures hang in the great galleries but about whom relatively little has appeared in print. A pioneer landscapist in a day when portraiture was the vogue, a Tory in Revolutionary New England, he nevertheless captured the stance and spirit of the new nation in the first decades after the Revolution. He portrayed the merchants and civic leaders of the time, often with their families, in their homes, orchards, business establishments--and the result is a record of post-Revolutionary American dress, design, and decoration as well as face and figure. Professor Goodrich has tracked down and assembled forty-one of Earl's paintings for this book, providing the first opportunity of viewing the artist's work as a body. The pictures range from a youthful re-creation of the Battle of Concord, through portraits done in England (whence he fled during the Revolution and which enabled him to absorb the techniques of the great eighteenth-century English portraitists), to his invaluable paintings of General von Steuben, Mrs. Alexander Hamilton, and other figures in the young United States.

Hardcover. London, Charles Knight, 1st, 1844-45, Book: Very Good, Dust Jacket: None, Hardcover, marbled boards with red leather spine and corners. Two volumes bound in one, 244 pages & 254 pages. Gilt designs and lettering on spine. Profusely illustrated with woodcuts from the author's drawings. Mild wear to spine, tight, clean copy.

Hardcover. London, Andersen Press, 1st, 1987, Book: Very Good, Dust Jacket: None, 30 pages, hardcover, pictorial glazed boards. Illustrated in color by the author. While living in the underground stations during the war, Sammy helps the Raries rescue one of their children from the Rat Patrol. Clean copy.

Hardcover. New York, Harcourt, Brace, Jovanovich, Inc., 2nd Printing, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 448 pages. Illustrated with 16 pages of black & white photographs. Dust jacket with wear and darkening along top edge. Clean, tight copy.

Hardcover. London, Raphael Tuck & Sons, 1st, Book: Very Good, Dust Jacket: None, Hardcover. 94 pages. Brown cloth covers, beveled edges, gilt titles to spine and front cover, lovely gilt pictorial to front, patterned endpapers, all edges gilt, 10 full-page color plates (1 plate torn in half) and numerous b&w illustrated figures, by Frances Brundage and M. Bowley. Previous owner's bookplate to front endpaper, light edgewear to covers, endpapers lightly discolored with age, chipping and tear to first plate, half of 9th color plate torn off, a few pages separate from page block.

Hardcover. NY, Prestel, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. Illustrated with color and b&w photos. A captivating exploration of London's iconic Soho district, capturing its vibrant and eclectic mix of people, subcultures, and street life. This photographic collection delves into Soho's rich history of art, nightlife, and diversity, revealing both the allure and the edgier, untamed aspects of this unique area. Opening with a look at Soho through the years, this book includes archival images of Suffragettes learning Jiu-jitsu in a Soho gym, David Bowie preparing to record at Trident Studios, and Francis Bacon drinking at the French House. The book then presents the work of photographers who have shed light on Soho's many faces through the decades, including Kelvin Brodie, Clancy Gebler Davies, Corinne Day, William Klein, and Anders Petersen. Also featured is a new series of work by young, up-and-coming photographer Daragh Soden, whose images were specially commissioned by The Photographers' Gallery for this project. These streetscapes and portraits are by turns intimate and haunting, visceral and vibrant, nostalgic and provocative. Clean copy.

Hardcover. Princeton, NJ, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 468 pages, b&w illustrations, some color. Illustrated from photographs, paintings, and other works of art, portraits, and plans. Eastlake (1793-1865), an artist, scholar, collector, and public administrator, served as president of the Royal Academy and the first Director of the National Gallery. Robertson covers the artists, writers, scholars, and statesmen of Eastlake's Victorian art world, as well as exhibitions and sales, critical controversies and art-historical writing. With appendices which include checklists of Eastlake's own paintings and private collection, a record of the National Gallery's acquisitions of 1824-1865, and much more. Includes bibliographical references and index. Rubbing, edge wear to dust jacket; closed tears to bottom of spine and rear top right corner. Else a clean, tight copy.

Hardcover. London, Hodder & Stroughton, 1st, 1923, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, blue cloth covers with gilt design. Color frontispiece portrait of the famous English architect. Illustrated with 12 color plates, 91 b&w plates (some fold-outs). Top edge gilt, clean copy with the scarce light blue dust jacket that has light edgewear with coat-of-arms on front panel, title on spine.

Hardcover. Boston, David Godine, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Color illustrations. Edward Ardizzone, one of England's most beloved artists and illustrators, was also an artist who could never resist the temptation of filling his letters to family and friends with enchanting vignettes and sketches. Like all of his work, these were done quickly, humorously, and lovingly, with a sure touch for outline, wash, and color that always distinguished his work. For the first time, here is a selection of those letters, envelopes, and illustrations, selected and edited by Judy Taylor, longtime children's book editor at the Bodley Head and among Ardizzone's closest friends and correspondents.

Hardcover. Boston, David Godine, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Color illustrations. Edward Ardizzone, one of England's most beloved artists and illustrators, was also an artist who could never resist the temptation of filling his letters to family and friends with enchanting vignettes and sketches. Like all of his work, these were done quickly, humorously, and lovingly, with a sure touch for outline, wash, and color that always distinguished his work. For the first time, here is a selection of those letters, envelopes, and illustrations, selected and edited by Judy Taylor, longtime children's book editor at the Bodley Head and among Ardizzone's closest friends and correspondents.

Hardcover. London, Eveleigh Nash, 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt design, 315 pages plus ads. Black & white illustrations. Minor foxing to some pages. Light wear to covers. Clean, tight copy. Illustrated from rare prints and portraits in the collection of A. M. Broadley. Frontispiece plate of Elizabeth Chudleigh, Countess of Bristol with tissue facing. Illustrated with 24 more plates in text.

Hardcover. London, Chatto & Windus, 1st, 1899, Book: Very Good, Dust Jacket: None, 332 pages plus publisher's ads in rear. Blue cloth covers with gilt design and lettering, top edge gilt. Etching frontispiece by Francis Walker and 119 b&w illustrations. Previous owner's signature on blank page opposite preface, otherwise a clean, bright copy.

Hardcover. NY, Alfred A. Knopf, BD Ed., 1977, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 499 pgs. illustrated with photographs and maps. Who speaks for England? A farmer, a miner, a housewife, factory workers, dog breeders, shopkeepers and pigeon fanciers, more than sixty men and women of various ages and occupations, all inhabitants of the small northern English town, Wigton. Stated First Edition but no price on dj, embossed square to back cover, so a Book Club Ed. Name on front fly leaf, otherwise clean.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 16 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 224 page book with historic photographs and home plans. Clean copy.

Hardcover. London, Frederick Muller Limited, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. White cover with gilt lettering to spine, color illustrated dust jacket, 32 pages of 87 color plates of stain glass in England. Light wear to dust jacket; overall a clean, tight copy.

Hardcover. London, Lund Humphries, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, b&w and some color illustrations. Dust jacket bright, unclipped.