ephemera

1952, Color art of grandad with kids carrying pumpkins through hatstacks by John Falter. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1953, Color art of disgruntled couple eating breakfast while painter works by Stevan Dohanos. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, PictureBox, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages. Color illustrations. Overspray is the conclusive account of the rise of airbrush art, and of the equally bright and glossy Los Angeles culture alongside which it came to prominence in the 1970s. Inspired by surf graphics, psychadelia and the slick shine of Hollywood, a generation of young artists began to make every lip and palm tree glisten, and every record cover shine. Fueled by a combination of intense demand, sleepless nights and brutal competition, the four men at the center of L.A.'s airbrush art market--Charles E. White III, Peter Palombi, Dave Willardson and Peter Lloyd-embarked on careers encompassing work for Playboy, Levi's, the Rolling Stones, Rod Stewart and major studio films including American Graffiti and Tron. Together, their work came to define the look of illustrative graphics for a generation of viewers. This book tells the story of these four artists for the first time through hundreds of images of the artists' best and best-known work, unseen production roughs, documentary photographs and other ephemera. Viewed now, their surreal, funny and utterly slick imagery seems all the more fantastic-combining technical precision with wild flights of imagination that bring to mind the work of some of today's top artists, from Takashi Murakami to Matthew Barney. Essay by Mike Salisbury, acclaimed designer of everything from Disney logos to Jurassic Park ad campaigns to Sassy magazine.

Hardcover. Taschen, 1st revised, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 706 pages. Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Dali, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stones--all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones--most notably Iman--back to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenya's population explosion, which challenged finite resources and stressed animal populations--including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw--with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. Minneapolis, Pillsbury Mills Inc,, 1954, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, plus covers. Pictorial wrappers, Illustrations (some in color). "Ann Pillsbury" was a leading home economist who wrote this first edition of this book in 1946 to share the idea that baking is fun! And, just like Betty Crocker, Ann Pillsbury was totally made up. Contains cherished recipes from 100 kitchens in America. Cover photo of Art Linkletter with Mrs. Bernard Kanago of Webster, S.D., the 1953 award winner. Clean copy.

Hardcover. Boston, Museum of Fine Arts, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. , 144 pages illustrated in color and b&w. During the global postcard craze that peaked around 1900 and continued for several decades thereafter, photographers in Africa grasped the opportunity to serve a lucrative market for images of the continent, both locally and worldwide. Their picture postcards now contribute to understanding political and cultural changes in Africa at the time, as the rise of the new medium coincided with the expansion and consolidation of colonial rule. They also provide a way to reconstruct the life and work of the photographers of European, African and other backgrounds who created these images-which often survive only in postcard form-and in some cases published them as well. The cards were produced for residents and travelers in Africa, as well as for buyers and collectors who had never set foot on the continent. Their depictions of colonial administrations and the exploitation of resources and peoples, as well as images inscribing tribal identities and racial classifications, often reflect the colonizers' worldview. Yet it is also possible to recover the authorship of some of the African women and men who participated in these photographic encounters. For instance, some cards show that members of Africa's elites recognized the power of photographic images to enhance their standing and present their own narratives.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Softcover. Philadelphia, privately printed, 1st, 1893, Book: Very Good, Dust Jacket: None, Softcover booklet, 26 pages. Not a reprint. Pages uncut along top edge. Bright copy.

Hardcover. Brattleboro VT, Vermont Printing Co., 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt stamping, 260 pages, b&w illustrations. Related ephemera laid in. Name stamp on front fly leaf, otherwise a super clean, bright copy.

Softcover. W. Hartford CT, The American Radio Relay League, 1st, 1932, Book: Good, Dust Jacket: None, Single issue softcover magazine, 96 pages. B/w illustrations, ads. Articles include: Crystal Control for Ultra-High Frequencies, Stabilizing Superheterodyne Performance, Simplified Remote Control for Amateur Trasmitters, others. Wraps lightly worn, dust soiled.

Softcover. NY, Rizzoli, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, illustrated in color. Celebrating the culture and design of the railroad from its beginnings in the Industrial Revolution through its 20th-century heyday, Railroad is a loving tribute to the unique aesthetic of trains. With hundreds of archival and contemporary photographs, it examines the glamorous early days, when train travel meant sumptuous, luxurious interiors with formal black-tie dining cars and private sleeping-suite cabins, up to the present with the sleek, streamlined design and record-breaking speeds of modern trains around the globe. Touching on every aspect of railroad design, from the interiors and exteriors of the trains, to railroad stations, signage, and trestles and tunnels, Railroad also abounds in such train ephemera as tickets, conductor uniforms, timetables, and advertisements, and is sprinkled with trivia and anecdotes illuminating railroading's colorful history. As both harbinger of modern engineering and nostalgic symbol of an earlier age, the railroad continues to exert a fascination over all those interested in travel, engineering, and design. Clean, bright copy.

Softcover. New York , Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: None, 207 pages, duotone plates throughout. Clean, bright softcover. Painstakingly assembled from the collection of Harvey Tulcensky, one of the world's most avid collectors of these original postcards, Real Photo Postcards includes images of natural phenomena (floods, storms, fires), Main Street America, rural life, political parades, and wacky "exaggeration" cards (such as a photographically manipulated giant rabbit!). Together these cards show an oddly personal and intimate perspective of America at the turn of the 20th century.

Softcover. New York , Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: None, 207 pages, duotone plates throughout. Clean, bright softcover. Painstakingly assembled from the collection of Harvey Tulcensky, one of the world's most avid collectors of these original postcards, Real Photo Postcards includes images of natural phenomena (floods, storms, fires), Main Street America, rural life, political parades, and wacky "exaggeration" cards (such as a photographically manipulated giant rabbit!). Together these cards show an oddly personal and intimate perspective of America at the turn of the 20th century.

Softcover. NY, Thames & Hudson;, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Fashion designer Peter Golding's comprehensive collection is a unique, insightful record of the 20th century's most exciting and productive periods of rock poster art and graphics. As part of the '60s and '70s fashion movement, Peter Golding's famous ACE boutique in London's Chelsea district brought him into regular contact with the biggest names in rock 'n' roll, and he went on to create one of the most comprehensive collections of rock 'n' roll graphics in existence. Showcasing the cream of this collection and more, Rock Graphic Originals is packed with vibrant poster art, logos, stage set designs, and promotional ephemera created for artists such as the Grateful Dead, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Pink Floyd, The Doors, and many others.Barry Miles's concise introduction places the key protagonists and their work within their cultural and political context, while reflections from the artists themselves lend unique perspectives on their influences and methods. The book is punctuated throughout with special illustrated features on the social, political, and cultural phenomena that influenced the music scenes and design approaches of the period, including radical collective, The Diggers, US and UK underground comics, the psychedelic shops, and the legalize pot rallies. Rock Graphic Originals is a unique, insightful record of the 20th century's most exciting and productive periods of rock poster art and graphic design. 1,000 color illustrations . Remaider line on bottom edge.

Softcover. NY, Avon Books, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, pictorial green wrappers, 124 pages. Black/white photos and illustrations. Reproductions of skit scripts and other ephemera from the early years of the TV show. Small notation on inside front cover, otherwise clean.

Hardcover. NY, Oxford University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages. In Science before Socrates, Daniel Graham argues against the prevalent belief that the Presocratic philosophers did not produce any empirical science and that the first major Greek science, astronomy, did not develop until at least the time of Plato. Instead, Graham proposes that the advances made by Presocratic philosophers in the study of astronomy deserve to be considered as scientific contributions. Whereas philosophers of the sixth century BC treated astronomical phenomena as ephemeral events continuous with weather processes, those of the fifth century treated heavenly bodies as independent stony masses whirled in a cosmic vortex. Two historic events help to date and account for the change: a solar eclipse in 478 BC and a meteoroid that fell to earth around 466. Both events influenced Anaxagoras, who transformed insights from Parmenides into explanations of lunar and solar eclipses, meteors, and rainbows. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, color illustrations throughout. "Combining pictures, words, and a wealth of personal ephemera, scrapbook makers preserve on the pages of their books a moment, a day, or a lifetime. This illustrated book focus on the history of American scrapbooks - their origins, their makers, their diverse forms, the reasons for their popularity, and their place in American cultural life." Examines the evolution of scrapbooks from the beginning of the nineteenth century to the present, concentrating on the first half of the twentieth century. She includes color photographs from more than two hundred scrapbooks, some made by private individuals and others by the famous, including Zelda Fitzgerald, Lillian Hellman, Anne Sexton, Hilda Doolittle, and Carl Van Vechten.

Softcover. NY, See Publishing Co,, 1946, Book: Good, Dust Jacket: None, Single magazine issue, color wraps, Linda Darnell on cover. 42 pages, b&w photos throughout. Vintage tabloid magazine published monthly and devoted to celebrity sightings, sports, war, some emphasis on scantily clad women wearing high heels. Page on Jane Russell. Paper tanning.

Softcover. NY, See Publishing Co,, 1954, Book: Good, Dust Jacket: None, Single magazine issue, color wraps, Elaine Stewart on cover. 42 pages, b&w photos throughout. Vintage tabloid magazine published monthly and devoted to celebrity sightings, sports, war, some emphasis on scantily clad women wearing high heels. Articles on brain-washing, should women be banned from sports, Jackie Gleason and his dancers, Dorothy Dandridge. Paper tanning.

Softcover. Rochester NY, Home Institute, 1940, Book: Very Good, Dust Jacket: None, Softcover, 40 page booklet profusely illustrated in b&w by the author who was an instructor at New York University as well as a professional illustrator. #92 in a series of self-help pamphlets published by the Home Institute. Clean, 6 X 9".

Softcover. Wochester MA, Simplex Player Action Company, reprint, Book: Very Good, Dust Jacket: None, Softcover booklet, undated, but appears to be a reprint from about 1940. Instructions for a device that used to help tune and repair pianos. 40 pages, b&w illustrations. Light wear to wrapper otherwise clean.

Softcover. Boston, Dr. Earl S. Sloan, 1901, Book: Very Good, Dust Jacket: None, Softcover, stapled pamphlet, 48 pages. Small octavo. Illustrated wraps with silly rebus to front. Illustrations. . Binding sound and pages unmarked. Title page features a black and white image of Dr. Sloan (Formerly of St. Louis, MO)Includes recipes for Bread, Desserts, invalid recipes, candy, pickles and catsup, soup, jelly, meats, fish.Booklet features promotion for Sloan Medicines, including Sloan's Rubber Neck Liniment, Sloan's Liniment, Sloan's Sure Colic Cure For Horses, Sloan's Pink Eye Distemper and Fever Cure For Horses. Includes medical advice, testimonials from satisfied patients, 1900 Census Information, useful information, household hints.

Hardcover. NY, Houghton Mifflin Harcourt, 3rd pr., 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Caldecott Honor winner Sweet mixes White's personal letters, photos, and family ephemera with her own exquisite artwork to tell the story of this American literary icon. Readers young and old will be fascinated and inspired by the journalist, New Yorker contributor, and children's book author who loved words his whole life. This authorized tribute, a New York Times bestseller, includes an afterword by Martha White, his granddaughter.