Hardcover. NY, Farrar & Rinehart, 1st, 1941, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 277 pages, b&w illustrations by Henry Gillette, An historical novel featuring Revolutionary war hero John Stark. Related ephemera laid in. Minor wear to front fly leaf, otherwise clean.
Hardcover. New York, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. illustrated throughout. Very clean and tight copy. Striptease is the history of unapologetic fun aimed not at the head, not at the heart or even the stomach, but south of all three. Beginning with the birth of the striptease in the mid-19th century and culminating with its garish heyday in the 1950s, this book charts the evolution of the infamous bump and grind, which is, at its simplest, a pretty girl in a pretty dress ... and then not. The only fully illustrated book available on the subject, Striptease tells the history of this provocative form of stagecraft from its birth in vaudeville and burlesque through the "take it all off" attitude for which the term "striptease" was coined. Along the way, the book highlights such performers as Isadora Duncan, Loie Fuller, Maud Allen, Gypsy Rose Lee, Tempest Storm, and Blaze Starr. The witty and well-informed text is illustrated with an array of titillating images, including never-before-published ephemera and illicitly photographed performances in progress. Whether revealing ankles or breasts, playing peek-a-boo or going the full monty, Striptease pays tribute to the women who made a vocation of their sex appeal and shimmied their way into American culture.
Softcover. Chicago, Price Baking Powder Co., 1892, Book: Very Good, Dust Jacket: None, 64 pages, illustrated wrappers in 3-colors. Light soil to covers otherwise very good. Small hole in top corner with string loop.
Hardcover. College Station TX, Texas A&M University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, 232 pages. Like new in publisher's shrink-wrap. A postcard craze gripped the nation from 1905 to 1920, as the rise of outdoor photography coincided with a wave of settlement and prosperity in Texas. "Taming the Land" presents, in a large, detailed format, photographic postcards from twenty-four counties in the booming Texas Panhandle. Each entry includes this historical context of the photo.
Hardcover. New York, David McKay Company, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright, unclipped dust jacket. 118 pages. "But, somehow, store-bought presents do not always convey the warmth we hope will accompany the gifts. The thoughts and feelings behind the giving, not the grandness of the gift, are the important ingredients." - Foreword. lncludes handmade craft ideas and recipes. Illustrations in color and b&w by Tasha Tudor. ALSO INCLUDED: A packet of related ephemera- cards, catalogs, articles and clippings, etc.
Softcover. Seattle, Fantagraphics Books, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, b&w drawings throughout. The Compleat Cannon reprints the entirety of cartoonist Wally Wood's classic sex and violence strip from the 1960s. Super-spy John Cannon is the American's answer to James Bond, fighting the Cold War with a license to kill.Wally Wood is of course the legendary cartoonist known for his contributions to the original Mad magazine. Always regarded as one of comics' great craftsmen, Cannon is simply one of the most beautiful strips ever produced. Featuring outrageous parodies of pop culture icons of the time, the Cold War, and the secret agent genre, Cannon is Wood at his most gregarious and incisive, working on one of the few projects in his career where he had no editorial constraints.Like Fantagraphics' The Compleat Sally Forth, also by Wood, this oversized collection includes a section of never-before-seen Cannon ephemera in the form of sketches, notes and annotated information about the strip.
Softcover. Keene, NH, J. A. Wright & Co., 1944, Book: Very Good, Dust Jacket: None, Softcover, Full-color pictorial wrappers. Stapled binding. Thin, unpaginated pamphlet. Color illustrations by Vernon Grant, the artist who first designed Snap, Crackle and Pop for Kellogg's Rice Krispies. Tells the true story of a boy who saved a cow from a bog, and in doing so discovered a rare mineral ideal for cleaning silver.
Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.
Hardcover. NY/London, Booth-Clibborn, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. Basil Hyman, a keen amateur photographer, took hundreds of photographs of everyday life in Britain during the 1950s. The Lost Album is a nostalgic look back at this long-gone era, filled with photographs made during a time of enormous social change--just after World War II and before the "Swinging Sixties"--and a wealth of ephemera: theater tickets and playbills, newspaper advertisements, ration books, and much more. Special inserts include actual facsimiles of some of these now-obscure items--talismans from a slower time, when formality, pride, and courtesy prevailed. There are special sections on two major events: the Festival of Britain in 1951, and the Coronation of Queen Elizabeth II in 1953. With brief, lively introductions and captions, this is a captivating snapshot of how people lived and played in Britain in those years.
Softcover. New Haven CT, New Haven Railroad, 1st, 1938, Book: Very Good, Dust Jacket: None, Softcover, small 2-color brochure promoting the company's new streamlined locomotives, coaches and cars. 12 pages, photographs with a die-cut center featuring their 0361 locomotive. Super clean condition.
Softcover. Buffalo NY, Great George Route and International Railway., Book: Very Good, Dust Jacket: None, Single folding sheet with text and photographs printed on one side and a single full-color panoramic illustration on the other, circa 1923. Mild wear.
Hardcover. Princeton University Press, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colors that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
Hardcover. Boston, MFA Publications, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket. 295 pages in color. In the decades around 1900, a postcard craze swept the world, and billions of cards were bought, mailed and pasted into albums. Many famous artists turned to the new medium, but one of the great pleasures and enigmas of postcards is how some of the most beautiful and interesting examples were made by artists whose names we barely know. Drawing on the riches of the Leonard A. Lauder Postcard Collection (probably the finest and most comprehensive collection of its type), this gorgeous book traces the historical and cultural themes--enthralling, exciting, and sometimes disturbing--of the modern age. The first general publication on the postcard as an artistic medium since the mid-1970s, The Postcard Age is organized thematically, with chapters devoted to urban life, the changing role of women, sports, celebrity, new technologies, the stylish collectors' cards of Art Nouveau and World War I. The result is at once a vivid picture of the concerns and pastimes of the turn of the century and a sampler from the Lauder's vast archives. Still in publisher's shrink wrap.
Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1983, Book: Very Good, Dust Jacket: None, Softcover, 31 pages. A facsimile reprint of the 1650 pamphlet by Dury, laying out a plan for the organization of books and libraries. Clean, bright copy.
Hardcover. New Haven CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. No dust jacket. Profusely illustrated throughout in black & white and color. 433 pages. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Clean, bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 1941, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 301 pages. Illustrated with color and b&w plates. Endpapers map. Related ephemera laid in. Clean copy.
Hardcover. Los Angeles, Ward Ritchie Press , 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, b&w illustrations. Story of a real sailor, Capt. Barney Burnett, aboard the four-masted bark Astral. The ship is smashed and dismasted. at Cape Horn. The crew laboriously clear away the wreckage, rerig the shattered masts, and sail on to San Francisco through the teeth of the gale. Much related ephemeral material laid-in, including correspondence by Burnett.
Hardcover. NY, Alfred A. Knopf, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth with red and dark blue lettering on the spine and cover, 302 pages. A moving novel of the beginning of the American trek to the west. Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter's Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. This novel gives an excellent feel for America's lost woods culture, which was created when most of the eastern midwest was a vast hardwood forest---virtually a jungle. The Trees conveys settler life, including conflicts with Native Americans, illness, hunting, family dynamics, and marriage. INSCRIBED BY RICHTER on the front fly leaf. A bright, sharp copy missing the dust jacket. Related ephemera laid in.
Softcover. Austin TX, Lyndon Baines Johnson Library, 1st, nd, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 40 pages. Illustrated in color and b&w. Amazingly, no date for this exhibition catalog on WW1 that includes posters, photographs, letters and other ephemera and artifacts from the period. Clean copy.
Hardcover. UK, Pi Global Publishing Limited, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, Drawn from Opie''s unrivalled collection, this scrapbook illustrates song sheets, magazine covers, comic postcards, fashion and food, games, propaganda posters and a wealth of British wartime ephemera whose very survival is remarkable. Due to size (10 1/2 X 15"), DOMESTIC SHIPPING ONLY.
Hardcover. NY, Abrams Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards, 336 pages. This New York Times bestselling overview of Wes Anderson's filmography features previously unpublished behind-the-scenes photos, artwork, and ephemera, with an introduction by Michael Chabon. Writer/director Wes Anderson guides movie/television critic Matt Zoller Seitz through Anderson's life and career in a hardcover book-length conversation, woven together with original illustrations and production images from Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom.The result is a meticulously designed book that captures and reflects the spirit of Wes Anderson's movies: melancholy, playful, wise, and wonderfully unique.