essays

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 109 pages. Hardcover with dust jacket. Vibrant color illustrations throughout. This retrospective volume is not intended to illustrate a particular story, but to display the full range of her abilities, and it is arranged according to the seasons she celebrates in her art. There are fifty of her hand-colored woodcuts in full color and an equal number in black and white. The book is large format because that is the way she works and that's what does her work justice. The text, written by her friend Lilias Hart, discusses not only her work, but also what life is like in the rigorous reaches of Northern Vermont.

Softcover. Zurich, Shedhalle Zurich, 1st, 1992, Book: Good, Dust Jacket: None, 112 pages. Softcover. Exhibition catalog. Text in German and English. Black & white photographs by Francesca Woodman. 3 pages with brief underlining in ink. Light wear to covers. Introductory essays by Harm Lux and Kathryn Hixson. Chronology, bibliography, list of exhibitions. Francesca Woodman "was an American photographer best known for her black and white pictures featuring either herself or female models. Many of her photographs show young women who are nude, blurred (due to movement and long exposure times), merging with their surroundings, or whose faces are obscured. Her work continues to be the subject of much critical acclaim and attention, years after she died by suicide at the age of 22, in 1981."

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Very clean, like new copy still in publishers shrink wrap. Over 200 duotone images throughout. Tight copy. Born in Cork, Ireland, Frank Browne (1880-1960) was both a distinguished Jesuit and an accomplished photographer. At age 17, before commencing his studies for the priesthood, he embarked on a tour of Europe armed with a camera. Browne quickly discovered a strong affinity for photography, and continued to take photographs throughout his life. It was not until 1985, however-when Father Edward O'Donnell SJ discovered a large trunk in the Irish Jesuit Provincial's House and found it packed with negatives and photographs-that Browne was catapulted to international fame. Father Browne's remarkable life is recorded in the superb selection of images presented in this book. With wit and a sharp eye, he observed 20th-century Ireland; life as a Jesuit priest; his experience as a passenger on the first leg of the voyage of the Titanic in 1912; and his later travels throughout Europe, Egypt, Yemen, Ceylon, and Australia. This handsome, copiously illustrated volume offers a complete survey of the photographic work of an exceptional man.

Hardcover. D Giles Ltd, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. This is the first major publication in more than 30 years devoted to Duveneck, one of the most influential and widely respected late-nineteenth century American artists.Beloved to his students, Duveneck was lauded by many Gilded Age luminaries such as James Abbott McNeill Whistler and Henry James. Yet a century after his death, he is largely known only for asingle, brilliant painting, The Whistling Boy. By contextualizing his work in the artistic, cultural and social milieus of the time, this publication offers diverse perspectives on Duveneck's life, work, subjects and reputation. The essays span his beginnings as a painter of dark realism to his later impressionistic work and examine his significance as a printmaker and draftsman. The lavishly illustrated volume includes a chronology and selected bibliography. irst half of the book consists of essays which detail the artists uneven life. Numerous photos, drawings and a few great close ups. The second half of the book consists of the catalog. 128 catalog images, mostly paintings with some drawings and pastels. All in color.

Hardcover. New York, Rizzoli/Frank Lloyd Wright Foundation, 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 352 pages, edited by Bruce Brooks Pfeiffer. Illustrated mostly in b&w, some color. In publisher's shrinkwrap. This volume contains the last ten years of the writings of Frank Lloyd Wright (1869-1959)-including the famous works "The Natural House" (1954), "A Testament" (1957), and "The Living City" (1958)-which are a mixture of rehashed ideas, the reworkings of earlier published pieces, and fanciful explorations into the concepts of truth and beauty. Little new is revealed to the Wrightian scholar by these later works. Yet this last volume cannot be dismissed. As one reads these essays, earlier thoughts and beliefs of Wright, first discovered in the earlier volumes, regularly reemerge and remind the reader of Wright, great influence in art and architecture. Ultimately, this book's value lies in its comprehensiveness (even the banal is included).

Hardcover. New York, Rizzoli/Frank Lloyd Wright Foundation, 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 352 pages, edited by Bruce Brooks Pfeiffer. Illustrated mostly in b&w, some color. In publisher's shrinkwrap. This volume contains the last ten years of the writings of Frank Lloyd Wright (1869-1959)-including the famous works "The Natural House" (1954), "A Testament" (1957), and "The Living City" (1958)-which are a mixture of rehashed ideas, the reworkings of earlier published pieces, and fanciful explorations into the concepts of truth and beauty. Little new is revealed to the Wrightian scholar by these later works. Yet this last volume cannot be dismissed. As one reads these essays, earlier thoughts and beliefs of Wright, first discovered in the earlier volumes, regularly reemerge and remind the reader of Wright, great influence in art and architecture. Ultimately, this book's value lies in its comprehensiveness (even the banal is included).

Hardcover. NY, Duell, Sloan And Pearce, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, 8.5 inch square hardback in brick red cloth, 275 pages including bibliography and index. Contains speeches and lectures as well as articles from the Architectural Record, Architectural Forum, and Architect's Journal. Clean copy.

Hardcover. Munich / New York, Prestel / Neue Galerie, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. profusely illustrated in color and black & white throughout, including several full-page illustrations. Includes a preface by Ronald S. Lauder, a foreword by Renee Price and essays by Vivian Endicott Barnett, Erich Franz, Ursula Heiderich, Annegret Hoberg, Isabelle Jansen, and Olaf Peters. This generously illustrated volume focuses on the poignant friendship of Franz Marc and August Macke, two innovative members of the Blue Rider group. During the five years Franz Marc and August Macke knew each other, the two men carried on an artistic and personal friendship that had an immense impact of each of their careers. This book traces their relationship and features meticulously reproduced images that bring their paintings, and the bond they shared, to life. In addition to paintings, watercolors, and drawings from both artists, this book includes objects and documents that show their connection to one another. Clean copy.

Softcover. Vanguard, 1st, 2008, Book: Very Good, Softcover, 208 pages. Fantastic reference for artists; great entertainment for fans. The work of Frank Frazetta--THE greatest heroic-fantasy artist of all time--has influenced generations of artists, fans, designers, and movie directors. Now more than 400 of his unforgettable images have been collected in Frazetta, The Definitive Reference. With essays by experts and collectors, this one-of-a-kind volume traces the entire arc of Frazettas career. From his early 1950s comics; to his breathtaking book covers featuring Tarzan, Pellucidar, King Kong, and John Carter of Mars; to his 1960s monster mags, including Creepy, Eerie, and Vampirella; to his major movie posters, including After the Fox, The Night They Raided Minsky's and Whats New Pussycat?; and, of course, his revolutionary Conan paintings--its all here. Frazetta - The Definitive Reference overflows with fantastic images, an index of every published Frazetta work and insightful commentary on this fantasy-art icon. Compiled by James A. Bond (no relation to the international spy). Edited by J. David Spurlock and Andrew Steven with a foreword by Frazetta close personal friend Dr. David Winiewicz.

Hardcover. Berlin, Hatje Cantz, reprint, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 319 pages. Text by David Campany, Jeff Wall, Hans-Michael Koetzle. Text in English and German. Fred Herzog is known for his unusual use of color in the 1950s and 1960s, a time when art photography was almost exclusively associated with black and white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a pre-figuration of the New Color photographers of the seventies. This book brings together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. Small bunp tp top of front board otherwise very good, clean copy.

Softcover. Hanover NH, Hood Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, French flaps, 75 pages with 36 figures and 12 color plates. Issued in conjunction with a 2005 exhibition / installation by American artist Fred Wilson (b. 1954). With essays by Barbara Thompson, Mary K. Coffey, and Jessica Hagedorn, and many fine views of the artist's creativity. Clean copy.

Softcover. US, Detroit Institute of Arts, 1st, 2017, Book: Very Good, Dust Jacket: None, 224 pages. Softcover with publisher's shrinkwrap. Like new. Frederic Church (1826-1900), one of the leading painters of 19th-century America and the Hudson River School, also journeyed around the globe to find fresh inspiration for his highly detailed compositions. Among Church's lesser-known masterpieces are his paintings of the Middle East, Italy, and Greece, produced in the late 1860s through late 1870s, which explore themes of human history and achievement.Taking a closer look at this geographical and thematic shift in Church's practice, this handsome book brings together the artist's major paintings of Athens, Rome, Jerusalem, and the surrounding region. The essays concentrate on a set of six major paintings of architectural and archaeological marvels; one essay also spotlights Olana, Church's home in New York State, which reflects the influence of Middle Eastern design. This impressive volume stands apart in its new approach to the artist's work and its quest to determine why and how this quintessentially American figure was drawn to scenery and themes from the other side of the globe.

Hardcover. New York, Harry N Abrams Inc, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover with dust jacket. Very clean copy with only minor edgewear. Some slight soiling to dust jacket edges. More than 150 illustrations, including reproductions of masterworks spanning the artist's entire career, accompany five critical essays that reveal Remington's complexity and brilliance.

Hardcover. NY, Knopf, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Tanning to rear endpapers otherwise clean, very good in an unclipped dust jacket.

Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In his beautifully illustrated survey of Frida Kahlo's work, Lozano (art history, Iberoamerican Univ., Mexico City) explores her life and paintings in a series of essays that range from a poetic study by noted Mexican cultural critic Carlos Monsiv is to a short, prosaic piece written in 1943 by her husband, Diego Rivera, to an academic essay by Lozano himself. The common thread is how Kahlo's pre-Columbian background helped her find her own identity in the world and in the artist circles she frequented. To create a portrait of a woman so talented yet so tortured, Lozano uses Kahlo's own stunning images, offering high-quality reproductions of some of Kahlo's most famous works as well as some of her lesser-known pieces. Previously unseen photos of Kahlo at work in her studio are also included. The detail and clarity of the images is incredible, allowing the reader to explore each painting thoroughly.

Hardcover. Milan, Artvera's, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket. Like new in publisher's shrink-wrap. This one-of-a-kind book brings the work of German Expressionist artist Friedrich Karl Gotsch (1900-1984) to a larger, well-deserved audience. Gotsch, whose paintings are in the collections of the Brooklyn Museum and the Museum of Modern Art in New York, trained at the Dresden School of Fine Arts in the early 1920s and was inspired by the works of Oskar Kokoschka and Edvard Munch. While his early paintings follow a straightforward Expressionist style, he truly came into his own after World War II, when his work became distinct and easily recognizable: The energy, contrasting primary colors, vivid outlines, and free brushwork combine to produce powerful, spellbinding images. In addition to stunning color reproductions of his work, this book includes essays on Gotsch's art and life, illuminating the artist's creative development and the cultural milieu and influences that inspired him.

Softcover. Oxford UK, Cambridge University Press, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover, 277 pages. Friedrich Schleiermacher's groundbreaking work in theology and philosophy was forged in the cultural ferment of Berlin at the convergence of the Enlightenment and Romanticism. The three sections of this book include illuminating sketches of Schleiermacher's relationship to contemporaries, his work as a public theologian, as well as the formation and impact of his two most famous books, On Religion and The Christian Faith. Richard Crouter's essays examine the theologian's stance regarding the status of doctrine, church and political authority, and the place of theology among the academic disciplines. Clean, bright copy.

Softcover. NY, Aperture, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 172 pages. Nancy Newhall wrote some of the most incisive work ever published on the inner lives of the photographers who shaped the medium. Her friendship with photographers such as Paul Strand, Alfred Stieglitz, Edward Weston, Ansel Adams, and Helen Levitt, to name a few, lends her writing a vibrancy rarely found in essays on photography. Newhall was one of the few people to gain access to the inner circle--and thoughts--of the imposing Alfred Stieglitz, and her intimate portrait of him, previously unpublished, reveals a man of genius, humor, and kindness. Clean copy.

Hardcover. NY, Library Press, 2nd pr., 1971, Hardcover in a lightly worn dust jacket, 335 pages. Described by Melvin Lasky as "one of the great journalists of our time," Luigi Barzini was also one of the great cultural historians of modern Italy. From Caesar to the Mafia brings together his finest essays, roughly half of them never before published in the English language. Whether discussing the deep Italian roots of Julius Caesar, Casanova's contribution to the art of living big, or Camillo Cavour's contribution to a democratic as well as integrated nation, Barzini makes Italian culture come alive. Whether he is dealing with heroes or villains, he never loses sight of how Italy became a distinct nation. From Caesar to the Mafia is not only about people, but also focuses on places and problems. When Barzini discusses the Sicilians, the Isle of Capri, or his birthplace of Milan, he has the distinct capacity to capture what is universal as well as what is intimate in each place. Clean copy.

Hardcover. London, SCM Press Ltd, 1st UK, 1959, Hardcover, pale blue textures cloth with black stamping, gilt title on spine. 435 pages.

Hardcover. New York , Scholastic, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 400 pages. SIGNED BY 12 ILLUSTRATORS plus editor, in book and on bookplate. More than 140 folktales, folk songs, poems, and essays, placed in historical context are brought together with over 300 original illustrations from 11 Caldecott Medal and 4 Caldecott Honor book artists.

Hardcover. Boston, American Unitarian Association, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering, 232 pages. Collection of six essays, including "Atlanta University" by Professor W. E. Burghardt Du Bois in which the author discusses the significance of Atlanta University. Other institutions and authors include: Howard University by Prof. Kelly Miller; Berea College, by President William G. Frost; Tuskegee Institute by Prof. Roscoe Conkling Bruce; Hampton Institute by Principal H. B. Frissell; and Fisk University by President James G. Merrill. From a church library with label on spine, bookplate and stamp on front endpapers. Otherwise a sharp copy with no other markings or residue. Scarce in original edition.

Hardcover. London, Hutchinson & Co, 1st, 1951, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Brick cloth covered boards with gilt titles to spine. Light foxing to endpapers. Frontis illustration, Eden Phillpotts, in black & white. Toning throughout, tight binding with clean pages throughout.

Hardcover. Athens OH, Ohio University Press, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 373 pages. Editors Groth and Castronovo have chosen from Wilson's previously uncollected works to present materials illuminating his growth as a literary critic and writer. The works are arranged chronologically, beginning with essays published in the High School Record in 1911 proceeding to works penned for the Nation, New Republic, and the New Yorker in the Thirties, Forties, and Fifties, and winding up with an acceptance speech delivered by Wilson in 1966. Among the subjects of the essays are underrated pleasures (including Edith Wharton, satin breeches, and the human body), overrated experiences (such as afternoon tea, youth, summer, and weddings), and literary critiques, both admiring and scathing. Many libraries already own the source periodicals, but this collection includes a few items that would be difficult to obtain.