france

Hardcover. London, Frances Lincoln Children's Bks, reprint, 2015, Book: Very Good, Dust Jacket: None, 56 pages. Hardcover with no dust jacket. Some wear and light bumping to corners, otherwise clean, unmarked copy with only minor wear to boards.

Hardcover. NY, Doubleday, Doran & Company, 2nd pr., 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with embossed decoration on front cover, gilt faded on darkened spine, 325 pages. Drawings by Roese. Title page dated 1932, publisher's design on copyright page but no First Edition stated, so assumed 2nd printing. Topper, now a retired bank executive, is galavanting in the south of France with the very same mischievous, sexy, prohibition-despising ghosts as accomplices. Basis for the 1938 feature film starring Constance Bennett, Roland Young, Billie Burke and Alan Mowbray. Mild edgewear, clean and tight.

Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 368 pages plus fold-out list of plates. Hardcover. 54 full color plates plus hundreds of black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy. Complete coverage of works in lithography and drypoint including fine prints, posters, illustrations, book jackets, sheet music, etc.

Hardcover. Syracuse, N.Y., Syracuse University, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 241 pages. Light edge wear, soiling to price-clipped dust jacket. Foxing to top and fore-edge. Covers slightly warped. Else a clean, tight copy.

Hardcover. Boston, Houghton Mifflin , 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover. Illustrated in 2-color, full-color by Booz. Dust jacket chipped, edgeworn.

Softcover. London, T. Plummer, Printer, Seething Lane, reprint, 1801, Book: Very Good, Dust Jacket: None, Disbound stab-stitched pamphlet. 4 pages in small typeface. Presumably reduced from the 8 page 1798 printing. Moore, a Scottish cartographer, chart seller and educator with a somewhat controversial reputation, was accused of copying a chart of the coasts of France, Spain and Portugal drawn up by William Heather. The case was heard before Lord Kenyon with the prosecution led by Erskine; the jury quickly found for the defendant despite Kenyon's balanced instruction.

Hardcover. NY, Grove Press, 2nd pr., 1961, Book: Very Good, Dust Jacket: Good, Hardcpver in green boards with dark green cloth spine, titles stamped in gilt. Dust jacker shows edgewear and chipping, with $7.50 on flap. Top edge stained green. Framed gilt facsimile of Miller's signature to front of green boards. Clean, tight, bright. 348 pp. First published in 1939 in France, it took over 20 years to be cleared for publishing in the United States. Despite the ban, Miller has been one of the most influential figures in American literature. "The completion of his seven-volume autobiography, if it fulfills the promise of what he has already given us, will put his name amongst the three or four great figures of the age."

Hardcover. Princton NJ, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Fairy tales, often said to be ''timeless'' and fundamentally ''oral,'' have a long written history. However, argues Elizabeth Wanning Harries in this provocative book, a vital part of this history has fallen by the wayside. The short, subtly didactic fairy tales of Charles Perrault and the Grimms have determined our notions about what fairy tales should be like. Harries argues that alongside these ''compact'' tales there exists another, ''complex'' tradition: tales written in France by the conteuses (storytelling women) in the 1690s and the late-twentieth-century tales by women writers that derive in part from this centuries-old tradition. Grounded firmly in social history and set in lucid prose, Twice upon a Time refocuses the lens through which we look at fairy tales.

Hardcover. NY, Charles Scribner's Sons, 1st, 1895, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black, white and gilt design on front cover and spine. 191 pages, plus publisher's ads in rear. 12 b&w plates by Reginald Birch. Previous owner's inscription on front fly leaf, otherwise a clean, bright copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1895, Book: Very Good, Dust Jacket: None, Hardcover, 191 pages + publishers ads. B&w illustrations by Reginald B. Birch. Blue cloth, gilt decorations and titled to front and spine, no dust jacket as issued. Slight wear and rubbing along edges, light bumps to edges of spine, else a very nice, tight copy.

Softcover. Paris, ACAER/GPC, 1st, 1994, Book: Very Good, Dust Jacket: None, 68 pages. Softcover. Exhibition catalog. French and English text. Black & white photographs. From the introduction: "This catalogue has been re-edited by advanced reading copy wraps en reve architecture centre with the Georges Pompidou Centre, for the presentation in France of the exhibition "Warchitecture-Sarajevo, a wounded city". The exhibition and the catalogue were prepared by the architects of the Sarajevo association, members of the associations of Architects of Bosnia-Herzegovina DAS-SABIH". Light rubbing to cover edges, minor creases at corners. Clean, unmarked text.

France, Michelin & Co., 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Guide book to WW1 battlefield, illust. with black & white photos, maps (color two-page of Verdun). End-pages with ads. Previous owner's signature front endpaper. Dust jacket in excellent condition.

Softcover. UK, Antony Rowe, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, b&w illustrations. 178 b/w photos. The great German assault on Verdun opened on 21 February 1916 and the battle went on with furious attacks and counterattacks till it finally petered out on 18 December, ten months later, some two and a half months longer than the British offensives of the Somme and Third Ypres combined. After describing the origins and conduct of the battle with maps and illustrations the book takes us on a tour of the town and of various parts of the battlefield with its numerous forts. Originally published in 1919 by Michelin. Clean copy.

Hardcover. Paris, J. Hetzel, Reprint, 1867, Book: Very Good, Dust Jacket: None, 636 pages. Hardcover. French text only. Previous owners name at top left corner of preliminary page dated 1868. Gilt title and decorations on red leather spine with embossed pebbled cloth covers. Satirical black & white illustrations by Jean-Jacques Grandville. Marbled endpapers. All edges gilt. Light rubbing to cover edges and spine. Small area of discoloration on lower section of front cover. Clean, bright pages.

Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. Combines photography with the writings of a Pulitzer Prize-winning author to create a portrait of contemporary Vietnam healed from the war and replete with lush landscapes, customs, villages, traditions, and cities.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 292 pages. A look at early Federal society and government in an epistolatory format by a young Scottish woman on tour in America in the early 1800s. Edited by Paul R. Baker. Name on front fly leaf, otherwise clean

Hardcover. New York, Harry N. Abrams, 1st English, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, b&w photographs throughout. A very clean, tight copy.

Softcover. SelfMadeHero, 1st US, 2015, Softcover, 142 pages illustrated in color by Stok. Translated from the Dutch by Laura Watkinson. This graphic biography documents the brief and intense period of creativity Vincent van Gogh (1853-1890) spent in Arles, Provence, in southern France. Here van Gogh dreams of setting up an artists' studio--a haven where he and his friends can paint together. But attacks of mental illness leave the painter confused and disoriented. When his friend and fellow artist Paul Gauguin refuses to reside permanently at the Yellow House, a distraught van Gogh cuts off part of his own ear. Throughout this period of intense emotion and hardship, Vincent's brother, Theo, stands by him, offering constant and unconditional support. Writer and illustrator Barbara Stok breathes riveting new life into a fascinating episode of art history, creating a vivid portrait of one of the world's most beloved and legendary artists. Clean copy.

Softcover. London, Frances Lincoln, 1st, 2011, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. No other city has the variety of hairstyles male and female that parade the streets of London. The bouffant, the duck arse, the white wings of power swept over the ears, the coxcomb punk, the flat top, the social outrider's bowl cut. They're all there to make a place. In respect of the hair of the 80s, the rest of the world was dead from the neck up.' Buy a 35mm camera at the beginning of 1980 and spend the next 10 years walking around London taking half a roll of black and white a day and photograph whatever happens in front of you. You get Mick Jagger, New Romantics, Ra Ra skirts, Boy George, Sloane Rangers. The beginning of Covent Garden, Yuppies, The IRA bombings, the Iranian Embassy siege. 100s of newspaper flyers - John Lennon Shot Dead - Margaret Thatcher's London, Fashions that came and went. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Softcover. London, Frances Lincoln, 1st, 2011-08-30, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Softcover. Worcester MA, Worcester Art Museum, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 285 pages. 148 plates including 9 in color. Includes notes, bibliography, and catalogue. Minor edgewear to wrappers, clean copy.

Softcover. New York, Guggenheim Museum, 1st, 1997, Book: Very Good, Dust Jacket: None, 147 pages. Softcover. Full color illustrations. Light bump to top right corner. Clean, unmarked copy.

Hardcover. London, Dewi Lewis Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Nonpaginated. Hardcover. Color illustrations throughout. Clean inside and out. From the back cover: "The images in Vital Signs, Harvey Benge's fourth book of photographs, have been made in Paris, London, Prague, Hong Kong and beyond. They engage both the eye and the mind, inviting viewers to examine their own experience of urban life and what that means to them."

Softcover. NY, Grolier Club, 1st, 2017, Softcover, oblong format, 136 pages. A fascinating overview of the Golden Age of social and political satire in nineteenth-century France, Vive Les Satiristes! focuses on controversial and wildly popular journals like La Caricature and Le Charivari, and such great illustrators as Daumier and Grandville, who captured in their pages the foibles of those around them with unmatched humor, skill, and style. Published in conjunction with a Grolier Club exhibition, and beautifully illustrated, it includes a collector's statement, an introduction, and an essay by Josephine Lea Iselin. Still in publisher'e shrinkwrap.