georgia

Hardcover. Athens, Georgia, The University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 246 pages, b&w illustrations throughout. AN important study of early gravestone carvers in Georgia and South Carolina and the influences of their likes from New England. Black cloth with silver lettering to spine. Gray pictorial dust jacket with minor wear to edges of spine, else like new.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 232 pages. The question "What is American art?" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. Not content with those achievements, she also pioneered the appreciation and collecting of American folk art. Richly illustrated with works that passed through her groundbreaking gallery, this book tells the extraordinary and largely overlooked story of her career and legacy. The artists Halpert launched into the American canon are household names--and this book compellingly argues that hers should be, as well. In publisher's shrinkwrap.

Softcover. NY, Christie's, 2013, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 34 pages. BW & color illus. Issued in conjunction with an auction of Edward Hopper's painting "Blackwell's Island." Offers historical background with substantial text and archival and contemporary photographs Includes related works by fellow artists Robert Henri, Georgia O'Keeffe, George Wesley Bellows, and additional paintings by Hopper. Clean, bright copy.

Softcover. Philadelphia, J.B. Lippincott, reprint, 1970, Book: Very Good, Dust Jacket: None, Softcover, 186 pages. A detailed study of the politics underlying British policies of mercantilism in the American colonies. Focusing on the political activity of interest groups in the British Empire of the eighteenth century, Professor Kammen relates political influence in Georgian England to American colonial history, to the early history of the industrial revolution, to the incredible flood of writings in the later eighteenth century on political economy, and to the dynamics of Anglo-American political society, public life, and the empire. Name on front fly leaf otherwise clean.

Paperback. Athens, GA, University of Georgia Press, uncorr. proof, 1990, Book: Very Good, Dust Jacket: None, SIGNED BY NELSON on title page at the Breadloaf Writer's Conference 2000. Yellow wraps. A proof of Nelson's 1st book.

Hardcover. New York, Viking Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. Publisher's release and photo of author laid in. Foxing to top edge. Spine slightly cocked. Else a very clean, tight copy. The author's first work of fiction and his second book to be published (the first being a philosophical work published 1988 under the title "Being and Race: Black Writing Since 1970"). Writing of this debut Novel in the New York Times, Anne Gotlieb stated "This is a strange and often wonderful hybrid -- an ebullient philosophical novel in the form of a folktale-cum-black girl's odyssey. It is a book bubbling like a conjure woman's kettle with African lore, preserved intact in the half-magical, half-demeaning world of Hatten County, Georgia."

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Good, Hardcover, A captivating, spirited account of the intense relationship among four artists whose strong personalities, passionate feelings, and aesthetic ideals drew them together, pulled them apart, and profoundly influenced the very shape of twentieth-century art. Rear of dj has a crimp at top and a short trar at spine edge.

Hardcover. NY, Scribners, 1st , 1887, Book: Very Good, Dust Jacket: None, 236 pages. Hardcover with illustrated cloth covers. Covers moderately worn. Bookplate on front end paper, previous owner's name written on front fly leaf, otherwise tight copy. Brick cloth covers w/a green & pink floral design by Margaret Armstrong was stamped on the front cover & spine. Five tales from the author's native Georgia. In the first story set in 1850, Free Joe is a freed slave whose serious demeanor and energy are a bit troublesome to slave-owners.

Hardcover. New York, W.W. Norton, 2nd, 2004, Book: Very Good, Dust Jacket: Very Good, 627 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to edges. Color pictures in center.

Hardcover. Baltimore, Genealogical Publishing Co., 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering, 733 pages. Many of the early settlers of Barbados eventually moved to the mainland of North America and settled in Virginia, Georgia, the Carolinas, and other colonies. Records of Barbados families exist in a variety of places and indeed a great many have been written up and published in the turn-of-the-century journal "Caribbeana" and "The Journal of the Barbados Museum and Historical Society". Unfortunately, back issues of these journals are no longer available, and copies can be found today in only a handful of libraries. With this present work, however, genealogists at last have access to both of these publications, for the book contains every article pertaining to family history ever published in these journals. The combined articles, reprinted here in facsimile, range from conventional genealogies and pedigrees to will abstracts and Bible records and refer to some 15,000 persons, all of whom are listed in the index. Besides the genealogies and family records, this compilation also contains a selection of notes on the connections between Barbados and New England families and four invaluable lists of Barbados Quakers.

Hardcover. NY/Boston, Little Brown & Co., 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 175 pages. This is the first major publication and exhibition devoted to a comparative view of the work of Georgia O'Keeffe and Ansel Adams." who became friends in Taos. The exhibition was organized y the Georgia O'Keeffe Museum in Santa Fe. Contains essays and beautiful illustrations by both artists. Contains an index, source notes, chronologies, and a bibliography in the rear. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated in color. Bright, clean copy in similar dust jacket.

Hardcover. Princeton, Princeton University Press, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. B&w illustrations. White cloth. beautiful pictorial dust jacket. A lovely copy without tears and bumps. Looks almost brand new.

Softcover. Ketchum, Idaho, Computer Lab, 1st, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in b&w.

Softcover. Hanover NH, University Press of New England, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 679 pages, b&w illustrations. Georgia O'Keeffe is arguably the 20th century's leading woman artist. Coming of age along with American modernism, her life was rich in intense relationships -- with family, friends, and especially noted photographer Alfred Stieglitz. Her struggle between the rigorous demands of love and work resulted in extraordinary accomplishments. Her often-eroticized flowers, bones, stones, skulls, and pelvises became extremely well known to a broad American public. The New York Times Book Review named this richly detailed and moving biography a Notable Book of the Year. Clean, bright copy.

Hardcover. New York, Abrams/ Metropolitan Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Large format, 148 pages with 81 full-page plates in monochrome and sepia tone. Still in publisher's shrinkwrap. A wonderful set of photographs of the artist by one of the greatest photographers of the 20th century - her husband. Contains nudes and portraits including closeups of hands.

Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 226 pages 66 b&w illustrations and 82 plates in full color. White cloth, pictorial dust jacket. Like new, in shrinkwrap.

Hardcover. New York, New York Graphic Society Books, 2nd pr., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 306 pages. b&w and color illustrations throughout. Exceptional copy. Based on the Exhibition at the National Gallery(1988-1989), "Georgia O'Keeffe: 1887-1986" 120 color and 11 black and white illustrations. The book is complemented by documentary photographs and portraits as well as over 120 letters--most of them never published before--written to artists, critics, and friends.

Hardcover. Washington, D.C., Phillips Collection, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 158 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.

Softcover. Albuquerque, NM, Museum of New Mexico Press, 1st, 1985, Book: Near Fine, Dust Jacket: None, Exhibition catalog. x, 102 pages illustrated throughout in color and b&w. Pictorial stiff wrappers with light wear to edges, else like new.

Softcover. New York, The Whitney Museum of American Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover.This catalog of paintings by Georgia O'Keeffe features 117 black and white prints and 4 color prints. The front and back cover features "Sky Above Clouds IV." The cover is slightly smudged and worn, particularly on the back. All else is in fine condition.

Hardcover. Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierre--these landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duo--an architect and an engineer--virtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firm's most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 14 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 223 page book with historic photographs and home plans. Clean copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. This documentary history chronicles what in duration and volatile intensity was the most important love relationship in H.L. Mencken's life, one that he tried to obscure and hoped would remain buried within the copious record of his achievements as author and editor. The love between Marion Bloom and Mencken flourished during a period when he wrote frequently about women's issues. In Defense of Marion both illuminates Mencken's ambivalent attitudes toward the "New Woman" and presents a particularized social history of the intellectual and personal aspirations of many women during the early twentieth century. Bloom and Mencken met in 1914 and became lovers within a few months. Their intimacy continued, on and off, until about a year before Mencken's marriage to Sara Haardt in 1930. Edward A. Martin, who supplies a wealth of interpretive notes and commentary, tells of the Mencken-Bloom affair not only through selections from their letters and diaries but also through excerpts from the personal writings of others who were close to the two and who often complicated their relationship. Such relevant figures include Sara Haardt; Estelle Bloom, Marion's sister; Theodore Dreiser, Estelle's lover and employer as an editorial assistant; and the movie star Aileen Pringle, with whom Mencken was infatuated. Clean copy.