historical photography

Hardcover. NY, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 224 pages illustrated in color. A century's worth of the most breathtaking and significant landscape designs around the globe. Beginning with Filoli, the century-old, forward-looking estate situated just south of San Francisco, and closing with The Park, the first public garden ever created in Las Vegas, John Hill takes readers on a worldwide tour, one per year, of beautiful, inspiring, creatively designed, and historically significant landscapes. Clean copy.

Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. A GRAND TOUR OF ASIA recreates a time and a place that no longer exists except in the lyrical images so lovingly preserved by the lens of a wandering American, and so wryly captured in the prose of his mysterious companions nearly a century ago. Christian Rub, a character actor in Hollywood films, presented the intriguing album to its current owner, Hania Tallmadge, in 1949, when she was a child.A historically unique collection of photographs taken in the spring of 1910 on a four-month tour of the Far East, presented in an exquisite facsimile edition of the album in which they were originally discovered.Includes more than 150 images reproduced in their actual size, their hand-tinted colors authentic and un-retouched. Even the handwritten script has been carefully replicated.

Hardcover. NY, Norton, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. This book has an international bent: Hand has taken photographs in more than fifty countries over the past fifty-five years. These 162 black-and-white photographs present a sampling of his best work from around the world and show how the railway is a compelling subject no matter the locale. An introduction by well-known transportation reporter and railroad columnist Don Phillips explains how Hand got interested in railways and how his approach to the subject developed; extended captions provide historical context. The book includes an afterword by rail and photography historian Jeff Brouws.

Hardcover. Barre VT, Vermont Historical Society, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 232 pages. Foreword by Harold Holzer & Donald H. Wickman. A very well done book on the history of the Union Soldiers of Vermont. B&w photos. Clean copy.

Hardcover. New Haven, Yale University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, 262 pages. Illustrated with black & white photographs. Clean, tight copy. This portrait of Disderi and the carte de visite he patented in Paris in 1854 is far more than a biography. The c-d-v, or photographic calling card, was a relatively inexpensive product that made the photographic portrait available to the middle class . McCauley's carefully documented work explores Disderi's career and oeuvre , the impact of mass-produced celebrity cartes on the social and cultural life of mid-19th-century France, and aesthetics in c-d-v portraiture. The final third of the book is an art historical evaluation of the importance of the c-d-v for portrait painting of the period . The fine bibliography, generous illustrative matter, and detailed notes add to the value of this work for the avid student of photohistory or 19th-century studies.

Softcover. US, Laurence King Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 186 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy. This is the first comprehensive survey of Modernist graphic design as it emerged in America in the period from 1920 and 1960 in various media--advertising, information design, brand identity, magazine design, book design, and posters. It examines the great works which by mid-century had defined American graphic design. The book begins with a section devoted to the emergence of Modernism and its major historical influence, such as European avant-garde movements, popular culture, educational innovations such as the Bauhaus School, architecture, industrial design, and photography. The heart of the book includes the key works of mid-century Modernism as it matured into a fully-formed American style, bringing together such great names as Alexey Brodovitch, Lester Beall, Paul Rand, Saul Bass, Will Burtin, and Alvin Lustig. The final section looks at the impact of and reactions to this new movement as graphic design in America matured in the 1960s and beyond.

Hardcover. New Haven, Mercatorfonds, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Like new in publisher's shrink-wrap. The flourishing of photography as a medium in the mid-19th century coincided with a rise in curiosity about China on the part of the Western world. As the number of foreigners living and traveling in China increased, early photographs of China were taken by and for an international audience. Among the Celestials assembles 250 fascinating images of China in the second half of the 19th century and first half of the 20th, captured by the Western camera lens. The photographs portray the gritty side of the country as well as stunning views of palaces, temples, harbors, and gardens. This juxtaposition of the sordid and the serene provides a multidimensional picture of China's physical and social landscape before Mao Zedong's ascent to power changed the country forever. The photographs, many published here for the first time, are both beautiful and moving, and together offer a new understanding of a social and cultural history associated with a time of significant historical change.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. London, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 192 pages. Arcadia Britannica is the product of photographer Henry Bourne's repeated trips to some of Britain's greatest folk events: striking color portraits capture an eccentric collection of individuals in inventive outfits, including arboreal costumes, pagan-inspired creations, and historical garb. These were captured at events like the annual Jack in the Green festival held in Hastings in May, for which the town and its people are decked in green to welcome summer, and the Easter Sunday celebration in Bacup, Lancashire, where fiercely proud Britannia Coconut Dancers (or "Nutters") perform their traditional seven dances. An accompanying text by Simon Costin provides the historical backstory and explains the folklore behind this wacky, inspiring collection of images. 125 color photographs. Clean copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 110 pages, in a bright dust jacket. Photographer Stanley Greenberg explores the anatomy and engineering of some of our most unusual new buildings, helping us to understand our own fascination with what makes buildings stand up, and what makes them fall down. An historical and critical essay by Joseph Rosa and an afterword by the author.The 80 captivating and thought-provoking images collected here focus on some of the most high-profile design projects of the past decade.

Softcover. Bright Mountain Books , 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 358 pages, b&w illustrations throughout, Sometimes called the Paris of the South, Asheville, North Carolina, is known for its grand mountain views, rich and diverse culture, deep-rooted artistic heritage, historic architecture, and the legendary Biltmore Estate. Asheville: Mountain Majesty is an excellent source for discovering, or rediscovering, these and other facets of the city and its history.A lifelong resident of Asheville and regional historian, author Lou Harshaw offers a firsthand look at the history and development of this magnificent city by drawing upon a host of historical sources as well as an extensive oral tradition. She follows the development of Asheville from village to town to city, always reflecting the feeling of the times. The result is a journey through time, documenting the evolution of one of the most intriguing cities in the United States.Asheville: Mountain Majesty is enhanced by a wealth of period images, complemented by the author's contemporary photography.

Softcover. NY, Aperture, 1st pbk, 1980, Book: Very Good, Dust Jacket: None, Softcover. Catalog of an exhibition presented by the Philadelphia Museum of Art from Mar. 1-Apr. 27, 1980, to travel to major institutions throughout the United States. A special combined issue of Aperture Magazine. 128 pages, photo illustrated in b&w. Historical commentary by Robert Kramer. Also includes a chronology and bibliography. Clean copy.

Softcover. NY, Aperture, 1st pbk, 1980, Book: Very Good, Dust Jacket: None, Softcover. Catalog of an exhibition presented by the Philadelphia Museum of Art from Mar. 1-Apr. 27, 1980, to travel to major institutions throughout the United States. A special combined issue of Aperture Magazine. 128 pages, photo illustrated in b&w. Historical commentary by Robert Kramer. Also includes a chronology and bibliography. Clean copy.

Hardcover. NY, Abbeville Press, 1st, 1991, Hardcover in a bright dust jacket, 397 pages, illustrated in b&w and color. In this thoughtful and thought-provoking art historical study, Peters first traces strands of Art Nouveau and Symbolist theory in the art of Georgia O'Keeffe. She then discusses other influences, from Arthur Dow as teacher to Paul Strand as photographer and friend. But by far the most sustained study in the text is the relationship between O'Keeffe's painting and the photography and philosophy of her husband, Alfred Stieglitz. Peters argues lucidly and always in accessible language for O'Keeffe's emergence as a great and deeply individual artist while illuminating these many influences and illustrating her points with lavish use of excellent reproductions. Clean copy.

Hardcover. Austin TX, Texas State Historical Association, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 109 b&w photographs by Hickman. Bright copy in a nice dust jacket. This remarkable book reproduces more than one hundred photographs taken by R. C. Hickman, a professional photographer whose work provides a fascinating visual record of life in Dallas's black community during the three decades following World War II.After the war, he returned to Dallas and joined the staff of the Dallas Star Post. He also worked as a freelance photographer for Jet magazine, for several newspapers in the East, and for the NAACP. His work led him to photograph notables such as Martin Luther King Jr., Thurgood Marshall, Ella Fitzgerald, Joe Louis, and others when they visited Dallas.

Hardcover. Boston, Houghton Mifflin, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 143 pages with 111 b&w photos. "This book presents a collection of socially and historically relevant photographs of Boston and vicinity, taken between 1890 and 1920 by G. Frank Radway, a highly perceptive if unknown photographer...." From the Introduction. Clean copy.

Hardcover. Chicago IL, University of Chicago Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 263 pages. When the Chicago Daily News closed its doors in March 1978 after over a century of publication, the city mourned the loss of an American original. The Daily News boasted the inventive, aggressive writing of such luminaries as Carl Sandburg and Ben Hecht. It was also one of the first newspapers in the country to feature black-and-white photography. In 1900, staffers from the paper's art department began lugging bulky cameras, heavy glass plates, and explosive flash powder throughout the city. A labor strike, a boxing match, or a crime scene--it was all in a day's work for the Daily News photographer. These cameramen helped sell papers, but, as Mark Jacob and Richard Cahan reveal, they also made art. Chicago under Glass: Early Photographs from the Chicago Daily News is the first collection of images from the photo staff's early years, 1901 to 1930. Jacob and Cahan, seasoned journalists themselves, have selected more than 250 images--many of which have never before been published--from the nearly 57,000 glass negatives housed at the Chicago History Museum. They include rare photographs of a young Buster Keaton with his wife and child, waiting to board a train and the notorious Al Capone outside a courtroom, smoking a cigar and consulting with his lawyer. Each thematic section begins with a fascinating introduction by the authors, and each image is accompanied by insightful historical commentary.

Softcover. Corte Medera CA, Gingko Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, nicely reproduced b&w historical photographs of the city. Clean, bright copy.

Softcover. NY, The Museum of Modern Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. 153 color illustrations and 102 duotone. Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.

Softcover. NY, The Museum of Modern Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. 153 color illustrations and 102 duotone. Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.

Hardcover. New York, Charles Scribner's Sons, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt decoration. Illustrated historical volume on the city of Constantinople. 567 pp., includes 164 black/white illustrations, mostly reproduced photographs. Very good condition: gilt-edged pages, slight wear on the spine and corners of the cover. Previous owners' names and dates written inside the cover and on p. vii.

Hardcover. Los Angeles, Paul Getty Museum, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 170 pages, 183 early photographs from Scotland, circa 1839-1850. Still in publisher's shrinkwrap. Brewster was an eminent physicist whose principal research was in optics, which led to his intense interest in photography. He was also close friends with William Henry Fox Talbot, inventor of negative-positive paper photography. The Brewster album is a scrapbook, containing a miscellany of images by an assortment of early photographers.

Hardcover. St. Paul MN, Minnesota Historical Society, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 143 pages, b&w photos throughout. After serving in World War II, John Glanton returned home to Minnesota and began taking his camera around the streets, parks, clubs, restaurants, and private homes of Minneapolis, capturing the sights and scenes of everyday life for African Americans in the city. The images--from intimate portraits to public gatherings--reveal a dynamic and diverse community at a time when the nation was entering the postwar boom but before the civil rights movement had taken root. Glanton's photos offer a rare look into the lives and lifestyles of families and individuals often left out of histories of Minnesota's past, showing people at work and play, young and old, happy and sad. The images highlight black-owned businesses of the day, the music and club scene, and weddings and other family occasions to depict the experiences of African American people as presented through the lens of an African American photographer. Long forgotten in the garage of a family member, the photo negatives were recently rediscovered and digitized. A selection of 200 of the more than 800 images are featured here, along with commentary that further illuminates the lives and experiences of African Americans in postwar Minnesota.