history india

Hardcover. Albuquerque, University of New Mexico, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. 253 pages, INSCRIBED BY TAYLOR on the title page. Previous owner's inscription on half-title page, otherwise clean. First Mail West recounts the colorful history of stagecoach lines on the Santa Fe Trail during the height of overland traffic from 1850 to 1879. Desert, rain, snow, wind, outlaws, Indians, buffalo stampedes, and business competitors challenged, and sometimes scuttled, the operation of stage lines between Missouri and New Mexico. The author describes the topography, roads, rolling stock, stations, accommodations, and natural and human dangers along the trail, and analyzes the fierce competition between independent lines for passenger traffic and federal mail contracts.

Softcover. Charleston, SC, Arcadia Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w photos throughout. At the foot of the Huachuca Mountains, the U.S. Army founded one of the most crucial military posts for American expansion into the southwest frontier. Soldiers had been stationed in the region for decades, but in 1877 Fort Huachuca became the symbolic cornerstone of America's western domain. The Native American word huachuca, meaning "place of thunder," described the sporadic but marvelous electrical storms in the area, but the skies would not be the only thing booming. During the tumultuous campaigns to resolve American and Indian disputes, the U.S. infantry and famed Buffalo Soldiers faced off with Geronimo and his Apache nation in both tense negotiations and bitter combat. As time marched on, the fort developed into a permanent installation with barracks, modern training grounds, and other facilities to accommodate troop rotations and eventually became the innovative Center for Military Intelligence. Clean copy.

Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.

Hardcover. Hamden CT, The Shoe String Press, 1st, 1971, Book: Very Good, Dust Jacket: None, 265 pages, hardcover. SIGNED BY AUTHOR on front flyleaf. Non-discrept tan boards clean and tight. French policy regarding the Chinese inhabitants of Madagascar. Scarce. A bright copy.

Hardcover. NY, Eaton and Means, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover, decorated cloth, gilt lettering on spine, 262 pages. An Account of the visitation of Bishop Foss and Dr. Goucher to the Indian and Malaysian Missions of the Methodist Episcopal Church. This book gives the reader new information as to the needs of the different fields which are under discussion, grasps more vividly the magnitude of the modern missionary movement, and gathers fresh confidence in the final triumph of the Messiah throughout the heathen world. B&w illustrations. Old ink price on front fly leaf, otherwise clean.

Hardcover. Norton/Smithsonian, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. From the foremost collection of the artist's work, a remarkable portrait of Native American life. In 1832, George Catlin-showman, entrepreneur, and artist-made the first of four trips into Indian country, painting as he went, in a wonderfully spontaneous, if somewhat naive style. His ambition was to paint every tribe. He fell short. But what he did achieve, and the subject of this splendid volume, is a remarkable look into the faces and daily activities of Native Americans before their lands and their numbers were so radically diminished. And while Catlin was clearly influenced by the idea that Indians were Noble Savages (rapidly acquiring the vices of the white man while losing their "savage" virtues), his passion for his work is evidence of a profound respect and affection for his subjects, clearly demonstrated in this magnificent book. 275 illustrations, 150 in color.

Hardcover. Coral Gables FL, University of Miami, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped in gilt, 487 pages including index. INSCRIBED BY THE AUTHOR on the half-title page. Illustrated with 17 b & w photographic plates, map end-papers. Thord-Gray was a career military man (the list of conflicts engaged in is impressive), he here concentrates on the 2 years he lent his considerable expertise to the various rebel armies of the revolution, including Pancho Villa, Venustiano Carranza and Alvaro Obregon. He mostly led native Indians and farmers through tortuous country on various scouting expeditions, engaging smaller groups of federal troops. You learn an incredible amount about the culture and history of these peoples he worked with. A clean, bright copy

Hardcover. Washington DC, Government Printing Office, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth hardcover with gilt lettering on spine. 986 pages, includes drawings, photographs, maps (some fold-out) and an extensive bibliography. Super condition with just a small ownership sticker on inside front cover, otherwise a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Washington DC, Government Printing Office, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth hardcover with gilt lettering on spine. This is Smithsonian Institution Bureau of American Ethnology Bulletin 143; 818 pages, includes drawings, photographs, maps and an extensive bibliography. Super condition with just a small ownership sticker on inside front cover, otherwise a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Indianapolis, The Bobbs-Merrill Company, 1st, 1926, Book: Good, Dust Jacket: None, 293 pages, b&w illustrations. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Red cloth with gilt titles. Covers worn with rubbing/fraying on edges, spine faded. Internally very good.

Hardcover. NY, Harper and Row, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 64 pages illustrated in 3-colors by Joan Sandin. Every day is the same for Pablo's father. Then one afternoon the ground growls, hisses smoke, and swallows up his plow. A volcano is erupting in the middle of his cornfield! The story is based on reports of the eruption of Paricutin volcano on Feb. 29, 1943. It came up in the Mexican state of Michoacan, in the cornfiled of a Tarascan Indian Named Dionisio Pulido. No one was killed, but more that 2000 people are said to have lost their homes. An I Can Read History Book. Light stamp on rear endpaper, otherwise a bright, clean copy.

Hardcover. London, England, Oxford at the Clarendon Press, 3rd Edition reprint, 1959, Book: Very Good, Dust Jacket: Good, 741 pages. Hardcover. B/w illustrated frontispiece. Previous owner's name on front flyleaf. Pages clean, unmarked. Binding good. Spine straight. Dark blue cloth cover boards, gilt title on spine. Dust jacket has some agewear, price-clipped. An impressive eye-witness account of life in India at the turn of the century. It combines descriptions of the Hindu religion and Hindu sociology with masterful portraits of the intimate lives of the people among whom the author lived.

Softcover. Bowie MD, Heritage Books, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 608 pages, b&w illustrations, fold-out map in front. Includes Preface; Counties, Townships, Villages; and Index. Illustrated with 230 engravings, double-page map of New York, and engraved frontispiece portraits. "This wonderful volume belongs in the bookcase of all New York historians. More than 150 years old, this ancient text is rich in historical perspective and information that is no longer available to the modern researcher. The work begins with a general outline of New York history. Thereafter, the book is arranged alphabetically by county. Dictionary-like entries for each town are listed alphabetically within each county section. The entries give the location and history of each town, including date of settlement, famous and notable residents, important events, population statistics, number of dwellings, churches and schools, local Indians, and so on. Comprehensively annotated and profusely illustrated with engravings of towns, historic structures and distinctive natural features. Contains an index of counties, townships and villages plus a separate index of subjects and full names. Facsimile reprint of the 1842 edition. Clean, like new.

Hardcover. Poona, Bhandarkar Oriental Research Institute, 1st Thus, 1962, Book: Very Good, Dust Jacket: None, Vol. V - Part II-only. Hardcover. 992 pages of main text plus Epilogue, and 269 page Index. Previous owners name at top of front endpaper. Light wear. Clean, tight copy.

Hardcover. Sri Lanka, University of Kelaniya, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Clean copy.

Hardcover. Troy NY, William H. Young, 1st, 1876, Book: Good, Dust Jacket: None, 400 pages. Hardcover. Previous owners name on inside front cover. Features black & white illustrations and fold-out maps. Short tear and wrinkle along bottom of fold-out map ('View from corner of Second & Congress Streets 1824') between pages 144-145. Leather covers with rubbing and peeling along edges. Bit of chipping to title label on spine. Clean, unmarked text.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 160 pages, illustrated with 110 color images. Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street festivals, and in the faces of city dwellers in Calcutta (also known as Kolkata). This exquisitely produced book features a selection of McPhee's works made in and around India's former capital.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 263 pages,16 BW illus., 16 color plates. Takes us into the mind of American abstract painter Ethel Schwabacher (1903-1984). "Comparable to such important literary journals as those of Virginia Woolf and Anais Nin, Schwabacher's record will become a valuable resource for research into the creative process as well as the art history and theory of our time." Clean copy.

Softcover. Seattle WA, University of Washington Press, 1st, 2000-06-01, Book: Very Good, Dust Jacket: None, Softcover, 122 pages. Like new in publishers shrink-wrap.

Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.

Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.

Barre, MA, Barre Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, photographs by Curtis. Introduction and commentary by Don D. Fowler. One hundred and eighteen superb representative photographs have been selected from Curtis's monumental work and reproduced in this book by The Meriden Gravure Company. Don Fowler describes Curtis the photographer and ethnographer, and the Indian groups depicted, commenting on the unique cultural characteristics of each tribe.