history world

Hardcover. San Francisco, Chronicle Books, 1st thus, 2003, Book: Very Good, Hardcover, illustrated in color by Christopher Bing. A remarkable celebration from the Caldecott Honor-winning artist! A clever young boy outwits a band of voracious tigers and returns home in triumph to a splendid feast of a yard-high stack of pancakes. The story, penned by Helen Brodie Bannerman for her two daughters in 1889, has captured the imagination of readers around the world and across many generations. But the pictures which accompanied her text were crudely stereotypical and hurtful to many. Caldecott Honor-winning artist Christopher Bing has spent almost fifteen years rediscovering the joy and energy of the original story. He respects that Bannerman was writing in an Indian setting and with Indian animals-after all, there are no tigers in Africa-and faithfully adheres to the original text. However, recognizing that the image of Sambo has been used as a symbol of repression of Africans and African-Americans, Christopher Bing celebrates Sambo as proudly African, a child of beauty and joy, wit and resourcefulness.

Softcover. State University of New York Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 285 pages. This book charts new directions in Egyptian social history, providing the first systematic account of adaptation and protest among crafts and service workers in Egypt in the nineteenth and early twentieth centuries. Using a wealth of new sources, John T. Chalcraft challenges conventional notions of craft stagnation and decline by recovering the largely unknown histories of crafts workers' restructuring in the face of world economic integration, and their petitions, demonstrations, and strike-action at a time of state-building and colonial rule. Chalcraft demonstrates the economic importance of petty producers and service providers, and tells the story of widespread collective assertion couched in new discourses of citizenship and nationalism. He also gives a new interpretation of the end of the guilds in Egypt and addresses larger debates about unevenness under capitalism. Clean copy.

Hardcover. Boston, Little, Brown and Company, reprint, 1950, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume V in The History of United States Naval Operations in World War II. 389 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.

Softcover. Other Press, reprint, 2021, Softcover, 550 pages, b&w illustrations. The little-known story of screenwriter Salka Viertel, whose salons in 1930s and 40s Hollywood created a refuge for a multitude of famous figures who had escaped the horrors of World War ll. Hollywood was created by its "others"; that is, by women, Jews, and immigrants. Salka Viertel was all three and so much more. She was the screenwriter for five of Greta Garbo's movies and also her most intimate friend. At one point during the Irving Thalberg years, Viertel was the highest-paid writer on the MGM lot. Meanwhile, at her house in Santa Monica she opened her door on Sunday afternoons to scores of European emigres who had fled from Hitler--such as Thomas Mann, Bertolt Brecht, and Arnold Schoenberg--along with every kind of Hollywood star, from Charlie Chaplin to Shelley Winters. In Viertel's living room (the only one in town with comfortable armchairs, said one Hollywood insider), countless cinematic, theatrical, and musical partnerships were born. Clean copy.

Hardcover. London, Gardner, Darton and Co., 1st, Book: Good, Dust Jacket: None, Hardcover in a light blue pictorial binding. 379 pages with 68 b&w illustrations by Gordon Browne. Top edge gilt. 20 pages of publisher's ads in rear. Front hinge cracked, creasing to front fly leaf, otherwise a clean, tight copy. The story of two brothers; a young boy's fantasy life, rich with humor and creativity amidst a world of annoying adults and their societal expectations.

Hardcover. NY, Alfred A. Knopf, 1st thus, 1976, Book: Very Good, Dust Jacket: Very Good, Two volumes in a pictorial cardboard slipcase, quarter bound in purple cloth and decorated boards without jackets, as issued. The Tale of Genji was written in the eleventh century by Murasaki Shikibu, a lady of the Heian court. It is universally recognized as the greatest masterpiece of Japanese prose narrative, perhaps the earliest true novel in the history of the world. Until now there has been no translation that is both complete and scrupulously faithful to the original text. Edward G. Seidensticker's masterly rendering was hailed as a classic of the translator's art. DOMESTIC SHIPPING ONLY. Clean, bright copy.

Hardcover. Boston, David Godine, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. The photography of Angus McBean encompasses more than three decades of the history of British theater. His work includes most of the memorable productions of the Old Vic Company and of what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet and operetta at Sadler's Wells; and West End productions of plays and musicals both old and new-hundreds of productions in all. McBean was the favorite photographer of Vivien Leigh, Laurence Olivier, and Edith Evans, and he photographed countless plays starring John Gielgud, Ralph Richardson, and Alec Guinness, not to mention younger stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. In fact, McBean photographed virtually every great actor of his era, perhaps the most brilliant years in the annals of British theater.

Hardcover. Boston, David R. Godine, 1st, 2009, Hardcover, 192 pages. The photography of Angus McBean encompasses more than three decades of the history of British theater. His work includes most of the memorable productions of the Old Vic Company and of what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet and operetta at Sadler's Wells; and West End productions of plays and musicals both old and new -- hundreds of productions in all. He was the favorite photographer of Vivien Leigh, Laurence Olivier, and Edith Evans, and he photographed countless plays starring John Gielgud, Ralph Richardson, and Alec Guinness, not to mention younger stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. In fact, McBean photographed virtually every great actor of his era, perhaps the most brilliant years in the annals of British theater.His studio was active and eclectic; among his patrons were not only actors, singers, and dancers, but also playwrights, producers, composers, artists, and writers. In his early career, McBean had been a pioneer of surrealist photography, with a highly popular series of "surrealized" portraits that appeared in The Sketch, and, later, of montage and multiple-exposure photography in a long-running series for The Tatler.In 1969, McBean approached Harvard University to initiate the sale of his collection, and in the following year his archive of glass plate negatives, index prints, and programs, together with the copyrights, became a part of the Harvard Theatre Collection, where it remains the most often-requested collection of visual material. The photographs in this book, selected and captioned by the archive's curator, Fredric Woodbridge Wilson, have been carefully reproduced from the original negatives.

Softcover. Cambridge MA, Harvard University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 997 pages, color and b&w illustrations. A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world. When defiant Bohemians tossed the Habsburg emperor's envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals-the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict. By war's end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country's greatest disaster. Clean, bright copy.

Hardcover. Berkeley, University of California Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 385 pages, b&w illustrations. In this highly original history of the world's most famous bicycle race, Christopher S. Thompson, mining previously neglected sources and writing with infectious enthusiasm for his subject, tells the compelling story of the Tour de France from its creation in 1903 to the present. Weaving the words of racers, politicians, Tour organizers, and a host of other commentators together with a wide-ranging analysis of the culture surrounding the event including posters, songs, novels, films, and media coverage Thompson links the history of the Tour to key moments and themes in French history. He argues persuasively that this hugely popular sporting event has been instrumental in French attempts to grapple with the great challenges they have confronted during their tumultuous twentieth century from World Wars, political divisions, and class conflict to economic modernization, women's emancipation, and threats to public health. Name on half title page, otherwise clean.

Hardcover. NP, Somogy Art Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. This fascinating collection of photographs documents a relatively unknown episode of Jewish history in Eastern Europe. Illustrating how the 1920s and 1930s saw the creation and development of "Jewish agricultural colonies" in the Soviet Union, Lithuania, Latvia, Poland, and Romania, this history shows that the aim was to "normalize" Jews by teaching them "productive" professional skills. These recently discovered photographs offer a unique and moving insight into the Jewish experience in central and Eastern Europe before World War II. This edition includes English, French, and Yiddish.

Hardcover. London, George G. Harrap & Co., 1st, 1963, Book: Very Good, Dust Jacket: Poor, Hardcover in a worn dust jacket, 224 pages, b&w illustrations. ".recreates the tense, exciting battles with rocks and mud, quicksands and "nephitic gasses," fire and water, that made the "great national undertaking" a fiasco" but did eventually become of important use by trains of the East London line.

Hardcover. NY, Viking, 1st US, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 522 pages, b&w illustrations. By the end of World War I, Britain had become a laboratory for modernity. Intellectuals, politicians, scientists, and artists-among them Arnold Toynbee, Aldous Huxley, and H. G. Wells-sought a vision for a rapidly changing world. Coloring their innovative ideas and concepts, from eugenics to Freud's unconscious, was a creeping fear that the West was staring down the end of civilization. In The Twilight Years, award-winning historian Richard Overy examines the paradox of this period and argues that the coming of World War II was almost welcomed by Britain's leading thinkers, who saw it as an extraordinary test for the survival of civilization- and a way of resolving their contradictory fears and hopes about the future. Clean copy.

Softcover. Secaucus NJ, Matsushita Electric Corporation of America, reprint, 1985, Book: Good, Softcover, 132 pages, b&w illustrations. The typewriter has had a profound effect on both the business world and social communication. This book is a treasure of well-researched information documenting the earliest introduction of a machine for impressing letters to the electronic typewriters of the early 1980s. The book contains over 100 black & white photographs tracing the history of the typewriter and is a useful resource for typewriter collectors. Spotting to edges not affecting inside pages.

Hardcover. NY, Charles Scribner's Sons, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. Autobiography of the owner of the bookshop La Maison des Amis des Livres in Paris, a center, between the World Wars, for the best contemporary French writing and for its authors. 536 pages, b&w illustrations. Clean copy.

Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From a New York Times best-selling historian and Pulitzer Prize finalist, a sweeping epic of how the Vikings and their descendants have shaped history and America. Scandinavia has always been a world apart. For millennia Norwegians, Danes, Finns, and Swedes lived a remote and rugged existence among the fjords and peaks of the land of the midnight sun. But when they finally left their homeland in search of opportunity, these wanderers--including the most famous, the Vikings--would reshape Europe and beyond. Their ingenuity, daring, resiliency, and loyalty to family and community would propel them to the gates of Rome, the steppes of Russia, the courts of Constantinople, and the castles of England and Ireland. But nowhere would they leave a deeper mark than across the Atlantic, where the Vikings' legacy would become the American Dream. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st Revised Ed., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 291 pages. The Vinland Map, dated to about AD1440 - at least 50 years before Columbus landed in the Americas - is a map of the world that shows an outline of the northeast American coast and a legend describing its discovery in about 1000 by Leif Eiriksson, the Norseman from Greenland. The map was published by Yale University Press in 1965 and generated much debate. Chemical analysis of the ink later suggested the map might be a forgery, but recent appraisals of both scientific and humanist evidence argue that it is indeed authentic. Now this classic of historical cartography is available in a new edition. It reprints unaltered the original text on the Vinland Map and an account of Friar John of Plano Carpini's mission to the Mongols from 1245 to 1247, with which the map had at some stage been bound. To this have been added a new introduction by George D. Painter who discusses the verification of the map's authenticity; a new essay by Wilcomb E. Washburn, Director of the Smithsonian's American Studies Programme, on the map's provenance and the tests that have been performed on it; and a new discussion of the map's compositional and structural aspects by Thomas A. Cahill and Bruce H. Kusko, of the Crocker Historical and Archaeological Projects at the University of California, Cle3an copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. St. Paul MN, Pogo Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 158 pages, b&w illustrations. During World War I, soldiers in the American Expeditionary Force rarely fought in the newly developed tank, and those who did manned British and French tanks since American models did not become available until after the war. Harris joined the Tank Corps because it was considered the elite unit of the ground forces and had a certain amount of romance connected with it. Initially assigned as a driving instructor, he later saw action at the St. Mihiel salient and on the Meuse-Argonne front. This book, which offers an extensive preface, summarizing Harris's life before, during, and after the war, along with some penetrating insights into his character, collects 46 letters he wrote home while in service. As they show, Harris saw war as a game not unlike the football games he played in his youth. Although he spent only 18 months in Europe, he looked upon it as a bold adventure, surviving the bad periods and enjoying the better moments. He returned from war apparently unscathed in both body and mind. The letters provide an entertaining if hardly probing portrayal of World War I from a tank officer's point of view. Clean copy.

Hardcover. NY, David McKay Co., 1st, 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn and chipped dust jacket. Classic and vintage Major League Baseball: The story of Robin Roberts, Jim Konstanty, Richie Ashburn and the rest of the 1950 Philadelphia Phillies as reported by a Philadelphia sportswriter who covered the team. Profiles of each player, manager, owners, World Series statistics, box score of the pennant clinching game. 8 pages of b&w photos. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 425 pages. Based his work primarily on official documents released during the 1970s Yale historian Gregg Herken makes clear how, and why, after World War II American diplomats tried-but failed- to make the nation's nuclear monopoly an advantage in negotiating with the Soviet Union. And why Truman's advisers wrongly predicted that a Soviet bomb was a generation away. Name on front fly leaf, otherwise clean.

NY, Nation Books, 1st US, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of Hedges essays originally published by Truthdig, the Webby award-winning progressive news website. Hedges lyrically and fearlessly dissects the most controversial issues of the day: America's wars of self-destruction in Iraq and Afghanistan, the decay of American empire (at home and abroad), Israel's ghettoization of Palestinians in the West Bank and Gaza, and the failure of American liberalism. Clean copy.

Softcover. Woodstok VT, The Woodstock Foundation, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, b&w illustrations. SIGNED BY JANE AND WILL CURTIS on the front fly leaf. This work was published in observance of the 100th anniversary of Marsh's death in 1882. It graphically portrays the many-faceted career of this extraordinarily versatile Vermonter. Marsh is best known for his pioneering environmental study, Man and Nature, which was first published in 1864. Marsh was a lawyer, linguist, businessman, farmer, designer, Congressman, and diplomat (he was Minister to Turkey and to the newly-united Kingdom of Italy, where he spent the last twenty-one years of his life, a tour of duty unprecedented in American diplomacy). In Congress he supported creating of the Smithsonian Institution.

Hardcover. London, Secker & Warburg, 1st, 1962, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with maroon and silver title on spine, 392 pages plus maps in rear. Herodotus's Histories provides the basis for this strong account of the Greek world from the 8th to the 5th centuries B.C.--both the geography that he saw during his travels and the thoughts, feelings, and tradition crystallized in his writings.

Hardcover. London, Sampson, Low, Marston, Searle & Rivington, 1st, 1885, Book: Good, Dust Jacket: None, Hardcover, 300 pages + 32 ads in rear. Original brown endpapers, in the original binding of blue cloth decorated in red, black and gilt, spine titled in gilt. Also published under title: The Society of London. Originally attributed to Mme. Juliette Adam; more recently this and other similar works have been accredited with strong probability to Elie de Cyon." (Trove) Catherine Radziwill was the first to use the pseudonym Count Paul Vasili with a gossipy book called Berlin Society, a pen-name that was then taken up by other anonymous writers. Previous owner's name in ink on title page, otherwise clean, tight copy.