history world

Hardcover. Gloucester MA, Peter Smith, reprint, 1985, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, 569 pages. Two decades after Darwin, intellectuals were writing about the evolution of everything. In England Edward Taylor focused on material culture such as fire making, cooking, or tool making. In America, Lewis Henry Morgan, concentrated on social evolution combined with subsistence techniques. His thinking was influenced by his Iroquois neighbors in New York. Like many others he posited three stages of evolution: savagery, barbarism and civilization, but he refined the three periods with three subperiods. In Lower savagery, for example, he saw humans subsisting on fruits and roots in tropical climes, using gesture language and marrying siblings in a consanguine family. Middle savagery saw fish subsistence, monosyllabic language, and marriage of cousins. Bows and arrows appeared in Upper Savagery along with syllabic language, clans, and tribal organization. Obviously Morgan was speculating on most of the developments, but he had found arguments for his positions from the reports of explorers and missionaries around the world. As a result, Morgan inspired an era of inquisitive thought that led to the development of American anthropology. Name on front fly leaf, otherwise clean.

Hardcover. Oxford UK, Oxford University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 293 pages. A study of the Anglican Reformed tradition (often inaccurately described as Calvinist) after the Restoration. Hampton sets out to revise our picture of the theological world of the later Stuart period. Arguing that the importance of the Reformed theological tradition has frequently been underestimated, his study points to a network of conforming reformed theologians which included many of the most prominent churchmen of the age. Focussing particularlyon what these churchmen contributed in three hotly disputed areas of doctrine (justification, the Trinity and the divine attributes), he argues that the most significant debates in speculative theologyafter 1662 were the result of the Anglican Reformed resistance to the growing influence of continental Arminianism. Hampton demonstrates the strength and flexibility of the Reformed response to the developing Arminian school, and shows that the Reformed tradition remained a viable theological option for Anglicans well into the eighteenth century. Clean, bright copy.

Hardcover. NY, Farrar & Rinehart, 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, red cloth covers stamped with black and gilt lettering. 506 pages with index. Illustrated by Henry C. Barrow. This book covers the (what was then) hundred years of history the AP Press had witnessed. A "fast-moving, action-filled narrative of the rise of The Associated Press--the inside story of the only world-wide non-profit news gathering association as it grew from pigeon post and pony express to telegraph and wireless, with a daily news report of over 1,000,000 words and its spot-news picture system which shoots newspaper photographs by electricity across the globe." Short tear to top of spine cloth, bookplate on inside front cover, otherwise clean.

Softcover. NY, Aperture Foundation, 2003, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Summary: Elegy in White (Combining sculpture with photography, Walter Martin and Paloma Munoz encapsulate the quaint and the macabre in snow-globes), Lost Worlds: Recent Discoveries in Andean Photo-History, Reading newspaper pictures: a thousand words, and then some, Roger Ballen?s world, John Dugdale and John Kelly: photo play. Photographers: Roger Ballen, Carrie Boretz, Crisanto Cabrera, Julio Cordero Castillo, Gregory Crewdson, Stephen Crowley, John Dugdale, Christophe Ena, Luis Gismondi, Manuel Jesus Glave, Jose Gabriel Gonzales, Tyler Hicks, James Hill, Kenneth Jarecke, Edward Keating, Chang W. Lee, Walter Martin, Paloma Munoz, Carlos and Miguel Vargas

Hardcover. Baltimore, Johns Hopkins University, 1st, 2002, Book: Very Good, Dust Jacket: None, An extraordinary work, unparalleled in its breadth and depth of detail, this three-volume set offers the first comprehensive history of architecture and town planning throughout colonial North America, from Russian Alaska to French Quebec, to Spanish Florida and California, to British, Dutch, and other settlements on the East Coast. Across this vast terrain, James Kornwolf conjures the outlines of the constructed environment as it emerged in settlements and communities, in structures and sites, and in the flourishes and idiosyncrasies of the families and individuals who erected and inhabited colonial buildings and towns. Here as never before readers can observe the impulses and principles of colonial design and planning as they are implemented in the buildings and streets, harbors and squares, gardens and landscapes of the New World. Incorporating more than 3,000 illustrations, Kornwolf's massive work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities-their rivalries and frictions, their outlooks and attitudes-as they extended their hold on the land. His work conveys for the first time the full scale, from intimate to grand, of their enduring transformation of the natural landscape of North America. NOTE: DOMESTIC SHIPPING ONLY.

Hardcover. NY, Quantuck Lane Press, 1st, 2005, Book: Very Good, Dust Jacket: Good, 456 pages. Hardcover with dust jacket. Clean, unmarked copy with tear on front dust jacket and light wear to edges. Erich Lessing is a legend in photography. Born in 1923 in Vienna, he became a photo-reporter for Associated Press in 1947, and in 1951 he became one of the earliest members of the legendary Magnum photo cooperative. His remarkable 1950s images documenting post-World War Europe, and particularly his pictures of the 1956 Hungarian Revolution, garnered worldwide admiration. Lessing's works always revolve around the human condition at the moment when power and powerlessness come face to face, when the joy of living is suddnely overclouded with pain. His photographs seize the opportunity to recount an instant of history that will never be repeated. This monumental book is a tribute to Lessing's talent as a photojournalist and a visual record of a time of turmoil and great change. Lessing has received international honors, including the American Art Directors' Award, the Grand Austrian State Prize for Artistic Photography, and many others. 400 duotone photographs.

Hardcover. NY, Clarion Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY WIESNER on half title page. Max and Arthur are friends who share an interest in painting. Arthur is an accomplished painter; Max is a beginner. Max's first attempt at using a paintbrush sends the two friends on a whirlwind trip through various artistic media, which turn out to have unexpected pitfalls. Although Max is inexperienced, he's courageous and a quick learner. His energy and enthusiasm bring the adventure to its triumphant conclusion. Beginners everywhere will take heart. David Wiesner is one of the best-loved and most highly acclaimed picture book creators in the world. His books have been translated into more than a dozen languages and have won numerous awards in the United States and abroad. Three of the picture books he both wrote and illustrated became instant classics when they won the prestigious Caldecott Medal: Tuesday in 1992, The Three Pigs in 2002, and Flotsam in 2007, making him only the second person in the award's long history to have won three times. He has also received two Caldecott Honors, for Free Fall and Sector 7.

Softcover. University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 228 pages, b&w illustrations. Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art in Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.Examining a broad range of works, van Alphen--a renowned art historian and cultural theorist--demonstrates how art serves a socially constructive function by actually experimenting with the parameters of thought. Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Clean, like new.

Hardcover. Trumbull, CT, Greenwich Workshop Press Inc., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Includes a bonus colored print with publishers note. Color illustrations throughout. A tight copy. James Bama is one of the best contemporary artists working today. His portraits - of people from the smallest child to the greatest hero - have garnered the respect and captured the imagination of art collectors and critics around the world. The Art of James Bama is a new, comprehensive collection of his finest work, showing real people of the new West recreating their history, and descendants of the Old West paying homage to their heritage. Bama's ability to convey their emotion gives his paintings a resonance like no other.

Hardcover. West Port CT, Greenwood, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 240 pages. Black & white illustrations. Dust jacket shows standard wear with rubbing and chipping along edges. Clean, tight copy.

Hardcover. New York, Ridge Press/Macmillan, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages. Illustrated with full color photographs. price clipped dust jacket shows standard wear. Clean, tight copy. Bil Baird, a master puppeteer of our time, recounts the history of his art, from its remotest yesterday to its bright and promising tomorrow. Along the way, he examines the famous and outrageous Mr. Punch, the raucous Karaghioz, the noble knights of the Orlando legend, the lovely shadow plays of Asia, the unique Bunraku puppets of Japan, and the exciting developments in today's puppetry around the world. To which we would like to add: There has never been any book to compare with this one. It remains the classic text on the history of puppetry around the world. It has dozens of amazing photographs, and a very lucid text written by one of the great master puppeteers of our time.

Hardcover. US, Dark Horse Books, 2nd, 2007, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. The culmination of more than fifteen years of photography by renowned photographer Greg Preston, this book is a living history of the men and women who have shaped the imaginations of countless millions of people around the world through their work in the fields of animated cartoons, comic books, comic strips and editorial cartooning. The list of more than two hundred artists includes such luminaries as Frank Miller, Al Hirschfeld, Joe Barbera, Jack Kirby, Joe Simon, Moebius, Walter and Louise Simonson and many more, all in photographs exclusive and shot expressly for this book.

Hardcover. Cambridge MA, The MIT Press, 1sr, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright gold foil dust wrapper, 476 pages. The artist Francis Picabia -- notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist -- has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade -- Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history -- and naming them -- for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage.Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada "manifestations" to Picabia's polemical writings. Clean copy.

Hardcover. Washington, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Color and black and whote photos throughout. Clean, tight copy. The Smithsonian holds more than 13 million images spanning over 150 years of taking and collecting photographs. This largely unknown body of photography (most never before published) represents nothing less than the Smithsonian's effort, in the name of all Americans, to describe and comprehend the world. Open anywhere in these pages to be plunged into the history of our modernity, and see what the Smithsonian deemed important to document and preserve. The famous, the infamous, and the never-before-seen are here in a remarkable "democracy of images": Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. By recording the act of seeing, and of what was seen, both photography and the Smithsonian have shaped our sense of ourselves, as individuals, as a people, and as a country.

Softcover. New Haven CT, Yale University Press, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, Softcover, 450 pages. The rise of atheism in the modern world is a religious phenomenon unprecedented in history, both in the number of its adherents and in the security of its cultural establishment. How did so revolutionary a conviction as this arise? What can theological reflection learn from this massive shift in religious consciousness? In this book, Michael J. Buckley investigates the origins and development of modern atheism and argues convincingly that its impetus lies paradoxically in the very attempts to counter it. Although modern atheism finds its initial exponents in Denis Diderot and Paul d'Holbach in the eighteenth century, their works bring to completion a dialectical process that reaches back to the theologians and philosophers of an earlier period. During the seventeenth century, theologians such as Leonard Lessius and Marin Mersenne determined that in order to defend the existence of god, religious apologetics must become philosophy, surrendering as its primary warrant any intrinsically religious experience or evidence. The most influential philosophers of the period, Rene Descartes and Isaac Newton, and the theologians who followed them accepted this settlement, and the new sciences were enlisted to provide the foundation for religion. Clean, bright copy.

Hardcover. New York, Playbill/ Applause Thetre& Cinama Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 357 pages. Hardcover with dust jacket. Clean, tight copy. Minor wear to dust jacket. Minor rubbing to top spine. Light soil on rear. This is the ultimate backstage tour of Broadway! AT THIS THEATRE tells the complete history of Broadway in the 20th century, theatre by theatre. This gorgeous book is now updated, revised and with a larger format, covering 1900 to 2001. PLAYBILL's columnist, Louis Botto, along with Robert Viagas, opens the doors and lets readers explore the 40 active Broadway theatres in New York. From the conception and design of the buildings, to their original creators, and on to the theatres' transformation, often under duress, from legitimate houses to vaudeville and Burlesque, to movie houses and then back to their original purpose, this book captures the magical world of Broadway. It is a complete and authoritative history that only Botto, the curator of PLAYBILL's incomparable 116-year-old archives, can tell.

Softcover. Oxford UK, Clarendon Press, 1st pbk, 1990, Book: Very Good, Dust Jacket: None, Softcover, 185 pages. The Rule of Augustine, the oldest monastic rule with Western origins, still provides inspiration for over 150 Christian communities. This account of Augustine's contributions to the monastic spirituality of the late Roman world and of his achievement as a monastic legislator fills a critical gap in Augustinian studies. Tracing Augustine's progress from a philosophical to a biblical spirituality and his development of a monastic ideal largely shaped by Greco-Roman philosophical and rhetorical influences, Lawless also discusses Augustine's renunciation of sexuality, property, and worldly ambition at his conversion as a foreshadowing of the future vows of chastity, poverty, and obedience. In addition, he argues for the existence of a monastery at Thagaste from 388 to 391. This book includes new English translations of the Regulations for a Monastery, the Rule, and Letter 211. Clean, bright copy.

Softcover. Mechanicsburg PA, Stackpole Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 194 pages, b&w illustrations. This is a fascinating account of Australia's M/Z commando unit and the part it played in the Southwest Pacific during World War II. M Unit personnel were secretly landed to set up coast-watching posts and radio stations to monitor Japanese shipping movements and bombing flights. Members of the Z Unit carried out raids in enemy-controlled areas and also attacked targets of opportunity. Many commandos were delivered on their missions by U.S. Navy submarines that sneaked into dangerously shallow waters to put the men ashore. Other operatives were inserted by PT boats, Catalina aircraft, parachute, and snake boats. Clean, bright copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 352 pages. Hardcover. B/w illustrations throughout. Dust jacket price-clipped, and a touch of age-yellow. Cover boards decorated/glossy. Clean and unmarked inside. In excellent shape.

Hardcover. New York, Random House, 1st U.S., 1971, Book: Very Good, Dust Jacket: Very Good, 430 pages. Hardcover. B/w illustrations throughout. Gilt title on spine and front cover. Covers bound in red fabric, in great shape. Dust jacket unclipped and excellent. Decorated endpapers. Top edge dyed. Clean and bright inside and out.

Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages, softcover. This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Like new in publishers shrink-wrap.

Hardcover. Washington D.C, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. For this exclusive collection of postcards, David Bailey, one of the worlds most distinguished and distinctive photographers, has chosen a selection of images from his archive some familiar, others previously unseen. This box of 36 portraits, reminiscent of Baileys acclaimed Box of Pin - Ups (1965), demonstrates the extraordinary range of people that he has captured during his long career;

Hardcover. Washington DC, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. For this exclusive collection of postcards, David Bailey, one of the worlds most distinguished and distinctive photographers, has chosen a selection of images from his archive some familiar, others previously unseen. This box of 36 portraits, reminiscent of Baileys acclaimed Box of Pin - Ups (1965), demonstrates the extraordinary range of people that he has captured during his long career;

Hardcover. NY, Simon & Schuster, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. There was a time, back when the United States was young and the robber barons were just starting to come into their own, when fortunes were made and lost importing luxury goods from China. It was a secretive, glamorous, often brutal business--one where teas and silks and porcelain were purchased with profits from the opium trade. But the journey by sea to New York from Canton could take six agonizing months, and so the most pressing technological challenge of the day became ensuring one's goods arrived first to market, so they might fetch the highest price. "With the verse of a natural dramatist" (The Christian Science Monitor), Steven Ujifusa tells the story of a handful of cutthroat competitors who raced to build the fastest, finest, most profitable clipper ships to carry their precious cargo to American shores. They were visionary, eccentric shipbuilders, debonair captains, and socially ambitious merchants with names like Forbes and Delano--men whose business interests took them from the cloistered confines of China's expatriate communities to the sin city decadence of Gold Rush-era San Francisco, and from the teeming hubbub of East Boston's shipyards and to the lavish sitting rooms of New York's Hudson Valley estates. Clean, like new copy.