indiana

Hardcover. Bloomington IN, Indiana University Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a edgeworn dust jacket with light fading. INSCRIBED BY THE AUTHOR on the half-title page. Poems that deal with Darwin's voyages, evolution, ecology, natural selection, and animals. Illustrations by Rudy Pozzatti. No markings.

Softcover. Indianapolis/NY, Bobbs Merrill, 2nd pr., 1966, Book: Very Good, Dust Jacket: None, Softcover, 452 pages. This book covers the Massachusetts Convention of 1820-21; New York State Convention of 1821; and the Virginia State Convention of 1829-1830, along with numerous tables. Clean, tight copy.

Hardcover. Indianapolis, Bobbs-Merrill Company, 1st, 1926, Book: Good, Dust Jacket: None, 335 pages. Hardcover. Previous name on inside front cover, light pencil marking on endpapers. Moderate foxing on preliminary pages. Light wear to maroon cloth covers. No dust jacket. Clean, unmarked text.

Softcover. Bloomington IN, Indiana University Press/Electa , 1st, 1996, Book: Very Good, Dust Jacket: None, 253 pages, color and b&w illustrations. Softcover in excellent, clean condition. Domenico Tiepolo, 1727-1804, the son of Giambattista, left a corpus of drawings which show him to be one of the talented Venetian artists of the 18th century. 176 drawings plus many photographs of details and of paintings.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1911, Book: Good, Dust Jacket: None, Hardcover, olive green cloth covers with embossed design, white lettering, 29 pages. Two-color frontis, b&w illustrations by Will Vawter. Small gouge/abrasion to front cover, name on front fly leaf. otherwise bright and clean.

Hardcover. Indianapolis, Indiana, Indianapolis Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover no dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to boards. Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.

Hardcover. Indianapolis, Bobbs-Merrill Company, 1st illust. thus, 1905, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth with gilt lettering, color plate paste-down on front cover. Illustrated with a frontispiece, a decorative title page, a few color plates, and several in-text and full-page illustrations by Howard Chandler Christy. Some darkening to spine and cover edges, otherwise a sharp, bright copy.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 335 pages. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity-the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours-is a relatively recent Western invention and one whose time may already have passed, Name on front fly leaf, several pages with light ink markings.

Hardcover. NY, Carroll & Graf, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 556 pages, b&w illustrations. In a bright, unclipped dust jacket. Robert Louis Stevenson's biographers are sharply divided over his American wife Frances (Fanny) Van de Grift (1840-1914), depicting her either as a muse, a saintly martyr or a dominating shrew. In this spellbinding biography, which is written like a romance novel, French novelist Lapierre portrays the Indiana-born farmer's daughter as an intrepid woman of rash energy, courage, violent emotion and charisma who sublimated her career as a painter in her possessive love for the tubercular Scottish novelist, children's writer and poet.

Softcover. Riverdale-on-Hudson NY, The Sheep Meadow Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. INSCRIBED BY BARNSTONE on the title page. Barnstone was a distinguished professor emeritus from Indiana University. He was in China during the Cultural Revolution, which is central to this collection. Clean, bight copy.

Hardcover. Bloomingdale, Indiana University Press, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, 290 pages. Hardcover with dust jacket. Clean and tight copy with only light edgewear to dust jacket and very light foxing to top text block. This classic work, first published in 1956, is now available in English. Along with Luthi's The European Folktale and Propp's The Morphology of the Folktale, Rohrich's Marchen und Wirklichkeit is considered a key text in folklore scholarship.

Hardcover. Indianapolis/NY, Bobbs Merrill, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Historical adventure. A young Spaniard goes to sea on a voyage to the Yukon and British Columbia to trade with Indian trappers. It is the late 18th century and sea otter pelts are bringing high prices. The plan is to proceed down the coast of North America, collecting hides from the natives. But things do not go according to plan. Mild chipping wear to rear of dust jacket, otherwise a clean copy.

Hardcover. Indianapolis/New York, Bobbs-Merrill, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, rubbed dust jacket, 190 pages. INSCRIBED BY BERGE on the front fly leaf to Roger (Mitchell), fellow poet and teacher. Clean copy.

Softcover. Bloomington IN, Indiana University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 209 pages. This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countee Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent-the only "out" gay Harlem Renaissance artist-portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing. Clean copy.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1952, Book: Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering, 326 pages, b&w plates. The story of the sculptor who carved the faces of America's heroic dead on granite mountains, most prominently, Mount Rushmore. Previous owner's name on front fly leaf, otherwise clean. Mild shelf-wear.

Hardcover. Indianapolis, The Bobbs-Merrill Company, 1st, 1926, Book: Good, Dust Jacket: None, 293 pages, b&w illustrations. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Red cloth with gilt titles. Covers worn with rubbing/fraying on edges, spine faded. Internally very good.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 263 pages,16 BW illus., 16 color plates. Takes us into the mind of American abstract painter Ethel Schwabacher (1903-1984). "Comparable to such important literary journals as those of Virginia Woolf and Anais Nin, Schwabacher's record will become a valuable resource for research into the creative process as well as the art history and theory of our time." Clean copy.

Softcover. Bloomington, Indiana University, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 443 pages, b&w illustrations, index. Traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic - the picturesque. "To read Bertellini's superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900's and 1910's." Clean copy.

Hardcover. Indianapolis, Bobbs-Merrilll, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket with mild soil. 191 pages, b&w illustrations by Gerald McCann. INSCRIBED BY CLAGETT on title page. Story of a boy who dreams of following in his father's footsteps & becoming an officer in the US Navy but when Jack's father is lost at sea Jack is forced into becoming an indentured servant.

Hardcover. Indianapolis IN, Bobbs Merrill, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover. 191 pages. SIGNED BY AUTHOR on title page. Black & white illustrations by Gerald McCann. Edgewear, corners rubbed. Dust jacket with edgewear, chipping, closed tear to front cover. Clear plastic protective cover.

Hardcover. Indianapolis, Bobbs-Merrill Company, Reprint, 1907, Book: Good, Dust Jacket: None, Hardcover, 323 pages. With Illustrations by William Rainey, R. I. Minor spine edge and corner wear. Previous owner's inscription on front fly leaf. Decorated front cover. Clean pages and tight binding.

Indianapolis, Bobbs-Merrill , 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, chunk gone from top of rear panel. 252 pages. An expose of the mob's influence in the sport during the 40s and 50s. Clean copy.

Hardcover. Dark Horse, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Volume 2 of the collected strip from the 1950s. This is a lost gem of American comic strips. Jerry Robinson's fluid style and supreme draftsmanship are on full display here. Fun, fast-paced stories of a character who's part Bill Nye, part Indiana Jones. The highlight of this discovery is seeing how Robinson played with his own style, slightly altering it to suit each story.

Softcover. New York, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. A very clean, unmarked copy with only minor wear to edges. Black and white portraits of citizens of Indiana, taken over 4 decades.