italy

Hardcover. New York, Abrams, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages. Illustrated with 200 black & white photographs by Tazio Secchiaroli. Lots of Sophia Loren. Black remainder line on bottom edge at spine. Clean, bright copy.

Softcover. Washington DC, National Gallery of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 430 pages. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them.

Hardcover. NY, Monacelli Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 267 pages in color. This lavishly illustrated and engaging book is the authoritative guide to the most exclusive Alpine destinations in Europe. Notable hotel expert and 84 Rooms Founder, Sebastian Schoellgen, presents a uniquely curated selection of 84 luxury and family-run boutique hotels in the five Alpine countries (France, Switzerland, Italy, Austria, Germany) in over 180 superb photographs with lively storytelling and practical information, too. Featured throughout are insider guides by the author and such tastemakers as hotelier Arnauld Zannier, who map out the most stylish and scenic places to shop, dine, stroll, and wind down after a long day on the slopes. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.

Hardcover. NY, Horizon Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 264 pages with index. Carnevali, an Italian poet, came to the USA, suffered poverty and illness, and returned to Italy. Some of his poems are included here. Clean copy.

Hardcover. NY, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages, oblong format.This chapel in Italy's great city of art is home to a marvelous cycle of frescoes, composed by three 15th-century masters: Masaccio, Masolino, and Filippino Lippi. Under the supervision of Masaccio, they moved farbeyond Giotto in creating figures more human, in spaces more realistic than ever, providing inspiration for succeeding artists like Leonardo and Michelangelo. More than 32 color plates. Short inscription on front fly leaf, otherwise clean.

Hardcover. NY, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages, oblong format. This chapel in Italy's great city of art is home to a marvelous cycle of frescoes, composed by three 15th-century masters: Masaccio, Masolino, and Filippino Lippi. Under the supervision of Masaccio, they moved far beyond Giotto in creating figures more human, in spaces more realistic than ever, providing inspiration for succeeding artists like Leonardo and Michelangelo. More than 32 color plates. Short inscription on front fly leaf, otherwise clean.

Hardcover. NY, Farrar Straus & Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A groundbreaking new biography of Ezra Pound, one of the most controversial poets of the twentieth century, told through the stories of his illustrious visitors at St Elizabeths Hospital, Washington, DC. An extraordinary book of real passionate research. In 1945, Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. But before the trial could take place Pound was pronounced insane. Escaping a potential death sentence he was shipped off to St Elizabeths Hospital near Washington, DC, where he was held for over a decade. At the hospital, Pound was at his most contradictory and most controversial- a genius writer - 'The most important living poet in the English language' according to T. S. Eliot - but also a traitor and now, seemingly, a madman. But he remained a magnetic figure. Eliot, Elizabeth Bishop, Robert Lowell and John Berryman all went to visit him at what was perhaps the world's most unorthodox literary salon- convened by a fascist and held in a lunatic asylum. Told through the eyes of his illustrious visitors, The Bughouse captures the essence of Pound - the artistic flair, the profound human flaws - whilst telling the grand story of politics and art in the twentieth century. Clean copy.

Hardcover. Cinecitta Holding, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 174 pages. Illustrated in color and b&w. Text in Italian and English. Clean copy.

Hardcover. NY, Benjamin Blom, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, light orange cloth with brown titles on spine. Traces the history of the time-honored farce, featuring Pulcinella, Harlequin, Pierrot, Pantaleone, and other traditionsl characters, from Roman comedy to Cruikshank's Punch & Judy. Originally published in 1912, this new edition adds 46 pages of illustrations and a folding color frontispiece. Clean copy, no dust jacket.

Hardcover. NY, Narry H. Abrams, reprint, Book: Very Good, Dust Jacket: Good, Hardcover in pictorial boards with acetate dust jacket. 112 pages illustrated in color and b&w. Presents all the existing work of Piero della Francesca. Includes 64 color plates and 111 black-and-white illustrations. Introduction by Peter Murray. Clean copy.

Hardcover. Lodon, Gollancz , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Jane Langton's Homer Kelly mysteries have been delighting readers for over a decade. The bumbling Harvard professor and ex-Boston detective is back, but this time he's venturing far from his usual New England stomping grounds--all the way to Florence, Italy. Sprinkled with brain-teasing clues from Dante's masterpiece, The Dante Game is a suspenseful romp in one of the world's most divine settings.

Hardcover. NY, E. P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering, 402 pages. Translated form the Italian by Maria Sermolino. An account of WW1 by an officer in the Italian Army. Clean, tight copy.

Hardcover. Bologna IT, Scripta Maneant Editori, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 455 pages. From a private collection in Italy, these previously unpublished works by Francis Bacon are presented here in thematic sections, each of which is preceded by a short introductory text. Nearly 700 drawings, pastels, and collages were gifted by Bacon over the course of many years to his close friend, Italian journalist Cristiano Lovatelli Ravarino. His commentary is included here, along with texts by noted art historians Edward Lucie-Smith and Fernando Castro Florez, and an authentication report from Ambra Draghetti, graphological consultant to the Court of Bologna. The works were photographed expressly for this publication. TEXT IN ENGLISH & ITALIAN. DOMESTIC SHIPPING ONLY.

Hardcover. Dublin, Brett Smith, 1st thus, 1788, Book: Very Good, Dust Jacket: None, Hardcover, leather bound. 553 pages plus Index of Proper Names. Uncommon translation from Ireland. Hawkey was a Reverend and Master of the Free-School in Dundalk. "The Commentaries of his Wars in Gaul" is Julius Caesar's firsthand account of the Gallic Wars, written as a third-person narrative. In it Caesar describes the battles and intrigues that took place in the nine years he spent fighting the Germanic peoples and Celtic peoples in Gaul that opposed Roman conquest. The Gallic Wars were a series of military campaigns waged by the Roman proconsul Julius Caesar against several Gallic tribes. Rome's war against the Gallic tribes lasted from 58 BC to 50 BC and culminated in the decisive Battle of Alesia in 52 BC, in which a complete Roman victory resulted in the expansion of the Roman Republic over the whole of Gaul (mainly present-day France and Belgium). "His Commentaries of the Civil War" is an account written by Julius Caesar of his war against Gnaeus Pompeius and the Senate. It covers the events of 49-48 BC, from shortly before Caesar's invasion of Italy to Pompey's defeat at the Battle of Pharsalus and flight to Egypt with Caesar in pursuit. It closes with Pompey assassinated, Caesar attempting to mediate rival claims to the Egyptian throne, and the beginning of the Alexandrian War. Prelim pages gone so the book opens on the title page. Interior pages bright with no foxing, firm binding. Light wear to covers, front cover with partial split along spine, Otherwise clean.

Hardcover. Chicago, University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 282 pages. In 1994, a devout Catholic woman from Vermont began having religious visions and hearing the voice of the Virgin Mary. To spread word about her mystical experiences, she turned to the Internet. As Paolo Apolito records here, she is only one of many people who use the Web as a tool of religious devotion. Every day, thousands of Catholics--from Italy and Latin America to the United States and Bosnia--use the Internet to describe and celebrate apparitions of Mary, to exchange relics and advice in chat rooms, to make pilgrimages to religious Web sites, and to practice the rites of their faith online.But how has this potent new mix of technology and religiosity changed the way Catholics view their faith? And what challenges do the autonomous qualities of the Internet pose to the broader authority of Catholicism? Clean, bright copy.

Softcover. NY, Center For Migration Studies, 3rd pr., 1999, Book: Very Good, Dust Jacket: None, Softcover, 230 pages. The Italians of San Francisco is the first comprehensive description of the economic and social aspects of the Italian migratory experience in San Francisco to be presented in a side-by-side bilingual edition, providing teachers and students of Italian and English with a linguistically definitive and an historically important learning tool. This text pieces together the fragmented story of one of the largest immigrant groups to come to California charting the history of their economic and social development as it began in San Francisco, and as it was to be found throughout California. The Italians of San Francisco tells the story of a community whose strength was maintained in the vibrancy and perseverance of its members, and whose accomplishments were achieved through the ambition and efforts of each of its members. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 2nd pr, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 312 pages, color and b&w illustrations. A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New York. Schloss was born in Germany and moved to New York City during World War II. She became part of a thriving community of artists and intellectuals that included Elaine and Willem de Kooning, Larry Rivers, John Cage, and Frank O'Hara. She married the photographer and filmmaker Rudy Burckhardt. She was both a working artist and an incisive critic, and was a candid and gimlet-eyed witness of the close-knit community that was redefining the world of art. In Italy she spent time with Giorgio Morandi, Cy Twombly, Meret Oppenheim, and Francesca Woodman. Remainder dot to top edge otherwise clean.

Hardcover. Princeton Architectural Press , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. With photos taken in the mid 1980s the author takes us on a pictorial trip along the former Iron Curtain from the Baltic sea coast at Travemunde (West-East Germany) to the Adriatic sea coast at Trieste (Italy-Yugolsalvia [today Slovenia]); with a separate chapter on the Berlin Wall. They are superb photos full of (sad) atmosphere, poignancy and historical importance.

Softcover. Baltimore MD, Johns Hopkins University, 1st pbk., 2006, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. Historian and literary scholar Christopher Celenza argues that serious interest in the intellectual life of Renaissance Italy can be reinvigorate, and the nature of the Renaissance itself re-accessed, by recovering a major part of its intellectual and cultural activity that has been largely ignored since the Renaissance was first "discovered": the vast body of works-literary, philosophical, poetic, and religious-written in Latin. Produced between the mid-fourteenth and the early sixteenth centuries by major figures such as Leonardo Bruni, Lorenzo Valla, Marsilio Ficino, and Leon Battista Alberti, as well as minor but interesting thinkers like Lapo da Castiglionchio the Younger, this literature was initially overlooked by scholars of the Renaissance because they were not written in the vernacular Italian which alone was seen as was the supreme expression of a culture. Clean copy.

Softcover. London, Bloomsbury, 1st UK, 1997, Book: Very Good, Dust Jacket: None, Softcover, illustrated card wrappers. What better place to hide a collection of priceless jewels than among the glitter and ostrich feathers of Rio's Carnival parade? The film-director narrator suddenly finds himself the custodian of such a valuable horde after the nocturnal visit of a young dancer who is soon found murdered. First published in 1988, the novel was a bestseller in Fonseca's home country of Brazil, as well as in Italy and Mexico. The English edition I read was published in 1997 in Britain, translated by Clifford Sanders.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, Long ago in Italy, a mighty asparagus grew smack-dab in front of the king's castle. Was the king happy about it? No. The asparagus had to go. But how does a king reason with an asparagus of such stature? With tongue planted firmly in cheek, Vladimir Radunsky tells the uproarious tale of an almost immovable vegetable. Drawing on Italian Renaissance art, the esteemed artist creates a breathtaking magical kingdom, where it's easy to imagine that such an asparagus existed. His artwork is as gorgeous as it is funny. Although the old masters may turn over in their graves, readers of all ages will clamor for more of The Mighty Asparagus.

Hardcover. Boston, Little Brown, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Castel Di Sangro is a tiny town in the Abruzzo region of Italy, whose soccer team became an international sensation by winning promotion to the highest levels of national competition. For the team from this tiny village to be playing against the teams of Genoa and Venice was more than a dream come true, it was inconceivable. But the truth can be stranger than dreams, as Joe McGinniss discovered when he arrived in Castel Di Sangro. A recent convert to soccer, he wanted to experience life in a town turned upside down by the game. What he found was a cavalcade of euphoria, betrayal, grief, and euphoria again, an entire town living in an emotional frenzy unlike anything since the local battles of World War II. McGinniss lost himself totally to the team, a boisterous collection of characters whom readers will grow to love, and found a story whose depth and power enthralled him. Like Field of Dreams, Hoosiers, and The Secret of Santa Vittoria, this is a masterpiece of storytelling that transcends sports to embrace universal emotions. Clean, bright copy.

Hardcover. NY, W. W. Norton , 2nd Ed., 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 291 pages, b&w illustrations. Records the findings and methodology of archaeologists concerned with the civilizations of ancient Italy. Clean copy.