italy

Softcover. Boca Raton FL, Bordighera Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations. Tucked away on Via Tasso in a middle-class district in the Eternal City--a stone's throw from the Basilica of St. John in Lateran--the former prison is now the Museo Storico della Liberazione di Roma, commemorating the liberation of Rome by Resistance fighters and Allied troops in June 1944. Within, anti-fascist partisans scrawled graffiti full of pathos and the romantic idealism that so permeated the Italian Resistance. A visitor today can still read the desperate inscriptions, collected in this volume along with recollections by inmates and narratives concerning the Via Tasso. Pugliese's thoughtful narrative, accompanied by black-and-white photos by Lianna Miuccio, documents the lives of such antifascist prisoners as Arrigo Paladini, who wrote on the wall as he was dying, "There is nothing that can give the joy of a beautiful death as the consciousness of having served the country until the last breath of life." This book examines the inscriptions on the walls, translates them, shows Miuccio's stark photos of them, and gives a historical context, timeline, and survivor and family interviews. Clean copy. Scarce.

Hardcover. Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 200 color illustrations throughout. Portraits of famous celebrities such as Jessica Alba, Gabriel Byrne, Sofia Coppola, Diane von Furstenberg, Lazaro Hernandez of Proenza Schouler, Jack McCollough, Julianne Moore and Sting, as well as landscape photographs.

Softcover. Port Townsend WA, Copper Canyon Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 372 pages. Cesare Pavese was one of Italy's great post-war writers. His poetry was revolutionary--both artistically and politically--rejecting the verbal and philosophical constraints of tradition and utilizing direct, colloquial language. His subjects were peasants, hobos, and prostitutes, and this bilingual volume includes all the poetry Pavese ever published, including work originally deleted by Fascist censors. A landmark volume. Clean copy.

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 152 pages, b&w and color illustrations. Fashions inspired by Fellini's cult film. In publisher's shrinkwrap.

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 152 pages, b&w and color illustrations. Fashions inspired by Fellini's cult film. In publisher's shrinkwrap.

Softcover. Bloomington IN, Indiana University Press/Electa , 1st, 1996, Book: Very Good, Dust Jacket: None, 253 pages, color and b&w illustrations. Softcover in excellent, clean condition. Domenico Tiepolo, 1727-1804, the son of Giambattista, left a corpus of drawings which show him to be one of the talented Venetian artists of the 18th century. 176 drawings plus many photographs of details and of paintings.

Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Italy, Gruppo Editoriale Fabbri, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. A retrospective survey of the photographs of Donald McCullin. The text is in Italian. He covered lots of violent events, war, civil war, terrorism. 50+ photos in this book from: Northern Ireland, Vietnam, Biafra, Cambodia, Beirut, India. ITALIAN TEXT. Clean copy.

Softcover. Ithaca NY, Cornell University Press, 1st, 2005, Book: Near Fine, Dust Jacket: None, Softcover, 304 pages. Like new in publishers shrink-wrap. This ambitious collection treating the Italian Fascists appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini"s Italy. With contributions by art historians.

Softcover. Princeton NJ, Princeton University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 521 pages. The fourth volume in Frank's monumental five part biography of the great Russian writer. Covers the six most remarkably productive years in the novelist's entire career. It was in this short span of time that Dostoevsky produced three of his greatest novels--Crime and Punishment, The Idiot, and The Devils--and two of his best novellas, The Gambler and The Eternal Husband. All these masterpieces were written in the midst of harrowing practical and economic circumstances, as Dostoevsky moved from place to place, frequently giving way to his passion for roulette. Having remarried and fled from Russia to escape importuning creditors and grasping dependents, he could not return for fear of being thrown into debtor's prison. He and his young bride, who twice made him a father, lived obscurely and penuriously in Switzerland, Germany, and Italy, as he toiled away at his writing, their only source of income. Clean copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 1997, Book: Very Good, 406 pages. Hardcover published to accompany the exhibition bearing the same title and held at the Metropolitan Museum of Art from October 28, 1997 to January 11, 1998. Canvas cloth boards with grey embossed titles to spine. Full page, full color & bw illustrations throughout. Dust jacket with only light marginal wear. Tight binding, sharp corners, clean & unmarked pages throughout.

Softcover. New York, Universe Pub, 1st, 1993, Book: Very Good, Dust Jacket: None, 138 pages. Softcover. Color photographs. Light edgewear to wrappers otherwise clean, unmarked copy. Hotchkiss (1833-69), an American painter and intimate of Asher B. Durand and Elihu Vedder, is the quintessential delicate artist who dies, underappreciated, at a young age. The title refers not only to his romantic landscapes but also to his sketchy career. This catalog accompanies an exhibition that opens this fall at the National Academy of Design. Novak, a premier art historian of the Hudson River School, provides a provocative essay on Hotchkiss as the fragile, poetic artist fixated on capturing evocative images of the ancient past. Felker, the exhibition curator, provides an insightful catalog of works arranged by subject matter. Appendixes include an exhibition checklist, a chronology of the artist's life, and transcriptions of selected manuscript material. Recommended for academically oriented art history collections.

Hardcover. Boston, David R Godine, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Dust jacket spine slightly sunned, else like new. 21 black & white plates (some folding), and facsimiles. Edited by Nicholas Barker, and published posthumously. Printed at the Stamperia Valdonega. A major work examining the history and development of early Italian writing books from one of the world"s most noted typographic historians.

Hardcover. Florence, Flor & Findel, 3rd, 1907, Book: Good, Dust Jacket: None, 254 pages. Tipped in illustrations and photographs. Age discoloration to pages, beveled brown leather over covers with three bands on spine continued on front and back cover ending in flor de lis decoration. Rubbing all edges. front and rear hinge cracked.

Hardcover. Gottingen GR, Steidl Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. Large format, 191 pages. Essay by Michael Mitchell. A striking collection of 80 color photographs taken by Burtynsky over the course of seventeen years at various quarry sites around the world. Including Canada, Italy, China, Spain, Portugal, India and America these thought provoking studies of sites that are created as we dig into the earth for material in order to build our cities, urge us to consider how we as viewers are simultaneously attracted yet repulsed by these landscapes somewhere a building is created while a landscape is destroyed. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Simon & Schuster Children's Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY HILLARY KNIGHT. What's this--a new Eloise, never before seen or published? News doesn't get better than that. Kay Thompson first wrote Eloise Takes a Bawth in Italy in the 1960s with Hilary Knight and pal Mart Crowley; it has been marinating until now for a release with all-new drawings by Hilary Knight. Of course, this time Eloise is not in Moscow, not in Paris, she is simply in the bawth at home in the Plaza Hotel. With Eloise, though, nothing is simple. Perhaps especially the notion of taking a bath, where you have to "skibble into the bathroom and take off all your clothes," then strike a pose and look in the mirror, and splawsh, and sing, and bathe with turtle Skipperdee and dog Weenie. And pretend to be the "loosest cannonball in all the Caribbean" and "Little Miss Mermaid but let's keep that between us." But what's this? Could Eloise's bathtime shenanigans be causing a drip that "has begun to drop within the walls and hallowed halls of the stately old Plaza?" Drenching the elite at the Venetian Masked Ball in the Grawnd Ballroom, no less? Fabulously decadent scenes of Eloise enacting wild battles and undersea dives in the bathtub on the "tip top floor" of the Plaza contrast deliciously with the resulting swampy splendor of the ballroom. Extended fold-out cross-sections of the hotel's plumbing system and a spectacular, colorful, double gatefold illustrating the underwater ball ("the sensation of the social season" thanks to Eloise!) add drama and silliness as well.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 387 pages. These essays originated in a series of lectures and seminars held by the Graduate School of Contemporary European Studies and the Centre for the Advanced Study of Italian Society of the University of Reading in 1966-1967. The countries covered include Italy, Germany, Austria, Hungary, Rumania, Poland, Finland, Norway, Great Britain, France, Spain, and Portugal. Name on front fly leaf otherwise clean.

Hardcover. US, Damiani, 1st, 2007, Book: Very Good, Dust Jacket: None, 96 pages. hardcover. Like new in publisher's shrink-wrap. English and Italian language. No dj issued. Eve is a reportage by Italian photographer Giovanni Marrozzini about the way of life of Wolayta women in Ethiopia. About 70 black and white photos describe the tough daily existence of these women: weaving, washing, ploughing, seeding fields, carrying huge wooden faggots, giving birth, looking after their children, etc. The world in which these women live is entirely controlled by men, that in Wolatya society hold a privileged and dominant position. In particular, Eve deals with the subject of infibulation, documenting with photos this tragic reality that marks women's entry into adulthood, the fulfillment of their social position and their pray for fertility and desirability in the eyes of men. By looking at these women, Marozzini tells the story of a small part of the 100/140 millions women around the world, above all in Sub-Saharian Africa, suffering genital mutilations or alterations.

Hardcover. Rome, Leonardo-De Luca, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 236 pages, illustrated in color and b&w. Italian text. Dust jacket with light edgewear.

Firenze IT, Sillabe, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 269 pages in color and b&w. ITALIAN TEXT. Light bump to top outer corner, otherwise bright and clean.

Hardcover. Boston, Little, Brown and Company, 1st, 1970, Book: Good, Dust Jacket: Fair, 272 pages. Hardcover. Red cloth cover with gilt titles. Black & white illustrations. Dust jacket with tears, creasing along edges. Clean, unmarked pages.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim -- a newspaper tycoon and former employer of I. M. Fletch -- was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim -- a newspaper tycoon and former employer of I. M. Fletch -- was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.