Hardcover. NY, Charles Scribners Sons, 2nd pr., 1935, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 346 pages, 48 b&w drawings by James. Classic piece of Western literature, recalling life on the fictional Seven X ranch, presenting a realistic depiction of cowboys, their work and the land in which they live. Date on title page and copyright page match, publisher's seal present but no "A", so assumed 2nd printing.
Hardcover. NY, Alfred A. Knopf, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of his writings on his home country. Clean copy.
Hardcover. New York, G. P. Putnam, 1st, 1853, Book: Good, 366 pages. Leather cover with raised bands and ornate decoration. Gilt all edges and marled endpapers. B&w frontispiece with tissue-guard and b&w and color illustrations with tissue guards throughout. Color illustrations on tipped-in plates. Rubbing and wear to cover edges and some light foxing throughout. Else a clean, good copy.
Hardcover. Lawrence KS, University Press of Kansas, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. By the end of the Civil War, fatalities from that conflict had far exceeded previous American experience, devastating families and communities alike. As John Neff shows, commemorating the 620,000 lives lost proved to be a persistent obstacle to the hard work of reuniting the nation, as every memorial observation compelled painful recollections of the war. Neff contends that the significance of the Civil War dead has been largely overlooked and that the literature on the war has so far failed to note how commemorations of the dead provide a means for both expressing lingering animosities and discouraging reconciliation. Clean copy.
Hardcover. London, Seeley And Co., reprint, 1895, Book: Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering and decoration, 296 pages. B&w frontis portrait with tissue guard. Ex-lib with stamping, bookplate to endpapers, interior clean.
Hardcover. London, B. T. Batsford, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 264 pages, b&w illustrations. Name on front fly leaf, otherwise clean.
Hardcover. Mendota IL, The Wayside Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear, chipping. A superb, anecdotal and personal (Gardner was a great Alger collector) biography of Alger and history of the Alger juveniles, with superb color plates of rare Alger items and a descriptive bibliography. Clean copy.
Hardcover. NY, Farrar Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 530 pages. A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness. A. E. Housman's A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. Clean copy.
Softcover. NY, Grove Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages. Hettie Jones presents an intimate memoir of her life--from her middle-class Jewish family in Queens to her marriage to the controversial black poet LeRoi Jones and her search for her own artistic voice. Clean copy.
Hardcover. NY, Spiegel & Grau, 1st, 2009-10-20, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Photos in color and b&w. SIGNED BY MORGAN on title page. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. San Francisco, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, fine in fine dust jacket. (10 1/2" X 12 1/4"). Color and b&w illustrations throughout. In celebration of the thirtieth anniversary of the Summer of Love, the Rock and Roll Hall of Fame and Museum has launched a major exhibition examining how rock & roll came of age in the late Sixties and influenced everything from fashion and art to politics and literature. I Want to Take You Higher expands on that exhibit, showcasing the infamous icons of the era - from John Lennon's Sgt. Pepper uniform to Janis Joplin's hand-painted Porsche. A host of revealing new interviews offer never-before-published tales from the land of psychedelic wonder. Country Joe McDonald, Allen Ginsberg, Grace Slick, Mickey Hart, Donovan, Bob Weir and members of the influential bands Big Brother and the Holding Company, Quicksilver Messenger Service, Moby Grape and many others contribute fresh perspectives on now-legendary events. I Want to Take You Higher also features posters, paraphernalia and an illustrated time line (just in case you forgot), as well as classic and previously unpublished images from the greatest rock photographers of the era: Jim Marshall, Baron Wolman, Robert Whitaker, Michael Cooper, Herb Greene, Bob Seidemann and others. Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. Guilford CT, Backbeat, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages, b&w illustrations. Phil Ochs is known primarily as a songwriter; however, his oeuvre extends far beyond that--to short stories, poetry, criticism, journalism, and satire, all of which are included in I'm Gonna Say It Now: The Writings of Phil Ochs, which represents the majority of what Ochs wrote outside of his large circle of songs. This comprehensive tome presents another side of the famous topical songwriter, showcasing his prose and poetry from across the full span of his life.From prizewinning stories and clear-eyed reporting while a journalism major in college to music criticism, satires, and political pieces written while part of the burgeoning folk scene of New York City in the early 1960s and during the tumultuous Vietnam War era; from sharp and lyrical poems (many previously unpublished) to reviews, features, and satires written while living in Los Angeles and the final, elegiac coda writings from near the end of his life--I'm Gonna Say It Now presents the complete picture. The book includes many rare or nearly impossible to find Ochs pieces, as well as previously unpublished works sourced from the unique holdings in the Ochs Archives at the Woody Guthrie Center. Additionally, never-before-seen reproductions from Ochs's journals, notebooks, and manuscripts provide a closer look at the hand of the artist, giving a deeper context and understanding to his writings. Never before published photographs of Ochs bestow the visual cherry on top.
Hardcover. New York, Twayne Publishers, 1st , 1972, Book: Very Good, Dust Jacket: None, 246 pages. Previous owner's signature on front flyleaf. Light spotting to edges. Very minor rubbing to cover edges. A nice, clean copy.
Hardcover. Milan, A. Mondadori, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 88 pages. Clean copy. First Printing stated.
Hardcover. London, Walter Scott Publishing, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with gilt lettering on spine, 348 pages plus publisher's ads in rear. Walter Savage Landor's most celebrated prose work. This collection features a series of dialogues that blend historical and fictional figures, spanning from antiquity to Landor's contemporary period. The conversations are structured in various formats, including classical dialogues, discussions between sovereigns, and exchanges among literary figures, showcasing Landor's classical influences and intellectual rigor. Spine color faded, name on front fly leaf otherwise clean.
Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with silver lettering, 384 pages, b&w illustrations. Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape. Clean copy. No dust jacket.
Softcover. New York, Interlink Books, 1st, 1995, Book: Very Good, Dust Jacket: None, 276 pages. Softcover with light edgewear to paper wrappers. Light fading to rear wrappers, otherwise clean, tight copy. The 37 stories which comprise this collection challenge the long-held stereotypes and provide a rare look at the everyday lives of common people in villages across Fujian province. Despite the efforts and influence of the male-dominant Confucian culture, the stories reflect women's voices and women's lives touched by power and independence.
Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.
Hardcover. New York, Viking Penguin, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. SIGNED BY AUTHOR on title page. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. Athens GA, University of Georgia Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. This documentary history chronicles what in duration and volatile intensity was the most important love relationship in H.L. Mencken's life, one that he tried to obscure and hoped would remain buried within the copious record of his achievements as author and editor. The love between Marion Bloom and Mencken flourished during a period when he wrote frequently about women's issues. In Defense of Marion both illuminates Mencken's ambivalent attitudes toward the "New Woman" and presents a particularized social history of the intellectual and personal aspirations of many women during the early twentieth century. Bloom and Mencken met in 1914 and became lovers within a few months. Their intimacy continued, on and off, until about a year before Mencken's marriage to Sara Haardt in 1930. Edward A. Martin, who supplies a wealth of interpretive notes and commentary, tells of the Mencken-Bloom affair not only through selections from their letters and diaries but also through excerpts from the personal writings of others who were close to the two and who often complicated their relationship. Such relevant figures include Sara Haardt; Estelle Bloom, Marion's sister; Theodore Dreiser, Estelle's lover and employer as an editorial assistant; and the movie star Aileen Pringle, with whom Mencken was infatuated. Clean copy.
Hardcover. Saint Paul MN, Paragon House, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 231 pages. Nearly twenty years of letters beginning with the poet's encouragement of guidance, and the sharp critic's mentoring, developing into a sparring intellectual relationship discussing philosophies of literature and culture, and then mental dueling, and finally a rejection of one another. Clean copy.
Hardcover. New York, Borzoi/Alfred A. Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages. Remainder-mark to bottom edge. Very nice in brodart cover.
Hardcover. New York, Borzoi/Alfred A. Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages. Top edge stained red. Light wear to pictorial dust jacket, else a very neat, tight copy.