Hardcover. NY, G.P. Putnam's Sons, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor wear. 532 pages. An essential guide to the life and work of one of America's most controversial writers, Advertisements for Myself is a comprehensive collection of the best of Norman Mailer's essays, stories, interviews and journalism from the Forties and Fifties, linked by anarchic and riotous autobiographical commentary. Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics.
Hardcover. NY, Harper & Brothers, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket that is taped to covers, 554 pages. Name on front fly leaf, otherwise clean.
Hardcover. New York, Random House, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 225 pages, INSCRIBED BY AUTHOR on half-title page. Minor dust jacket edge wear and spotting on top edge, otherwise, very clean and tight copy.
Hardcover. New York, Random House, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 225 pages. Minor dust jacket edge wear and spotting on top edge, otherwise, very clean and tight copy.
Hardcover. NY, McGraw-Hill, 1st, 1951, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to spine, 263 pages. Pencil underlining to first 20 pages, otherwise clean. Discusses the works of postwar writers of the Forties, such as Norman Mailer, John Horne Burns, Truman Capote, Paul Bowles, Alfred Hayes and others; along with three writers of the Twenties: Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald.
Hardcover. NY, McGraw-Hill, 1st, 1951, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to spine, 263 pages. Discusses the works of postwar writers of the Forties, such as Norman Mailer, John Horne Burns, Truman Capote, Paul Bowles, Alfred Hayes and others; along with three writers of the Twenties: Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald. Clean copy.
Hardcover. NY, Riverhead Books, 1st US, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From the winner of the 2021 Nobel Prize in Literature. "Spanning from the end of the nineteenth century, when the colonizers carved up Africa, on through the tumultuous decades of revolt and suppression that followed, 'Afterlives' is an astonishingly moving portrait of survivors refusing to sacrifice their humanity to the violent forces that assail them." Clean copy.
Hardcover. NY, Pegasus Crime, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 544 pages. It has been one hundred years since Agatha Christie wrote her first novel and created the formidable Hercule Poirot. A brilliant and award winning biographer, Laura Thompson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie's books still sell over four million copies each year--more than thirty years after her death--and it shows no signs of slowing. But who was the woman behind these mystifying, yet eternally pleasing, puzzlers? Thompson reveals the Edwardian world in which Christie grew up, explores her relationships, including those with her two husbands and daughter, and investigates the many mysteries still surrounding Christie's life, most notably, her eleven-day disappearance in 1926.
Hardcover. NY, Pegasus , 2nd pr., 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 415 pages. Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and riveting. Clean copy.
Hardcover. NY, Random House , 3rd pr., 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 230 pages. This autobiography covers the first eleven years in the life of the distinguished Nigerian dramatist and poet who won the Nobel Prize for Literature in 1986. Clean copy.
Hardcover. New York, Random House, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages, in a bright, unclipped dust jacket. Clean copy. An autobiography covering the first eleven years of the famed Nigerian poet and dramatist.
Hardcover. NY, Alfred A. Knopf, 1st, 1974, Book: Good, Dust Jacket: None, Hardcover, first American edition. SIGNED BY BEDFORD on the half-title page. 769 pages plus index, b&w illustrations. Light damp-wrinkling to pages in last third of book. Lacks dust jacket.
Hardcover. Syracuse University Press, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, brown cloth with title on cover label. Translated by Antje Lemke. Introduction by Donald Bean. Fine in fine printed acetate dust jacket. Contains the first appearance in English of the prologue in which Aldus announces his plans to publish the first printed editions of Aristotle's works. facsimiles printed on rectos and versos of 14 pages at back, facsimiles in text. Clean copy.
Hardcover. New York, Dodge Publishing Company, Reprint, 1907, Book: Good, Dust Jacket: None, 164 pages. Hardcover. Color illustrations throughout. Deckled fore-edge. Tanning to pages and edges from age. Blue cloth bound cover boards, two-color illustration on front cover board, a good deal of paint has chipped off (see image), white title on spine, slightly faded. Some soil/wear to covers. A bump to front right bottom corner of cover board (see image). In beautiful condition inside, no pages missing, page 84 is partially disconnected. Illustrations by Bessie Pease Gutman) quite vivid.
Softcover. NY, Archipelago Books, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 115 pages, color illustrations. All One Horse is a marvel-filled journey through Breyten Breytenbach's kaleidoscopic imagination. The electrifying colors and penetrating images of his paintings converse with his lyrical and satirical dream-fables. These visions and parables emerge from a melange of cultures and traditions: African and Eastern thought, the spirit world, and the spheres of visual art, philosophy, history and politics. Breytenbach's watercolors communicate in hieroglyphs, where private conversation embraces myth and dream. These reflections and images - clear and complex at once - are cries for human dignity and justice, are truth disguised as play. An outspoken human rights activist, Breyten Breytenbach is a poet, painter, memoirist, essayist and novelist. His paintings and drawings have been exhibited around the world. Born in South Africa, he emigrated to Paris in the late '60s and became deeply involved in the anti-Apartheid movement. Clean Copy.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 324 pages. Poet and anthropologist Michael Jackson brings to this study of the folktales of the Kuranko people of Sierra Leone a sensitivity to the philosophical nuances of literature. Clean copy. Review slip laid in.
Hardcover. NY, Atheneum, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 594 pages. A landmark in postwar American literary criticism, forty-one extended essays on contemporary poets, including Robert Bly, Sylvia Plath, Allen Ginsberg, W.S. Merwin, Denise Levertov, and James Merrill. Blending biography, textual analysis, and philosophical reflection, it defined a generation's poetic discourse. The book stands as both a map of mid-century American verse and a statement of Howard's erudite critical voice. Light shelfwear, fraying to top, bottom of dust jacket spine. Clean copy.
Hardcover. NY, Grove Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 259 pages. When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it.
Hardcover. Boston, Houghton Mifflin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers decorated in gilt, 251 pages. Edited by Tiffany Thayer. Black & white drawings by Robert Ball. Excellent condition.
Hardcover. Berkeley CA, University of California Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 236 pages. The contradictory nature of the work of Benito Perez Galdos, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdos's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood-the angel of the house.