medieval

Hardcover. NY, Clarion, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 169 pages.Journal of a 14 year old girl living on a medieval English manor who is fighting her mother's attempts to make her a lady & her father's to marry her off. 1995 Newbery Honor Book, no award medal on dustjacket. Book is in unread condition.

Hardcover. New York, Henry Holt, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover. 200 pages. Black & white illustrations by Helen Finger. Red top edge. Dust jacket with chipping, soiling. Price clipped. Clear plastic protective cover. Quaint story of a little Bavarian town in medieval days.

Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.

Hardcover. Princeton, NJ, Princeton University Press, 1st US, 1982, Book: Very Good, Dust Jacket: Good, Hardcover. 360 pages. Dust jacket with edgewear, sun-fading. Clean, tight copy. The first monograph on English medieval county courts, this book provides a major revision of traditional conceptions of the character of these courts and the organization of English society from the twelfth to the fourteenth century. THe county courts have been considered courts of custom dominated by local knights unskilled in the law. By analyzing county peronnel and their role of the courts, Robert C. Palmer shows that these courts were, on the contrary, clearly professional and controlled by the magnates through their lawyers. Nevertheless, as the author demonstrates by his study of the process of jurisdictional change, the county courts were increasingly relegated to lesser roles by changes meant to assure justice to county litigants, while the king's court became the normal court of original jurisdiction for most important cases.

Hardcover. University of Notre Dame Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped in gilt and silver, 271 pages. This volume is the result of an international conference held at the University of Notre Dame in 1991 in which leading scholars, classicists, medievalists, theologians, philologists, rhetoricians, literary critics, and philosophers-gathered to focus on one of the most remarkable and influential books of late antiquity, Augustine's De doctrina christiana.Contributors to this volume place the historical setting of De doctrina christiana within the context of contemporary scholarship and explore in detail its theological meaning and impact on western culture and Christian education. The essays cover the entire field of current Augustinian studies starting with the historic setting of late antiquity in which De doctrina christiana was written. They then examine the work itself, its literary structure and interpretive and theological significance, how it was received by later patristic writers, and how it has been used as an authoritative source in contemporary times. An extensive bibliography facilitates further study.

Softcover. Berkeley, University of California Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 947 pages. Complete in one volume. Revised and annotated by Charles S. Singleton. Singleton preserves the genius of Payne's language and style, but removes the Victorianisms that intrude upon the enjoyment of contemporary readers. He adds essential annotation and original interpretation to round out this unexcelled English edition of Boccaccio's great work. Clean copy.

Hardcover. NY, Thames and Hudson, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. 226 illustrations, 50 in color, "Nudes comprised more than 20 percent of Degas' subject matter. His typical unclothed female is a slightly plump middle-class lady at her bath. Yet the French artist explored nudity in many guises. The symbolic figures of his Medieval War Scene and David and Goliath suggest vulnerable, naked humanity. Then there are the prostitutes of his brothel pictures, salaciously or humorously observed. There are women in meditative poses, asleep, dancing and, infrequently, making love to other women. There is a bit of the voyeur in Degas' images, but as British art historian Thomson shows, the painter transcended his own conventional categories of 'nice' bourgeois women and 'fallen' lower-class whores. His explorations of the nude in charcoal, pastel, oil and sculpture exude empathy, even nobility." Clean copy.

Hardcover. NY, HarperCollins, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 518 pages with index. B&w illustrations. The allied bombing of Dresden created a massive fire that swept the city center, killing thousands of people and destroying its medieval heart. Debate began almost immediately: Was the destruction of this seemingly civilian city necessary militarily, or was it, some asked, equivalent to a war crime? Not just another in an endless parade of books on Dresden, Taylor's account may go a long way toward putting such questions to rest. It opens with the start, by British bombers, of the nighttime attack, and immediately turns to the past, meandering through several centuries of Dresden history, from its founding in the Middle Ages to the 20th century and the rise of the Nazis. Taylor, translator of The Goebbels Diaries, also covers the history of aerial bombardment and its international laws; gives glimpses of life under the Nazi regime; details the Allied bombing campaign against Germany; and, most excitingly, puts forth new information concerning Dresden's part in the German war effort, which turns out to be much greater than postwar information generally portrays. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 556 pages. Clean copy.

Hardcover. Stanford CA, Stanford University Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Based upon the 1961 Arensberg Lectures, given at Stanford University, this collection of essays offers a genuinely unified interpretation of Italian Renaissance thought by describing and evaluating the philosophies of eight pivotal figures: 1). Francesco Petrarch. 2). Lorenzo Valla. 3). Marsilio Ficino. 4). Giovanni Pico della Mirandola. 5). Pietro Pomponazzi. 6). Bernardino Telesio. 7). Francesco Patrizi. 8). Giordano Bruno. With appendix: The medieval antecedents of Renaisssance Humanism, notes, bibliographical survey and index. Name on front fly leaf, otherwise clean.

Hardcover. New York, Farrar Straus Giroux, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Color illustrated by Antonio Frasconi. Dust jacket shows some minor wear. Hardbound. Translated from the Yiddish by the author and Elizabeth Shub. The winner of the 1970 National Book Award for children's literature retells a Hebrew legend with vivid simplicity and an internationally respected artist interprets it with a sincerity and fresh vision reminiscent of medieval art.

Hardcover. London, Kegan Paul, Trench, Trubner & Co., 6th pr., Book: Good, Dust Jacket: None, Hardcover, green cloth, gilt titles, 313 pages. First novel in what eventually became a trilogy depicting the gradual redemption of Durtal, the hero of the author's notorious La-Bas (1891), which portrayed the Satanism of fin-de-siecle France (in addition to certain depravities of medieval France). Translated from the French With A Prefatory Note by C. Kegan Paul. Light shef wear.

Hardcover. Christie's, 1987-1989, Book: Very Good, Dust Jacket: None, Complete 7 volume set including index, bound handsomely in red cloth over boards with gilt lettering and insignia to front covers, gilt titles to spines. Part I, Eighteenth Century Books Including the Gutenberg Bible; Part II, Medieval and Renaissance Manuscripts; Part III, Printed Books and Manuscripts Including Western Americana; Part IV, Printed Books and Manuscripts Including Early Printing, Literature, and Fine Bindings; Part V, Printed Books and Manuscripts Including Americana, Literature, and Fine Bindings; Part VI, Printed Books and Manuscripts Concerning William Morris and His Circle; Index and Price Lists. (12" x 9"). 302pp, 125pp, 320pp, 344pp, 316pp, 102pp, 99pp. Color and b/w plates throughout.

Softcover. London, V & A Publications, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Containing over 100 masterpieces from a major collection, this volume traces the history of European sculpture, from the early-Christian period through to the beginning of the 20th century. Highlights include the medieval ivories, works by many of the Italian Renaissance masters, English 18th-century pieces, such as Roubillac's statue of Handel and sculptures by Rodin. Clean, bright copy.

Hardcover. Cambridge MA, Harvard University Press, 2nd pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with fading to spin, 530 pages. After the composition of the Decameron, and under the influence of Petrarch's humanism, Giovanni Boccaccio(1313-1375) devoted the last decades of his life to compiling encyclopedic works in Latin. Among them is Famous Women, the first collection of biographies in Western literature devoted exclusively to women. The 106 women whose life stories make up this volume range from the exemplary to the notorious, from historical and mythological figures to Renaissance contemporaries. In the hands of a master storyteller, these brief biographies afford a fascinating glimpse of a moment in history when medieval attitudes toward women were beginning to give way to more modern views of their potential. Famous Women, which Boccaccio continued to revise and expand until the end of his life, became one of the most popular works in the last age of the manuscript book, and had a signal influence on many literary works, including Chaucer's Canterbury Tales and Castiglione's Courtier. This edition presents the first English translation based on the autograph manuscript of the Latin. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After the composition of the Decameron, and under the influence of Petrarch's humanism, Giovanni Boccaccio(1313-1375) devoted the last decades of his life to compiling encyclopedic works in Latin. Among them is Famous Women, the first collection of biographies in Western literature devoted exclusively to women. The 106 women whose life stories make up this volume range from the exemplary to the notorious, from historical and mythological figures to Renaissance contemporaries. In the hands of a master storyteller, these brief biographies afford a fascinating glimpse of a moment in history when medieval attitudes toward women were beginning to give way to more modern views of their potential. Famous Women, which Boccaccio continued to revise and expand until the end of his life, became one of the most popular works in the last age of the manuscript book, and had a signal influence on many literary works, including Chaucer's Canterbury Tales and Castiglione's Courtier. This edition presents the first English translation based on the autograph manuscript of the Latin.

Hardcover. London, Routledge & Kegan Paul, 1961, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 498 pages, b&w illustrations. I: The Growth of Ties of Independence. II: Social Classes and Political Organization. Translated from the French by L. A. Manyon. Foreword by M. M. Postan. In this outstanding and magisterial work, which has introduced generations of readers to the feudal period, Marc Bloch treats feudalism as living, breathing force in Western Europe from the ninth to the thirteenth century. Bloch said that his goal in writing Feudal Society was to go beyond the technical study a medievalist would typically write and 'dismantle a social structure.' For Bloch, history is a process of constant evolution and he brilliantly describes the slow process by which feudal societies turned into what would become nation states. A tour de force of historical writing, Feudal Society is essential reading for anyone interested in both Western Europe's past and present. Mild soil to covers otherwise a clean, tight copy.

Softcover. London, Financial Times/ Prentice Hall, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 319 pages. An exploration of the future of corporate enterprise. Asks questions about the phenomenon of giant transnational companies and networked newer players working side by side. Wonders at the economic patterns that have begun to emerge in world commerce. "Foundations of Corporate Empire sketches the history of international business from the emergence of ancient Assyria around 2000 BC through the Phoenician, Carthaginian and Grecian periods up to the time of the Roman Imperium under Augustus, and then on the medieval and modern eras ending with today's post-modern times." "The history of these civilizations has developed around different economic models, which have regularly re-emerged across time and are still present today." "Foundations of Corporate Empire looks at our past economic foundations to better understand where we are today and where we should be tomorrow." --Jacket. Clean copy.

Hardcover. London, Phaidon Press Limited, 1st Edition, 1967, Book: Very Good, Dust Jacket: Good, Text Volume - 450 pages. Hardcover. Blue cloth boards with gilt titles & gilt decorations to cover, spine. Frontis illustration, Parement Master and Workshop: Annunciation, Paris, in full color, tipped-in. Previous owner's signature to front flyleaf. Dust jacket with foxing, toning, now protected with plastic cover. Light foxing to edges. Otherwise very good, clean condition.Plate Volume - Hardcover, blue cloth boards with gilt titles & decorations. 845 plates, 12 full page, full color, tipped-in & beautifully presented. Dust jacket with light foxing, now protected with plastic cover. Light foxing to edges. Bright, clean copy.

Hardcover. New York, Weybright and Talley, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover. Illustrated with 370 black & white plates and a color frontispiece. Introduction by Henry Moore. Photographs by Ilario Bessi in collaboration with Henry Moore. Brown canvas, spine lettered in gilt, upper cover blocked in gilt with publishers' device, Dust jacket with light surface wear to back cover. Clean, tight copy.

Hardcover. NY, Orion Press/ Trianon Press, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 180 pages, profusely illustrated in b&w. 112 pages of photos, 3 fold-outs. The definitive study of the 12th-century French sculptor, responsible for almost all the sculpture and reliefs in the medieval cathedral in Burgundy. Spine cracked at preliminary spread before title page. No markings, clean copy.

Softcover. New Haven CT, Yale University Press, 1st pbk, 2022, Softcover, 483 pages. An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century. Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they--not merely the clergy--affected how worship was staged. Clean, bright copy.

Hardcover. New York, Harry N. Abrams, Inc., 1st English, 1972, Book: Very Good, Dust Jacket: Very Good, 527 pages. Hardcover. Previous owners name and brief inscription on front endpaper. Illustrated with black & white photographs. Dust jacket with light wear. Clean, tight copy.

Hardcover. San Marino CA, The Huntington Library, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages, b&w illustrations. Early modern European governments and their subjects had difficulty agreeing to laws governing behavior on the sea - an environment that featured watery borders, rampant piracy, the threat of free trade, and the large-scale transportation of human cargo. The essays in this volume explore how the exploitation of the oceans changed the institution of slavery, long-distance trade, property crime, the environment, literature, and memory from medieval times to the nineteenth century. Clean copy.