mexico south

Softcover. Rio de Janeiro, Liberia Francisco Alves, 1st, 1977, Softcover in pictorial wraps, 108 pages. Scholarly book on African-Brazilian religious cults in South America and Mexico. Clean copy

Hardcover. Pasadena CA, Pasadena Museum of California Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 149 pages, illustrated in color. Bright, clean copy in similar dust jacket. Catalog of an exhibition organised by the Pasadena Museum of Californian Art and held there and at the Gibbes Museum, Charleston, South Carolina, in 2005-6. The book presents 77 works, reproduced in excellent colour as half and full page plates, including nudes, figures and urban and rural landscapes. William Gerdts offers a scene-setting Introduction after which Solon provides an in-depth study of the artist's life and work. This includes his marriage, travels abroad including Europe, Panama and Mexico, experience as an aerial photographer in the Great War, return to Southern California and life in Pasadena, a region that was recommended for health reasons, and a final decade marked by ill-health that contributed to the general decline in his reputation outside of the local art community.

Hardcover. Albuquerque NM, University of New Mexico , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. B&w illustrations throughout. gilt titles on spine. Includes extensive bibliography. Faint foxing to top edge, otherwise a clean, tight copy. The photographs of Simeon Schwemberger, who worked as lay brother at the Franciscan Mission of St. Michaels near Windowrock, AZ, from 1901 through 1908. His outstanding photographs of the Native American Indians in that area are coupled with the fine essay by Michele M. Penhall. This photographers work has been compared with the work of Charles Lummis, A.C. Vroman, and J.K. Hillers.

Hardcover. El Paso, TX, Sweet Earth Flying Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 115 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Penned by two of the most famous African American writers of the 1930s, this never-before-published coming-of-age story chronicles the adventures of a 12-year-old Mexican boy, Miguel Del Monte, who joins his uncle in herding wild broncos from northern Mexico to Los Angeles. Set against the backdrop of the Mexican Revolution, this historic tale follows Miguel as he embarks on this unexpected trip across the American Southwest desert, determined to prove himself brave and smart enough to deal with the anticipated hardships. Along with a close encounter with roving bandits and the dangerous forces of nature, Miguel has bittersweet interactions with people of diverse racial and cultural groups, learning important lessons along the way. Separated into concise episodes and reflecting the beauty of various peoples, this collection depicts the power of tolerance and multicultural inclusion.

Softcover. Norman OK, University of Oklahoma Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 373 pages. Presents conflicting interpretations of caudillismo in twenty-seven essays written by an international group of historians, anthropologists, sociologists, political scientists, journalists, and caudillos themselves. The selections represent revisionists, apologists, enemies, and even a victim of caudillos. The personalities discussed include the Mexican priest Miguel Hidalgo, the Argentinian gaucho Facundo Quiroga, the Guatemalan Rafael Carrera, the Colombian Rafael Nunez, Mexico's Porfirio Diaz, the Somoza family of Nicaragua, the Dominican 'Benefactor' Rafael Trujillo, the Argentinians Juan Peron and his wife Evita, Paraguay's Alfredo Stroessner - called 'The Tyrannosaur,' Chile's Augusto Pinochet, and Cuba's Fidel Castro. Clean copy.

Hardcover. San Diego, Sunbelt Publications, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, color photographs and illustrations throughout, illustrated end paper. The Great Murals of Mexico's Baja California are one of the five greatest sites in the world for primitive rock art. They rank with those of southern France, northern Spain, northwest Africa, and outback Australia. These Great Murals, created by an unknown people, are without doubt the most distinctive trove of rock art in the Western Hemisphere. The site was unveiled to the modern world in the 1960s by adventure/mystery writer Erle Stanley Gardner who brought in UCLA archaeologist Clement Meighan to validate the importance of his find. But it was not until the 1970s, when author/photographer Harry W. Crosby undertook a systematic search for the largely unknown works hidden in the mountains of central Baja that the scope and significance of the find became known. He documented his search and discovery of over 200 previously unreported rock art sites leading to the original publication of The Cave Paintings of Baja California by Copley Books in 1975 which first introduced this cave art to the general public. Since that time, Baja California's Great Murals have been designated a United Nations Heritage Site. This lavishly illustrated full-color account is greatly revised and expanded from the original edition and offers Crosby's unique perspective on the painted sites and painting styles found in different parts of the Great Mural area. Light edge wear to dust jacket. Else a very clean, tight copy.

Softcover. Stanford CA, Stanford University Press, 3rd pr., 1999, Book: Very Good, Dust Jacket: None, Softcover, 493 pages. This book is about ending guerrilla conflicts in Latin America through political means. It is about peace processes, aimed at securing an end to military hostilities in the context of agreements that touch on some of the principal political, economic, social, and ethnic imbalances that led to conflict in the first place. The book presents a carefully structured comparative analysis of six Latin American countries--Nicaragua, El Salvador, Guatemala, Mexico, Colombia, and Peru--which experienced guerrilla warfare that outlasted the end of the Cold War. The book explores in detail the unique constellation of national and international events that allowed some wars to end in negotiated settlement, one to end in virtual defeat of the insurgents, and the others to rage on. The aim of the book is to identify the variables that contribute to the success or failure of a peace dialogue. Clean copy.

Softcover. Ausyin TX, University of Texas Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 282 pages, b&w illustrations. The simple question "How did the Maya come up with a calendar that had only 260 days?" led Vincent Malmstrom to discover an unexpected "hearth" of Mesoamerican culture. In this boldly revisionist book, he sets forth his challenging, new view of the origin and diffusion of Mesoamerican calendrical systems--the intellectual achievement that gave rise to Mesoamerican civilization and culture. Malmstrom posits that the 260-day calendar marked the interval between passages of the sun at its zenith over Izapa, an ancient ceremonial center in the Soconusco region of Mexico's Pacific coastal plain. He goes on to show how the calendar developed by the Zoque people of the region in the fourteenth century B.C. gradually diffused through Mesoamerica into the so-called "Olmec metropolitan area" of the Gulf coast and beyond to the Maya in the east and to the plateau of Mexico in the west. Clean copy.

Softcover. Ketchum, Idaho, Computer Lab, 1st, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in b&w.

Hardcover. New York, Doubleday Doran, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black design, 297 pages, decorations and endpapers illustration by Frank Dobias. Fading to cloth spine otherwise clean, tight copy.

Hardcover. NY, Knopf, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. These twelve stories further Joy Williamss utterly singular achievement, described by the Washington Post as poetic, disturbing, yet very funny. Her landscapes reach from Maine and Nantucket to the Southwest and into Mexico and Guatemala, while the events cover a range of human travail, from children confronting the death of a parent to parents instead burying their own young, and the various ways-comic, tragic, unnerving-we seek to accommodate diminishment and loss.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. The American Southwest has shaped the lives and work of many artists and literary figures over the last century--Georgia O'Keeffe, D. H. Lawrence, N. Scott Momaday, to name a few--individuals unquestionably drawn to the unrivaled landscape, moved to express its beauty through the written word or through their art, and forever altered by the experience. The survey of photographers and photography in the Southwest between 1870 and 1970 begins with Timothy O'Sullivan and other late nineteenth-century expedition photographers and ends with the color landscape photography of Eliot Porter. In between are Laura Gilpin's portraits of Navajos taken during the 1930s and the documentary images of rural Hispanic communities by Farm Security Administration photographers John Collier Jr. and Russell Lee in the 1940s. Nineteen photographers in all are represented--also including Ansel Adams, Paul Strand, Edward Weston--along with 102 photographs. Clean copy.

Hardcover. New York, Aperture/SADEV, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages, b&w photographs, small format catalogue with extensive notes. A fine copy in the illustrated dust jacket. Bridges made aerial photographs of the earthworks in Peru, Yucatan and Chiapas, and in the U.S. in California, Arizona, New Mexico, Mississippi, South Dakota, as well as France and England. Preface by Haven O'More. Essays by Maria Reiche, Charles Gallenkamp, Lucy Lippard, Keith Critchlow. Clean, bright in an unclipped dust jacket.

Hardcover. Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The years from 1945 to 1985 are often identified as the moment in which Los Angeles established itself as a leading cultural center in America. However, this conception of its history entirely excludes the very controversial presence of the Mexican muralists, as well as the work of other artists who were influenced by them and responded to their ideas. It is likewise often thought that Los Angeles' Mexican culture arrived full formed from outside it, when in fact that culture originated within the city--it was in Los Angeles and Southern California that Jose Vasconcelos, Ricardo Flores Magon, Octavio Paz and other intellectuals developed the iconography of modern Mexico, while Anglos and Chicanos were developing their own. David Alfaro Siqueiros, Clemente Orozco, Alfredo Ramos Martinez and Jean Charlot made some of their earliest murals in Los Angeles, influencing the Mexican, Mexican-American and Chicano artists of the 1970s and 80s. MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985 focuses on the construction of different notions of "Mexicanidad" within modernist and contemporary art created in Los Angeles. From the Olvera Street mural by Siqueiros, to the Golden Age of Mexican cinema and the Disney silver-screen productions, to the revitalization of the street mural, up to the performance art of Guillermo Gomez-Pena, MEX/LA explores the bi-national and hybrid forms of artistic practices, popular culture and mass-media arts that have so uniquely shaped Los Angeles' cultural panorama.

Hardcover. NY, Charles J. Folsom, 1st, 1842, Book: Very Good, Dust Jacket: None, Hardcover, publisher's brown cloth, stamped in blind, spine gilt. 256 pages including index with a color folded map laid in. Map was tipped-in and removed leaving a sliver or the map still attached at title page (see photos), map itself is clean, no wear to folds. First edition of this important work. The section on Texas and the Santa Fe expedition is attributed to Franklin Coombs, a veteran of the latter ill-fated debacle, and his account of the expedition and his captivity (which first appeared in NILES WEEKLY REGISTER) is reprinted herein, along with another account (Wagner-Camp 86) of a trip to Santa Fe appearing here for the first time in book form. The map shows Texas, Mexico, and the southwest region as far north as the Arkansas River, south to Yucatan, west to the Pacific, and east to New Orleans. Light chipping to spine cloth at top, penciled notation on front fly leaf, mild foxing to several pages, otherwise a clean, bright copy.

Hardcover. Norman OK, University of Oklahoma Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 348 pages, b&w illustrations. This handsomely illustrated book offers a panoramic view of ancient Mexico, beginning more than thirty thousand years ago and ending with European occupation in the sixteenth century. Drawing on archaeological and ethnohistorical sources, the book is one of the first to offer a unified vision of Mexico's precolonial past. Typical histories of Mexico focus on the prosperity and accomplishments of Mesoamerica, located in the southern half of Mexico, due to the wealth of records about the glorious past of this region. Mesoamerica was only one of three cultural superareas of ancient Mexico, however, all interlinked by complex economic and social relationships. Tracing the large social transformations that took place from the earliest hunter-gatherer times to the Postclassic states, the authors describe the ties between the three superareas of ancient Mexico, which stretched from present-day Costa Rica to what is now the southwestern United States. According to the authors, these superareas-Mesoamerica, Aridamerica, and Oasisamerica - cannot be viewed as independent entities. Instead, they must be considered as a whole to understand the complex reality of Mexico's past.

Hardcover. Norman OK, University of Oklahoma Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, b&w photos. Clean, unmarked copy with only minor wear to dust jacket. Today, roughly fifty thousand Tarahumara continue living in ways similar to those of their ancestors, retaining many customs from their pre-Columbian past. Striking sepia-toned monochrome photographs and a historical narrative document the lives and past of people in mountainous southwestern Chihuahua, Mexico.

Hardcover. Bunker Hill Publishing Inc, Piermont, NH, 2009, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Neon Mesa: Wonders of the Southwest is a stunning photographic record of the vernacular landscape of the American Southwest - the roadside landscape littered with the signs, relics, sights and debris of countless anonymous road trips. The Four Corners is a unique region where Colorado, New Mexico, Arizona and Utah meet. Rob Atkins' photos capture the irony and pathos of the place in icons of the American Dreams, be they those of the Nuclear Age, the Frontier, the Cowboy, or the Native American, all caught in the stark majestic images of a present already passing, in rusting road-signs, flickering neon light, and derelict motels, set against some of America's most awe-inspiring natural scenery. The dazzling light of the Southwest, the enormous skies and stark desert imagery form the back drop to Rob Atkins stunning exploration of a quintessential American landscape. He captures visual gems with his camera from the ghostly quarries of old motels and roadside wrecks, of decaying signs and faded walls, and writes about the minutiae of lost Americana with affection and great style.

Hardcover. Bunker Hill Publishing Inc, Piermont, NH, 2009, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures throughout. Neon Mesa: Wonders of the Southwest is a stunning photographic record of the vernacular landscape of the American Southwest - the roadside landscape littered with the signs, relics, sights and debris of countless anonymous road trips. The Four Corners is a unique region where Colorado, New Mexico, Arizona and Utah meet. Rob Atkins' photos capture the irony and pathos of the place in icons of the American Dreams, be they those of the Nuclear Age, the Frontier, the Cowboy, or the Native American, all caught in the stark majestic images of a present already passing, in rusting road-signs, flickering neon light, and derelict motels, set against some of America's most awe-inspiring natural scenery. The dazzling light of the Southwest, the enormous skies and stark desert imagery form the back drop to Rob Atkins stunning exploration of a quintessential American landscape. He captures visual gems with his camera from the ghostly quarries of old motels and roadside wrecks, of decaying signs and faded walls, and writes about the minutiae of lost Americana with affection and great style.

Hardcover. Boston, Houghton Mifflin , 1st, 1889, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped in dark green with drawing of two riders on horseback. Gilt title on spine. Bookseller's sticker on inside front cover, previous owner's signature on front fly leaf otherwise clean.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 436 pages, color photos. The legendary travel writer drives the entire length of the US-Mexico border, then takes the back roads of Chiapas and Oaxaca, to uncover the rich, layered world behind the everyday headlines. Paul Theroux has spent his life crisscrossing the globe in search of the histories and peoples that give life to the places they call home. Now, as immigration debates boil around the world, Theroux has set out to explore a country key to understanding our current discourse: Mexico. Just south of the Arizona border, in the desert region of Sonora, he finds a place brimming with vitality, yet visibly marked by both the US Border Patrol to the north and mounting discord from within. With the same humanizing sensibility that he employed in Deep South, Theroux stops to talk with residents, visits Zapotec mill workers in the highlands, and attends a Zapatista party meeting, communing with people of all stripes who remain south of the border even as family members brave the journey north. Clean copy.

Softcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, oblong format, color photos. The end of the twentieth century represents an unsettled time, and the contemporary Southwest, as seen by Virgil Hancock III in these fifty-two exquisite color photographs, is a strange place full of omens and signs. His images peer beyond the scenery, beyond the tourism-council view of this region as a storied land of golf courses and climate-controlled shopping centers. He gets at the soul of the Southwest, of the nation, and, in his best photographs, at the human condition itself, seizing on the accidental symbols that speak to our yearnings and shortfalls: skyward-pointing arrows and crosses and dreams just beyond reach at Indian casinos, failed department stores, retirement cities. He photographs signs of the violence that has been endemic to the region and shows us ruins, not of the Anasazi or Spanish missions, but of commercialization, scarcely twenty years old, already gone belly-up.

Hardcover. New York, Scribners, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 245 pages, b&w illustrations by Peixotto throughout, gilt decorated cover, titles and top edge. Minor corner bumps and spine edge wear, otherwise, very clean and tight copy. Descriptions of the old Spanish Missions and settlements of Arizona, New Mexico and along the Texan border.

Hardcover. Albuquerque, University of New Mexico, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Clean, tight copy. Black and white phots throughout. In the early 1950s the great anthropological photographer John Collier Jr. made nearly 1,000 photographs documenting Navajo life in Fruitland, New Mexico, near the Four Corners. Lost until recently in archives far from the Southwest, most of these photos have never before been published. The authors of this book have assembled a selection of Collieri? 1/2 s Navajo photographs showing the changes in post-World War II reservation life.