mexico

Hardcover. New York , powerHouse Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 120 pages, hardcover. Some of the photographer's finest unpublished work, in one volume. Most of the photographs were taken in New York City, Levitt's primary subject in the course of a seven-decade photographic journey (she spent some time in Mexico City, and the pictures she took there are collected in a book named after the city). Here are 110 photographs, 90 of them never before published, including portraits of her close friends James Agee and Walker Evans.

Hardcover. New York, Doubleday Doran, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black design, 297 pages, decorations and endpapers illustration by Frank Dobias. Fading to cloth spine otherwise clean, tight copy.

Hardcover. NY, Harper and Row, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 64 pages illustrated in 3-colors by Joan Sandin. Every day is the same for Pablo's father. Then one afternoon the ground growls, hisses smoke, and swallows up his plow. A volcano is erupting in the middle of his cornfield! The story is based on reports of the eruption of Paricutin volcano on Feb. 29, 1943. It came up in the Mexican state of Michoacan, in the cornfiled of a Tarascan Indian Named Dionisio Pulido. No one was killed, but more that 2000 people are said to have lost their homes. An I Can Read History Book. Light stamp on rear endpaper, otherwise a bright, clean copy.

Softcover. Albuquerque, University of New Mexico Press, 1993, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 95 pages. Essays by Sheryl Conkelton and Anne Lamott. In the photographs in 'Home and Other Stories, ' Catherine Wagner takes these precepts as her starting point. Each three-part work shows various aspects of one American home: rooms or potions of rooms and objects in ensembles that are carefully arranged for visitors or carelessly disposed in privacy. Light crease to rear cover otherwise very good, clean copy.

Hardcover. NY, Knopf, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. These twelve stories further Joy Williamss utterly singular achievement, described by the Washington Post as poetic, disturbing, yet very funny. Her landscapes reach from Maine and Nantucket to the Southwest and into Mexico and Guatemala, while the events cover a range of human travail, from children confronting the death of a parent to parents instead burying their own young, and the various ways-comic, tragic, unnerving-we seek to accommodate diminishment and loss.

Hardcover. New York, Farrar, Straus & Giroux, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 292 pages. Translated from Spanish by Margaret Sayers Peden. Black cloth, gilt lettering to spine. Mylar cover. Light wear to dust jacket, else like new. Released as a translated to English novel in 1978 as a follow up to the monster epic historical fantasy "Terra Nostra," Fuentes displays his versatile written skills with adept perception. This is a captivating spy novel that features many characters but focuses on Felix Maldonado who is a low level Mexican bureaucrat. Maldonado is portrayed as a sort of everyman who suddenly finds himself thrust into bigger than life circumstances. On a day when the president of Mexico is making an appearance Maldonado, who was looking forward to the day suddenly finds himself being involved unvoluntarily into an assassination plot. He is declared dead and given a new identity, a sly bit of writting to create another faceless citizen of Mexico. From here the novel takes off into twists and turns to unravel the mystery and Maldonados and others role in the assassination attempt.

Hardcover. Boston, David R Godine, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 99 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Black and white images throughout. These letters were written between 1950 and 1964 as Lebrun moved between the United States, Mexico and Italy and provide a glimpse into the artist's thoughts during that period.

Hardcover. Boston, David R Godine, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 99 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Black and white images throughout. These letters were written between 1950 and 1964 as Lebrun moved between the United States, Mexico and Italy and provide a glimpse into the artist's thoughts during that period.

Softcover. Canberra AU, National Gallery of Australia, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. From his studio in the heart of New York, Australian-born Anton Bruehl created inventive and perfectly realized color photographs for advertisements in top American magazines such as Vogue and the New Yorker. Seen by the millions of readers, his ads had a dedicated following eliciting bags of fan mail. As well as advertising, Bruehl produced evocative images of stars of stage and screen, other celebrities, seasonal child studies, and his personal photography in the classic documentary tradition including his award-winning photo book Mexico (1933) and Tropic patterns (1970). Essays cover the early lives of the Bruehl brothers in Australia; Anton's success in New York, including his most famous and whimsical advertising campaigns; and fascinating details on Bruehl-Bourges color process which gave Breuhl's photographs their distinctive look. Illustrated with Bruehl's photographs, magazine prints, and printers proofs, this book is a must for anyone interested in photography, advertising, and popular culture. In publisher's shrinkwrap.

Hardcover. New York , Charles Scribner's Sons, 1st, 1903, Book: Very Good, Dust Jacket: None, Hardcover, 313 pages. Red pictorial cloth with gilt titles to front and spine. Light fading to spine and small scratch to rear cover, else a clean, tight copy.

Hardcover. Lincoln NE, University of Nebraska Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages. A previously unpublished photo series by Irwin Klein of northern New Mexican counterculture communes from 1967-1971 blended with modern essays on the topic. Dropouts, renegades, utopians. Children of the urban middle class and old beatniks living alone, as couples, in families, or as groups in the small Nuevomexicano towns. When photographer Irwin Klein began visiting northern New Mexico in the mid-1960s, he found these self-proclaimed New Settlers and many others in the back country between Santa Fe and Taos. His black-and-white photographs captured the life of the countercultures transition to a social movement. Clean copy.

Hardcover. Albuquerque, University of New Mexico Press, First Edition, 1969, Book: Very Good, Dust Jacket: Very Good, 419 pages. Hardcover with photographs, illustrations of woodcuts, engravings in bw. Brown cloth boards & black titles to spine. Light marginal foxing to top edge. Dust jacket with toning to spine & light wear to edges. Clean & tight copy.

Hardcover. New York, Bradbury Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 30 pages. Color illustrations by Rick Brown. Dust jacket price clipped. Remainder mark on bottom edge. While enjoying a summer vacation traveling with her best friend, Lucy, through Texas, Oklahoma, New Mexico, and Arizona, Kate writes a series of letters home.

Softcover. Norman OK, University of Oklahoma Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 351 pages. George Wilkins Kendall, who founded the New Orleans Picayune in 1837, was a restless, impatient, and colorful character in an exciting era. For thirty years he guided the Picayune and built it into a powerful force in behalf of America's westward expansion. Kendall's vigorous editorials championed the cause of the infant Republic of Texas. When the Texan Santa Fe Expedition was organized in 1841, for the purpose of occupying New Mexico (then still under Mexican rule), Kendall left his editorial chair to participate--and was marched off to Mexico as a captive for seven months when the expedition was overwhelmed at Santa Fe. A few years later, when Kendall accompanied American forces invading Mexico during the Mexican War, he became America's first war correspondent--reporting directly from the battlefront. His effective "courier expresses" brought the first news of each battle to an eager nation, including President Polk, who often read news of the war in Kendall's Picayune before hearing it from his field commanders. Clean copy.

Hardcover. London, Quartet Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. A great collection of photographs , mainly taken in and around a bordello in Mexico , during the years 1900-1915 They are very reminiscent of the bordello photographs that Ernest J. Bellocq took in New Orleans during the twenties. Ava Vargas , the compiler of these photographs, masterfully restored the original glass plates , and also managed to get them reproduced on the good quality paper of this enjoyable book.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. The American Southwest has shaped the lives and work of many artists and literary figures over the last century--Georgia O'Keeffe, D. H. Lawrence, N. Scott Momaday, to name a few--individuals unquestionably drawn to the unrivaled landscape, moved to express its beauty through the written word or through their art, and forever altered by the experience. The survey of photographers and photography in the Southwest between 1870 and 1970 begins with Timothy O'Sullivan and other late nineteenth-century expedition photographers and ends with the color landscape photography of Eliot Porter. In between are Laura Gilpin's portraits of Navajos taken during the 1930s and the documentary images of rural Hispanic communities by Farm Security Administration photographers John Collier Jr. and Russell Lee in the 1940s. Nineteen photographers in all are represented--also including Ansel Adams, Paul Strand, Edward Weston--along with 102 photographs. Clean copy.

Hardcover. Los Angeles, Art Issues Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 420 pages with index. Christopher Knight is the unprecedented five-time winner of the Chemical Bank Award for Distinguished Newspaper Art Criticism, and was a finalist for the 1990 Pulitzer Prize in criticism. Writing first for the Los Angeles Herald Examiner and now for the Los Angeles Times, Knight has developed a new journalistic approach to American art and culture, in which a radical defense of images stands alongside an incisive critique of cultural institutions. Among the 129 essays and reviews collected here are individual writings on internationally important historical figures, such as Rembrandt van Rijn, Tung Ch'i Ch'ang, and douard Manet; contemporary American masters like Edward Ruscha and Mike Kelley; and significant artists virtually forgotten today, such as California's Henrietta Shore and Mexico's Hermenegildo Bustos. Clean copy.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 250 pages. b&w illustrations. The Progressive Era promoted a vision of America united by an emphasis on science and progressive reform. The zeal to modernize business, government and social relations extended to farm families and the ways women defined their roles. In this study of the expert advice offered by the domestic economy movement, Holt argues that women were not passive receptors of these views. Seeing their place in agriculture as multi-faceted and important, they eagerly accepted improved education and many modern appliances but often rejected suggestions conflicting with their own views of the rewards and values of farm life. Progressive reform inevitably left a mixed legacy; science and technology did not perfect rural society. But many programs such as 4-H and Master Homemaker still exist and are still shaped by women's desire to preserve and pass on the possibilities of rural life. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages. Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness.

Softcover. Los Angeles, CA, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Luis Bunuel, one of the most brilliant representatives of the surrealist movement, chose to make films and was able to make them with unflagging fidelity to his principles for fifty years. After an audacious Parisian showing of Un Chien Andalou in 1929 (Bunuel carried stones in his pockets in case he needed them to fend off the audience), Bunuel's subsequent career in Spain (Las Hurdes), Hollywood and Mexico (Los Olvidados, Robinson Crusoe, El, Nazarin) before returning to France (Diary of a Chambermaid, Belle de jour, The Discreet Charm of the Bourgeoisie, That Obscure Object of Desire), showed that the only subjects he cared to make films about were the three that are never supposed to be discussed in polite society: sex, religion, and politics.

Softcover. Boston/Washington DC, David R. Godine/Corcoran Gallery, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 82 b&w photo-plates plus catalogue of exhibition, biographical notes, exhibitions/catalogues/reviews, general bibliography. One of 2000 softbound copies. Issued as a monograph and the catalogue to accompany a major retrospective exhibition. With an essay on the photographer by Alex Castro. Clean copy.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, SIGNED BY AUTHOR on title page. Spotless and clean copy in a bright dust jacket.

Hardcover. US, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, 72 pages, illustrated throughout in color and b&w. SIGNED BY AUTHOR on half title page. Light shelf-wear to boards, faint foxing to edges.

Hardcover. NY, Aperture, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Published simultaneously with a major exhibition of Alvarez Bravo's work at the Museum of Modern Art, NYC, this is a nice survey of the photographer's work. Photographs by Manuel Alvarez Bravo; essay by Frederick Kaufman. 80 pages; 62 duo-toned b&w plates + 6 text illustrations. Clean copy.