native

Hardcover. Santa Fe, NM, Clear Light Publishers, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 139 pages illustrated in throughout with 96 color photographs; portrays the lives and works of eighteen ceramic artists including Maria Martinez, Grace Medicine Flower, Popovi Da, Nampeyo, Russell Sanchez, Nathan and Nancy Youngblood and many more. Clean copy.

Softcover. Seattle, University of Washington, 1st PB, 1989, Book: Very Good, Dust Jacket: None, Softcover, 188 pages, illustrations in b&w. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. New York, Alfred A Knopf , 1st, 1971, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 336 pages, illustrated throughout in color and b&w. Pictorial gray cloth with gilt title to spine. Pictorial dust jacket. Light wear and sun to covers and spine, else a very nice, tight copy.

Hardcover. New York, Morrow, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. In a clean, bright dust jacket. A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender and the Fifty-fourth Massachusetts' assault (in film, the climax of Glory). His spark of inspiration is usually to visualize an incident he has read of in the journals of the first white explorers and trappers, such as those of Lewis and Clark. Whether it's Clark firing his rifle or Indians encountering a cannon lost by Fremont, Native Americans are generally presented as wary but curious about the newcomers; Lovell puts the warfare outside of the frame. Themes aside, he works expertly with natural color, and though not a modern George Caitlin, his attention to the detail of Indian dress, carriage, and equipage is quite affecting, fully reflective of his respect for the cultures of Apache, Sioux, etc. A rich tribute to a captivating artist who evokes the West's vast landscape and its individual braves and traders in moods of exuberance and perseverance.

Hardcover. New York, William Morrow & Co, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. "A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender". Gorgeous color plates.

Hardcover. Washington DC, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, color and b&w photos. The famous, the infamous, and the never-before-seen are here in a remarkable 'democracy of images' Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. In a bright dust jacket.

Hardcover. Washington, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Color and black and whote photos throughout. Clean, tight copy. The Smithsonian holds more than 13 million images spanning over 150 years of taking and collecting photographs. This largely unknown body of photography (most never before published) represents nothing less than the Smithsonian's effort, in the name of all Americans, to describe and comprehend the world. Open anywhere in these pages to be plunged into the history of our modernity, and see what the Smithsonian deemed important to document and preserve. The famous, the infamous, and the never-before-seen are here in a remarkable "democracy of images": Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. By recording the act of seeing, and of what was seen, both photography and the Smithsonian have shaped our sense of ourselves, as individuals, as a people, and as a country.

NY, Crowell, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. B&w Illustrations by Glo Coalson. Story about a lame boy who has learned from a neighboring Eskimo tribe to train sled dogs. An Athasbascan Indian tale.

Hardcover. NY, William Morrow,, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 309 pages, b&w illustrations. Novelist Anne Bernays and biographer Justin Kaplan -- both native New Yorkers -- came of age in the 1950s, when the pent-up energies of the Depression years and World War II were at flood tide. Written in two separate voices, Back Then is the candid, anecdotal account of these two children of privilege -- one from New York's East Side, the other from the West Side -- pursuing careers in publishing and eventually leaving to write their own books. Infused with intelligence and charm, Back Then is an elegant reflection on the transformative years in the lives of two young people and New York City. Marked by their youthful passions, this double memoir marries the authors' distinct literary styles with a riveting narrative that captures the density and texture of private, social, and working life in the 1950s. Clean copy.

Softcover. NY, Atlantic Monthly, Uncorr. Proof wraps, 2002, Book: Very Good, Dust Jacket: None, Paperback. Uncorrected proof. Like new.The book opens with the disappearance of a man named Franko Bradovich in Kosovo. Franko, a native Montanan posing as a local, was a spy of sorts, an operative who was helping the Lucani (a loose affiliation of DEA, FBI, CIA, etc. agents operating outside the law) bust a drug trafficking scheme from Bulgaria through Kosovo and Serbia to Europe. Franko was living with the family of a farmer named Daliljaj (and was in love with the farmer's daughter Fedima) and an apparently helpful American-raised Slav (Bozi Bazok), who's become part of the Serb army's shock troops, has warned Franko that the army was headed toward them with bloodshed in mind. Later, though, Franko, who's been posing as a drug trafficker, is brought in by local police for questioning and is beaten--making Bazok's helpfulness questionable at best. Either way, Franko can't really afford to stick around. Bazok agrees to help him and, reluctantly, Daliljaj, Fedima, and their relatives, escape the sweep, in exchange for the massive quantities of drugs he believes Franko is hiding. But Bazok betrays him and slaughters Daliljaj and all of Fedima's other family while they wait for Franko to return with transport. When Franko returns, Bazok has disappeared, taking Fedima with him.

Softcover. Mountain View CA, Pacific Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A missionary's experience in the 1930s among the natives of New Guinea. Clean copy.

Hardcover. Daylight Books, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 104 pages. Barmaid presents images by American photographer John Arsenault, who worked at the Eagle LA as a barback, or "barmaid," as Arsenault liked to refer to the position. The series consists of customer and employee portraits, interior landscapes from the bar, and self-portraits. These photographs reflect an insider view of the iconic bar.John Arsenault is a Los Angeles based photographer. His photography is internationally exhibited and is included in the Nerman Museum & Museum of Fine Arts, Houston.The Massachusetts native attended the School of Visual Arts, and since then has been lending his unscripted, unusual and totally authentic work to clients ranging from The New Yorker and Volkswagen to Goldman Sachs and Out Magazine

Hardcover. Lincoln NE, University of Nebraska Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, in a lightly worn dust jacket. Bead on an Anthill is the story of a Lakota girl's experiences growing up in Nebraska and on the Pine Ridge Reservation in the 1960s and 1970s. Raised in a home without books, Delphine Red Shirt relied on family and friends as her "books" and wove their stories into her own. Like her ancestors, she felt a powerful connection to the openness of the Plains. She participated in coming-of-age ceremonies and learned the special rules for stringing beads together and the messages conveyed by hairstyles. At the same time, Red Shirt became increasingly aware of the distance between her world and that of her ancestors.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 358 pages. A riveting historical mystery of Colonial America. In April, 1586, Queen Elizabeth I acquired a new and exotic title. A tribe of Native Americans, "savages," had made her their weroanza-a word that meant "big chief." The news was received with great joy, both by the Queen and by her favorite, Sir Walter Ralegh. His first American expedition had brought back a captive, Manteo, whose tattoed face and otter-skin cloak had caused a sensation in Elizabethan London. In 1857, Manteo was returned to his homeland as Lord and Governor, along with more than 100 English men, women and children.In 1590, a supply ship arrived at the colony to discover that the settlers had vanished. For almost twenty years the fate of Ralegh's colonists was to remain a mystery. When a new wave of settlers sailed to America to found Jamestown, their efforts to locate the lost colony were frustrated by the mighty chieftain, Powhatan, father of Pocahontas, who vowed to drive the English out of America. Only when it was too late did the settlers discover the incredible news that Ralegh's colonists had survived in the forests for almost two decades before being slaughtered in cold blood by Powhatan's henchmen. Clean copy.

Hardcover. Albuquerque NM, University of New Mexico , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages. B&w illustrations throughout. gilt titles on spine. Includes extensive bibliography. Faint foxing to top edge, otherwise a clean, tight copy. The photographs of Simeon Schwemberger, who worked as lay brother at the Franciscan Mission of St. Michaels near Windowrock, AZ, from 1901 through 1908. His outstanding photographs of the Native American Indians in that area are coupled with the fine essay by Michele M. Penhall. This photographers work has been compared with the work of Charles Lummis, A.C. Vroman, and J.K. Hillers.

Hardcover. Long Beach CA, Safari Press, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages, b&w illustrations. Originally published in 1904, it chronicles a hunting trip to several locations in Alaska, including sheep, bears, moose and more. Captain Radclyffe was an English gentleman-hunter who visited Alaska in 1903. He bagged Dall sheep on the Kenai Peninsula, back then a relatively new destination for sport hunting. He shot excellent brown bear and moose, one a 57-incher on Kussiloff Lake on the Alaska Peninsula. On his final bear hunt, a sow charged him and his native guide abandoned him. He was arrested for game law violations that prematurely ended his hunt for sheep, adding another interesting dimension to this well-written story. The charges against Radclyffe were later dismissed since he had an off-season permit to collect for the British Museum, but the authors partner was not so lucky. Radclyffe writes of how the judge enjoyed rubbing the dismissal into the face of the arresting marshal, and he paints a vivid picture of the interactions of the hunters, guides, and authorities. After all his troubles, he lost most of his trophies because of shipping problems related to the Russo-Japanese War. Clean, bright copy.

Hardcover. Norman OK, University of Oklahoma Press, 1st , 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dustjacket. Ground plans of the Indian villages of New Mexico and Arizona with aerial photos & scale drawings.

Hardcover. Boston, Little, Brown, 1st, 1947, Book: Good, Hardcover, green cloth with black lettering. Frontis portrait. This text is an expansion of the author's 1937 article Black Hamlet : the mind of an African Negro revealed by psychoanalysis. "This is the true story of John Chavafambira. It is a unique, never-before-written account of a native African medicine man, his life experiences and inner conflicts, etched against the background of two worlds-- white and black -- in collision. It is an amazing study of seemingly irreconcilable elements, laid in South Africa where the clash of color is most violent". Clean copy but mild musty odor.

Hardcover. Boston, Houghton Mifflin, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped with black lettering. 314 pages, frontis, plates from photos. A description of a stay of over a decade in Gaboon (French Congo), at various mail stations, with much on the missionary activities, schools, and the native peoples in the area including the Njem tribe in the Lomie district, about 400 miles inland from the coastal town of Kribi. This copy from a YMCA library with a stamp and an envelope on the front endpapers, otherwise clean.

Hardcover. Chicago, Albert Whitman, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, 64 pages illustrated in color, black & white by Kurt Wiese. Two discreet library stamps to both endpapers, previous owner's ink name, light edgewear to covers, otherwise very good overall.

Hardcover. Glendo, Wyoming , High Plains Publishing, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 244 pages. An incorrigible trickster, a clever thief, a rogue, sometimes a magnanimous hero, often a vengeful loser, but always a survivor, Coyote is the most complex character in the Nez Perce cycle of traditional myths. An anthropological analysis of Coyote's social relations with the other characters reveals how the myths, while entertaining stories, also impart traditional cultural values, proper social relations, and other practical information. Coyote's actions are often humorous, with consequences that account for many of the blessings and hardships of the Nez Perce experience. These translations from the native language are the most reliable and the most comprehensive available. Supplemented by myths from Archie Phinney and Herbert Spinden, Deward Walker's collection provides insights into the world and the myths of the Nez Perce Indians.

Hardcover. New York, Harper & Brothers, reprint , 1923, Book: Very Good, Dust Jacket: None, Hardcover, 274 pages. Illustrated with full color and black & white plates by Frederic Remington. Brown paper covered boards with cover pastedown of Remington drawing. black cloth spine. Copyright page with 1923 date and Harper's G-B code indicating later printing of 1st edition. Light foxing to outer edges of some pages and plates. Fraying to cloth at top of spine. Light darkening of pages close to gutter. Still an attractive copy.

Hardcover. Flagstaff, AZ, Northland Publishing, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Bill Farnsworth. In a Native American buffalo jump, a hunter lures a herd of buffalo to follow him, rouses them to a stampede pace (he's on foot, by the way) and jumps off a cliff: while he drops safely onto a narrow ledge in the cliff wall, the buffalo plummet over his head to their deaths below. Here, a Blackfoot boy named Little Blaze wishes to lead the buffalo jump, an act of bravery that would earn him his adult name. When his older brother is chosen instead, Little Blaze is resentful, but the brother trips and Little Blaze dashes to the rescue. Clean copy.