nature

Hardcover. Boston, Houghton Mifflin, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 46 pages. Hardcover. Full color illustrations by Bill Peet. Dust jacket with slight darkening to spine, minor edge wear. Clean, bright copy.

Hardcover. London, Putnam, 1st, 1937, Book: Good, Dust Jacket: None, Hardcover, rust color cover with mild soil, gilt lettering on spine, 399 pages, b&w photographic plates, most taken by the author. Memoir of life as a writer, and the nature of the Devon countryside, which the author had lately left. A series of memories, reflections and previously unused sketches of West Country life, arranged in the form of a diary and including a lengthy account of the author's 1935 visit to Germany and the "Reichsparteitag am Nurnberg" at which he was present. Clean copy, mild musty smell.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs of secret marijuana growing communities. Published under the pseudonym "H. Lee" to protect those whom she photographed.

Hardcover. Boston, Houghton Mifflin, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly soiled, price-clipped dust jacket. David Levine's line-drawn caricatures throughout, humorous, satiric nature; a mystery of letters, solved by Boswell & Dr. Johnson; "First Printing" stated on copyright page. Clean copy.

Softcover. Alexandria, Va., Appa Assn of Higher Education, 1st, 2008, Book: Very Good, Dust Jacket: None, 361 pages. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. Burlington, VT, Zadock Thompson, 1st , 1832, Book: Good, Dust Jacket: None, 282 pages. Brown leather spine, marblized paper covers in fair condition. Corners worn. Front endpaper, flyleaf title-page missing. Edges soiled, worn. Tender hinges.

Hardcover. Washington DC, Island Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 489 pages. Hardcover. gilt title on spine. B/w illustrations throughout. Dust jacket unclipped. Dust jacket has a touch of age-wear (chipping at corners/creases), but very good. Very clean and bright inside. Boards bound in yellow cloth, excellent. Binding tight. In beautiful shape.

Hardcover. New York, Basic Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Price clipping to dust jacket.

Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.

Hardcover. Brisbane AU, Steve Parish, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, large oblong volume. Slater dedicated most of his life to the photography and study of Australian birds capturing their incredible beauty on film, recording their unique behaviour in books and sharing here his experiences as a birder with unwavering honesty, compassion and humor. 160 pages of color plates. Oversized. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Oxford University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 229 pages, b&w illustrations. The searing accounts of Aleksandr Solzhenitsyn, Evgeniia Ginsberg and Varlam Shalamov opened the world's eyes to the terrors of the Soviet Gulag. But not until now has there been a memoir of life inside the camps written from the perspective of an actual employee of the Secret police. In this riveting memoir, superbly translated by Deborah Kaple, Fyodor Mochulsky describes being sent to work as a boss at the forced labor camp of Pechorlag in the frozen tundra north of the Arctic Circle. Only twenty-two years old, he had but a vague idea of the true nature of the Gulag. What he discovered was a world of unimaginable suffering and death, a world where men were starved, beaten, worked to death, or simply executed. Mochulsky details the horrific conditions in the camps and the challenges facing all those involved, from prisoners to guards. He depicts the power struggles within the camps between the secret police and the communist party, between the political prisoners (most of whom had been arrested for the generic crime of "counterrevolutionary activities") and the criminal convicts. And because Mochulsky writes of what he witnessed with the detachment of the engineer that he was, readers can easily understand how a system that destroyed millions of lives could be run by ordinary Soviet citizens who believed they were advancing the cause of socialism. Clean copy.

Hardcover. NY, Walker Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 214 pages. Over the past couple of decades, our national debt has become a favorite political football for Democrats and Republicans alike. Yet few Americans seem aware that the debt has a long and (mostly) honorable history. Alexander Hamilton considered it a kind of political Krazy Glue, which would also spur American industry by keeping taxes high. This borrowing power enabled the North to win the Civil War without wrecking its economy and rescued us from the Great Depression. John Steele Gordon doesn't deny the dangers of an entire nation living on credit; indeed, he believes that our fiscal affairs are a mess. But he puts this mess in fascinating perspective. And he's quick to see the human side of economic behavior: "One problem," he writes, "is that human nature predisposes us to recognize depression easily and quickly, but prosperity, like happiness, is most easily seen in retrospect." Name on front fly leaf, otherwise clean.

Hardcover. NY, Abrams, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 196 pages illustrated in color and b&w. Andy Goldsworthy is one of the leading British sculptors working with nature in the landscape. He has made remarkable sculptures from natural materials around the world, and enjoys an international reputation. This beautifully produced, highly praised and readable book combines superlative illustrations with specially commissioned essays by leading writers familiar with the artist and his work.

Hardcover. London, L. Reeve & Co., 1st, 1877, Book: Very Good, Dust Jacket: None, Hardcover. Green cloth boards with blind stamping to front and rear and gilt to spine. Illustrated with 13 b&w plates, 247 pages plus publisher's ads. Ex-lib from museum library, light residue, stamping to endpapers, internally clean. 1/4" tear to top of cloth spine, gilt lettering bright on spine.

Hardcover. Cambridge, Mass., The MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages, illustrated throughout in color. SIGNED BY AUTHOR on half-title and title page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Cambridge, Mass., The MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages, illustrated throughout in color. SIGNED AND INSCRIBED BY AUTHOR on half-title and title page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Chicago, Haymarket Books, 1st US, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Two-color illustrations by Laura Barrett. Greta lives with her brother Hansel on the edge of a great forest - a forest in danger of destruction. GreedyGuts, their aunt, doesn't appreciate Hansel and Greta's plans to replant trees and save the forest. In fact, she thinks they're horrible little vegetarians. GreedyGuts doesn't give two hoots about nature. She favors luxury and living it up: eating, shopping and partying hard and so she hatches a plan to get rid of the meddling, do-gooder kids deep in the woods. With her trademark subversive and comic eye, Jeanette Winterson retells the classic tale of Hansel and Gretel.

Hardcover. US, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 32 pages. Like new in publisher's shrink-wrap. Harry Callahan was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. One of Callahan's favorite themes was the repeating pattern, whether in multiple reeds reflected on a lake's surface or the rows of windows on a building's facade. While lesser known than some of his other work, Callahan's collages demonstrate an intense interest in and profound understanding of the process of photographic seeing. His collages are rigorous yet playful explorations of a visual world created in his studio. The subject is either faces cut from magazines or rectangles cut from black or white paper. Callahan then photographed the collages pinned to his studio wall on his 8x10-inch view camera, one leading to the next to create this never before published series.

Hardcover. Munich, Prestel Verlag, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover published to accompany the exhibition William Wegman - Hello Nature, at Bowdoin College Museum of Art, Brunswick, July 13 - October 21 2012. Features works by Wegman, Kevin Salatino, Padgett Powell, Diana Tuite. Full color, full page illustrations throughout. Dust jacket in very good condition. Clean, unmarked copy.

Hardcover. Berkeley , University of California Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 455 pages. This biography of Henry Thoreau offers insight into his social activism, his interest in fine arts, William Gilpin and John Ruskin's influence on his nature writing, and his involvement in, and influence by, the Agassiz-Darwin debate over "The Origin of Species." Name on front fly leaf, otherwise clean.

Softcover. NY, Four Walls Eight Windows, 1st, 2001, Softcover, 428 pages. Jaclyn Geller exposes the social forces that shape how people feel about weddings, calling into question some of the deepest-held beliefs about this tradition. Divided into three sections, the book begins with how-to-get-your-man manuals and ends with the newlywed year. First there's ?Courtship and the Marriage Quest." Geller looks at the absurd nature of proposals, the inane practice of engagement and gift-giving, and the bizarre rules governing the wedding dress. In part two, ?The Big Day," she deals with the specifics of the wedding itself. There are place cards and table settings, rigid photo ops, vows, toasts, garter belts, and daddy dances. What do these highly scripted procedures say about this most treasured ritual? Finally, the author explores some of marriage's deeper implications in ?Living in the Plural": the strangely isolating honeymoon and the establishment of marital identity that begins with a simple thank-you note. Clean, bright copy.

Hardcover. New York, Harper & Row, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages including index. Paintings by Robert Gillmor and Peter Hayman, foreword by Roger Tory Peterson. Dust jacket with fading, light edgewear at spine. 61 full-page color plates.

Hardcover. New York, George Braziller Incorporated, 1st, 1988, Book: Very Good, Dust Jacket: Good, 192 pages. Hardcover with dust jacket. Heavy damage on 2 inches of bottom right corner. Otherwise, tight copy. Color pictures throughout. Endlessly experimenting with design, composition, and color, Hiroshige captured in these paintings, as no where else in his work, his poetic and idyllic sense of nature.